FCPv2 and PAL-NTSC Conversions

Hello everyone,
I have just read a bit about FCPv2. I am really interested in being able to use PAL and NTSC in the same time line.
At the moment we send out footage out for a hardware standards conversion.
Does anyone know how this new feature is going to work? Will it be good, will it need rendering, will it allow me to out put to PAL or NTSC on my DVCAM Deck?
Any thoughts on this would be great.
Thanks,
David Lee

Anyone...? I need to know why US news editors in DC have had to use Procoder... Running Avid... to convert to PAL from NTSC, Then sending it on a FTP... To places like Norway, Denmark... While finalcut could not make the conversion. The question is, will the new Studio release let me use Finalcut without having to buy a dual core..?
I Edit in NTSC on my powerbook... then I need to transcode it to PAL (MPEG 4? I believe...) and then send it to the Server in Europe or Scandinavia?
This is why all the editors use AVID and not APPLE's finalcutpro.
Another words... Compressor the old version would not work. So people could not use Final Cut... Or just recently they had to buy the dualcore... then they would have to edit in Final cut... Open Pro-coder in a Windows PC partition.... Then drag the master in... Then export, back to final cut, (or do they send it from Procoder?) I don't know. I would rather upgrade to STUDIO then have to buy a new dualcore... Can the new studio do this? Sorry if I sound like a fool....
Thanks!
Powerbook G4 Mac OS X (10.4.9) final cut pro HD
G4 Mac OS X (10.4.3)
G4 Mac OS X (10.4.3)

Similar Messages

Problems with PAL/NTSC Conversion

I have a PAL Sony handycam camcorder and Final Cut Express HD installed on my 2004 iBook G4 (both purchased in North America, if that makes any difference)
- I capture both PAL recorded footage (from my camera) and NTSC recorded
footage (from other cameras) in Final Cut
- Whenever capturing I alter the settings in “Easy Setup” to “DV PAL
firewire basic” or “DV-NTSC Firewire Basic” depending on if I’m using PAL
or NTSC footage at the time
-After capturing, when I drag captured clips from the Browser window down
into the Sequence timeline, every clip has to be rendered in the timeline.
This is very time-consuming (rendering can take up to 10minutes for what
might be a 2minute clip); and this happens regardless of my “easy setup”
settings or the regional code of the footage.
-In addition, after a clip has been rendered once, and I then make an
alteration (usually a cut) the clip has be re-rendered
-Also – when PAL footage is rendered and then exported usually frames are
dropped and the image appears choppy.
- Furthermore (and I suspect this is related) the program will not print
to video; and I have tried using both PAL and NTSC cameras. Therefore I
have to export all projects as quicktime files and then burn DVDs.
- Any suggestions?
Thanks,
Marc Griffin

Hi(Bonjour)!
One important thing: FCE sequences's settings have to match your clip's settings.
If you mix PAL material in a NTSC sequence, your material will need rendering and vice versa.
Secondly: PAL format is a 25 FPS material, and NTSC is a 30 (29.97) one.
So when you convert PAL to NTSC, there is a frame rate mismatch, thus the choppy playback.
Your camcorder cannot record PAL material if it's a NTSC model. You need a plugin that converts PAL material to NTSC.
There is a nice plugin pack from Nattress that performs PAL to NTSC conversion with various pulldown options (ie scalling 30 fps to 24 fps by blending frames selectively).
See:
http://www.nattress.com/Products/standardsconversion/standardsconversion.htm
Final Cut Studio 2 (Final Cut Pro 6) will support multiple resolutions sequences (shipping in may), it's a new great feature.
Michel Boissonneault

PAL NTSC conversion and downsizing form HD to standard

I have a project that I need to send off for 3 competitions in the next week one in Pal, one as a Mpeg NTSC and the third (preferably) as a NTSC .mov file. The project is made up of clips rendered in 3D and others shot in Sony Pal HD. I am rendering as standard size wide screen. The PAL is OK, but the NTSC version MPEG (I havent tired the mov file yet) that I made by nesting the PAL in a NTSC sequence, has unusual cool green colour shifts and flickering in WM or VCL media player that did not appear in my Premiere monitor, which was fine. The flickering is especially noticeable with time ramping (and some layering and keying.)
Is it possible to covert to NTSC in Premiere cs3, or do I need to send it to a service bureau? Does the downsizing to standard affect it as well?

