Exporting a freeze frame as a still image

Hi I need to extract a still frame from some footage, how do i do this so i can export it so i can use on a website ?
Hillster

Here's a really cool way if you have Photoshop, especially if you ever need to export multiple still frames:
Generally after a cut is complete we export a Quicktime movie of it in our favorite format [generally ProRes or XDCAM EX]. Open that file in a Quicktime player.
Open Photoshop create a new document, in our case 1920x1080P.
Place the Quicktime player just above the Photoshop document, scroll to the still you want, hold down shift [this centers the image in the center of the frame] and drag and drop into the Photoshop document.
Do this as many times as you want, each time you drop an image it creates a new layer in the Photoshop document.
Once you have the stills you want, close Quicktime, in Photoshop go to File/Scripts/Export Layers to Files and it will export, name and place the files where you tell it in TIFF, JPEG or whatever format you choose.
We do a lot of corporate stuff and since exporting a still from FCP was much more time consuming than it should be we rarely provided stills. Once we were told about this method we provide 15 to 20 stills from every project for use in brochures and other promotional materials.
The cool things is that they're not aware how quick and efficient it is to do this, and we $till charge for every $till!

Similar Messages

  • How to export a freeze frame in good quality ?

    Hello
    I'd like to export a freeze frame, but the quality I get is very poor. In the manual, it says:
    "To eliminate interlacing artifacts, you can apply a deinterlacing filter in
    Final Cut Express before you export a still image."
    Does anybody know how to do it ?
    Thasnks

    Oooops ! I found it. If anybody i s interested, just go to Effects menu --> Video filters --> Video --> De-interlace
    By

  • How can I export a freeze frame into a JPG or Tiff file?

    I would like to export a freeze frame from my Final Cut Ten  timeline onto my desktop for transfer. I'm not sure how to do this. It was a lot easier to do in Final Cut Express. Any help please?

    Now it's added into the preferences. Put the playhead over the clip you want. Then go to the Share button and you'll see Save Current Frame

  • CS4 doesn't allow Export Frame as a Still Image??

    In CS3, I could create a still image of a frame (tiff file) by placing the CTI on the frame in the Source Monitor and then choose File>Export>Frame. This would create the file and place it in the Project I could adjust the default of the length of the still image through Preferences>General>Still Image Duration.
    The File>Export>Frame option is no longer in CS4.......???
    Can anyone tell me the quickest way to create or export a still image from the Source Monitor in CS4??
    Thanks a TON!
    Bruce

    You're welcome. Happy editing.
    You will also find links to many
    free tutorials in the PremiereProPedia that will quickly show you how things are done in Premiere Pro.
    Cheers
    Eddie
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  • Stacking video frames to make still image - help please

    Question:
    I want to take 2 seconds of video ( 60 frames )and stack all the video frames to make one still image.
    I just tried to do this in Photoshop CS3 but found out that this requires CS3 extended version. Is there a stacking feature in Final Cut Express? ( Or in iMovie6 ?)
    Any ideas welcome as to how to accomplish this task.
    Thank you in advance.
    Tom

    I would say the best advice has already been given, which would be to use a still camera with a long shutter speed. However I suspect you already have your footage and would need to wait for another opportunity to do this. I'd say the next best option would be a motion blur filter, I think stacking each frame would have its problems.
    You can easily export your 2 seconds of video to single frame images by exporting to an image sequence, you could then import each still as a layer into photoshop. You would probably find that other stars (having 60 images on top of each other) would be very bright and stand out like a bird of paradise's mating ritual, unless you adjusted the opacity of each which you would likely need to do for the whole of the image excepting the shooting star. I'd say it can be done, but it sounds like a bit of work.

  • How do I export a freeze frame in CS4?

    There's no longer an "Export/Frame" menu option in CS4 (as there was in CS3).
    How can I export a simple freeze frame from Premiere into another editing program, such as Photoshop?
    Thanks.

