Export legal video levels

Quick question — does Premiere CC automatically scale full range levels to legal (16-235) when exporting, and does it depend on the output codec?
I thought that it does, but when watching a test DVD, I'm seeing some flicker in the whites.
Premiere's YC waveform monitor shows my levels going up to 100.  That includes both graphics which were designed 0-255 and video.
I export ProRes, then compress that for DVD with Media Encoder.  Is this the right process?  Or do I need so manually scale all the levels in Premiere to 235 before export?

I should have worded that better.
My graphics are designed up to 255, but in Premiere's waveform monitor they are maximum 100 IRE (actually it kind of looks like 101).  So I think that means the levels are scaled upon import.  If I import a test image with known RGB values, and look at it on external scopes, I see that 255 measures as 237, and 235 measures as 219.
For video, my levels are already legal when rendered by the colorist.  They also never go above 100 in Premire's waveform.  So why am I seeing mild flicker in the highglights when played on a set-top DVD player on a plasma screen?

Similar Messages

  • Video levels question

    Hello,
    As a new Premiere CS6 user I'm a bit confused about the way it handles video levels when compared to Sony Vegas.
    In Sony Vegas I'm used to 16 RGB being video black (0 IRE) and 235 RGB being video white (100 IRE).  This is what I understand as studio levels which is the range most professional video cameras like my EX1 record in when properly exposed. During editing if I design a graphic either in Photoshop or Sony Vegas I input 16 RGB for pure black and 235 RGB for pure white.  This graphic will display between 0-100IRE on the waveform monitor.  I keep my entire color correction workflow within this range (16-235 RGB / 0-100 IRE) and the resulting videos look proper on youtube (since the youtube player stretches the video out to full RGB levels during playback) and DVDs since the player seems to also expect studio levels (16-235 RGB).
    In Premiere however certain things appear to work differently.  Video seems to be handled in the same way as in Sony Vegas.  I came to this conclusion by comparing the same EX1 clip in both programs and it displayed identical on the waveform monitors. However when I create a graphic in Photoshop or using the Premiere titler or solid color I find that I must use 0 RGB to get 0 IRE and 255 RGB to get 100 IRE on the Premiere waveform monitor.
    So my question is should I create a white graphic as 235,235,235 or 255,255,255?  Is Premiere actually converting my graphics to legal video levels automatically or is it just showing up falsely in the waveform monitor?  Are there any pitfalls I need to be aware during exporting to stay in the legal video range of 16-235 RGB?
    Also will there be video level differences on output when using native YUV effects vs. RGB effects like Colorista and Looks?
    Many thanks,  Marc

    Ok, I think I figured it out.  When I bring a full range (0-255) RGB photo or graphic into Premiere it maps the image to studio levels (16-235) automatically.  In Sony Vegas it does not so you end up with superwhites and superblacks and have to do it manually.  In Sony Vegas even the default video background (if you fade to black) is superblack so you have to put a solid color and set it to 16,16,16 RGB in order to stay within the studio Levels legal range.  You have to be really careful about levels or they will be illegal and cause problems downstream.
    When I make a graphic in Premiere I no longer need to worry about the graphic being 16-235 (studio levels) as I do in Sony Vegas.  Premiere considers black as 0 RGB and white as 255 RGB.  On output everything will be studio levels.  I tested an upload of a H264 file exported from Premiere which had a white background of 235,235,235 and it was not full white on youtube.  If I do the same from Sony Vegas it would be fully white.
    Hopefully this will help someone in the future who migrates over to Premiere from Vegas or vice versa.    I prefer the way Premiere handles things.

  • Video Level Shift During Edit To Tape

    I have a program that was originated in 720p-24 using the Panasonic HDX-200. During the color correction process, I adjusted the output video levels and saturation. I also added the 'Broadcast Safe' clamping filter. When I play the video back in the suite, everything's legal.
    But when I edit to tape... the video levels are back up above 100 IRE. Am I missing a setting somewhere?
    Tim Walton
    KVIE Public Television

    No Response

  • DNx HD .mov files show video levels incorrectly.