Download the following:
1.)
hd2sd for AviSynth 2.5 <- unzip these files into your AviSynth/plugins folder
2.)
dv2film for AviSynth 2.5 <- unzip these files into your AviSynth/plugins folder
3.)
Lagarith lossless codec
HD PAL Timeline -> SD PAL .avi
Follow the steps outlined in
my guide but, instead of the sample script provided there, use this script template:
AviSource("c:/path_to/signpost.avi")
hd2sd(OutputColorSpace="YUY2", OutputBFF=true)
1.) Open the script file in VirtualDub
2.) Choose the Lagarith codec from the Compression menu
3.) Also select "Fast Recompress" from the Compression menu.
4.) Select "Save AVI" from the File menu
5.) This will result in a 720x576 interlaced (lower field first) file with lossless compression. Import this file into whatever program you like to convert to MPEG, Quicktime, DVD, etc.
HD PAL Timeline -> NTSC PAL .avi
AviSource("c:/path_to/signpost.avi")
dv60i50i(interlaced_out=false)
hd2sd(OutputColorSpace="YUY2", OutputBFF=true)
Repeat the steps above, saving this a lossless intermediary AVI file which you can then use to convert to whatever type of file you need.

PAL/NTSC conversion for DVDs

Hello All
I recently had some work involving standard conversion of DV PAL material and then burning said material onto DVD. Everybody trying it knows that this is time consuming and doesn't always produce the desired results - for obvious reasons (Methods used by me were the two documented on Dan Slagle's Unofficial iMovie FAQ).
I then had the really "fantastic" idea to tweak the DVD with myDVDedit, by simply setting the IFO parameters to NTSC 720x480. Tested the burned DVD on two different set-top NTSC DVD players - and discarded the whole thing as "silly BS"
Searching through the Net I just found out, that somebody had the same idea using IFOedit (the PC equivalent to myDVDedit) and that the results were mixed, but there were a lot of users that shouted: "great, this works".
Getting a bit confused now, as i had thought this over after my own experiment and had come to the conclusion that it couldn't possibly work.
Any insight would be greatly appreciated
viva la mela

Hi mish,
that is such a .. <searching correct english word> hillarious (?) idea, I give you a star for that ;-)))
changing some flags on a ready-made dvd... wow! nice try...- but as Fred said, NTSC<<>>PAL conversions are no trivial tasks... you run into many problems, e.g. where do you get the additonal 5 frames per second you need for a transfer from PAL to NTSC? how to make the audio fit to these new pictures? and, I HAVE to do this silly joke: NTSC has a very different color concept (Never The Same Color) then PAL.. and for sure a different res...
the name is irritating, but all mighty JES Deinterlacer is doing a fantastic job in converting video standards (ok, for a free software solution...) give that a try!

PAL - NTSC Conversion question

I have some PAL DV footage at 25fps which I need to convert to NTSC to match some existing NTSC footage. The NTSC originated footage, when played in Quicktime diisplays the following info:
FPS: 23.98
Playing FPS: 24
I need to convert the PAL footage to match the NTSC frame rates, annd also I'd like to converted footage to appear that it is NTSC roriginated (i'e, with the slower framerate as opposed to 25fps).
I've made a few tests using the Frame Controls "Set Duration" options in compressor, but the results always seem end up at the wrong frame rates. Which setting should use? And can somebody explain what all the settings mean?
24@25
23.98@24
23.98@25
[email protected]
29.97@30
[email protected]
Message was edited by: Marc Morris
Message was edited by: Marc Morris
Message was edited by: Marc Morris

Marc,
I dont have extensive knowledge in this area although am literally doing the same conversion (PAL to NTSC) on my mac as I type this.
I also recently read in Videography magazine about a project that was assembled from archived footage and all of the footage used originated from different formats and that was the hardest part about editing.
They mentioned all the different ways they attempted to convert the footage but in the end it seemed as if they just settled for what looked best because they couldnt get an exact conversion.
If your looking for a better way I would contact a transfer house to see what they may be capable of doing. Another thing worthy of pointing out that reading how they did the conversion they never mentioned using compressor so there are probably better systems at converting the files.
hopefully this helps.
-jeremywearsvans

