Final Cut with Leopard

Am considering moving from Tiger to Leopard. What issues will I encounter with Final Cut 5 ? Will it and Studio 2 function correctly? Thanks

Well, that is not the way to go when you have an editing system. If you use this to make a living, you gotta stick with the OS that the NLE was designed for. I often find myself in front on an Avid running OS9. FCP 5 was designed for Tiger...Tiger is solid. 10.4.11 is darn stable. Stick with that.
And there are other backup programs out there, like SUPER DUPER...also backs up in an automated way.
Shane

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Final Cut with new Macbook Air -what can I expect?

Hi, I have the 2011 MBA 13", 4gig ram, i7, 256g SSD.
My hope is to use the latest Final Cut with the internal SSD drive to edit basic music videos and music interviews.
A typical project will have multiple angles filmed from a few DSLR's that I want to cut between, along with stereo music and one or two dialog tracks. We're not doing any fancy digital tricks or trying to look cutting edge with technology -just fades between cuts, running some text on the screen. The audio will be premixed in Pro Tools to Stero music + 1 or 2 spoken word mono tracks
I can save the final projects via the USB port to external hard drives, but for portablility I'd like to be ablle to work on the internal SSD.
Oh, and maybe someday someone will make something I can plug this Thundbolt cable into, lol.
Is this realistic?

I would look for answers in the Final Cut Pro X forum. Good luck.

Filming on a Panisonic 24p camera but I imported it into final cut with a

Filming on a Panisonic 24p camera but I imported it into final cut with a Sony HD camera. Will this mess up the quality of of my shots when I ad slow motion? I have noticed that the slow mo is a little chopy. PLEASE HELP!....

24p is captured with your standard "DV-NTSC" easy setup, whereas 24pA is captured with the "DV-NTSC 24p (23.98) Advanced Pulldown" easy setup. Correct me if I'm wrong I still have yet to work in 24pA.
http://www.kenstone.net/fcphomepage/24p_in_FCPnattress.html
This page is priceless.
http://www.nattress.com/Solutions/solutions.htm
This page is nice too for reference

Final Cut Pro & Leopard Spaces quirky behaviors

I have spaces enabled in Leopard. FCP assigned to space 1, Safari and Mail to space 2 and 3.
For some reason, the keyboard shortcut for Save All in FCP has stopped working. I can only select it from the menu.
When I hit "CMD-S" to save the project, the Canvas window moves down to space 4 and shifts my view to space 4.
Other times the Canvas window moves down to space 3 and shifts my view to space 3 when I try to save my project.
Already tried trashing FCP prefs.

Yes, in the Spaces preferences, under Application assignments, I have Final Cut Pro set to open in Space 1, Photoshop to Space 2, Mail to Space 3 and Firefox to Space 4.
The only workaround I've found so far is to set FCP to open in all spaces. Now when I save, I still see the popup that shows when you switch to another space, but I can continue working with FCP without interruption.

Final Cut; Snow Leopard; PPC's and future upgrades...

Being on a PPC and being cut out of the Snow Leopard upgrade loop has made me think.
I am running an audio and video studio setup on my G5.. running tiger 10.4.11. I have a lot of apps: Final Cut Studio 2 ; Adobes' Creative Suite cs4; Logic 8; Abelton and Cinema 4d. I am still a student learning all of these.
My question is: Will I be able to keep running my currently stable setup as it is, with no upgrades to either the software or hardware, in the next few years (given that there isnt a major hardware/ disk issue) with my G5?
It seems to me that the important consideration is the export options, and my outputs are either wav or aiff for audio and quicktime/flash/jpeg/tiff/obj or whatever for video. As long as these can be played in browsers( or via mp3 or DVD or whatever) then my current software will be useful for years to come. That will always stay the same right?
If my thinking is correct then I dont need to be thinking about future upgrades, and can just stick with my current stable setup, which I am currently happy with, And stability is my biggest priority, not the latest technology. Plus upgrading a lot of apps and a new intel mac computer would prove very expensive.
Apple used to support G4 G5 and Intel Macs, but as that is changing I'm a bit confused.
Am I right in my thinking?

