How do i create an alpha channel to place into edge animate?

HowHow do i create an alpha channel compatible with edge animate?

I don't use Edge, but since it is a web tool it stands to reason it would use standard web techniques, meaning it would rely on built-in transparency functions of formats like PNG and GIF, which you can easily produce by using Save for Web after creating normal transparency on a layer in Photoshop. No extra Alpha channel or otehr extra steps required. Perhaps Edge even has some stuff that does the conversion on the fly by allowing you to open a native PSD like in Dreamweaver, but beyond that I don't see what else it could/ would do - all the features it can provide are limited by standard specifications for HTML, CSS and JavaScript. There is simply no way to do something sensible with a TIFF in a browser, if you get my meaning .
Mylenium

Similar Messages

Creating an alpha channel in an odd way ?

My question is about the functionality of After Effects. I highly doubt it's possible but would like to run it through people who would know. My question may not be clear as I'm not sure how to describe it!
I'm wondering if I can create an alpha channel using the still background of a shot, as an alternative to green screens and making it easier outdoors without needing crazy lights.
Here's an example. Say you film yourself using a tripod (so the background is still) walking away from a building and want to add an explosion behind you without masking every frame, would you be able to have it recognize the background using a picture without you in it or a still that has the same lighting, and using that to automatically have it differentiate that background from you thus creating an alpha channel or an automatic mask...
Thanks

For a Difference Matte to work absolutely nothing can be moving in the scene. Difference Matte will not work with compressed original footage. I know I've tried many times. If the wind is blowing in the grass or the trees are moving the Difference Matte will not work.
if you are planning this kind of shot then the best thing to do is try to find some good areas of contrast in the shot so you can create a procedural matte. A little garbage matte and a procedural matte created by adjusting levels or color or hue can create a much better matte and does not rely on the pixels being exactly the same on every frame.
Even easier is a carefully planned shot and Roto brush.

Paint effect to create an alpha channel

Can one use the paint effect in Motion 3 to create an alpha channel. I want to be able to create a matte around someones eye. I wanted to be able to create my key by painting it on. Will paint effect do this or do I need to use shake. Or is there another way of achieving this with Motion 3.

This is really easy to do and there might be an even easier way, but this i how I did it:-
1) Create a group with your image you want to mask
2) Add an image mask to your image and toggle to invert mask and stencil off
3) Create another group but turn the visibilty off
4) drop this group into the image mask
5) Within this group, select the paint stroke tool basic solid and paint away!
Be careful you don't have the write on enabled as the mask will draw on, but maybe thats what you want!
Peter
MacPro 3G 6G RAM FCP6 M3 FxF1.06 Mac OS X (10.4.9) XSR Decklink & loads of cool new plugins, Gaggia TD auto

How can I see the alpha channel in the channels palette?

Hello, mi format plugin loads a rgba image. I see it with transparency, that's ok, but when I go to the channels tab I only see 4 items (RGB, Red, Green and Blue).
How can I see the alpha channel of my file in the channel tab?
Thanks!