Pal-ntsc conversion via 23,98fs slow-pal technique

Hi to all,
I've been trying to convert a prores 1280x720 clip recorded at 25fs (for a pal output) into a ntsc compatible clip that will be used on an ntsc dvd and also for an ntsc h264 quicktime file.
I fell on an article explaining the "SLOW_PAL technique"(http://www.macworld.com/article/49306/2006/02/marchcreate.html) by converting the clip to 23,98fs in cinema tools before applying a 3:2 pulldown in FCP. The result is pretty stuning but my question is, once all this is done, i end up with a 23,98fs file.
Do i need to convert that into a 29,97 file to make sute it will work on an ntsc dvd plateform? If i do i lose all the smothness i just gained....
thanks in advance, and hope i'm clear....
tee.

No you don't need to convert to 29.97
export qt self contained current settings
drop that export into compressor and set up you DVD compression and your h264 compression
author the DVD in DVD Studio pro
the player will supply the pulldown
h264 will play fine on any device that will play h264

PAL - NTSC for Japan

Hi all, I have a question that I hope someone can answer.
I've gotta shoot a few minutes if footage that a friend of mine is then taking to Japan and showing to
someone there. Now as far as I know they'll be watching in on a PC but Im gonna try give him as many format
variations as possible to be sure. So the queston is, f I'm shooting in standard miniDV PAL, what are the
best options for me in terms of encoding I should do, do I export as PAL MPEG 2 on DVD, what kind of
effect does the PAL->NTSC conversion have. Should I do a VideoCD version.
My plan is to to a NTSC DVD, and MPEG 1 & 4 version and maybe a few others. Does this sound good enough?
Thanks in advance
Declan

The OP said he thinks it will be played
on a computer but he wants to give as many options as
possible. . . I took that to mean he'd like it to be
watchable on TV in Japan if possible. He needs NTSC.
From the tone of the post I assumed, perhaps glibly, that this is not a life-threatening project. There was never mention of TV playback. But I take your point.
PAL to NTSC via Compressor . . . "successful" maybe
but read the posts on this forum to learn about the
quality! (I'd LOVE to be proved wrong
though)!
Oh, I hadn't seen those posts. I've only run a few small tests myself, but the results were excellent to my eye. This is the method I used:
http://www.macworld.com/2006/02/secrets/marchcreate/index.php?pf=1
What kind of problems have you seen? I've had a quick look back through a few threads and most of the issues I have seen would probably have been solved with a careful setup.
I'm sure Graeme Nattress's plugins are excellent, haven't used them. I've done most of my conversions to date in After Effects, also with good results.

Role of graphics card, processors and ram in conversions?

Does anyone know what role if any a computers graphics card, processing power and ram has in the quality of conversions? I don't mean cases where a computer is unable to run a program (or handle a conversion in a reasonable time period). I mean will the same conversions (same settings, files, formats) look better if done on more powerful computers. I'm using final cut studio and downconverting from HD to SD using quicktime and converting from PAL to NTSC using compressor.
my specs are 2 2.6 processors, 4 ram,
graphics: NVIDIA GeForce 8600M GT with 512MB of GDDR3 SDRAM and dual-link DVI

What compressor settings do you recommend?
The best workflow I've come up with is qucktime conversion from HDV PAL to SD 10-bit PAL, then compressor conversion from 10-bit Pal to DVDPR0 50 NTSC.
By coincidence I decided to try the initial conversion (HDV to 10-bit) this morning on compressor (but I didn't change the frame rate; i didn't know they were relavant for HD downconvert; I only been change them for the PAL-NTSC conversion).
At first glance, the compressor 10-bit conversion doesn't look better than the quicktime conversion (due to the frame rate settings?). I don't know for sure because I haven't sent it back to compressor for PAL-NTSC conversion and on to DVD SP.
One issue I'm worried about is the dimensions. quicktime's 768 x 576 (preserve aspect ratio checked; letterbox selected) was the only dimension setting that produced a film that looked right (on the dvd; it's squished in final cut). I don't see that option in compressor. I suppose I could type it in the frame size boxes.
Anyway, I would be most grateful for answers to these questions. I've spent a few weeks on this and am past the point of frustration. I just plod along, zombie-like, trying a few different things every day, dimly hoping to hit the jackpot eventually. Actually, I've been planning on trying to downconvert using my HDV/DV deck (print to tape in HDV; then change settings to downconvert and capture as DV). Would that help?
how do pro studios handle downconverting? What kind of hardware do they use? I'm an independent filmmaker, working on a small budget for the time being, but eventually, once the film is over and (hopefully) I have more money, I'll be willing to pay for a good pro conversion. Do you know what that costs? The film will be 80 minutes long.
thanks again for your help.