If what you say is true, that there is no PPC support for Snow Leopard, then you should be fine to stick with your current setup for some time. Will it loose some of it's usefulness overtime? Yes in the ways you describe, with being able to work with new file formats, or share project files with systems that have upgraded. Usually there are ways around this too. If I was in your situation and I had the money to make the jump to an Intel system with all the upgraded software, I would leave the PPC system intact for a while anyway. There are ways around compatibility issues that might crop up. Save your money, let us fools be the early adopters, get the most out of your system now, then when your ready, you can still upgrade your apps on a newer even faster machine.
There is always going to be "newer and faster", but it sounds like you have good tools at your disposal now.

Importing FCP Hi Rez from Final Cut with Encore Destination

I wonder if i could get some advise and comment on trying to get the best Blu Ray encode from Final Cut.
What I have done is this:
I have imported a 60 minute Quicktime FCP file into Premier CS4. (The file was imported as HDV video from a Canon XHA1 and converted in FCP to 422Hi Rez). I set Premier to HDV and not Quicktime before the import. When the import finished, I notice that playback was very jerky, so I rendered the whole time line. This took about 5 hours. Following this, play back was perfect.
So, what should my settings have been initially....might I have not set everything correctly. What settings should I have set initially?
(I have not figured out how to export a sequence directly from FCP which 4.01 is supposed to do.)
Now that it is play fine in Premier CS4 4.01, I am planning to use the dynamic link system to export into Encore CS4 .01 . But before I do so, do I have to fill out copyright info in Premier...I noticed an area for this?
I chose this work flow because I did not want to use the FCP's Compressor for make a Blu Ray. I want to use Encore's H264 compression which produces a smaller file and thus less disc space. I do understand that I could have left out Premier altogether and gone directly from Compressor to Encore, but then I would not have had the H264 choice..;is this right...I am not entirely au fait with all the terms:)
So far, no crashes or weird behaviour. I am on a MacPro Quad Core 2 Porcessor 2.8 GHZ processor.
Tim

Thanks for the advice. I now have the project in Encore. While it played perfectly in Premiere, it cannot do so in Encore. Maybe this is because I have the settings set to the highest resolution- 1920 x 1080 and Blu Ray NTSC. I am trying to set up chapters and it is very jerky trying to get to the right place. Shou/ld I be doing this at a lower resolution and then changing things at the end?
Also I currently have DVD Transcode set to automatic and Blu-ray Transcode set to Automatic.
Are these settings going to look at the best on a 54" Samsung HDTV 1080i ? I notice a whole slew of choices in the drop down!!
I am ploughing through the Lynda.com tutorials, but some of these questions don't seem to be answered there.
I am planning on saving things to hard drive so I can test before burning...is this feasible on a mac?
Tim

Final Cut with Photoshop touching up

I asked previously how I could use a tool like photoshops heal tool for video. I was told I could actually just use Photoshop. I was wondering if there was any down sides to doing this? I just want to fix a few troubled spots on some shots. Is there a quality loss?
What is the easiest way about this? Should I just go export quicktime? Touch up then export back to video and put in Final Cut? Will I lose much in terms of quality? I'm dealing with HDV footage that was 1080i60 natively from the camera but was converted to 24p with DVfilm. Thanks!!

any down sides to doing this?
Not being able to see your frames in sequence is a definite downside. It's all too easy to make a good looking retouch job on a single frame, but you need to see how it relates to the other frames.
You might think you are hitting the right spot, but when you run the video as it was meant to be seen, the mistakes become very obvious.
The procedure:
Export from FCP to QuickTime > Export from QT as an image sequence (TIFF format - dont forget to make a folder for the sequence first) > Retouch and save > Import to QT to reassemble the image sequence > Become frustrated at reading my instructions > Give up > Go to Apple dealer and buy Shake instead.