    System Mac OSX 10.8.5  Premiere Pro CC 2014.2 release
    I have a show that was delivered to me as DNx HD 220x.  This is a show that has passed incoming and outgoing vendor QC.  SMPTE Bars are present in the header of the file.  When imported into Premiere the video levels are being interpreted incorrectly.   Blacks are at 32, whites at around 200 (in RGB measurement) or black at 9 ire and white at 92 ire.
    When the same files are AMAed into Avid MC 7.0.3, levels are correct.  When viewed on external scopes via AJA Control Room, levels are correct.
    As I understand it, Premiere is not color managed at this point.  Any way to get Premiere to display this file with correct levels?
    Thanks,
    Jef

    Not a direct answer but when I export DNxHD in a mov. wrapper I have to select RGB ( I think that is right, I'm not at my editor at the moment) in the codec settings to get it to look right in a Venice server. The default settings, the levels are too high but it looks ok when reimported into Premiere.

  • How do I export a video from my iPhone to a friends computer?

    How do I export a video from my iPhone to a friends computer?

    Same as you would from any digital camera:
    iOS: Importing personal photos and videos from iOS devices to your computer

  • I am trying to export a video I have made in FCP 10.0.8 to Youtube or to a master file and I keep on getting an error -50, or "error exporting master file at frame 20074" Any ideas?

    Having used FCExpress for a while I decided to give FC Pro X a trial, I created my first video with it, exported to youtube and it worked fine.  I am now trying to export my second video to youtube and I get an error -50 which means absolutely nothing.  Not being defeated that easy I tried exporting to a mster file using the H.264 codec and I get an error "exporting master file at frame 20074" - again another useless error.  It takes at least 10 minutes to get to this error after the rendering has started, it gets about 12% in.  Any ideas where to start - I am seriously at the point of giving up with Final Cut Pro X simply on the basis of it being more trouble than its worth - I am just glad I did not pay for it yet...
    Any help would be much appreciated.
    Gerry

    Hi Russ,
    Thanks for your response. I am not an experienced user of FC or other video editing software but if its that hit and miss I think I will go to the trouble of finding some better software - I have a busy enough life as is, I don;t want to get into second guessing what a software problem might be!
    I have just successfully exported my video to a master file using one of the Apple codec options so it looks like it could be to do with the H.264 codec.  I am wondering if Apples Compressor software would solve this problem - the only way to try this it to buy it, there is not trial for the compressor app.  Any ideas?
    Thanks
    Gerry

  • I am using the old imovie HD on my old Mac laptop... it works fine, but when I export a video to YouTube there is a black frame around it.. how do i get rid of that? thanks!

    I am using the old imovie HD on my old Mac laptop... it works fine, but when I export a video to YouTube there is a black frame around it.. how do i get rid of that? thanks!

    Hi MyAppleID99,
    You may want to check to make sure the clip hasn't been moved back and forth between wide screen and standard aspect ratios; sometimes a combination of letterboxing and pillarboxing can lead to a black frame "windowbox" when playing the final video. You may find the following article helpful:
    Apple Support: What are Letterboxing, Pillarboxing and Windowboxing?
    http://support.apple.com/kb/ht2320
    Regards,
    - Brenden

  • Help with exporting Minecraft video

    Hello. My name is Reynir Aron. I make Minecraft videos and I recently switched from Final Cut Pro 7 to Premiere Pro CS6 and I love using Premiere.
    However there is one little problem, when I export the video (even if I do it through Media Encoder) the video looks very smoothed out (for example the text looks really crappy and isn't pixellated).
    Can anybody help me? The video is not being scaled up, the source video, my sequence and the export settings are all 1280x720.
    By the way, is there any plugin or anything that lets me export using QuickTime Pro 7?
    Here is a screenshot of the output I get:
    This also happens if I check "Use Maximum Render Quality".
    This is what I see in Premiere's Program window:
    I have an iMac8,1 (Early 2008) with a 2,8GHz Intel Core 2 Duo, 4GB 800 MHz DDR2 SDRAM, an ATI Radeon HD 2600 Pro 256 MB and I'm running OS X Mountain Lion 10.8.2.