Sharing movies overseas - PAL & NTSC burning

OK -
So apparently I have the option to burn a movie as NTSC or PAL.
So I have to assume that the region codes on my Superdrive only matter when there is a commerically sold protected disk being played.
Figuring out the best way to produce a home movie DVD to share with friends in Europe is still a problem.
I do know that apparently TV set-top DVD burners produce video disks which have no region code difficulties. Is this likewise true for movies edited in iMovie, Final Cut Express & burned via iDVD?
More information would help keep this from being a trial & error process - if the people on the other end are not overly technical. Its hard enough to get substantive "help desk-type" of feedback to even understand the nature of the problem your recipients might be experiencing.

Hi Ernest
I know all about the PAL/NTSC conversion because I, unlike you, live in a Pal area.
You are so lucky living in USA because NTSC is accepted in all areas. In fact even though I live in a PAL area, New Zealand all my DVD's produced for world sale are in the NTSC format. Virtually every DVD player accepts NTSC but unfortunatley for me the USA DVD players do notaccept Pal
So you can safely make and send all your DVD's in NTSC and they will be playable worldwide.
As I said I live in a PAL area. 25 frames per sec and I have to change my DVD programmes to NTSC approx 29 frames per second. To get an acceptable conversion can be either very expensive or time consuming.
I have not tried the Jes de interlacer so I cannot comment but most on the forum find it acceptable.
I found the problem was to get good quality on all formats, computer, tube and LCD and Plasma at an acceptable cost and did not tie up my computer for hours.
Eventually I managed to find out how to do it but it is a long job.
One would think that the answer would be to film in NTSC but one cannot do this in a PAL area because of the difference in the electricity voltage. If I used an NTSC camera under lamps here in NZ the pictures would be unusable and visa versa.
Nowadays all commercial DVD's are just dubbed in NTSC. This is a pity because PAL gives a better picture. In the trade NTSC used to be known as Never The Same Colour Twice.
Sometimes I wish I lived in the USA!
Hope this helps
Jane

Pal to NTSC conversion and burning disk

I had problems burning a disk with ilife 5.0, so I bought 6.0. I make a movie using only one picture using iMovie HD. I shared this movie with iDVD and tried to burn a disk. An error message can up saying "are we trying to burn a PAL movie with a NTSC disk? When I procede anyway the disk won't burn. I looked in help to convert a PAL movie to a NTSC movie. When I went through this procedure, I got a disk icon as a Quick time movie. I couldn't burn this using disk utility. What is going on here. Wy does the new iLife 6.0 make a PAL movie. I didn't tell it to do so. Does iLife come programmed to make PAL movies, which I understand are the Euorpean format. I used to make movies just fine when I first got iLife 5.0 so I know how to use the program. Any ideas? Thanks in advance.

NTSC is the standard deployed in the USA and some other countries (post war countries relying on US for reconstruction). While the "rest of the world" looked for much-needed enhancement to NTSC, which gave birth to PAL and SECAM. Only NTSC and PAL is used for DVDs.
NTSC and PAL are television (chroma) standards. TV sets strongly rely on their power source for image synchronization. US countries use 110V/60Hz, while the rest of the world rely on (the more efficient) 220V/50Hz (multiplying by 2 the voltage divides by 4 the power rating of appliances). So, frame rate is 60Hz on one side and 50Hz on the other. PAL develops 100 more horizontal lines than NTSC (TV sets). Because of "interlacing" (to artificially reduce screen flicker), video source frame rate is 25 or 30.
In the end, converting PAL to NTSC and vice-versa is a very tough job: missing frames are "missing" and must be extrapolated. Extraneous frames needs to be dropped. Same for missing/extra lines. This is professionally done by using complex equipment capable of doing these interpolations equally balanced over the timeframes.
Because of the size of the US market, it is almost impossible to find multi-standard compatible equipments (TV sets, DVD players) in the US. While in Europe the huge majority of equipment are tri-standard (NTSC, PAL, SECAM), - for the video sources such as DVD players and various tape based recorders - and the TV sets also support the various flavors of these standards for the wireless transmission (sub-carriers, polarization, etc).
In the end, what is the benefit of a conversion? to send a homemade movie to a friend in a country of different format? Then, using a computer as player can be a good palliative.
This, as my 2 cents.