OK, something must be wrong... but I don't find it!
That's my whole code (resumed). I ommit some code (saving file code (not used) or main function, where I only call te "DoSomething" functions. You can see that I use layers. The DoReadContinue function is only used to show the preview.
In the DoReadStart function I set the parameters for the layers (and the preview), and I fill the "data" and "layerName" params in the DoReadLayerContinue function. I hope you can understand the code!
const int32 IMAGE_DEPTH = 32;
SPBasicSuite * sSPBasic = NULL;
SPPluginRef gPluginRef = NULL;
FormatRecord * gFormatRecord = NULL;
intptr_t * gMxiInfoHandle = NULL;
MXIInfo* gMxiInfo = NULL;
int16 * gResult = NULL;
#define gCountResources gFormatRecord->resourceProcs->countProc
#define gGetResources   gFormatRecord->resourceProcs->getProc
#define gAddResource    gFormatRecord->resourceProcs->addProc
CmaxwellMXI* cMax;
static void DoReadPrepare (void){
    gFormatRecord->maxData = 0;
static void DoReadStart(void){
    char header[2];
    ReadScriptParamsOnRead (); // override params here
if (*gResult != noErr) return;
    // Read the file header
    *gResult = SetFPos (gFormatRecord->dataFork, fsFromStart, 0);
    if (*gResult != noErr) return;
    ReadSome (sizeof( header ) * 2, &header);
    if (*gResult != noErr) return;
// Check the magic number for avoid no-mxi files
    int headerID = CheckIdentifier (header);
    if( headerID != HEADER_MXI ) *gResult = formatCannotRead;
if (*gResult != noErr) return;
// The file is OK. Let's continue to obtain the data of the image.
cMax = new CmaxwellMXI( 0 );
strlen((char*)gFormatRecord->fileSpec->name);
gMxiInfo->filename = _strdup((char *)gFormatRecord->fileSpec->name + 1);
bool res = cMax->getMXIIInfo(
                (const char*)gMxiInfo->filename,
                gMxiInfo->width, gMxiInfo->height,
                gMxiInfo->burn, gMxiInfo->monitorGamma, gMxiInfo->iso,
                gMxiInfo->shutter, gMxiInfo->fStop, gMxiInfo->intensity,
                gMxiInfo->scattering,
                gMxiInfo->nMultilightChannels, gMxiInfo->lightNamesList,
                gMxiInfo->availableBuffersMask,
                gMxiInfo->widthPreview, gMxiInfo->heightPreview,
                gMxiInfo->bufferPreview);
if(!res) return;
// Check the available extra buffers
int count = 0;
if( gMxiInfo->availableBuffersMask & CmaxwellMXI::ALPHA_BUFFER ){
    // We will use that string to obtain later the desired extra buffer.
    gMxiInfo->extraBuffersList[count] = "ALPHA";
    gMxiInfo->hasAlpha = true;
    count++;
else{
    gMxiInfo->hasAlpha = false;
gMxiInfo->nExtraBuffers = count;
switch( IMAGE_DEPTH ){
case 8:
      gMxiInfo->mode = plugInModeRGBColor;
      break;
case 16:
      gMxiInfo->mode = plugInModeRGB48;
      break;
case 32:
      gMxiInfo->mode = plugInModeRGB48; //96 gives me an error
      break;
// SET UP THE DOCUMENT BASIC PARAMETERS.
VPoint imageSize;
if( gFormatRecord->openForPreview ){
    // Preview always RGB8.
    imageSize.v = gMxiInfo->heightPreview;
    imageSize.h = gMxiInfo->widthPreview;
    gFormatRecord->depth = 8;
    gFormatRecord->imageMode = plugInModeRGBColor;
    gFormatRecord->planes = 3;
    gFormatRecord->loPlane = 0;
    gFormatRecord->hiPlane = 2;
    gFormatRecord->colBytes = 3;
    gFormatRecord->rowBytes = imageSize.h * gFormatRecord->planes;
