Help - 911 - Best conversion format to edit Go Pro AVC Encoder Mp4 files on FCP 4.5?

The size is  1280 × 960.  MPEG Streamclip converts it to 16x9 on DVC Pro HD.  I don't see custom options, or options that will let me retain the HD resolution in 4x3 .
I'm coming back to editing after a bit of a break, and I"m just getting up to speed on HD video and not quite sure yet what my system can handle.
Suggestions?  Or do I need to take these files back to the client and tell him I am unable to do this project?  I've never used this format before.
Thanks in advance.  I need to let this client know right away  whether I can work with his files.

>I assumed I had the capability to do HD on a DVD?
Only if you author a BluRay.  And that is 1080 only.  And you need a BluRay burner, and Toast 10.  And that might not be compatible with whatever OS you are running that 8 year old version of FCP on.  Too new for the tech you have.
>I don't know if I can do Pro Res in FCP 4.5? 
Nope.  ProRes came about with FCP 6.  Sorry, I forgot about that.  DVCPRO 50...or what FCP calls DV50 is a good choice.
> Is he better off with someone who edits in Premiere?  Or is it realistic to think I can make this work?
I dunno.  That is a very old version of FCP.  But, if it gets the job done, and you an do the fancy stuff with Motion...fine.  The only thing is to get the GoPro footage into DVCPRO HD, in a broadcast format and dimensions, so you can work with it.  Since this is going to DVD, it might be worth a shot to convert the footage to DV50, which is 4:3, and go that route.

Similar Messages

  • I would like to transfer movies from my Mac (avi format) to ipad2 which I think supports MP4 files. How do I transfer.

    I would like to transfer movies from my Mac (avi format) to ipad2 which I think supports MP4 files. How do I transfer. There are so many softwares available on the web but none that can be downloaded on to the iMAC.
    Please Help

    iPad Supported Video Formats & Movie Formats
    H.264 video up to 1080p, 30 frames per second, High Profile level 4.1 with AAC-LC audio up to 160 Kbps, 48kHz, stereo audio in .m4v, .mp4, and .mov file formats;
    MPEG-4 video up to 2.5 Mbps, 640 by 480 pixels, 30 frames per second, Simple Profile with AAC-LC audio up to 160 Kbps per channel, 48kHz, stereo audio in .m4v, .mp4, and .mov file formats;
    Motion JPEG (M-JPEG) up to 35 Mbps, 1280 by 720 pixels, 30 frames per second, audio in ulaw, PCM stereo audio in .avi file format
    You can use a USB flash drive & the camera connection kit.
    Plug the USB flash drive into your computer & create a new folder titled DCIM. Then put your movie/photo files into the folder. The files must have a filename with exactly 8 characters long (no spaces) plus the file extension (i.e., my-movie.mov).
    Now plug the flash drive into the iPad using the camera connection kit. Open the Photos app, the movie/photo files should appear & you can import.
     Cheers, Tom

  • What is the best conversion format to work with FCU ProX?

    I got a lot of old material from a client on Mpeg-2 (he converted it  from VHS tapes from his family). When I tried to import the media into the project. FCU Pro X did not recognize the file. Using Toast Titanium I converted it to MPEG-4 and was able to import it. The quality is not good though.
    Is that the best compression format to use or shall I try something else?
    What about importing a DVD into the project?
    VOB aren't recognized as well

    MPEG4 comes in a lot of different varieties. Generally speaking, it's not a format that FCPX is very happy with. You may or may not run into problems with it. (My recommendation to people who have such footage is is transcode ot to Pro Res.)
    Pro Res is an excellent editing codec. I won't say that it's the perfect codec for all situations but it's the one i use for virtually everything that needs editing. I notice that Tom Wolsky just responded to a similar question and recommended DVCPRO 50. It's an excellent format and one that I've used in the past; the equivalent length files are about 2X Pro Res. Try a short test and see what you prefer.
    Russ

  • Help!  I just opened my 15" Macbook Pro, and all my files are GONE!  What could have happened and how do I fix it?