    I think my daughter is using FRAPS, but of course not transcoding, just putting that right into Premiere. If your captured file is 30fps, what is the transcoded ProRes file? I don't know if ProRes supports non-video settings, so maybe that is converted to 29.97? But then the edit sequence is 30fps, and I do see an issue - FIELDS is set to LOWER, but should be PROGRESSIVE. That could be causing the jaggies issue on your output.
    How did you create the editing Sequence? Try creating a NEW SEQUENCE with the same settings, except make it Progressive, then copy/paste contents of interlaced sequence into the progressive sequence and then Export again, see if that helps. Or just do a short sample to check, to save time.
    Thanks
    Jeff

  • How do I export a video without a heavy blue cast

    I use imovie 3. I can download and edit my movies. The finished product looks good on the computer. However, when I export, the video has a very heavy blue cast even when viewing on the computer. But, if I export as an email or web file then the colour is ok but the quality is poor. I would like to copy some of my videos on to cd's with correct colours. Any ideas??

    You can only export in the same resolution that you imported.
    That is if you shot in 720p you cannot export in 1080p.
    Share > YouTube and select the highest resolution available.
    Z.

  • How can I export a video with audio from premiere cs 5.5 to a DVD

    how can I export a video with audio from premiere cs 5.5 to a DVD

    You don't... at least not directly... you export MPEG2-DVD and then use the TWO files (audio and video) in Encore
    CS5-thru-CC PPro/Encore tutorial list http://forums.adobe.com/thread/1448923 may help

  • How can I export a Video without making it darker than the original file?

    Hi there!
    I'm working on a footage shot with the Canon 5D and since the first step in the post I exported the raw footage with Apple ProRes 422 (HQ) and worked with it in After Effects and later on FCP and then the usual Color and Compressor. But somehow every time I exported it, it got darker and darker... I tried using Animation codec instead of Apple ProRes 422 (HQ) and it didn't get dark but the files are HUGE and in the end I have to export the video in H.264 for internet. Does anybody out there have any idea what should I do and which compression should I use and how?
    Thanks a lot!
    Davi

    When you say you exported the raw footage... are you working with native H.264s in FCP?

  • How to export a video at a moderate certain format and size in premiere CC 2014: No Huge File Results!

    I have the latest version of Adobe Premiere, CC 2014 but whenever I want to render and export a video that is typically 70 megabytes in size I can't seem to always see how big the file will end up being for all the formats and I don't want to end up with a video larger than 250 to 300 megabytes in size just for the extremely best or highest quality even though I want the video to be well polished and in better quality than I usually get thee, These videos are usually imported as mp4. What file version of mp4 or otherwise would give me an originally imported video of 70 megabytes an output of no more than or around 300 megabytes or even less without compromsing video quality? I don't want a huge file size as I am uploading it to my YouTube channel via their web interface on another person's machine and they don't have Premiere and only has a DSL connection. So what video output settings should I use for a good quality video that isn't smaller than the original but the same size or a bit higher and not extremely large like MOVs and sometimes mp4s usually are depending on what you do to it and it is outputted.?

    Export
    Format: H.264
    Preset: YouTube (make sure this matches the dimensions of your sequence)
    You could further adjust the Target Bitrate but the preset is already setup for a good quality file for upload.
    You can also do further reading on Video Bitrates.

  • I would like to use slideshow in lightroom to export my video as a full screen 1920x1080 video with text overlays.  I am using text overlay in lightroom as it reads from the metadata that is easy for me to input in the library screen.  When i export from

    I would like to use slideshow in lightroom to export my video as a full screen 1920x1080 video with text overlays.  I am using text overlay in lightroom as it reads from the metadata that is easy for me to input in the library screen.  When i export from lightroom slideshow and choose the 1920x1080 resolution the end product is a very small video in the middle of a black background.  i have double checked and do not have any borders turned on.  Another option would be to export from the library but lr mogrify does not seem to put text overlays on video either.  Any input would be welcome.

    I dont understand anything you said in your post.
    Do you have a specific question about video production?
    The forums are for individual technical or creative issues that users have with video production. I am sur someone will be able to help you, but and to get a response it is best to ask a specific question.
    Is this about a technical problem you have or something about setting up a web site? If its the latter this is the wrong forum.

  • I have a huge file which is in GB and I want to split the video into clip and export each clip individually. Can you please help me how to split and export the videos to computer? It will be of great help!!

    I have a huge file which is in GB and I want to split the video into clip and export each clip individually. Can you please help me how to split and export the videos to computer? It will be of great help!!

    video
    What version of Premiere Elements do you have and on what computer operating system is it running?
    Please review the following workflow.
    ATR Premiere Elements Troubleshooting: PE11: Project Assets Organization for Scene and Highlight Grabs from Collection o…
    But please also determine if your project goal is supported by
    a. format of your source
    and
    b. computer resources
    More later based on details that you will post.
    ATR

  • Why should it take over an hour to export a video that is less than 2 minutes long?

