Final Cut and After Effects "file is busy"

Hello All-
I am running Final Cut Pro 5.1.4 and After Effects 7.0.1 Pro (on OS 10.4.8) and I have a question. I have a series of After Effects animated DV Quicktime clips edited together in Final Cut, and when I make changes to the After Effects project files and try to rerender, I get an error:
After Effects error: unable to overwrite - file is busy (delete) (-47) ( 3 :: 3 )
It's like Final Cut is "holding onto" the files and not allowing After Effects to rerender them. If I close down Final Cut, I can rerender just fine, but this gets real annoying closing it down and restarting it every time I need to rerender a clip. The problem is, because of my workflow, I need to do this dozens of times a day with clients in the room and I'm spending a lot of time closing and restarting Final Cut over the course of a day... is there way to do this without closing down Final Cut?
I assigned After Effects to be the "External Editor" for "Video Files", and used Final Cut's "Open In Editor" command. It sends the quicktime file to After Effects (not exactly what I want) and you would think that at this point Final Cut would have relenquished its access to the file so that I could rerender in After Effects, but nope, I still get the error. I have tried this with the User Preference setting "Always Reconnect Externally Modified Files" both on and off, no difference. I have also tried "Embed Project Link" in After Effects's quicktime output options, but this didn't help anything (I believe this only affects other Adobe apps).
The weird part of this is that when I drop a Photoshop file onto the Final Cut timeline, I can do "Open in Editor", it throws it to Photoshop, I can alter it and save with no problem, and pop back into Final Cut and it will be updated. But no such luck with Quicktime files and After Effects.
Let me know if there is a solution to this, or if I am stuck having to shut down Final Cut every single time I need to rerender one of the After Effects animation clips in the timeline.
- Bob Wilson
MacBook Pro 2.33ghz Core 2 Duo 15" Mac OS X (10.4.8) 3 gigs ram, 160 gig HD

What i have to suggest is more of a work around than it is a solution. i've had this problem off and on as well. What i do is add a number to the name of the newly rendered file, (ie. "monkey_throwspoo2.mov") import that file into FCP, open it in the viewer, and then copy it (apple + c). Provided it's the smae length as the previous file, you can right click on the previous file in the timeline and paste attributes, making sure to click on the content button for video (and audio if there is any). This should replace the old file in the timeline with the new one. Granted, you end up having a bunch of files that you're not using, but it's faster than restarting Final Cut (and looks more like it's something you're doing on purpose rather than a problem with the program to your clients). Hope this helps.
Craig

Similar Messages

Is mac book pro good enough to run final cut and after effects?

is mac book pro good enough to run final cut and after effects?

Yes it is. I have two at my office working fine.
Just note. FCP has already delivered the universal binary so you won;t have any trouble. For After Effects, Adobe has not released the binary yet so the worst that will happen is that you might have a little delay opening the application. We are a professional media organization and we can rely on our intel based macs. Don't worry.

Final Cut and After Effects on separate comps

I have just recently had the need to use after effects for some video projects. The problem is that I have After effects on my computer and Final cut pro on my schools edit bays.
Is there a way to make a reference movie that I can bring to my comp, then take the effects back to FCP.
Basically I just want to know If I can do this with two different computers. Make the effects on one, and edit the video on another.
Thanks.

The need for transparency would depend on your project. As an example, if you were doing a motion graphics element, you may want to build it all over top of your original video. Then before render you could "mute" out the original clip and render only your graphics. But you'd need to maintain the transparency so that the only part visible in the rendered final would be the motion elements with empty, invisible pixels all around it. So the transparency gets carried along in an "alpha channel". Doesn't sound like you're going to need this.
So you could simply export a self-contained movie from FCP at school. It will be best, for quality, if you can "Use Current Audio Video Settings" when coming out of FCP. However, this will only work for you, at home, if your home system has the same codec that you'd been working in while in FCP. If not, you've got to determine the best intermediate codec.
You may want to export some extra material around the clips in question so as to make sure you've got everything usable, and then some. So if you've got a 5 second clip you want to export, maybe back up 10-15 frames prior to your clip, set your IN point. Move out 10-15 frames after your 5 second clip and set your OUT point. That way you've got your clip + some extra material.
Take these to the home machine with AE and add your effects. Then render out a movie, that again, matches the sequence settings for the target sequence in FCP.
Remember to pay attention to codecs along the way. In general, the fewer times you hop between codecs, the better the final quality is going to be. What codec are you working in?