    Help!  I just opened my 15 " Macbook Pro, and all of my files are GONE!  My icloud icon also disappeared.  What happened and how do I fix it?

    Hi Susan ...
    Use Lion Recovery to repair the startup disk and reinstall the Mac OS X if necessary.
    Lion Recovery can also help you restore your files from a Time Machine backup.

  • Mpeg Streamclip: Which is the best conversion format for (SD) Mpeg 2 footag

    I picked up a Canon FS11 (Very very tiny). With that comes some drawbacks, but overall a nice little camera that I can fit it my cargo or baggy pockets easily.
    Anyways, I am able to convert the Standad definition Mpeg 2 footage with Mpeg Streamclip and use Final Cut Studio just fine so far.
    My question is: It gives you options as to what format to convert the clips to (DV or Quicktime movie, as well as many other options. I just used NTSC DV, but was wondering if using a different format for conversion would be better or is this my best option.
    Thanks in advance.

    Thanks Michael,
    That is very helpful.
    I have two other question for you. Streamclip asks if I want to fix time code breaks. I checked it for yes. But, do I want to fix them? And if so it gives you the option to not skip any frames. Do I want to do that as well?
    Also somebody mentioned to me that I could use the Quicktime ProRes option on Streamclip. Would that give me higher quality by going that route or would it be overkill for my SD footage from this tiny camera?
    Thanks in advance for all of your thoughts.

  • HELp! Best laptop for photo editing.. or would a PC be better?

    I'm looking to buy a new computer. Would love for it to be a laptop but a PC would be ok too.. Any information on which is best for photo editing.. hopefully a large volume of photo editing.. which ones already have photo programs installed on them? help!

    Well.... the biggest limiter will be how much you can spend...
    But, you need to look for a higher end processor and a fairly decent graphics card.
    No new computers come with any decent graphics program.
    If you like my post, or solution to your issue/question, go ahead and click on the little star by my name and/or accept the post as the Solution. It makes me happy.
    I'm NOT an employee of Best Buy, or Geek Squad, though I did work as an Agent for a year 5 years ago. None of my posts are to be taken as the official stance that Best Buy will take on your situation. My advice is just that, advice.
    Unfortunately, that's the bad luck of any electronic, there's going to be bad Apples... wait that's a horrible pun.

  • AVCHD - Best conversion format for FCP 7?

    Guys, what would be the best format to convert an AVCHD file to to use on FCP 7?
    I need to edit approx 15 hours of footage, which shot on AVCHD.
    Also, would it be better to convert an MTS file instead? If so, what format would be best to convert to?
    Thanks

    h264 is NOT an editing format. Really, don't go that way.
    ProRes is what you need.
    [Neoscene|http://www.cineform.com/neoscene/features.php] can do that, but I have no experience with that, so I'd check with others if this really works. And it's 160$
    Also if your client copies all Cards to one drive. (Make a new folder, call it card 01, drop EVERYTHING from the camera card into that folder. Just as it is on the card. Make another new folder, call it card 02, etc). Then when he gives you the disk, you can open them all in Log and Transfer. Name the clips and reels as desired. Start converting. Leave the computer running and go out, do your groceries shooping, go to the movies, have a good night sleep, take a run in the park and return to the office. And everything is there in ProRes!
    Well, you don't have to charge your client to many for that? right?
    Rienk

  • Help deciding best output format and workflow to obtain it.