    I've torn out half my hair trying to answer the same question.  I think I have an answer and it had nothing to do with the many hours I've spent in Adobe's help and Forum to get an answer.  I had to figure it out myself.
    Here it is:  Because CS4 handles HD video, they don't export straight to JPEG.  They export to TIFF which is higher resolution than JPEG.  That's my guess, anyway.  To export a frame grab, go to FILE>EXPORT>MEDIA.  On the top right side of the window in the Format box, click the down arrow to open the list and select TIFF.  Click Okay.
    Another box will open up.  This is the Adobe Media Encoder window.  Yeah it's new to me too.
    The file you are trying to export should show up in the box with all it's wonderful detail including where you want it to go.  If you want to change the name of the exported frame, click on the 'Output File' portion of the detail and a 'Save As' window will pop up and you can rename the file.  Otherwise, CS4 will give it a generic name for you and you'll have to go find it.
    When you get done click 'Okay' and it takes you back to the Media Encoder window.  From there click on 'Start Que' and the file gets saved.  Click on the upper right X and the Media Encoder window closes.  There is no 'Done' or 'Close' button that I can find.
    Somehow I got my file to save as a JPEG the first time but I'm unable to duplicate my steps now, so just know that it can be done and be willing to experiment a little from here.  If you click on Add, it offers the JPEG format but it's trying to OPEN a file instead of SAVE.  I'll have to keep working on that part.
    I hope this helps.  These turkeys at Adobe should hire me as a troubleshooter and manual writer - I spend a lot of time trying to figure out things they don't document in the manual or help files.  As for the Forum - they can stuff that, it's useless.   This should be an exquisitely simple task - we all do frame grabs.  But they've made it into a monstrous chore.

  • How to export a short  film made with still images without loosing quality?

    Hi,
    I have been trying everything to make a short film, which is made with still images, to look decent once exported however it is a real challenge. Here are the steps I have undertaken:
    1- I prepare the photographs and give them the aspect ration of 720p and whatever height as I try not to crop them too much at 300dpi. They look great in photoshop or capture one. I then save them as.tiff. All the images are RGB.
    2- I start a new project in premiere pro cs4 and make it DV Pal 25fps.
    3-I import the images and place them on the timeline. If they are a bit too big I rescale them. The images seem to look ok on the timeline although I seem to have lost the deepness of the colours.
    4-I render the work area
    5-I export it as quicktime, dv pal, quality 100.
    My dilemna is that although exporting with quicktime, dv pal, quality 100 seems to give me the best quality compared to using quicktime animation, mpeg2, cinemak, avi..., the images are still not as sharp as in Photoshop and the colours look a lot paler and washed out. Also, when looking close to the screens you can see tiny squares on the images although from distance it's not too bad. When I view it from the exported file using Nero it's not too bad although definitely not perfect, as soon as I try to make a DVD and import it in Adobe Encore CS4 or send it by Dynamic Link, the quality looks horrible with images that look soft if not blurred and completely washed out.
    I have now tried about t bu15 versions to see what 's the best I still have not reached the optimum quality and since these will be shown on big tvs or projected onto screens I need to nail it.
    Would anybody have any advice please please please?
    Many Thanks

    My overall advice is to do that kind of work in an application that is designed for that.  Give Photodex Proshow Producer trial a crack at it.  I do a lot of work with stills, and that IMO PSP is the best approach.  If you are intermixing the odd still, Pr may get you by.  If you plan on doing a lot of that, try proshow, where the workflow and extensive features are designed for making high quality videos from stills that can be output to a wide number of formats and destinations, including color management with many of them( including avi).  And, no need to resize.  I know this won't solve your present problem.
    Obviously, your attempt in Pr has not worked out as you had hoped. Maybe a bit more info would help. How are you rescaling them in Pr? That might well account for some quality loss. What is the original format and size of the images? What color management are you using in PS? Are you using any color correction or effects in Pr? Is your project interlaced or progressive?
    From your description,  you are not even getting the quality you should be getting from Pr IMO, though as Jim says, it is video and it will never look as pristine as it does in PS, but it still seems to me that something you are doing has degraded the work more than normally would be expected.

  • Need Help Pasting Key Frames from one still image to others, and Changing the duration of multiple still images.

    I'm working on a stop motion project, and I have at least a thousand still images to work with.
    I have adjusted several Key Frame settings on the 1st still image in my project, such as
    Brightness
    Cropping
    Scale
    Position
    I now want to apply these exact settings to hundreds of still images at a time that make up one scene in the project (but not all still images in the entire project).. Is there a way to paste or easily transfer them?
    Also, there are scenes I'm working on in which I want to change the image duration of hundreds of photos at once, but not change to duration of all images in the project, is this possible?
    I've looked at several different web-links, but none of them have what I'm looking for. If you can please help me, I'd be willing to send you $10 through paypal. Knowledge is power; the solution to these problems would save me hours of time. If you don't fully understand my questions I can send you a pictures or a video, pointing out my needs.