Final Cut 2 After Effectsを使用して.FCPのプロジェクトを読み込もうとしているが.フッテージが読み込めない

Final Cut 2 After Effectsをつかって、windowsのAEに
FCPのプロジェクトを読み込みたいのですが
フッテージが読み込めません
winからもmacからも接続できる
外付けハードディスクFドライブに
フッテージ（ムービーファイル）はおいてあります
xmlでの記述は
file://localhost/Volumes/ドライブ名/パス
なので、
file://localhost/F:\パス
このように置換して、FCP2AEを実行したのですが
「パスが無効です　c:\f:\パス」
という警告が出て　フッテージが読み込めません
（なぜ、関係のないcドライブが出てくるのでしょうか？？）
何か良い解決方法があったら教えてください

こちらに情報が。
http://strypesinpost.com/2009/11/moving-from-final-cut-pro-to-after-effects/
"file://123456789U:/"
のような表記で他のドライブも通るようです。

Final Cut vs After Effects vs Shake

Hi everyone
I have been using Final Cut Studio on an Intel mac for a short period and while fcp and Motion cover most of my needs I do need a little bit more on the animation side.
Importing graphics from photoshop and illustrator and then manipulating them with live video is the majority of my work.
Right now I would like to have a good rotoscoping/paint solution to expand the possibilities of fcp studio.
My question is what would be best. A plug-in such as Silhouette (though I dont htink its available for Intel macs), Shake (maybe overkill?), or just fork out for AE to complete my toolset??
Any experiences and advice much appreciated.
thanks
Xavier

Importing graphics from photoshop and illustrator and then manipulating them with live video is the majority of my work.
<
Then your only serious choice is After Effects.
<div class="jive-quote">Very rarely see a studio or serious motion graphics artist who doesn't, but its an expensive option... < </div>
This is not true at all. AEpro7 is much less expensive than any previous version and it's packed with tons of new stuff and filters for which you are not paying any additional charges. An it incorporates beautifully into CS2's Bridge functionality.
bogiesan

Can I share files from other programs or just Adobe apps files. I work with Final Cut and Premiere X

Can I share files from other programs or just Adobe apps files. I work with Final Cut and Premiere X.? Need to share files up to 6GB.
I need to know if the 20 gb limit is about all that I share, or if it's just about whatis in the clouds. If I take, recover my limit?
The speed of upload e download is good?

The Creative Cloud file storage could be used for video assets but speed and performance might vary based on location. I would suggest you testing it out yourself using your Adobe ID before subscribing. Performance would not change after you joined.
-Dave

Nikon D7000 .MOV files in Premiere Pro and After Effects CS5.5

I recently upgraded from Production Premium CS5 to CS5.5. Initially Nikon D7000 .MOV files used in previous CS5 Premiere Pro project would not play well in CS5.5. Now .MOV files do work in both PP and AE CS5.5. Here are the steps I followed. Not recommending you follow my steps exactly, just providing info for those that are interested.
1.       Launch Premiere Pro CS5.5 and open previous PP CS5 project, convert project to CS5.5 and rename project file as not to replace previous CS5 project file.
a.       At this point .MOV files do not play in new project or in AE CS5.5
b.      Close Premiere Pro and After Effect if still running.
2.       Using Adobe Bridge CS5.5, batch rename;
a.       Make copies of original files to new folder location while renaming file extension from .MOV to .mpg
b.      Let Adobe Bridge finish creating all new thumbnail previews.
c.       Leave Bridge running in background.
3.       Launch Premiere Pro CS5.5, let Premiere finish recreating thumbnail previews if needed.
a.       Attempt to preview existing .MOV file in project. It worked for me.
b.      Attempt to play sequence containing .MOV files. It worked for me.
c.       Attempt to play or modify sequence .MOV files in AE CS5.5 via Dynamic Link within Premiere. It worked for me.
d.      Close Premiere Pro project and AE projects if open.
4.       Create new Premiere Pro project and sequence
a.       Import a different Nikon D7000 .MOV file not previously used or renamed.
b.      Attempt to play this newly imported .MOV file. This worked for me as well.
c.       The new, previously un-renamed .MOV file also worked in AE CS5.5 for me.
I will perform additional tests but at the moment Nikon D7000 .MOV files are working for me in CS5.5 after initially performing a batch rename in Bridge CS5.5 from .MOV to .mpg and letting Bridge create preview files. Even .MOV files not renamed now work.
An example of Nikon D7000 footage edited with Adobe Premiere Pro CS5.5, After Effects CS5.5, and Sound Booth CS5 can be seen on my blog, http://stevelandonsmyth.typepad.com/steve-landon-smyths-blog/2011/07/my-first-hd -video-shoot-with-nikon-d7000.html
My system: MacBook Pro 17" 2.3 GHz i7 quad core, 8GB RAM, 500MB SSD
Message was edited by: Steve Landon-Smyth