    I’ve volunteered to create a class video for my son’s school.  The majority of my source footage (~80%) is DV NTSC 720x480i 16:9 29.97 fps shot on a Sony DSR-PDX10.  The remainder consists of 1920x1080p 59.941 fps, 1280x720p 119.89 fps, and 1280x720p 59.941 fps, all shot with a GoPro 3.  I need to deliver the final product on discs to the students/parents, though I can be flexible as to whether it is SD DVD or HD Blu-Ray.  I have Adobe CS6 Production Premium suite of applications and I’m not opposed to purchasing other products/add-ons in the couple of hundred dollar range if they’d be of a significant help.
    I’m trying to figure out what output format would give the best quality and the workflow to achieve it.  I’ve been perusing the internet looking for help, but it has gotten a bit overwhelming and there doesn’t seem to be a definitive answer out there.
    I’m wondering since most of my footage is 720x480i, should that be my output format and just down-convert or crop the HD footage.  Or since most folks will be viewing on HDTV’s (which would up-convert an SD-DVD anyhow), should my output format be HD and should I up-convert the SD footage myself.  In any case, when and how should I do the up/down converting, interlacing/de-interlacing, and converting to/from square/non-square pixels (before importing into Premiere, on the timeline, with 3rd party converters, on export or in Encore with AME, etc).
    Any advice or suggestions would be most certainly appreciated.

    If most of the footage is SD, I'd just make the call to work SD and go out to DVD. You shouldn't have too much of an issue using the GoPro footage on an SD timeline I don't think. Just keep an eye on your frame edges and scale up if the PAR mixing is introducing any letter/pillarboxing.
    But I wouldn't export out in DV AVI format for your final export. DV AVI is quite lossy. Sure, most of your footage is already DV, but if you're adding any titles they'll get really gunked up. Instead, go directly out of Premiere into your DVD formats (MPEG2-DVD with NTSC DV Wide preset).

  • What is the best video format to edit??

    I have been working with some .wmv files which I just found out are not that great to work with, and could be why CS3 keeps crashing >_<
    I've seen a list of supported formats but I want to know from someone who has experience, what file type overall is the best to work with??
    Thanks for your time (:

    Craig,
    I'll give you the still formats, and possibly the P2 (remember, we're talking CS3 here), but .MOV can be so very many things, and many cause problems, that I'm not sure that I'd go there, on this thread. I was *thinking* video, and just did not give consideration to the stills formats. Is P2 cool in CS3? If so, then you "got me," and I'll fold.
    Let's see your old poker face...
    Hunt

  • Editing 16:9 mp4 files from .mod ....what easy setup to use?

    Hi everybody....I am trying to get started on an edit of some 16:9 mp4 files that I created from .mod files using MPEG Streamclip. I can now import the files into FCP and chose DV NTSC Anamorphic as the easy setup, and am having two problems for starters:
    1. The canvas window is showing me the edit as a 4:3 letterbox
    2. When I try to render clips, I get the message: "Render Error: Insufficient Disk space. Free up space with render manager and retry?" ....but even if I try to gain space by using that manager there is nothing in the list to remove anyway.... and so I am unable to render clips.
    Any suggestions?

    #1 - FCP doesn't edit mp4 files. That is not an editing codec. Convert to DV/NTSC using MPEG STREAMCLIP.
    #2 - if you drop a clip into the timeline and have to render, that is a BIG CLUE that something is wrong. You should never have to render just a base clip if everything is setup right. That means converting the footage to DV/NTSC, and using the same settings in FCP.
    #3 - Where is your media stored? And what type of SCRATCH DISK do you have? do no use your system drive to store footage or render to.
    Shane

  • Best format to convert Ultra HD Flip Camera file for FCP editing?

    We are using two types of cameras for a video project and one of them is a Flip Camera. Unfortunately, FCP doesn't play too nice with raw flip camera files so I need to convert said file using MPEG Streamclip. What is the best/recommended format to convert the movie file to for FCP editing?
    Thanks!

    From my experience, Pro Res 422 has been the most recommended for any conversion. Thanks!
    Should I look for a specific audio compression option or should I just leave it as "uncompressed"?

