HDR:  Adjustments in Photoshop or Lightroom?

Are any creative/optimization options lost by taking images from Lightroom, sending them to Merge to HDR Pro in Photoshop to create the file, keeping it a 32-bit file and sending it back to Lightroom for further adjustments compared to keeping it in Photoshop, converting it to a 16-bit file and using the HDR Toning adjustments in Photoshop?  Will either strategy result in a better final result as a large print?

Working on the 32-bit image in Lightroom will give you far more flexibility and enable you to do a lot more. Julianne Kost produced a quick tip for Lightroom 4.1 that explains the benefits of doing your HDR images this way. You might want to take a look.  Of course everything she shows still holds true in Lightroom 5.
Quick Tip – Creating 32-bit (HDR) Images in LR 4.1 | The Complete Picture with Julieanne Kost | Adobe TV

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