Hello,
I see 2 post in this thread from Todd that say they are working on a fix and it should be out soon. One is from July, the other from August. It is now Sept 7th and I still see no patches or fixes for any bugs. I spent 400 dollars on an upgrade, but is this upgrade going to be supported?
This is making me rethink upgrading to the .5's in the future.
It is a minor bug to most, but in that sense it should be an easy quick fix. Am I wrong? Is this really a complicated issue?
I apologize if this comes off like a rant, but thats kinda what it is. It is not hard to batch rename files, but its a pain to have to relink all those files in PP.

Hi, I have small problem, for some time in music area I had two folders to use 1. Apple loops for soundtrack pro 2. Final Cut pro sound effects now both are gray and with out content may I know what happend

Hi, I have small problem, for some time in music area I had two folders to use 1. Apple loops for soundtrack pro 2. Final Cut pro sound effects now both are gray and with out content may I know what happend

I just went through this and it appears that my Focusrite Saffire was the culprit. I connected all the outputs on the focusrite according to the way the jacsk on the back were labeled and then set up the multichannel speaker setup to match. Then I went into STP, created a pink noise clip and panned it around, the LFE, center and rears were not in the right place.
I reconnected the hardware to match the 5.1 pan pot in STP then changed the multichannel speaker setup to match. Everything appears to be correct now but I would have loved to have been able to just assigned the output busses to correct outputs in the saffire.
Next step is to pan that pink noise around with my SPL meter to calibrate the room.

How to work with Premiere Pro cs5.5 and After Effects cs5 together?

I have edited my movie in premiere pro cs5.5 and made the rough cut. In premiere, i have edited the video, put in soundtrack and foley. Now, i need to add muzzle flashes & blood splatters in some scenes and final color correction using After Effects cs5.
When i import the premiere project in AE and make the changes, and then i export it back as premiere project. When i open this prmiere project, it shows vaious kind of errors and no changes are retained that i did in AE. Also, when i import the premiere project (which has 4 different sequences) in AE, all the media that has been imported in the premiere project also opens in AE making it difficult to organize the media.
How should i work now so that i add vfx and color correction using AE cs5?
I thought of exporting the video from Premiere pro and then open the video in AE and add vfx to some scenes and color correction to the full video and render it out again. But, this is the first time i am using AE and i am not sure if this is the best way. PLEASE HELP.
Or, i could import the whole project in AE, add vfx, do color correction AND then export to video from AE. But i think, it will be better if i export the video from Premiere as it has loads of options to choose from while exporting to a movie.
The dynamic link does not work between Premiere Pro Cs5.5 and After Effects cs5. Even if it does, its not working on my pc.
All the footage is in HD and i want the final result in best quality HD too. PLEASE Help!

If you are working between After Effects and Premiere Pro but with versions that are not the same number, you need to just work with movies rendered and exported as intermediate, lossless files.
Dynamic Link only works between After Effects and Premiere Pro of the same version number, and only when they are installed as part of the same suite.