  • Best or better file formats for editing in PPRO CS4

    I'm currently working with MPEG (from tape transfer) and M2T ( recorded with Adobe Onlocation) files in CS4.
    I switch between Mac and PC depending on whcih system is available. (both: 8 gigs ram , dual quads 3GHZ, graphics ATI 4850 &/or quadra FX)
    Regardless of the OS or system configuration I'm still experianceing choppy video in the Program monitor during editing.
    So I guess I'm wondering if I should be useing a differant file formats for editing.
    end use is HD web video that is served via Delve networks (720P).
    Detailed, positive ideas and commentary appreciated.
    thanks JamesNYC

    If you're capturing via OnLo and it's coming up as .m2t then OnLo sees the device as an HDV device.  This is a temporal codec and as such, decoding can be difficult if your system isn't up to the task.  Since your CPU and memory are up to the task, I would ask about your drive subsystem and exactly which OS you are using?  If you're using a 32bit flavor of Windows, you're not able to use the extra memory and I would suggest you upgrade to Win7 64.
    hope this helps,
    Dennis

  • The best Mac MTS Splitter-Editing/splitting AVCHD MTS/M2TS videos successfully on Mac

    I have recorded a long video with Sony HDR-CX700 Camcorder, but there are some parts I would like to cut off. I once thought a video converter is a must for cutting videos.But I search for a long time , found may spliter and converter just for windows, no MAC. Yesterday, my friend recommended me try Aunsoft Final Mate for Mac. Not only can help me  frame by frame cutting/splitting AVCHD without re-encoding, but also can help me convert mts to Apple ProRes and  AIC  codec for Final Cut Pro/ iMovie.
    I think should have many users need a program that allows for  (frame by frame) cut AVCHD MTS/M2TS videos files.If you are looking for any frame accuracy solution to do with the AVCHD videos encoded in MTS format on Mac,  Aunsoft Final Mate for Mac is the best choice for you. This is the first Mac software which can help HD camcorders users to realize frame by frame editing/splitting AVCHD MTS/M2TS videos successfully on Mac.
    Here I would like to demonstrate the simple steps to cut AVCHD MTS/M2TS videos files without re-encoding on Mac.
    Step 1. Load AVCHD MTS videos to Aunsoft Final Mate for Mac.
    - To load AVCHD videos from camcorder
    Connect camcorder to computer with USB cable, and run Aunsoft Final Mate for Mac, you will be asked to follow the wizard. Otherwise, click the Camcorder button to load camcorder videos.
    You can choose to backup the videos to computer or just import videos. Here we just select Import to add videos from camcorder to the program.
    Step 2. Add MTS files for split with no recompression.
    Click the Add movie button, and a movie for lossless output will be created by default. Select the MTS files you would like to cut mts from the Camcorder tab, drag and drop to the movie.
    Step 3. Split/Cut AVCHD video.
    From the timeline, you may notice the vernier, which is used as time pointer. Click on the Vernier, and move to the timeline you want to cut, and click the "Split" button to cut the video. You may also click the Split button when the video plays to the point you want to cut.
    Then click on segment you want to cut off from the timeline, and then click the Delete button next to the Split button to remove the unwanted part.
    Step 4. Export videos without conversion.
    Choose Export in the main interface, and click the OK button to get videos without recompression. You will get the cutted/splitted AVCHD without quality lost in a few minutes.
    read more
    mxf products comparison
    Ultimate Software Solution for MXF, P2 MXF
    TransMXF Pro for Mac
    Archive/Edit Panasonic SDT750 1080p AVCHD in iMovie/FCP
    Final Mate for Mac
    CX150 AVCHD MTS to Apple ProRes for Final Cut Pro

    I hear good things about ClipWrap. The other good one is Voltaic HD  from Shedworx.
    I suggest that you read their websites and choose the best one for you.
    I think they have demo versions.
    If you import directly from your camera, you don't need these.
    Also, for future reference, you can use the Create Camera Archive feature on the Import screen. This will save your AVCHD files exactly as they are on your camera, but it will also preserve the metadata from your camera so that iMovie can import it later. It is a good way to save the contents of your camera at its original size and full quality.
    When you import AVCHD into iMovie it is converted into Apple Intermediate Codec for better performance, but it will be a larger file size because it is less compressed.
    With ClipWrap, you have the option to keep the file at its original size, but I would not recommend this for performance reasons. (But you can try it if you have a powerful Mac).