VHS (NTSC and PAL) conversion to DVD

I am trying to figure out an easy way to convert years of old kids videos (VHS in both NTSC and PAL format) to DVD.
I have seen there are combo VHS players (NTSC) with DVD recorder and hard drives. This looks like a lot easier than connecting Canoplus ADVC device.
Any advice welcome,
thanks

Welcome to Apple Discussions
If you have a digital camcorder you can do what I do. I use a Sony DV camcorder as a pass-through to convert video tape (VHS, Beta & video 8) via FireWire into iMovie.

Burning the same DVD in NTSC and PAL

Hi,
I need to burn two DVDs, one in NTSC and one in PAL.
When I started the process of burning in NTSC, it took about an hour to "Process Movie"
After that, I changed the setting in iDVD Preferences to PAL, and started to burn another DVD. This time the software skipped the "process movie" and just burned the DVD.
I thought that the movie needs to be processed again, to fit the 25fps of the PAL. but it didn't. Of course I'm happy for the time I saved. But I want to make sure that I'm right. Am I?
thanks a lot
ymotion

Hi
Most PAL DVD-player can playback NTSC (old TV = Black/White)
Few NTSC DVD-player can playback PAL
Just changing iDVD project from one to the other might work BUT THE RESULT will be BAD.
Using a program converting from PAL to NTSC is far more better eg JES_Deinterlacer.
*PAL to NTSC*
A. Conversion of commersial DVDs - No Not at all - Not even legal to discuss.
B. Home made DVDs (without copy protection)
NTSC ---> PAL.
• Most often not necessary - Most stand alone PAL-DVD players playback NTSC
(if TV is old in BL/W)
PAL ---> NTSC.
• If played on Mac - not necessary AT ALL
• If on NTSC-DVD-player - CONVERSION IS NEEDED - nearly no Stand alone NTSC-DVD-players
playback PAL at all.
To do this You need to conver the PAL DVD to streaming.DV
• I use Roxio Toast™ to do this (There are no free converter)
• JES_Deinterlacer (free on internet) to convert to NTSC
• Set up an NTSC project (29.97fps or 30) in iDVD and import then burn
I burn to
• Verbatim DVD-R
• Set down burn speed in iDVD to x1 or x4 recommended by many
• Secure a minimum of 25Gb free space on internal boot hard disk before burning (IMPORTANT)
PAL is 25 fps and an analog TV standard of 625 lines
NTSC is 29.97 fps and 520 lines
NTSC (29.97fps) 520 lines - about640x480 pixles (square) 720x480 rectangular (narrow) pixels
PAL (25 fps) 625 lines - about768x576 pixles (square) 720x576 rectangular (narrow) pixels
to use a photo 702x480 resp 576 then add 9pixles on each side to add togheter as 720
Yours Bengt W

IMovie - iDVD and a NTSC versus PAL question

I have some questions about creating iMovie for use in iDVD and about the various formats. Here goes:
I have a large number of travel photos taken in various cities that I need to use to create a project in iMovie. In addition, I have a couple of smallish video segments that go with each of these cities. I want to be able to get to any section from the DVD menus. The sections being defined as the either the videos or the photos for each individual city. Also, I need to be able to create both NTSC and PAL formatted DVD's from this exercise.
Now, as I understand it, there's several ways I can approach this:
First, I can use iMovie to create discreet projects for each segment. The individual city videos being one type. The photo shows of the individual cities being another type. Then export each of these via the media browser and import them individually into iDVD. But that then begs the question of NTSC versus PAL. Since I have to choose a project format in iMovie (NTSC or PAL), does that imply that I've got to have separate projects for each one of the cities NTSC or PAL versions? Or can I just use the NTSC project and cut the DVD in either NTSC or PAL format based on the settings in iDVD? If I use this route, what's the best export format to use for optimal appearance on the finished DVD?
Second, I can create one long project in iMovie. Put chapter markers in it and export it to the media browser. Then, import it into iDVD and use the chapter markers referenced from the various menu picks. If I go this route, once again, how do I account for the NTSC versus PAL differences? And again, what's the best export settings for optimal viewing?
I guess much of this question relates to the issue of having to specify a format in both iMovie and iDVD. If I choose NTSC in iMovie, but use PAL in iDVD, other than the obvious format mismatch, what actually happens by doing this? Or, turn it around. Use PAL in iMovie and NTSC in iDVD. Again, what's the ramifications of doing this?
Just trying to figure out the best way of going about this and what the tradeoffs are for each approach. Any insight you can offer would be greatly appreciated. Oh... and sorry to have been so long winded.
Many thanks in advance,
Tom

