Extracting and sorting AVCHD Clips

I just got a Panasonic Lumix GH3 camera. I took shots for several different projects all on the same SD card. I want to separate the clips into the corresponding project folders on my computer so that I can label the clips and import and edit them later in Premiere. When I insert the SD card, I click on private and the AVCHD file. I dragged and dropped the whole file onto myu desktop and then opened it. I then tried to drag and drop the individual files to the folders, but it doesn't work. I don't want to import the whole file into Premiere because the clips are from several different projects. How can I extract the clips out to sort them before working with them in Premiere?

Like this?
SELECT loan_desc,REGEXP_SUBSTR(loan_desc,'[[:digit:],.]+%?') extract_string
FROM loan_dtl
ORDER BY 1,
         DECODE(loan_desc,
                loan_desc,
                TO_NUMBER(REGEXP_SUBSTR(loan_desc,'[[:digit:],.]+')));
Message was edited by: 000000

Similar Messages

AVCHD - how can I extract and save separate clips?

My first go around with AVCHD which I know nothing about except that after buying a nice new Sony video camera I have as a result on my first try-out, a single file called AVCHD even though I took several separate clips. When I click on that file on my computer, it opens up and shows thumbnails of each of the separate clips. When I click on one of the clips it opens in QuickTime and from there I can export the file to save it as a separate clip on my computer.
Is there an easier way to batch save the separate clips or do I need to go through this process of opening each one separately in QuickTime and exporting it in order to save it?
Any information on how I should approach working with this AVCHD format would also be greatly appreciated.
TIA,
Ken

shooternz wrote:
There is no chance Apple will do this. Forgedaboutit.
You dont need to use the QT player at all in your Premiere editing workflow is the advice that Jim and I are telling you.
Okay, I'm now going to do an about face and revise my workflow routine to start in Premiere.
"Copy entire AVCHD file from your card to your local hard drive ( not C;)
Open Premiere Pro.
Go to the Media Browser Panel
Locate your Source footage on the local hard drive directory.
Click down to the individual source clips. Where varies a little depending on camera but eg. VideoStream
Import into Premiere. ( one way..Drag them to a Folder in the Project Window eg "Holiday Clips""....
... Keep all your source files exactly how they came of the card ( camera card) on your local hard drive.
THey will be individual files in side Premiere.
Dont mess around trawling through them, viewing them in an external player and sorting them.. You will bust something!
The place to sort your files is in the Bins in a Premiere Project.
Basically...Edit in the editing Application. (Premiere)
Thanks shooternz et. al.,
Ken

Extracting and Sorting a Number in a Text field

Hi everybody,
I have a column in LOAN_DTL Table as LOAN_DESC which contains data like this:
   CUSTOMER LOAN A/C : CAR 10.00%
   CUSTOMER LOAN A/C : CAR 11
   CUSTOMER LOAN A/C - HOUSE 15.5%
   CUSTOMER LOAN ACCOUNT - CAR 5.50%
   CUSTOMER LOAN A/C - CAR 9%
   CUSTOMER LOAN ACCOUNT : HOUSE 10%
   CUSTOMER LOAN A/C : PERSONAL LOAN 8.50
   CUSTOMER LOAN ACCOUNT : HOUSE 7.75
   CUSTOMER LOAN A/C : HOUSE 6.00
From the above data, I need to extract the Group i.e. CAR, HOUSE etc. and sort the Group on Rate of Interest order as below :
          CUSTOMER LOAN ACCOUNT - CAR 5.50%
          CUSTOMER LOAN A/C - CAR 9%
          CUSTOMER LOAN A/C : CAR 10.00%
          CUSTOMER LOAN A/C : CAR 11
          CUSTOMER LOAN A/C : HOUSE 6.00
          CUSTOMER LOAN ACCOUNT : HOUSE 7.75
          CUSTOMER LOAN ACCOUNT : HOUSE 10%
          CUSTOMER LOAN A/C - HOUSE 15.5%
          CUSTOMER LOAN A/C : PERSONAL LOAN 8.50
How to go about the above ?