  • What's the best DIVX file conversion solutions for Adobe Premiere Pro CS4, Windows XP OS.

    I am on a PC with CS4 Adobe Premiere Pro using XP OS.
    I have VIO POV 1 (helmet cam) footage that I need to edit within my CS4 project.  The Footage is DIVX MPEG4 AVI and Premiere doesn't recognize the video.  I need to figure out the best conversion to maintain the highest quality format that Premiere will recognize.
    What is your best recommendation on how to convert (and what format to convert to to maintain the best quality) and can you recommend a good converter program?  Free perhaps if I don't have to buy one.
    I have spent days looking for a solution and reviewing posts but to no avail.  I have tried MPEG Streamclip, Virtual Dub, Digital Media Converter, Prism and many selected others.
    -MPEG Streamclip doesn't seem to recognize the DIVX files (even after the 3IVX codec installed)
    -Digital Media Converter (free watermarked version) seems to work to produce the DV AVI files (type II) but the quality is pretty low so not really wanting to pay $50 to use the low quality conversion -does the converter program have much to do with the quality of the output?  It also produces a MPEG2 that seems a little better quality than the DV AVI file it produces.
    -Prism does convert to a high quality AVI file that does output a really high quality file that plays in Media Player (latest version) but not in Premiere Pro CS4. Prism also converts to a WMV (windows media vid) that I can use on PP but is not quite the quality of the above noted AVI.  This may be my best option???? Or is it a bad idea to use a compressed codec as wmv to edit and eventually output for the complete PP movie?
    http://www.nchsoftware.com/prism/index.html
    Any insight is very much appreciated. I must get on with my editing project!!! Thanks,
    Aaron.

    Jeff, thanks so much, but I'm still not quite there!  Agreed, codec packs can be dangerous but apparently the DIVX one is OK!
    So I downloaded the DIVX pack, and the VirtualDub did work and converted via VirtualDub to AVI,... then tried in PremierePro.  Again no luck viewing... sound OK but the video freezes on the first frame or two.  I can view those outputs in MediaPlayer or DIVX player though. So I tried rerunning the UT codec installer and the logarith but still can't view the outputs from VirtualDub in PP.
    I tried (in VirtualDub) converting the previously converted AVI file I did in Prism converter and again, can see the output in PP (still minor artifacts here and there though).
    ?Maybe I should just be happy with a the DIVX converted to a .wmv file but I think I will be sacrificing quality on already pretty grainy footage that I'm inserting into a largely HD film project so kinda shotty?
    Any more suggestions? The help is greatly appreciated!
    Aaron.

  • MPEG 1 data- iMovie08/Garage band - Apple TV viewing best conversion ?

    I have almost 874 small clips in MPEG1 (640x480 - 4:3) data format.
    MPEG1 is not compatible with iMovie08
    Using MPEG Streamclip to re-compress to h.264 with slide 100% ?
    Someone told me that apple intermediate codec is better and then re-compress to h.264 within iMovie08.
    What is the best option for the above work flow ?
    I would like also that the final movie would be in 16:9. Need to crop or maybe leave the all movie only squeezed?
    I have QT Pro and MPEG Streamclip. What is the best application to use in this work flow, with less re-compressions ?