You can use the final cut with macbook air 11 x 4GB with external hard drive

I can install and use the final cut X, with macbook air 11", 4GB with an external hard drive, and them transfer to the mac pro

No, not directly. You would need to transfer your data from your iPad to your Mac and then back it up to an external drive.
Pete

Using Final Cut with external USB 2.0 drive

I use Final Cut Studio on a 2-year old MacBook Pro. The MacBok Pro has Firewire 800 and but only USB 2.0. I've been using an external Firewire drive with it for storing my movies. Now it is full and I need to get another external drive. However the new drives I've seen tend to be only USB.
My question: Will it be a problem to use Final Cut using USB 2.0? (The new drives are USB 3.0, but the computer is only 2.0). Will I be able to edit movies that are on the extenal drive? Or will I need to store the "in-progress" movies on the computer, and then move them to the external drive when I'm done with them.
And when I ask "will I be able to" I mean doing it without seeing endless beachballs...
(Also, if the response is "get another FW drive," then any suggestions as to which one?)
Thanks!
Dan

DanK wrote:
Let me make sure I understand this: If I store completed movies on the USB drive, I should have no problem viewing them, as long as I have no other external USB devices connected to the MacBook.
You can use the USB drive for archiving projects but as said before you shouldn't edit with one. While the nominal maximum speed for USB 2 and FW400 is not that far apart the two protocols work differently. USB 2 achieves the max speed in "bursts" which is not what you want for video.
DanK wrote:
However for editing movies, I should have them on either the FW drive or on the computer itself.
Is that correct? Will it work to edit movies on the FW-400 drive, or should they be on the computer itself?
While you can have the project file itself on your system drive, all the media files should be on external drives. This way your system drive gets to run the software and the external keeps the media and renders.
DanK wrote:
And if I get a new FW-800 drive, will I be able to edit movies stored on that (i.e. will I see a difference between FW-400 and FW-800?)
FW800 is definitely faster. See a comparison here: http://www.barefeats.com/hard70.html

Final Cut With SSDs: experiences or opinions?

Hi all,
I'm looking to get a new MacBook Pro, and I'm swithering as to whether to go trad drive or solid state. I have (of course) read any number of opinions pro and con on any number of sites, and as such I am none the wiser.
Is anyone using FCS on the MBP with solid state? If so - what do you think?
Cheers,
d

FCP will be running off the boot drive. A solid 7200 rpm is more than sufficient for booting FCP.
I really can't see any benefit to running FCP off a SSD over a SATA at 7200.
The benefit can be in a SSD external SATA media drive.

Final Cut with external HDDs

I have an Power Mac G5 Quad with 4 external Maxtor hard drives, all the same model. When I attempt to export media or render files in FCP to HDD 1 & 2 and the media is over a certain size, then it will not work. On drives 3 & 4 I do not have this problem.
I am aware that there is a possibility that the drives are differently formatted, which would explain the problem, but surely when rendering on drives 1 & 2, it would just create multiple render files rather than one short one and then stopping.
Also if I try to copy a file over 4GB to drives 1 and 2, it just cancels it.
Anybody got any advice as to how to get around this problem?
Thanks
Dave

Andy is most likely correct on this.
Here's how to see what the exiting format is and to reformat if nec.
- Right (control) click on the drive icon on the desktop.
- Select Get Info.
- The drive format will be listed at the General section at the top of the window.
If it is MS-DOS, you need to Reformat:
Warning: the following will ERASE all information from your disk. Move any files you wish to save to another disk before performing this operation!
Open Disk Utility> select the disk > Erase > Select Mac OS Extended as the format (Mac OS Extended is HFS+)
good luck.
x

TA26012 Has anyone used keyring 808 spy camera with an itouch and rendered with good results in final cut pro ?