MPG to Final Cut Pro , convert mpg files to FCP freely

Why need to convert/import MPG files to Final Cut Pro?
Final Cut Pro is the premium choice for any Mac video editing, and it is widely used by Mac users now. These MPEG standard files can be these different codes and cause failure in importing to Final Cut Pro. If anyone comes across the situation, the best solution is to get aids from MPEG/MPG to FCP converter for Mac, which can help you to convert MPEG group files to FCP compatible video format and then files can be easily imported for editing job.
As we know that Final Cut Pro don't natively support MPG, MPEG, MPEG-1, MPEG-2 files, it can import MPEG-4 files (but need to be rendered once you place them on your timeline) and MOV files (without rendering). Therefore, to import MPG to Final Cut Pro directly, the best way is to convert MPG to Final Cut Pro supported Apple ProRes MOV files.
How to convert MPG to Final Cut Pro(fcp)
Step 1: Import MPG files
Download the latest version of MPG to Final Cut Pro Converter, install and run. And then, click Add Files to import MPG files to FCP, or you can also drag MPG files directly to MPG to Final Cut Pro directly.
Step 2: Choose output format and directory
You can click the drop-down list of Convert Toto select output format as "Final Cut Pro"-> "Apple ProRes MOV ". After that, click "…" of Save Toto designate a directory to save your converted files.
Step 3: Convert MPG to Final Cut Pro (X)
Click Convert to transcode MPG to MOV for editing in Final Cut Pro.
MPG to Final Cut Pro Converter is a practical tool for you to convert MPG, MPEG files to Final Cut Pro supported MOV files in order to free import MPG to Final Cut Pro (X) , FCE, iMovie on Mac OS X Mountain Lion . Besides, it is also able to convert MPG to other video files AVI, WMV, MP4, MKV FLV, DV, 3GP, ASF, RM etc.
Related Article:
MOV to FCP: How to convert MOV to FCP
How to convert mp4 files to fcp freely

Import unsupported MPEG-1 or MPEG-2 to Final Cut Pro 7/X, Final Cut Express
Summary:If you are looking for the best way to transcode MPEG-1 or MPEG-2 videos to ProRes MOV for FCP 7/X and FCE, you can follow this post, it has offered best solutions for editing MPEG videos on Mac in Final Cut Pro 7/X, Final Cut Express.
Cases:
The following are two problems when some users import MPEG-1/MPEG-2 to Final Cut:
"I am trying to import MPEG-2 files into Final Cut Pro X. I have the raw files from a Sony Handicam HDR-SR5 as well as raw files from an Sony Handicam MDR-CX560. These files were recorded as MPEG-2 files and copied from the camera hard drives (entire folders were copied containind the MPEG-2 fies) to a local hard drive on my computer. Final Cut Pro X does not recognize the files and will not import them. I have tried to use Compressor to conver the fies. I am using the very latest version that touts being able to export to Final Cut X format. I don't see that option anywhere in the settings."
Question:
Is there a way to get MPEG-1 or MPEG-2 files into Final Cut Pro X without having to convert them?
Answer:
Don't try to work with (highly compressed) MPEG 2 in FCP X. Use software to convert to ProRes 422 first, it's best codec for final cut pro or final cut express. Life will be much easier for you if you do. ProRes 422 is roughly between 5 and 8 times bigger than native camera footage - sometimes as much as 10 times, I believe, but it's well worth it for editing, effects and playback quality. The time required depends largely on your processor power but 30 mins sounds realistic.
Software you need:
Pavtube HD Video Converter for Mac
This software can convert MPEG-1 or MPEG-2 to Apple ProRes 422 codec for Final Cut Pro, Final Cut Pro 7, Final Cut Pro X or Final Cut Expr editing without rendering.
Step by step guide:
1. Download and install the best MPEG1/MPEG2 to ProRes Converter and launch it to add your videos to it.
2. Choose output format. Click on the “Format”> Final Cut Pro, Apple PreRes 422(HQ), Apple PreRes 422, Apple ProRes 422(LT), etc are all the proper choice for you.
3. Click "Settings" to adjust the parameters as you want, like Video Codec, bit rate, frame rate, Audio codec, sample rate, bit rate, channels. Set the video frame rate as 30fps, video size as 1920*1080 will be better.
4. Click Convert button to start MPEG-1 or MPEG-2 to Final Cut friendly Apple ProRes 422 for native editing on Mac OS X.
5. When the conversion ends, you can run the Final Cut Pro and click File --> Import --> Files to import the resulted MOV files and edit them in FCP easily, you can follow this import video to fcp guide.
From the steps above, I think you got the point to convert and import MPEG-1 or MPEG-2 files to Apple ProRes 422 for Final Cut editing, please have a try, this software will solve you MPEG-1 or MPEG-2 importing and editing problems, and then you can import and use your MPEG-1 or MPEG-2 in Final Cut Pro 7, Final Cut Pro X or Final Cut Express on Mac without any problems.
Now you can get DVD Creator which can help you easily burn video to DVD disc/ISO files.
Buy One Get Another Free?! Yes, just join Pavtube's Special Offers to get the promotion.
PS. If you have any problem, pls contact with [email protected] to get more information. You also can leave a message on Pavtube Community or Pavtube Facebook, we will answer your questions as soon as possilble.
Learn more Cameras/Camcorders related tutorial, pls view our FCP Column, etc. on http://www.pavtube.com/hot-topics/

