How can I convert external CSS to all be defined in page?

I need to move all CSS to be defined in the head of the page.  Is there an easy way to do this with DWCC?

In the external file, hit Ctrl + A to select all, then Ctrl + C to copy it to your clipboard. Add a <style> </style> tagset to your <head> section and hit Ctrl + P to paste it between them. I Know DW can externalize css, but I don't think there's a function to go the other way.
Generally speaking, it's far better to use an external css file than it is to use embedded css though. Is there any particular reason you want to move it all?

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    Kodak Digital Camera QuickTime MOV Problems
    After battling a number of serious problems with the videos taken by my new Kodak Digital Camera, I decided to write up this page so that anyone searching the web would find out the true answers without as much grief!
    I’ve also made some other comments about my experience with the camera, in case anyone was considering buying a Kodak camera in the near future.
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    The first problem is that the sound cannot be converted properly. When you convert any Kodak MOV files, there is an “aliasing” of the sound at the upper frequencies. This is a technical description—you get a whispery, tinny, C3PO type of echo to everything. It really destroys the quality of the video clips (especially bad when I am trying to capture priceless memories of my 4- and 7-year-old sons—I don’t want their voices destroyed for all time).
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    Strangely enough, I noticed that the QuickTime player didn’t distort the audio like this. The audio sounds just fine through QuickTime. More on this shortly.
    The second, more serious problem is that RADtools could not properly convert some of the video clips at all. (This problem only affected less than 10% of the clips I originally filmed, but most of those clips were very short—less than 20 seconds. It seems that the probability of this problem gets worse, the longer the clip.) RADtools would misreport the number of frames in the clip, and would stretch out a small number of frames of video (in slow motion) to match the length of the audio.
    Again, I confirmed that this is a property of some of the MOV files stored by the camera. Other conversion tools also had problems with the same MOV clips.
    After more angst, I found a number of websites in which frustrated owners of these Kodak cameras have reported the exact same problems.
    It was only then that I discovered that QuickTime itself can convert MOV files to AVI. Believe it or not, it’s built into the QuickTime Player that Kodak supplies, or that you can download free from apple.com. The problem is that you can’t use it unless you pay Apple to upgrade to QuickTime Pro.
    After realising that this would probably be the only way to get decent audio for these clips, I paid the AU$59 to Apple Australia to get the licence key that enables the extra “Pro” menu options in QuickTime.
    Sure enough, you can “Export” any MOV file to a number of formats, including AVI. And guess what? The audio comes out fine!
    So, the first piece of advice I can give is: pay Apple the US$29 (or whatever amount it is in your country) to upgrade QuickTime to QuickTime Pro.
    From here, however, there are still a few snags to untangle.
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    I finally found that the best option is to use the Intel Indeo Video 4.4 codec, set on maximum quality. This creates AVI files that are 10 to 20 times larger than the original MOV files, but the quality is there. If (like me) you only want the AVI files so you can dump them into your Video-CD program, then you want to keep the quality as high as possible in this first step. The extra hard disk space is not really a concern. When your VCD program converts the AVI files to MPEG, it will compress them to the usual VCD size.
    Now for the biggest snag: those problem MOV files are still a problem, even for QuickTime Pro. Unbelievably, these Kodak cameras are spitting out MOV files which have some sort of technical flaw in their data specifications. QuickTime is able to play them back fine—and that seems to be all that the Kodak engineers really checked. However, if QuickTime Pro tries to export them, then when the progress bar gets to the end, it never finishes. It just keeps going. If you check the output folder with Explorer, and keep hitting F5 to update the file listing, you can see the file getting bigger, and bigger, and bigger. It never stops.
    That this happens even for QuickTime itself (the native format for these files) confirms that the problem is with the software built into these Kodak cameras. It would be nice it they issued a patch or a fix. I couldn’t find one.
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    The exorcised MOV file can now be used to Export to AVI format. (I also keep all the MOV files on a separate CD, in case I want to reconvert them to a different format in the future. I figure it’s better keeping the exorcised ones than the haunted ones.)
    So I hope that all this answers a few of your questions. No, you weren’t being incredibly stupid.

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