I am using spy camera 808 which has the same 1280 by 720 H264 AAC as an itouch for filming.
Problems occour in fincal cut pro 6.06 on export if i export 808 on its own no issue the issue is the itouch messes up the time liine on sound video, example 20 min video 10 mins 808 and 10 mins itouch equals 12 mins.
So has anyone actualy with the power pc g5 and final cut pro 6.06 had a method where it is succseful for a simple export to quicktime ?
Just tried it with itouch in final cut and fcpro says does not match settings so i let fcpro choose audio needed render that was it export of 5 mins came out as 30 seconds.
So question stands has anyone found a suitable way to bring in itouch video and export in final cut with out issues.?
ps i brought the video in with "image capture" and iphoto no change.
email here if you would [email protected]

My plan is as follows:
-Make a full backup copy of System Drive on an external drive
-Boot from OS Install Disc > use Disk Utility to Erase/Write Zeros to drive
-Install Snow Leopard
-Install FCP, etc.
-Delete "Capture" directory from external "Scratch Disk"
-Transfer all remaining files to another external drive
-Reformat "Scratch Disk
-Cross fingers
-Begin transcoding process again---frequently checking files for errors
I'll let you know how it goes. Still open to other thoughts and suggestions...
-Ryan

I'm new to working with soundtrack and final cut simultaneously?

I have to edit a documentary in the coming week for a project. I want to use soundtrack pro alongside final cut pro. Could someone put simply the process of the two working together? for audio connected to video clips in final cut, is the only way to automate these with final cut?
using the "send to soundtrack" in final cut, only exports the video so it leaves me only being able to enhance the project by adding new sounds. is it possible to edit the sound files in final cut by using soundtrack pro?
without exporting every sound individually and re-importing...thank you. im new to this so that might be a stupid question. i apologise if so

1. Finish your project in Final Cut with rough sound. Lock your picture.
2. Select your sequence, and "Send to" Soundtrack Pro as a multitrack project.
3. Finish your audio.
4. Export whichever splits you want from Soundtrack as AIFFs. You can export the whole mixed soundtrack, or vox and mix minus, or whatever you prefer.
5. Duplicate your finished sequence in Final Cut. Delete all audio. Import your finished mix(es) into Final Cut, and overwrite-edit them into the timeline.
6. Export your finished movie.
Soundtrack Pro and Final Cut Pro really aren't meant to be used together, per se. Rather, the workflow goes from Final Cut as a multitrack project and then back to Final Cut as AIFFs.

Can't open Final Cut X - Stop Responding with Event

Im working on a project for over a year, and suddenly I can't open Final Cut with my project and event.
It stops responding while loading my event.
I already changed the location of the biggest files (original media and renders), so I just have my event and my project files on the final cut folders.
I've tried to open this in another computer, but it still didn't work.
When I erase my event and project, there's no problem with Final Cut.
Any suggestion?
Thank you!

Why are you moving folders around?
Was FCPX acting abnormally before you moved these folders?
What do you mean by "erase my event and project"?
Russ

Final Cut Studio 3 with 10.6.5+

Hello everyone,
A while back when 10.6.5 was released, I installed the update and since then my Final Cut has not been showing the colours properly in the viewer and timeline. Everything is like 5 stops under exposed and contrasty to the original footage. It plays fine in Quicktime 7 & X. But as soon as it hit's any of the the Final Cut Studio application, the rushes are way underexposed and are really contrasty. (I've posted some images below.)
Every time Apple brought out a new OS update I installed it to see if they had fixed this but I have had no luck to this date with 10.6.7. So what I've been doing is downgrading to 10.6.4 where Final Cut runs fine.
I'm running a MacPro Nehalem 2009 (4 core) and Final Cut Studio 3 on the latest update.
If anyone is able to help me with this problem then that would be fantastic!!!
Image below is Final Cut Pro on 10.6.7 OS
Image above is an exported version of the clip from Final Cut with 10.6.4.

This is indeed a weird issue.
The thing is now that I turned my mac off and came back to it, I played around with the display profiles (in system preferences) and went back to the original profile. It then suddenly fixed the gamma issue to how it should be in FCP7.
I'm not understanding to how it's fixed itself as it doesn't make sense to why it played correctly in quicktime but not in the Final Cut Studio Apps, but I'm very happy indeed, saving me time to downgrade again. I can also explore the MacAppStore...
What do you recommend as the best display profile to select in the System Preferences?
Cheers everyone.
Yan

Final Cut with Leopard

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