FCP X unable to scale any still image beyond 400%-why???

Just wondering if anyone else has run into this problem.
If I try to scale any image in the Inspector window, FCP X doesn't let me scale beyond 400%.
Why does FCP X place this limit? And is there any way it can be bypassed?

Click and hold on the numeric scale value. You will see blue arrows which allow you to exceed 400% eitherr by clicking on the arrow or moving the mouse while you hold the mouse button down. You can also click on the value and type in a new value.

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I am unable to import Raw still images from a Nikon D 80 into Premiere Pro cs 4. All jpeg images ok

I am unable to Import RAW still Images from a Nikon D 80 camera into
Premiere Pro. All jpeg images import Ok. A web search suggests I need "plug-ins" for RAW, but I can not find same. Any suggestions as to how to inport RAW files to PP CS 4 would be appreciated. I have just updated from Premiere Elements 4 which had no problem importing RAW still images.
Roygo

The way I see it (correct me if I'm wrong) but Raw is supposed to be where you have total editing control of the shot (as opposed to the camera). I believe the next step is to do the editing (i.e. color balance, exposure, etc) then make a regular image from that to use in whatever output you desire (print, web, etc.) Think of raw as the negative. Just being in raw doesn't in it self make it better.
Edit. This is from premiere help files....
Supported still‑image and sequence file formats
Adobe Premiere Pro supports 8-bit per-channel (4 bytes per pixel) and 16-bit per-channel (8 bytes per pixel) still-image files. It converts images with lower bit-depths to 8-bits per channel and images with higher bit-depths to 16-bits per channel on import. High bit-depth files are supported at one single-precision float per channel (16-bytes per pixel).
AI, EPS (Adobe Illustrator and Illustrator sequence)
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EPS
GIF
ICO (Icon File) (Windows only)
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Any issues with still images being too large?

I am going to be given lots of images that were scanned at a high resolution (I think 300), so the file size and physical dimensions should be pretty large. I want to start placing these images into the timeline, even though I do not know yet which ones I will need to zoom in on and which I will not need to do anything with other than just have it display.
1.) Are there any issues with placing lots of images like these into the timeline of a SD project at a higher resolution and larger physical dimension than maybe necessary?
2.) If I want to use placeholder images, is there an easy way to later swap them with the real image, and have the swapped image take the properties of the placeholder image, such as the duration it lasts on screen and the fade transition before and after it?
Thank you.

1.) Are there any issues with placing lots of images like these into the timeline of a SD project at a higher resolution and larger physical dimension than maybe necessary?
This is dependent on the version of FCP. If you're working with FCP 5.1.2 or later, still image processing is handled by the GPU. Depending on what graphics card you've got, it can be painfully slow even at SD resolutions because image size (pixel dimensions, not bit-depth) is what is relevant.
2.) If I want to use placeholder images, is there an easy way to later swap them with the real image, and have the swapped image take the properties of the placeholder image, such as the duration it lasts on screen and the fade transition before and after it?
In theory, you should be able to do a Paste Attributes and paste Contents but that functionality has been broken since FCP 5.x. It works, but not for the very thing that you'd need it to do - both images now need to be the same size, duration and matching timecode for this to work correctly in your case.
However, you might be able to work around that limitation by trying this:
Select your placeholder image in the timeline and copy (Commmand-C)
Load your final image into the Viewer and press F11 to perform a Replace Edit.
Be mindful of where your Playhead is in both the Viewer and Timeline, of course, as the Replace Edit uses the Playhead and not marked In or Out
Select the newly replaced image and perform a Paste Attributes (Option-V), selecting the relevant attributes (Basic Motion, Crop, etc)
Of course, this might not suit what you're looking to do since stuff like Center is pixel-based rather than percentage-based (like Crop is).

Morphing a still image to video effect

I have shot footage of my wife holding a white a4 card while talking to camera
I have zoomed in on the card to fill the screen as she finishes her talk, I want the card to have a still photo on it (created in FCP as a freeze frame), then as we zoom and then hold for 1 second the still frame changes to video of the same still, seen this effect in the TV series "Criminal Minds", im sure they use a tracking piece of software to do this, but is this acheiveable in FCP or even Motion to look realistic? I shot the card straight on, would prefer to do it at an angle plane but this may be even more difficult!
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Hey Allister
I can't see why you would need any motion capture software - what I understand your trying to do from your post, should be perfectly achievable using just the motion keyframes in FCP. This would be how i would try and do the effect your describing -
1. Find the frame that wished to use as the mock photo on the piece of card. Create a freeze frame and export it as a still image PNG file. If your working in an interlaced format, then take it into photoshop and use the deinterlace filter on the footage to get rid off any jagged edged that should be smooth.
Filter > Video > De-Interlace
And resave it.
2. Import this photo image into the same sequence as your wife holding the piece of card. Drag this image onto the timeline above the clip of your wife holding the card. Now resize the image using the motion controls to fit the piece of card. Add a keyframe here to your "size" value and your "center" value, and any other value you have adjusted to make the still fit the card.
3. Now navigate to the frame of the zoom, in the clip of your wife holding the card where the card fills the screen. Adjust your still PNG photo image to fill the screen also - you should be able to do this easily by just setting all the motion values to their default setting e.g size 100%, center 0,0.
4. Now go back to through the footage zooming in on your wife. Play it through - and each time you see a frame where the photo image is in the incorrect position i.e not fitting the card, then simply adjust it so that it fits.
Hopefully a combination of the final cut tweening and a little perseverence on your part should get the photo to keep in position all the way through the camera zoom.
5. Now at the frame where the photo image fills the frame - cut to the actual moving footage from which you took the still. Make sure you cut to 1 frame AFTER where you took the freeze frame. Otherwise there will be an unnatural pause as you will be essentially playing the same frame twice.
Now you could also use the speed ramping tools in FCP to come up from a still image to slow motion to full speed video if you want a smoother transition than just going from a still to moving footage.
Hope this was of some help. Knowing me its probably clear as mud. If you want any clarification on any points just post back here.
All the best
JB