Like this?
SELECT loan_desc,REGEXP_SUBSTR(loan_desc,'[[:digit:],.]+%?') extract_string
FROM loan_dtl
ORDER BY 1,
         DECODE(loan_desc,
                loan_desc,
                TO_NUMBER(REGEXP_SUBSTR(loan_desc,'[[:digit:],.]+')));
Message was edited by: 000000

AVCHD Clips Showing Up Black in Log and Transfer Window

I'm doing some work for a client with some footage shot on a Sony NX5U. I'm trying to ingest the AVCHD clips into FCP 7.0.3 via the Log and Transfer window. I can pull up a list off all the clips in L&T and some of the clips work. Numerous other clips though, just show a black screen and have no audio. You cannot play the video in the preview window, although the box that shows the duration of each clip does show a time for each clip selected, so it must see something there. If I try to add any of the problem clips to the transfer queue, it tries for a few seconds to transfer the clip, then it gives the error with the red exclamation mark and stops. All the other clips transfer fine.
I'm fairly certain that the problem is something with FCP because I can load the same clips into adobe premiere without any issues. I can also watch all of the same files in VLC player, so the problem doesn't appear to be a corrupt file or anything of that sort. I've tried the same steps and had the same results with the files on a memory card and the files copied off to my hard drive. I did receive the memory card from the client and did not shoot the footage myself, so its possible that something was messed up on his end, but the file structure appears to all be in tact, as near as I can tell.
Here are a couple things I've already tried that didn't appear to help
--Trashing the preferences to FCP
--Switching the transfer codec from Apple Pro Res to AIC
--Changing the scratch disks from an external hard-drive to the internal drive
Any suggestions anyone could offer would be greatly appreciated! I have transferred footage off this camera before with no issues, so I'm not sure why it's having problems now

we're all the files shot in the same format? Not all formats are compatible with fcp. If you can bring the files into premiere, you can use the adobe media encoder to convert to prores and then work with them in fcp. The interface on the adobe media encoder is not particularly intuitive at least in CS 5.5. I use it for this kind of thing every few months and every time I have to figure it out again. May be early onset alzheimers, but I don't think so.

I have an old project with AVCHD clips and I want to import the clips again with surround sound. How can I relink the project clips to the re-imported ones without doing the project from the begining?

I have an old project with AVCHD clips and I want to import the clips again with surround sound. How can I relink the project clips to the re-imported ones without doing the project from the begining?
I have a sony handicam and I imported the clips to iMovie and they lost quality and converted the audio to stereo. I want to import the project to final cut X and import the AVCHD in 1080p and surround sound and export the movie in bluray. Can I relink the clips without editing everything again?
thanks!

Only photos taken with the iPad, copied onto it via the camera connection kit, or saved from emails/websites etc can be deleted directly on the iPad - either via the trashcan icon in the top right corner if viewing the photo in full screen, or via the icon of the box with the arrow coming out of it in thumbnail view.
Photos that were synced from a computer are deleted by moving/removing/de-selecting them from where they were synced from and then re-syncing. If you want to remove them all then normally you could just sync an empty folder (in terms of photos) to the iPad, but as you don't want to sync at the moment you can't do that.
You can reset the iPad back to factory settings and start from scratch with it : Settings > General > Reset > Erase All Content And Settings

Workflow for avchd clips and meta data

Just started using a Panasonic AG-AF100 on a 5 month project. Will be producing 1000's of clips. So I have off-loaded the first 3 cards we shot and have discovered something about avccam material. If you just copy the .MTS files from their /stream folder or rename the file with a name instead of its original number produced in the camera you lose the timecode and other meta data.
If I leave the clips in that folder and other card folders in their associated directories and "import" clip with Premiere Media Browser it retains the timecode. Trouble is that I cannot see thumbnails in Media Browser and the clip number means little. Bridge on my Win7/64bit machine shows thumbnails (but no preview) and a double-click will preview in Win Media Player.
On my main edit station (Vista/64bit) Bridge neither shows thumbnails or previews and I get no avchd .mts playback in Windows Media Player. Everything worrks the same within Premiere, nice solid editing and playback of avchd clips. (I will probably upgrade this machine to Win7 next week)
So my request for advice/questions are:
Suggestions for managing and organizing large qualities of clips with what will be similar names, etc
Previewing updates or options to find media
How do you manage AVCHD material and still maintain meta data?
Thanks so much!! As I get older and the technology seems faster, stronger, sharper, the demands on my brain get tougher.
Rick