    Stan,
    Thanks again for your input.
    When the project is created, I don't recall seeing the preference settings until after the project opens the first time.  In that case if certain media was imported into the project panel but not in the sequence, after the duration was changed, it would be necessary to remove the media from the project panel then re-import again.  If there is a workaround to this please let me know.  It also doesn't appear that creating a new sequence would prevent the re-importing.  Could you confirm?
    Thanks for the link on automating to sequence--I remember that from CS4.
    The application of identical effects to media on the timeline in a sequence was something I had learned back in CS3 or maybe earlier CS4 where the effected, in this case a transition between images was applied then copied then using the paste or (Control V) command, applied to all other stills.  That worked fine but with lots of images, it ends up being a lot of "point and clicks" since the CTI must be moved to each transition insertion point before the paste is applied. 
    I actually thought that I had seen someone select the remainder of the images in the sequence then apply the paste command but I was never able to make that work.  Have you heard of such a short-cut?
    Much thanks again!!

  • Export Media halts when it reaches still image

    Exporting my timline is halted when it reaches a small jpeg. When I try to cancel the export, Premiere must be forced to quit, then crashes and displays the "Adobe has encountered a serious problem" window. Adding a video element below the small image allows the export to proceed past the problem image. This happens so frequently that I've had to create a black video file just for this purpose. Is this a bug that Adobe is addressing?
    MacPro 5,1 running 10.8.4
    CC (up to date)
    Nvidia K5000 (exporting using Mercury Engine software only)
    Timeline rendered using Linear color (required for desired look)
    1920x1080, 23.976, ProRes

    Still having problems exporting
    I'm trying to export using my ProRes preview renders. Whenever there is partial transparency on a film dissolve to nothing the export halts, the progress bar stops.
    Same problem when I have a letter boxing matte image file over nothing, the export halts, progress bar stops.
    When ever there is an image file (any image file, small or large, filling s reen or partial) the export halts.
    I'm in linear composite mode with an Nvidia k5000. 1920 x 1080 x 23.976.
    Staff members please help and respond to my bug report, please.

  • How do you export a still image from a sequence ?

    I could easily export a frame as still image in CS3 (File / export / ...)
    But how do you do this in CS4 ??... Adobe found another way of making something simple so difficult !...  I try to export media, then select a still image format, make sure ''export sequence'' is *not* selected, but when I look at the output, what I get is not where I had stopped the cursor and appeared on the monitor, but I get the first frame of the sequence instead.
    What am I doing wrong here ?
    Thanks,
    Rob

    Your way should work, it worked for me.
    Try reading this:
    Select a clip in the Project panel or a Timeline.
    Choose File > Export > Media.
    In the Export Settings dialog box, select a still-image format from the Format menu. See Export Settings Format options.
    If tabs are not visible below the Summary pane, click the Advanced Mode button.
    On the Video tab, deselect the Export As Sequence option (if it is selected).
    (Optional) To deinterlace the frame, select Progressive from the Field Type menu.
    (Optional) To correct the pixel aspect ratio for display on computer screens, select Square Pixels from the Aspect menu.
    Click the Output Name hot text.
    Browse to the location where you want to save the still-image file, type a filename for it, and click Save.
    In the Export Settings viewing area, drag the playhead to the frame you want to export as a still image.
    Click OK.
    Check no.10 did you drag the playhead in the export settings viewing area? Or did you do that on the timeline?
    Good luck.

  • Interlacing in freeze-frame after export

    Hi,
    I've come up against this problem. It looks fine while using PE, but after exporting the freeze-frame looks terrible?
    Anthony

    Hi Steve,
    I tried a number of times to create the right preset but to no avail.
    The 4 options I get in advanced settings, after selecting 'Share/Personal Computer/Still Photo' are the following:
    1. The type of file (jpeg, tiff, etc)
    2. Frame rate (I leave as is)
    3. Progressive/Upper/Lower
    4. A number of choices, the first of which is square pixels.
    There doesn't seem to be any place for 'deinterlacing'
    Any thoughts?
    Thanks
    Anthony

  • Still images turn to black backgrounds in the exported movie

    I am still using Premiere 2.0. I produced a ca. 25 min project with still images at the beginning and at the end and short videoclips in between. Still images are only ca. 40-50 kB large. When working on it I occasionally got a few problems (e.g. an audio transition across two clips was making Premiere hanging up) but I could easily get around them and successfully preview the project and export it to a folder and directly to a DVD. However, when viewing the movie on TV I found out that almost all (BUT NOT ALL!) the still images had turned into black backgrounds. I have exported the movie as MPEG, more still images were fine but not all of them. I have tried to drastically reduce the number of still images (max 5) but nome of them were fine. I do not have any error message and this problem is driving me crazy! Does anyone have a brilliant idea?
    Last year I bought the new version of Premiere (3.0 I believe, surely not 7.0) but I stopped using it after one week because there was no way to successfully export the project I was working on. I made several videos, always got problems but so far I always found a solution on Premiere forum. Hope this time too!
    Many thanks for the attention
    fabia (switzerland)