    gFormatRecord->planeBytes = 1;
else{
    // Configure the layers. All RGBA32.
    imageSize.v = gMxiInfo->height;
    imageSize.h = gMxiInfo->width;
    gFormatRecord->depth = IMAGE_DEPTH;
    gFormatRecord->imageMode = gMxiInfo->mode;
    gFormatRecord->layerData =
        2 + gMxiInfo->nMultilightChannels + gMxiInfo->nExtraBuffers;
    gFormatRecord->planes = 4; // RGBA.
    gFormatRecord->loPlane = 0;
    gFormatRecord->hiPlane = 3;
    gFormatRecord->planeBytes = IMAGE_DEPTH >> 3;
    gFormatRecord->rowBytes = imageSize.h * gFormatRecord->planes * ( IMAGE_DEPTH >> 3 );
    gFormatRecord->colBytes = gFormatRecord->planes * ( IMAGE_DEPTH >> 3 );
    gFormatRecord->transparencyPlane = 3;
    gFormatRecord->transparencyMatting = 1;
    gFormatRecord->blendMode = PIBlendLinearDodge;
    gFormatRecord->isVisible = true;
SetFormatImageSize(imageSize);
gFormatRecord->imageHRes = FixRatio(72, 1);
gFormatRecord->imageVRes = FixRatio(72, 1);
VRect theRect;
theRect.left = 0;
theRect.right = imageSize.h;
theRect.top = 0;
theRect.bottom = imageSize.v;
SetFormatTheRect(theRect);
// No resources for now.
if (sPSHandle->New != NULL) gFormatRecord->imageRsrcData = sPSHandle->New(0);
gFormatRecord->imageRsrcSize = 0;
    return;
/// Called for prewiew only.
static void DoReadContinue (void){
    // Dispose of the image resource data if it exists.
    DisposeImageResources ();
if( gFormatRecord->openForPreview ){
    VPoint imageSize = GetFormatImageSize();
    gFormatRecord->data = gMxiInfo->bufferPreview;
      if (*gResult == noErr) *gResult = gFormatRecord->advanceState();
    if( gFormatRecord->data != NULL ){
      delete[] (Crgb8*)gMxiInfo->bufferPreview;
      gMxiInfo->bufferPreview = NULL;
      gFormatRecord->data = NULL;
// De momento nos olvidamos de los icc profiles [TODO]
    //DoReadICCProfile ();
static void DoReadFinish (void)
    // Dispose of the image resource data if it exists.
    DisposeImageResources ();
    WriteScriptParamsOnRead (); // should be different for read/write
// write a history comment
    AddComment ();
// Clean some memory.
if( gMxiInfo->lightNamesList != NULL ){
    for( unsigned int i = 0; i < gMxiInfo->nMultilightChannels; i++){
      if( gMxiInfo->lightNamesList[i] != NULL ){
        delete[] gMxiInfo->lightNamesList[i];
        gMxiInfo->lightNamesList[i] = NULL;
    delete[] gMxiInfo->lightNamesList;
    gMxiInfo->lightNamesList = NULL;
if( gMxiInfo->bufferPreview != NULL ){
    delete[] gMxiInfo->bufferPreview;
    gMxiInfo->bufferPreview = NULL;
if( gMxiInfo->filename != NULL ){
    delete[] gMxiInfo->filename;
    gMxiInfo->filename = NULL;
if( cMax != NULL ){
    delete cMax;
    cMax = NULL;
static void DoReadLayerStart(void){
// empty
static void DoReadLayerContinue (void){
int32 done;
    int32 total;
VPoint imageSize = GetFormatImageSize();
// Set the progress bar data
done = gFormatRecord->layerData + 1;
total = gMxiInfo->nMultilightChannels + gMxiInfo->nExtraBuffers + 2;
// Dispose of the image resource data if it exists.
DisposeImageResources ();
uint32 bufferSize = imageSize.v * gFormatRecord->rowBytes;
int nPixels = gMxiInfo->width * gMxiInfo->height;
char* lightName = NULL;
// SET THE BLACK BACKGROUND
if( gFormatRecord->layerData == 0 ){
    gFormatRecord->data = (void*)new byte[bufferSize];
    for( int i = 0; i < nPixels; i++ ){
      ((float*)gFormatRecord->data)[ i * 4 ]     =