    Hi Pedro
    Let's take things one step at a time.
    MPEG1, MPEG2, h264 and many other formats use lossy compression, and they don't tend to store all the data for every frame.
    Every so many frames you'll get a key frame, which is good quality, then several subsequent ones are smaller to save space and in essence represent changes from the good quality ones but some detail is lost depending on the degree of compression.
    Because of this lossy compressed formats are not good for editing, because you don't tend to have frame accurate editing, and subsequent rer-encoding loses further quality.
    Now I'm not quite clear what you want to do with all these small clips.
    Do you want to convert each one so it'll play on AppleTv as a short video, or do you want to put them all in an editor like iMovie to join then together and edit bits out?
    If you only want to convert the whole lot, then I'd say just run them through MPEGStreamclip's batch mode (see the website and help file) to produce h264 - if you'r not editing no need to haver AIC files, as uncompressed video will be produced when converting to h264 anyway on the fly.
    If however you want to import all these to iMovie, then yes, Ithink it may be a good idea to convert them to AIC.
    The AIC files will take a lot more space, but you can delete them later and keep the original smaller MPEG1 files.
    It's a lot of clips - are they all random clips or do they relate to several events, say 20-30 clips of one event?
    If you can group the clips according to one event or them, then it may be best to batch convert to AIC in MPEGstreamclip, import to iMovie, do the editing, and process then repeat for the next batch. If however they are all random it'll be quite a job to sift through that many, so again might be worth doing in batches.
    You may well find the conversion to AIC doesn't take that long - compressing video tends to some extent to be more processor intensive than decompressing for playback. It may take 30 mins to compress a 5 minute clip but the 5 minute clips plays back in real time - see what I mean?
    I've never use the MPEGStreamclip crop but you should be able to set it to do one on all conversions automatically, but you may crops people's heads off unintentionally. As I think I've said before I always prefer the full video in it's native format to see it all undistorted - I don't care about black bars at sides or top and bottom as I want to see the video as it was taken.
    Equally you may be able to set the output resolution to a 16:9 ratio in MPEGStreamclip and stretch it horizontally. I'd keep the vertical 480 resolution as it is to maximise resolution and change the horixontal (x) resolution to compensate.
    You have:
    640/480 = 4/3 ratio but to stretch you want to multiply horizontaly by a factor of a, so that 4a/3 = 16/9
    So a=(16x3)/(9x4) = 48/36 = 4/3 (think about it 16:9 is 4/3 squared!)
    So multiply your 4:3 x resolution by 4:3 to get the figure you need horizontally IF you keep the vertical y resolution constant.
    So 640x4/3 =853.3333 >>>>> use 854 x 480 which is actually the widescreen ratio for NTSC stuff.
    So try 640

Maybe you are looking for

  • Payment method(s) are not allowed for this program / Program RFFOAVIS_FPAYM

    Dear Friends, In Se38  abap editor, I entered the program RFFOM100, i entered the details program run date,identification future,paying company code,payment methods T, House bank, Account Id and executed the program. I am getting the error 'Payment m

  • ECC - MQ - XI1 - XI2 - AS2 Connectivity

    Hi , We have a requirement of sending an XML file from ECC unix box to XI via MQ-JMS communication and then from XI to another XI system and finally to third party system via AS2 protocol. This is a simple file transfer interface from ECC to the thir

  • Partner's bank type error?

    Hi, I have assigned Partner's bank Type in the vendor master data and I have mentioned it at the time of making invoces. But, when I am trying to run the F110 APP and system is not picking up the invoices I want to know is there anything which is mis

  • Travel Management Tables

    Hello, I am trying to find the table that holds the travel management information for Enhanced Cost Assignment for Expense Reciepts. I have found table: PTRV_SREC for receipt data &  PTRV_SADD holds the additional receipt data.  Also, PTRV_SCOS which

  • Bounding Box locks up after editing objects

    I am using Edge Animate CC (2014) on a Mac. After using Edge Animate for a few minutes (making simple edits to objects), the bounding box around the object selected, and the border around the stage box freeze in place. I am able to move the objects a