Rick,
If you just copy the .MTS files from their /stream folder or rename the file with a name instead of its original number produced in the camera you lose the timecode and other meta data.
If I leave the clips in that folder and other card folders in their associated directories and "import" clip with Premiere Media Browser it retains the timecode.
You mustmustmust keep the files in their folder structure, if you intend to maintain timecode. You've clearly discovered this Good you did so early. The folder structure thing is really not a big deal; there is very little need to manipulate these at the OS level, and the Media Browser in PPro makes it reasonably easy to bring these in for editing. You can pre-build a folder structure into which you can offload each card's worth of clips.
Trouble is that I cannot see thumbnails in Media Browser and the clip number means little. Bridge on my Win7/64bit machine shows thumbnails (but no preview) and a double-click will preview in Win Media Player.
On my main edit station (Vista/64bit) Bridge neither shows thumbnails or previews and I get no avchd .mts playback in Windows Media Player. Everything worrks the same within Premiere, nice solid editing and playback of avchd clips. (I will probably upgrade this machine to Win7 next week)
Windows 7 has built-in splitters and decoders for H.264 media, so that's the reason you can at least get thumbnails in Bridge and playback the files in WMP there. The Media Browser, even on Windows 7, won't show thumbnails as they are not saved into the folder structure the way that P2 saves a poster image into the folder structure. Note that even "standard" containers like AVI or MOV do not display a thumbnail in Media Browser.
As far as Bridge is concerned: I know a lot of people like it, but from my perspective, it's just about worthless for video. This is largely an application designed for photography workflows that has been shoehorned into "working" with video. I don't even like it for AVI/MOV.
The ugly truth is that Bridge is not going to be much, if any, help in this workflow. However, there may be another tool in the suite that will accomplish what you need: OnLocation. You won't get thumbnails, but you can browse through the folder structure without knowing you're doing it, import clips to preview them, and add metadata. You could do this for each card you offload. Then, in Premiere, simply use Media Browser to navigate to your OnLocation Project, and it will open up just like a folder, listing all your clips with the metadata you added. Granted, it is not a perfect workflow, but once you added that metadata, it will flow with the files wherever you move them around in the Adobe suite--it won't go elsewhere, as it's not injected into the files themselves. So long as you're editing in Premiere, you're good.
Now, there is another thing you can do that may make clip management even easier, though it does require a bit of forethought in pre-production. It will really depend on the type of project you're shooting, but you can preload metadata on to an SD card and into the camera, and then automatically record this to the clips as they are shot! I don't have an AVCCAM to give you exact workflow steps, but I do this all the time with my P2 workflow and it's a tremendous help once you hit the edit bay.
If you haven't already, head over to the Panasonic support site: Support Desk Top / Broadcast and Professional AV. You'll need to register for a "PASS" membership (it's free, and you don't need to register a camera), but you can then download the AVCCAM Viewer application. Unfortunately, this application is not quite as helpful as P2 Viewer is (it's rather cartoony, actually), but it does have the metadata editor in it that will let you create your metadata files in advance and save them to an SD card. Then, after consulting the camera manual , you can set those metadata files to be a data source for the footage as you record it. Here's what you can add to the metadata files and, summarily, the clips:
Once you load this into the camera's memory, that data is saved into the clips, and is readable by Premiere. The "User Clip Name" field can be set to auto-increment (again, this is going off my knowledge of the way metadata works in a P2 camera, but the AVCCAM should be similar) so that each clip has a base name and then a serial number. When you're done with a particular scene/shot, you'd load the next metadata files, reset the indexing, and continue. Lather, rinse, repeat.
The biggest hole in the metadata workflow, at least as it pertains to AVCHD/AVCCAM, is that there is no tool (that I'm aware of) that lets you edit this metadata after the fact. With P2, you can--there are a number of applications, both free and payware, that let you do this--but I've yet to find one that works with AVCCAM. Even Panasonic's own AVCCAM Viewer is incapable of this, it seems.
The major advantage to adding file metadata like this is that it travels wherever the clips go, and into whatever application they land in. Not being able to edit it after the fact, though, just plain sucks. This is where the clip metadata you'd add in the Adobe applications comes into play, with the obvious disadvantage that it's only useful in Adobeland. As always, ain't no such thing as a free lunch.
So that's my take on this--it's good you're looking into this before you have a couple terabytes worth of footage on hand Let me know if I can help fill in any details that I might have overlooked. And be sure to check on the Panasonic site linked above for firmware updates to the AF100--I see one came out just a few days ago. It's always good to stay current.
Good luck!