      ((float*)gFormatRecord->data)[ i * 4 + 1 ] =
      ((float*)gFormatRecord->data)[ i * 4 + 2 ] = 0.0;
      ((float*)gFormatRecord->data)[ i * 4 + 3 ] = 1.0;
    // Set the layer name.
    gFormatRecord->layerName = new uint16[64];
    gFormatRecord->layerName[0] = 'B';
    gFormatRecord->layerName[1] = 'a';
    gFormatRecord->layerName[2] = 'c';
    gFormatRecord->layerName[3] = 'k';
    gFormatRecord->layerName[4] = 'g';
    gFormatRecord->layerName[5] = 'r';
    gFormatRecord->layerName[6] = 'o';
    gFormatRecord->layerName[7] = 'u';
    gFormatRecord->layerName[8] = 'n';
    gFormatRecord->layerName[9] = 'd';
    gFormatRecord->layerName[10] = '\0';
// LOAD THE LIGHT LAYERS
else if( gFormatRecord->layerData < gMxiInfo->nMultilightChannels + 1 ){
    void* lightBuffer = NULL;
    void* alphaBuffer = NULL;
    byte foob;
    dword food;
    // Get the light buffer.
    bool res = cMax->getLightBuffer(
                           (char*)gMxiInfo->filename,
                           gFormatRecord->layerData - 1, IMAGE_DEPTH,
                           lightBuffer,
                           gMxiInfo->width, gMxiInfo->height, lightName);
    if(!res){
      *gResult = readErr;
      return;
    if( gMxiInfo->hasAlpha ){
      // Get the alpha buffer.
      res = cMax->getExtraBuffer(
                            (char*)gMxiInfo->filename,
                            "ALPHA", IMAGE_DEPTH, alphaBuffer,
                            food, food, foob);
      if(!res){
        *gResult = readErr;
        return;
    else{
      alphaBuffer = (void*)new float[ gMxiInfo->width * gMxiInfo->height * 3 ];
      for( int i = 0; i < nPixels; i++ ){
        // Only need to set the red channel.
        ((float*)alphaBuffer)[ i * 3 ] = 1.0;
    // Put them together.
    gFormatRecord->data = (void*)new byte[bufferSize];
    for( int i = 0; i < nPixels; i++ ){
      ((float*)gFormatRecord->data)[ i * 4 ]     = ((float*)lightBuffer)[ i * 3 ];
      ((float*)gFormatRecord->data)[ i * 4 + 1 ] = ((float*)lightBuffer)[ i * 3 + 1 ];
      ((float*)gFormatRecord->data)[ i * 4 + 2 ] = ((float*)lightBuffer)[ i * 3 + 2 ];
      ((float*)gFormatRecord->data)[ i * 4 + 3 ] = ((float*)alphaBuffer)[ i * 3 ];
    delete[] (float*)lightBuffer;
    delete[] (float*)alphaBuffer;
    // Set the layer name.
//LOAD THE EXTRA CHANNELS
if( ... ){
//READ THE RENDER BUFFER
if( ... ){
// User can abort.
if (gFormatRecord->abortProc()){
      *gResult = userCanceledErr;
      return;
// Commit the layer.
if (*gResult == noErr) *gResult = gFormatRecord->advanceState();
// Update the progress bar.
(*gFormatRecord->progressProc)( done, total );
// Free memory.
if( gFormatRecord->data != NULL ){
    delete[] (float*)gFormatRecord->data;
    gFormatRecord->data = NULL;
if( lightName != NULL ){
    delete[] lightName;
    lightName = NULL;
static void DoReadLayerFinish (void)
// Nothing to do.
And that's the image that I obtain loading a 8 layer image:
The layers have transparency (when I set "transparencyPlane" to -1, or 0, or 1, or 2, or 3, or 4....., I got the same result!). The blending mode is still "normal". I had set it to "linear dodge" The "isVisible" param works OK.
Alpha 1 is still black.
Is possible that I need to set something in the .r file? I had to add "FormatLayerSupport { doesSupportFormatLayers }," to manage layers, for instance.