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I am a newer person to editing and I have Adobe Elements Premiere 10 and I wanted to do my first really nice project and when I edited and looked at the video every single picture was blurry, and when I paused the video the picture would go back to normal. I think that the image is too big and I might have to change the pixel size or resolution of it. Please if you have an answer please break down how to fix my problem, because I am only a teenager trying to figure out this editing system! Thanks, Caitlyn

Welcome to the forum.
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The first is, do you have any Video footage?
If not, then the next quesion is, how do I plan to deliver the final results, such as DVD-Video, BD, or something else?
Armed with those two answers, the next one is, how can I Scale my Still Images in Photoshop/Photoshop Elements, to match my chosen Project's Frame Size, and this ARTICLE addresses that, plus offers tips for doing that Scaling in Batch with Actions.
Last, when a Still Image is Imported into PrE, and is placed onto the Timeline, PrE needs to "create" Video from those Still Images. There will be a red line above the Still Images, and for best, and smoothest playback, one needs to Render the Timeline, by hitting the Enter/Return key.
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Hi,
Running CS5.5 on a Mac Pro, all updated, latest software. Using a Black Magic Decklink card for output.
My problem is I can't see any still images when I load them into the source monitor. They don't show up when I preview them from the media browser and they don't show up when I import them and load them into the source monitor... Just a black screen.
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I make sequences from still images only. I need to start editing with all images at a Scale (in the Basic Motion section) of 100. When the original image is 720 width x 540 height (a picture taken horizontally), it appears in the timeline at a Basic Motion:Scale of 100 (this is what I want). However, when the original image is 405 width x 540 height (a picture taken vertically), it appears in the timeline at a Basic Motion:Scale of 112.5 and overflows the top and bottom of screen.
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or
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or
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Okay, I've not seen this problem until just a couple days ago but was wondering if it was just me or if everyone has this problem? I've found a work-around, but let me explain the problem first.
I'm creating a growing up photo montage. I scanned all of the pictures myself at 300 dpi (as I've always done in the past) and saved them as TIF files. Some pictures as relatively small, i.e. 3.5 mb is size and do just fine, but it appears anytime I drop a picture into the viewer in preparation for the the timeline, it will crash FCP if the image file is any larger than about 5 or 5.5 MB. Now I know there is a limit on the resolution of a still and it shouldn't be any larger than 4000 pixels in either direction, but that is not my problem, the problem appears to occur with large files. I've used large still files before in past projects without any problem, so this is why I'm stumped. I've went as far as trashing my preferences, but that didn't change anything. I've even tested a still image from a past project that was something around 9 MB (or was it 19 mb?) in any case, it also crashed FCP but... I've used that picture before in past projects without any problem. I even created a new test project just in case my project file itself had a problem.
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Is this image saved in a colorspace mode that is anything other than RGB?
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Some light reading regarding your choice of 300 dpi: http://www.scantips.com/no72dpi.html
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http://help.apple.com/imovie/#mov3a883915
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Message was edited by: John Cogdell - added Note

Using still image in FCP and Motion

I'm using still images in Motion (and FCP) and exporting them to Quicktime movie files. What's the best size and resolution for the images and are JPGs or TIF best? I'm exporting for 720 X 480, and currently my JPGs are 4 x 6 at 300 dpi with a pixel width and height of 1312 x 2000. I'm adding some behaviors to the images in Motion (motion paths and shrink/grow).
My FCP project is setup as a DV NTSC 48kHz, 720 x 480, editing timebase=59.94, timecode Rate=same as editing timebase, compressor-DV/DVPRO-NTSC, quality 100%.
When I export to Quicktime the movies are very low quality--lots of noise and moire pattern etc.
How do I get the best qualtiy using still images? Is it my FPS setting, image pixel size, compressor setting? Also, do the movies need to be deinterlaced?
The preview in the FCP browser and canvas looks a little better but I do notice noise (moire patterns) along the sharp edges of the still images.
I've seen QT movies of these very same images (done by someone else who is no longer around) and they are much better quality.
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I can post an example of he movie files if that might help.
Thanks.
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David, your a genius!!! You posted your reply on my birthday, and I missed it until today!
Fotomagico is devastatingly easy to use and absolutely makes me want to cry at the amount of time I wasted creating photo slideshows in FCP!
I opened Fotomagico up and created a slideshow, one that I had already created in FCP and had take me FIVE HOURS to create... in TEN MINUTES!!!!!!!!! Aaaaaaaaah.
I couldn't believe it. I thought there had to be a catch or something. This was too easy the quality can't be there... but it was. It's amazing and I can't thank you enough for all the future hours you have saved for me.
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FCP X unable to scale any still image beyond 400%-why???

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