    The short clip I have is only 1;51 long, but Media Encoder has been slaving away at it for over 20 minutes and still says over an hour remaining. The only thing I am doing differently with this clip is I have sped up the action x10 to give it a "Keystone Kops" effect. (The duration of the raw video totals about 17 minutes.)  I've also added about three titles and an MP3 sound file. Tried to export first to F4V, then gave up and am now trying export to plain AVI, but it is taking forever!
    Dell T3400 dual core 3.2 gHz. Two 1T hard drives in a RAID stripe 0 configuration. 4g ram. Running Windows 7 Release Candidate (which I LOVE!).
    The clips are from my JVC Everio GZ-HM200BU HD camera set at lowest picture quality (for longer recording).
    Any ideas?

    OK, well... where to start...
    First, as to Windows 7, I appreciate your admonishment, but I have had no problems yet that I attribute to the OS. The main reason I switched to W7 is not for bonus points, but because Explorer will natively show thumbnails of the AVCHD files from my cameras. Vista would not do that. I am sure you'd agree that this is an important and very helpful feature. No other add-in program for Vista have I found would do that for me. It may be out there, but we haven't crossed paths yet.
    Secondly, I have had no other problem encoding video before this particular one. Most of the videos I produce are for our company website (http://www.topographic.com) to be viewed as a FLV or F4V file, and there have been no problems with that. I did create a video that was over 1-1/2 hours long that was written to DVD, but that took, without surprise, over 4 hours to complete, including the transcoding and DVD writing in Encore. (This one that was giving me problems is only 1-1/2 minutes in length, and is not being written to a DVD.)
    This particular video I tried first in F4V, but when it seemed to be drawing out so long, I canceled and restarted it as an AVI. And that one went on for well over an hour before it finished. The main thing that is different from this video, as I explained in my original post, is that the raw video was 17 minutes long, sped up by PPro x10 for fast action (you can see it here: http://www.topographic.com/video/booth_setup.html - I am the guy in the dark blue shirt).
    As a comparison, I exported another video that is not yet completed, just as a test. That video is 44 seconds long and it took only 5 minutes to encode. All things being equal, this video would have taken at least 30 minutes to encode if conditions were the same as the video I was having trouble with.  I have to believe that the problem would be the compressed timeline for speeding up the action.
    As further comparison, I created a test video with the raw clips for the troublesome video and exported it to an AVI file. It was a 17-minute video which took 31 minutes to encode. This seems to be consistent with my previous test.
    In all other aspects I have had no serious problems with my videos and PPro CS4. A few little niggling problems here and there, but mostly due to my inexperience with the system (as my previous postings seem to adequately bear out).
    As for my being an engineer: make that former engineer. I am now an IT and communications guy. But you can see what kind of stuff I designed by looking here: http://www.geocities.com/wanorman2000/gallery.htm.
    Thanks for all your help!

Maybe you are looking for

  • How can I connect SP to PID block when there is no AI block ?

    Hi, I just started using NI-FBUS (NI USB-8486 with NI configurator 4.1)  for my device setup there are only AO, TB, RB and PID block.  Question 1.  Can I manually set SP in the configurator ? if so, can you please tell me how ?  Questino 2.  I tried

  • I am burning my mini dvs to one step idvd.Some dvds have no audio..don't know how to fix it

    I am burning my mini dvs to one step idvds.Some of the dvds have no audio while others have...how to fix this audio problem?

  • Clear shortages to suspense account

    Hi, We have had a situation where several shipments where found to be short by several units on several lines for three orders. We have since developed a process to receive all product on the order and write shortages to a suspense account which will

  • Find a component in TaskFlow Region

    Hi All, Jdev version : 11.1.1.6 I found lot of code to find a component,Using FacesContext, Events etc... But in my case its not working. Scenario: Home.jspx <f:view> <af:document id="d1" title="Create Proposal"> <af:form id="f1"> <af:region value="#

  • Generate calendar from data

    Hi all, i have a problem with a query. i will make this two parts. the first part is describe below. the second part will be discuss in follow up posts. i am using oracle 9.2.0.7 enterprise i have two tables CREATE TABLE t2 (id NUMBER, dt DATE, src N