Hi
Oh Dear. Is this an assigned task from an editing turor. Then He/She is mean.
a. If You want a DVD - Then You should not use iMovie'08 or 09 or 11 as they can not export interlaced video to iDVD as it needs but discard every second line resulting in a less quality DVD. Use (for SlideShows and Movies)
• iMovie up to HD6 (SlideShows or Movie) - or -
• FinalCut any version (SlideShows or Movie) - or -
• FotoMagico (if You make only a SlideShow - can not do movies)
If persisting with iMovie'08-11 - Then DO NOT use "Share to iDVD" from within any version of iMovie (not 3 - HD6 either) as they do a bad job. But in iM'08-11 "Share to Media Browser" and as Large. In iM HD6 or FCE/P Save as QuickTime .mov and import this into iDVD.
b. NTSC and PAL - If DVD is to be sent to EU (PAL) - then most DVD-players also playback NTSC so conversion is not needed (mostly).
There are NO way to make a combo version PAL & NTSC - They do not exist.
If You make a PAL iMovie /FC project - then DO NOT let iDVD convert to NTSC (or other way either)
• it can do so - BUT Result is severely BAD
I use JES_Deinterlacer to make the conversion and it's so much better. (free on internet)
But absolutly best result is by doing two versions in the movie-editor - one PAL and one NTSC version.
c. Use High quality DVD brand - I only use Verbatim DVD-R
and set down burn speed to x4 - Less burn errors and plays on many more Players.
Just to start with.
Take one Q at a time and we can fix this.
Yours Bengt W

PAL to NTSC conversion

Hi
I tried using compressor to do a PAL to NTSC conversion on a completed project, but found it pixelated all still photos and graphics in my project. It was also going to take 18 hrs (macbook pro 2.4ghz)
So I have tried using JES deinterlacer.
I've done a couple of tests using Jes Deinterlacer to convert PAL to NTSC and below are the results:
Test1 - default settings, dvd came out with some minimal artifacts every fourth frame, but only in certain shots.
Test2 - reinterlace chroma option, no real difference to default settings, still minimal artifacts every fourth frame in certain shots
Test3 - reinterlace chroma option, progressive out and telecine instead of blend, this option appear to increase artifact pulsing, in certain shots.
Decided to go with default settings as no improvement of fourth frame pulsing in reinterlace chroma option test.
Unfortunately my project (75 mins long) still had artifact pulsing which appeared to get worst as the dvd got closer the end of the program. I can't work out why certain shots appear fine while others have this pulsing effect.
Really not sure what to do now, any suggestions?

http://www.sjoki.uta.fi/~shmhav/SVCDon_a_Macintosh.html#PALNTSC
http://www.danslagle.com/mac/iMovie/tips_tricks/6017.shtml

Making a NTSC and PAL DVD

Hello and thank you for taking the time to read my question.
The question I have is, I have made a DVD in the Video Standard NTSC( in the preference menu) now I am wondering if I can use the same project to burn both NTSC and PAL DVD formats or if I have to re-create the whole thing in the
PAL format in order to get a PAL formated DVD?
Thanks again for helping.

Hello PettMac,
you can change the project's standard by choosing Project > Project Info from the menu. On the right side of the pop-up window you'll find the drop-down menu for the TV standard.
That said, the standard conversion done in iDVD is not too bad, but JES Deinterlacer does a much better job. In order to convert with JESD, you'll need your original iMovie project: ctrl-click the project file and choose Show Package Contents from the drop-down menu, then navigate to the Shared Movies folder to find your reference movie. Drop that into JESD, it will create the PAL movie in the same folder (as reference movie) and you can simply replace the original movie in your iDVD project with the new one. Don't forget to change the TV standard....
hope this helps
mish

FCPv2 and PAL-NTSC Conversions

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