Canon HF-10: Log and Transfer AVCHD Problem

When I try to Log and Transfer clips from my HF-10 on my Mac Pro (Intel, Dual-Quad Core) I get the following message "AVCHD media is unsupported on PowerPC based hardware." even though the machine is an intel-mac.
When I do it on my Mac Book Pro (Intel, Dual-Core) it works fine in Log and Capture.
Can someone please tell me how to correct this issue on my tower? I've followed the steps listed on this document: http://discussions.apple.com/message.jspa?messageID=7194922#7194922 and it didnt help me.
Please help!!!!

Not until you've searched the data base on that camera with the link I provided. You probably should search this forum and the forum at http://www.creativecow.net (the FCP forum there) on your camera and on AVCHD etc. But sure sounds like a software problem... the machine seems to be sending the signal to FCP that it is a PPC and not an intel... so I'd guess that to be a software install error of some sort. But it's a guess... That's why I suggested the reinstall to rule that out or fix you up...
Jerry

Lumix GH4 - AVCHD clips 16.5 hours in the past upon import.

I have a Panasonic Lumix GH4 (firmware V2.0). I just discovered that all my clips shot in AVCHD have an incorrect creation date upon import into FCPX (10.1.4). All files have a creation time/date exactly 16 hours and 30 minutes behind the actual recording time.
The clock on my camera is correct time. The date shows as being correct when I review the clips on the GH4. But when importing to FCPX, the date in the media import window shows the creation date as exactly 16.5 hrs in the past. I have tried this on my Macbook Pro, iMac and just returned from the local Apple store where I tried it on their Mac Pro, with a Genius observing the process. Exact same result.
This ONLY occurs when the clips are AVCHD format. The GH4 offers AVCHD, MP4, MOV. All clips shot in mp4 or mov show the correct creation date. It is only the AVCHD clips that have this issue.
For example, if is shoot short 3 clips at exactly noon (12:00pm) today. Quickly switching the format between the clips. Upon import to FCPX the mov and the mp4 show a 12:00pm January 26 creation date. The avchd clip show 5:30pm, January 25 date.
This makes a total organizational mess when I have dozens of multi cam clips from other cameras that do sort properly by date.
Has anyone else seen this ?

Would someone mind just shooting a few seconds of video in AVCHD, pop out the SD card, and import media into FCPX and check the Creation date please. Any results would be appreciated. (BTW: This has to be v2.0 of the GH4 firmware).
The attached pic are the Get Info on 3 files shot seconds apart. ACVHD, MP4, MOV. Note the creation dates.

Any way to decrease file size of imported AVCHD clips?

Since I got my AVCHD camera I've pretty much eaten up all the space on my HD because of the way iMovie converts the files to a format that takes up like 15 times more space.
I do have some of my lesser-used footage on an external HD, but my Time Machine backup is also starting to get full and I need to find a solution for the clips that I don't want to erase, but don't need to store in the full HD format. Is there any way to compress or otherwise decrease the file size of an imported clip? I always import in the highest quality possible to evaluate, and then choose clips I only want to keep in a lower resolution.
Thanks in advance for suggestions.

Your AVCHD files are highly compressed. During import to iMovie they must be expanded to an editable format (AIC) which increases the file size.
The only way to "compress" these files is an export. An export from iMovie would "render" any effects, transitions or text making these items un-editable in the future. You could export your "raw" footage but this could also lead to problems in future imports.
Newer external drives could be partitioned for use with iMovie storage and your Time Machine files. You can also probably connect your current external giving you even more storage.