Proper workflow when using both Final Cut (Motion) & Adobe Effects

I am trying to use some Red Giant Software, and its capabilities are severely limited in Final Cut and Motion because you can not use the bezier pen to create shapes on the fly. For Final cut and motion you have to create the shape you want in illustrator 1st, and then import it as an SVG in final cut or motion. There are quite a few plugins that have this issue.
What is the best way to have all my movie editing only in FCP, but to use adobe effects in place of motion (or in addition to). My major fear is that I am continually want to be making changes to my already compressed video out of adobe effects, so when I pull it into FCP I may want to make a change further compressing in effects, and back into FCP and so on and so forth. If I save it as uncompressed video my video files would be so large then it would take years to render each time.
Any suggestions?

Your solution was definately helpful, however if you don't mind I have a few more questions.
This is the only thing that I found that would help me move FCP into AE without rendering & compressing and degrading quality.
http://www.studiodaily.com/main/training/howtutorials/f/post/Final-Cut-Adobe-CS4 -Workflow_10122.html
The problem with this is that I would never use premier to edit my video, I only want to use After effects for very specific plugins (like Trapcode 3stroke and Particular). If you look at this video it seems you would need you get the entire studio which serves no purpose as I don't want to use Encore or Premier just AE. I was hoping that I could something like the video (save it as XML format - something non-destructive), to transfer my movies between both applications.
It looks like your solution however is the best thing that I have been able to find. I also read on some posts that were labeled in October 2008 that there were some 3rd party translation software products that were supposedly going to be released in 2009. If anyone has any information about it - please let me know. If I don't find anything else I think the reference movie workaround is probably the best thing - the danger is (as another person said below), I was afraid that if I use more then 1 application to edit a reference movie that it would screw up audio & video sync or screw up the final render in some way.

Using still images with Final Cut (and the apple suite in general)

I have had a re-occuring and long term problem that has caused me many lost hours of head scratching and work arounds, and as of yet I have not been able to come up with a good solution.
Its to do with integrating still images with the Final Cut suite.
If I receive a high quality image from a client to use in their video and I then try importing it into Final Cut and animating it, it always ends up looking like a pile of ahem. Often I will get "swimming" lines appear across fine detail on the image, and parts of it will flicker as it moves across the screen. For instance, if I have a picture of some blinds or other fine detail (especially horizontal and vertical lines), when I add a grow and throw movement to it the detail will become very noisy - buzzing and flickering like mad.
I have found I can counter this by resizing the image in photoshop to a resolution closer to SD video (700w or 500h) - but I always end up losing detail, and the flickering and noise is only reduced, not eliminated. Other things that have helped are blur effects applied at a very low level, like 0.5 blur, so its not noticeable visually, but Final Cut seems to treat it differently and quieten the noise and flicker down.
However, all of these workarounds are ultimately still giving a reduced quality product.
Also, this problem is not necessarily constrained to Final Cut, I am currently fighting DVD Studio Pro because it is murdering the text quality in a stills slideshow I am creating - and in this situation there is no animation being applied. No matter what file type (psd, jpeg, tiff, png...) or size I output the text and images from Photoshop in, the moment DVD studio pro gets hold of it, it turns to cripe.
For a while I was putting it down to the fact that I usually edit in SD (PAL) formats, and there just wasn't the resolution available to reproduce fine detail. However, I do often see other people achieving pin-sharp fine detail on still images and text in SD formats (the Apple templates are a good example)
So, my question to you, oh great and high boffins, if you are dealing with still images and text, how do you do it? How do you work around any noise problems you have, and how do you produce those pin-sharp images (both moving and still) I see in other professional productions?
Quad G5 Mac OS X (10.4.8)

still images with too high a resolution will always cause problems. this is due to the detail of the image being finer than the scanline of the tv can display ... obviously this will caise the image to flicker as these details alternately appear and disappear as and when the scanline can display them. as you have discovered, the answer is to apply a very small blur, the effect being that the detail is spread by the blur such that the scanline can dislay it correctly.
text issues are often rooted in the same problem ... unless the text is placed very carefully (whole even number on the y axis) then the quality may be impaired due to the resulting interlacing/scanline issues

Quicktime Codecs/Compressors and After Effects?