    Try sizing your photos to 1000x750 pixels in size.
    Also, right-click on each photo on the timeline and select Field Options and check the Flicker Removal box.
    These will give you the best quality.
    I am also concerned, however, that you are having technical problems and, especially, that you can not use a newer version of the program.
    I'd recommend you install the latest version of Quicktime and the newest RealTek drivers, as we recommend in our FAQ.
    http://www.adobeforums.com/webx/.3c057647/2
    Also, using my recommended computer maintenance will remove temp files on your computer and make it run like new.
    http://www.adobeforums.com/webx/.3bc43f9a/0

  • How to output video as still image frames?

    Hi there,
    We need to convert a movie file which has something like 375 frames into 60 still image files. How could we go about doing this using After Effects?
    We have a lot of movie files to convert, is there a way to batch process this so that we can have it processing over the weekend?
    I'd really appreciate anyone's help!
    Thanks!
    Abi

    That link is helpful.
    So if I wanted to render a batch process, I simply add all the movie files into the render queue and then specify for each of the files where I want them to be outputted to... And then once the render button is clicked it will do all of the items in the queue?
    For example, for one composition I have 'Best Settings' selected for 'Render Settings' and then for the 'Output Module' I have it set as 'Based on "Lossless" '...
    The 'Output Module' settings I have as the format 'JPEG Sequence', 'Post-Render Action: None', 'Video Output' is ticked; 'Channels: RGB', 'Depth: Millions of Colors".
    I am outputting it to a specific folder.
    Are these settings more or less correct for what I want to do?
    Apologies for basic questions being asked, I don't want to start the process for it to go wrong when I am not here to oversee it!!!
    Thanks!
    Abi

  • Most efficient way of changing still image frame rates?

    I'm using Premiere CS5.5 and have been having issues with the audio/video going out of sync when I upload my video to Vimeo (it's not out of sync prior to uploading it...it only happens after they transcode it). The Vimeo support staff says the problem is that I'm using a variable frame rate, but since there isn't any option (to my knowledge) to choose a constant or variable framerate in Premiere/Adobe Media Encoder, I think I have identified the problem. The primary footage that I shot with is 23.976 fps and that is what my sequence settings and output settings have been, but I also have a lot of still images that I'm using for b-roll, which I finally noticed are 29.97 fps. I changed the Intermediate Media Timebase setting to 23.976 fps in the preferences, but my question now is if there is an efficient way to change the frame rate of all those still images without having to re-import them and re-apply all the various motion effects/key framing that I've already spent a lot of time on?
    Any help would be much appreciated. Thanks.

    Yeah, I downloaded MediaInfo to explore some of the various versions that I've rendered in my effort to get something that works correctly on Vimeo, and depending on the encoder I saw some of what Ann posted, but I also looked at one on MediaInfo that I had rendered through Adobe Media Encoder and it had a Constant frame rate mode of 23.976, yet I remember watching that one on Vimeo at the time and it was still out of sync--Mediainfo says that version has a variable audio bit rate though, but to my knowledge there isn't an option in AME to choose a constant audio bit rate.
    I agree that it's an issue on Vimeo's side, but the chances of them getting their **** together in a timely fashion seem low. The frustrating thing is that I can watch documentary style videos on Vimeo that I know were edited and compressed through Premiere/AME, yet they don't have any audio sync issues. The difference that I noticed between one of those videos and mine is the use of still images in my video. As you can see from an image I uploaded earlier, the default frame rate for still images when I imported them was 29.97 until I changed it yesterday, but it didn't update the images I had already imported. So I'm wondering if there is a way to change the frame rate of those still images without having to re-import the images and make all my edits/key framing all over again.

  • Frame around still image.

    Hello -- somehow I have managed to place a frame around my still images. It was cute once, but now I need to get rid of it. I hope to use a still image behind my talent using chroma key. How'd I get that thing on in the first place, and how do I get rid of it!?
    Thanks,
    Docfiddles

    Welcome to the forum.
    Personally, I'd do this in Photoshop and create an Action to Batch process the removal of the "frame."
    Now, in PrPro, you can apply the Crop Effect to the still image with the "frame." If they are all the same, then once applied to the first, Rt-click, choose Copy. Now, Select all others, Rt-click on them and choose Paste Attributes.
    You might want to put a Colored Matte on a lower Video Track for a "background." You could also place an abstract still below.
    Good luck,
    Hunt

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