How can I import from a MiniDV tape and keep the clip order

A long time ago, I edited some MiniDV video together and recorded back out to a MiniDV tape using some older version of iMovie (ten years ago). I have latest version of iMovie (10.0.2) and have imported all of the edited video back into a new library. Unfortunately, the library is separating the video into separate clips and sorting them by the original timestamps of the original video (before editing). As a result, the clip are in a jumbled mess of an order.
Note that I am just importing the video from the MiniDV tapes so that I can export it as a Quicktime file. I really don't need the video to be split into clips at all. I would actually prefer to just import the entire video as one big clip.
Any idea how I can preserve the order of the

One thing that I have noticed is that Apples built-in camera is optimized for Face Time, so it sometimes captures at 30 frames per second, but if there is not a lot of motion in the frame, it might use 12 or 15 frames per second. So it has variable frame rates. This is great for FaceTime, but not so great if you are trying to keep the audio in sync.
The way to fix this is to use QuickTime Pro or MPEG Streamclip to save the movie out with identical specs except to specify 30 frames per second (or 25 in a PAL country).
I wonder if you are running into a similar problem in QTPlayer. If it is making a variable frame rate movie, you could fix it by dragging the movie into MPEG Streamclip and exporting as the same kind of movie, but with a fixed 30 fps frame rate. MPEG Streamclip is free and quite useful for stuff like this.
Just a thought.
Right now my QuickTime Player is hanging so I can't test to see if you could set the frame rate directly in QuickTime Player X.

I get "Modified File" message with AVCHD clips after making Multicam clip?

First off, this is only happening to some of the AVCHD clips, and typically not the same ones each time. I've tried trashing the files and re-importing because some clips imported as camera files. There is no DCIM folder in the footage folder. I've re-linked, restared, thrown out ALL the footage, the events, the projects and stared from scratch. The fresh import seemed a-ok this morning until I made the multicam clip.
I selected "create optimized media" and "create proxy media" when I imported. I'm currently transcoding today's offensive clip again, as fcpx seems to think that is possible. Perhaps that will fix it this time, but I've been stuck in a continual cycle of the clips working and then disappearing and being replaced by various red error mesages for the last few days so I'd like to figure out what is wrong with my workflow.
I tried archiving the AVCHD files before importing to the event, but fcpx can't see the files on the computer, so I have to use the version on my external drive. I'm also bringing in AVCHD files from an SD card, but so far today those ones have been fine. The multicam contains a sound file and footage from four cameras: a canon DSLR, a Panasonic GH2, and two Sonycams that create AVCHD files.

There's no automatic way to do this. You'll have to Match Frame the clips into the Source Monitor, find the In/Out timecodes, then load the new clip with audio and go to those same timecodes to set In/Out points. and add just the audio to the sequence.

Working with only specific AVCHD clips from a large media card?

I have a 64GB SDHC card with lots of AVCHD clips on them. I brought some into Premiere CS6 through the Media Browser to edit together, though I'm not sure what I want to do with them long term. Since they all reside on the card within the folder structure.
1. What is the best way to just copy specific files from the media card so I can work on them more later without having to copy over the entire 50-64GB folder of all the AVCHD files?
2. Is there a way to bring just the clips that I want to work with in CS6, convert them over into another format (lossless) so I can just use those clips again later?
Thanks.

Sometime you just got to try stuff.
ITs NLE (non destuctive) and you wont break it.
Spanned AVCHD clips are of a duration and file size that a single long continuous take may require two or more files to record. The AVCD folder structure has "bits" in it that facilitates this.
MOS = without sound. Therefore the video does not need to link to any other part of the AVCHD Folder Structure