Hi,
I have AE CS4, updated.Win XP SP 3 and 560ti Nvidia.
I have a few questions regarding quicktime and after effects.
I mostly render using quicktime and photo-jpeg as the compressor.But in the timelapse I shot, it is not giving me precise colors and the final movie is low on contrast.
I tried animation codec, awesome but file size too large.I am rendering for stock footage where 1GB is maximum file size limit.
My questions:
1 - Will updating Quicktime update the compressor menu list under quicktime format in after effects render settings?Will updating also add new compressors, if any?
2 - Where does quicktime store encoders/compressors if installed on C drive?
3 - I saw many recommending DNxHD codec.I downloaded it.What next?Is it a quicktime compressor, i.e. to be used with quicktime as we use h.264, animation and photo-jpeg?
4 - How do I add DNxHD codec to After Effects for use in renders?
5 - Could you recommend the best lossless quicktime compressor which gives not so big file size as animation does?
Currently I see 11 compressors in format options under quicktime.Are there more?I have the latest k-lite codec pack installed if that matters.
Thank you.
Would be greatful if you can explain, it will help me get clear on this.
Thank you.And sorry if it is a very basic question.

Hi, thanks for the replies.
It is a timelapse footage and not animation file.I meant animation codec under quicktime format gives me the best results.I tried h.264 and photo-jpeg, but the final video looks flat and low on contrast.I have done some color grading and only animation and png renders it correctly.
But the problem is that the file size is pretty huge.I also see banding in photo-jpeg and h.264 renders.
I want to upload the timelapse to pond5 for sale.But photo-jpeg just gives me flat colors and flat contrast.
Can you suggest a compression that maintains colors plus gives a size under 1GB?
Photo-Jpeg render frame:
https://dl.dropbox.com/u/42878955/1%20Photo%20-%20Jpeg.JPG
Animation render frame:
https://dl.dropbox.com/u/42878955/2%20Animation.JPG
You can see how flat photo-jpeg looks.Also hasn't rendered the colors and contrast properly.
Along with this, can you help me install DNxHD codec?I downloaded it and it has 2 folders, Source and TestFrames.What next?

The document "2147483647-11-06 06_00_00.FinalCutCopy" could not be opened. Final Cut Pro cannot open files of this type.

The document “2147483647-11-06 06_00_00.FinalCutCopy” could not be opened. Final Cut Pro cannot open files of this type.
I was importing media, and closed out of the media before stoping the media import. This is how the file saved on the hard drive.
I need to get this file into a format that FCP can open. Is there a way to export a .FinalCutCopy file into a .mov file???
Any insights would be VERY HELPFUL!

I was able to figure it out. I renamed the file type to a .mov format and quicktime was able to open it. Then I saved that file format on the desktop, and imported in after I opened FCP. The file then imported and I was able to access the whole video clip I had! Thanks for your help!

Want to use Premier Pro and After Effects but don't want to buy CC

I have CS6 Design/Web Premium standalone edition and want to add Adobe CS6 Premier Pro and CS6 After Effects Standalone to the group.
I've downloaded the trial versions of Premier pro and After Effects to get me past this recent job issue, but I may need to purchase it after the trial runs out.
If the job I've got pending does not pan out I'll go back to using Final Cut X and Motion.
But if it does pan put I'll want to buy the standalone versions as I'm not into Hacking and Kracks.
I do not like the idea or want to "upgrade" to CC so please no suggestions about this.
Any clues. For some reason I'm not able to ask Adobe directly as they do not appear to supply and email address to be contacted, and I'm now on this forum sharing my questions to the community.
Anyone out there with an idea to help in this regard?

Hi,
You can buy standalone Premiere Pro and After Effects CS6 from the below link:-
Creative Suite 6
You can also contact our Sales Team
Contact | Adobe
Thanks
Sarthak

Final Cut and After Effects "file is busy"

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