Repeated frames when time remapping AVCHD clips in AE

I will try to explain the best I can. Keep in mind I am a novice and by no means highly technical. First some background: I edit sports video for college bound athletes. I put together highlight videos for them. When I am filming I start/stop the camera at the beginning/end of a play so I can easily identify/edit "clips". I have imported 10 AVCHD "clips" from my Sony HDR-SR11 to a Premiere Pro CS4 project. I am using the "AVCHD 1080i anamorphic/29.97fps" sequence setting as my output for this project will be a 1440x1080 mepeg2 file. So I get my clips in the timeline add some transitions, no major edits, render the work area and playback. Everything looks fine, all clips play smooth. Now here's the rub. I want to freeze play, highlight an athlete then continue play. To do this I am using AFTER EFFECTS (NOTE I have done this with HDV footage off my Canon HV20 camera with no problems) so anyway with the new CS4 edition I can right click on a clip in my timeline and choose "replace with after effects composition"....I do and the clip migrates to AE into a a composition ready for me to work my magic. So my method for freezing play is select the "clip" in the composition, Ctrl-Alt-T for time remapping. I add 5 seconds to the duration of the composition since I am going to add time when I freeze the clip. I find the point in the clip where I want to freeze it. I place a "time remap" keyframe at that point. I then drag my mouse to highlight the keyframe I just placed and the keyframe at the end of the clip......I drag them to the right 2 seconds, then cut/paste the keyframe I added which is placed by the CTI (which is still at the original point). Now I have a 2 second freeze in play. I add a white solid and do some masking to highlight the athlete during that freeze. And that's it.....I press "O" then "N" to define the work area then I choose "trim comp to work area" from the composition menu. I repeat this process to all my clips and here is where I see the problem. I go back to my timeline in PP and I play the clips......I see my freeze/highlight edits from AE just fine but on SOME clips......2 out of 5 for example.....I get jittery playback. So I decided to scrub thru the clip frame by frame to see what is going on. So within 29 frames this is what I see. Girl is getting ready to serve a volleyball....Frame 1-15....she steps forward to serve THEN at frame 18 she pops back to the starting point...IT LOOKS LIKE FRAMES 1-12 ARE BEING REPEATED. I scrub the rest of the clip and this happens at random points....a small block of frames gets repeated throughout the clip which in the end looks like "jitter" or "jumpy" motion. I follow the same workflow in AE for each clip BUT this "jitter" does not happen on every clip...only some. So is my workflow at fault or is AE/PP/Adobe still buggy when it comes to working with AVCHD codec?? Anyone else experience this, if so do you have a fix?

I haven't tested your theory yet Andrew but I did do this. In trying to track down exactly where these repeated frames are occurring. In AE I redid one clip that was repeating frames. I went frame by frame in AE and see no repeated frames. These changes should occur automatically in PP since the AE comp is still dynamically linked to my PP timeline. So I scrubbed the "source" (AE comp) file from the PP project panel frame by frame. And low and behold there are repeated frames, so it appears the problem is the handoff from AE to PP Sooooooo, ok I deleted the source file in the PP project panel and reimport it via dynamic link. Open the clip in the source monitor and yes...repeated frames at same point....recheck the comp in AE....no repeated frames. Delete the clip from PP project panel and this time import the clip directly instead of dynamic link.....repeated frames still there. So how about rendering the clip in AE the old fashion way then import to PP. AE Render Queue best settings - lossless.....blah blah blah. I ended up with an .avi file with no repeated frames. So to me the problem is the handoff between AE & PP. So rendering my AVCHD comps in AE first is my work around for now. Andrew...thanks! I will try your theory of converting the clip prior to the comp asap...right now I am trying to meet a deadline.

Problems importing AVCHD clips from Panasonic GF1

I'm having problems importing clips from my new Panasonic Gf1. FCE (4.0.1) sees the device ok, and selecting and previewing the clips in the log and transfer window works fine, but once the clips are in FCE (converted to AIC) they play fast in the viewer or when placed in the sequence. Strange, because they play fine in the preview window before importing. Tried this in iMovie 08 and get the same effect.
I'm can convert them Toast to AIC and they work fine when imported to FCE but this is not my preferred workflow.

I tried using Toast Titanium 10 for conversion as suggested but there was a slight issue with synch of video and audio. So I downloaded and bought Voltaic HD as suggested elsewhere and the AVCHD files of the Panasonic GF-1 are now playing in Final Cut Express 4 without issues - I am editing with no problem. Given that I can use the Log&Transfer Window (Final Cut 4) for my Olympus EP1 and my Panasonic HD video cam, it's odd that the files of the Panasonic GF-1 don't work in Final Cut (yet), but at least I am back editing. Voltaic HD was $35, a doable expense.... it does work flawless (so far).

Extracting audio from many clips at a time

I have to extract some audio from many many video clips, so I was attempting to do it in one step, but Logic extract only from one clip at a time
So I'm thinking to use Audio Converter (it can extract audio from many clips in one step), but it ask me the AIFF encoding Bitrate (among 64 and 192 kbps). So I'm wondering... but Logic which AIFF bitrate manages???
Tnks

yes, it is possible. Infact, it is the normal practice to add those 10 roles to that single user in SU01 direclty.
and as I said, user comparison should be scheduled normally in SAP system landscape to do the things automatically, however not immediately but after some time.
http://help.sap.com/saphelp_nw04/helpdata/en/52/6714a9439b11d1896f0000e8322d00/content.htm
If you want user comparison immediately, then you need to do it manually in the role.

Extracting and sorting AVCHD Clips

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