How can I output the alpha channel in Premiere elements 10

How can I output the alpha channel in Premiere elements 10. What format should I use?
Tried outputting to an AVI filet but the file did not contain an alpha channel that After Effects 5.5 would recognize.

Bill,
I hope you ordered 32 GB or more on that new computer After Effects 5.5 takes up as much as it can.
The Roto Brush tool is really a timesaver over ordinary Rotoscoping. Although, my problem now is: when I try to send a 1 min. And 11 second video from Adobe Premier Pro 5.5 two Adobe Media encoder 5.5, the process hangs in wait state in the Media Encoder. I have filed a request for help on the Media Encoder forum.
I know you will put your new computer to use in helping other people and for this I thank you.

Can Photoshop Element 12 create new alpha channels?

Can Photoshop Element 12 create new alpha channels? I wanted to create one to help with blurring the background and I saw the step by step on line, but I can't find where the channel panel is? I have a PC

There is no channel panel in Elements. You could add some paths and channel features with third party add-ons like Elements+, but the real solution is to use a tutorial for Elements, not for Photoshop. There are always several ways to achieve something in Elements or Photoshop. Using alpha channels is only one way to help with blurring the background.

Using the difference between two shots to create an alpha channel

If I were to lock my camera down and first film a shot of a non-moving background (say, my living room), then take another shot of someone walking into the room and sitting on a sofa, could I use the difference between the two shots (the person walking and sitting) to create an alpha channel?
What settings in Motion would I use to get this?

If you really want to do it within Motion, try stacking the clean frame and the the frame with the moving person over each other. Then set the blend mode to Difference for the top clip. You can clean this up a bit with a blur and a threshold filter, but Difference mattes are often a bit iffy.
If anything the person is wearing matches the background, for instance, that will be transparent.
After you've created a black/white representation of the "difference", you can add your person clip again to a new group, ⌘-shift-m to add a mask, then drag your difference group into it and set the source to luminance...
make sense?
Patrick

How do I include a drop shadow effect when I import an Illustrator vector into Edge Animate?

How do I include a drop shadow effect when I import an Illustrator vector into Edge Animate? It should be noted that I also have another effect (an extrude & bevel) applied which does copy over when I paste (or create an SVG and import) into Edge Animate. Any thoughts on why the drop shadow disappears but the extrude & bevel carries over?

Which version of Illustrator are you using?
In earlier versions of Illustrator it is not that easy to apply drop shadows with spot colours.
Another reason why it's always important to tell which version of AI … well …

How do I include 'Edge Web Fonts' into Edge Animate?

How do I include 'Edge Web Fonts' (not Google Web Fonts) into Edge Animate?

Have you tried to use google fonts? I have used them and they work for me.
When you add your font for example:
Copy paste:
<link href='http://fonts.googleapis.com/css?family=Finger+Paint' rel='stylesheet' type='text/css'>
and then for font family.
'Finger Paint', cursive;
then select addfont on the addfont screen

How come AE cannot interpret Alpha Channel from ProRes4444 ?

Hi there,
I exported a video clip using Final Cut Pro X with alpha channel using the ProRes4444 codec.
I have tested his alpha channel works & it works in FInal Cut Pro X when I import it back to Final Cut Pro X to test it.
However, when I bring this file to After Effects CS5, it cannot recognize the alpha channel because the transparent part are all in solid black.
How do I make AE interpret the ProRes4444 file as transparent with alpha channel ?
Thanks

Rick Gerard wrote:
ryan_khoo wrote:
Q1. But how do I check the file interpretation in AE ?
Q2. I am using AE CS5. Is it bcos you are using AE CS5.5 that you never have problem with ProRes4444 ?
Q1. This is part of the basics. Select the file you want to interpret in the Project Panel then either right click or go to the menu File>Interpret Footage>Main or use the keyboard shortcut Alt/Option + Ctrl/Cmnd + G
Q2. Nope... It's always worked. There were some gamma problems for a while, and a few other bugs here and there with ProRez, but if you're Mac is up to date you should have no problems with the alpha channel.
Thanks Rick for your help, I really appreciate it as I am not quite familiar with AE.
Q1. I did the steps you taught me & a new screen pop out. But under the "Main Options" tab, the section under Alpha, there are 4 choices (Ignore, Straight-Unmatted, Premutliplied-Matted with color, Invert Alpha). But all these was all greyed out. Any idea why ?
Q2. I am using Mac & I just checked my AE CS5 is Version 10.0. I am a student and i bought the Student Edition. Student Edition not allowed to update, right ?
Thanks

How should I edit an alpha channel after saving?

I have a series of files in which I improperly modified the selection set prior to saving the selection, and now around the intended viewable area there is a hazy artifact that seems to correspond to where I manually edited the selection using Quick Mask (prior to saving).
In other words, within the area of the alpha channel that should be invisible, there is actually a visible, unwanted grey-ish artifact, and I think it's related to how I was using the brush to edit the selection in Quick Mask before saving.
Now I am unable to edit the alpha channel, although Adobe's own website says that in order to edit an alpha channel, all I need to do is select the alpha channel (which I am doing) and then paint at 100% black or white with a brush to either include or exclude parts of selection set.
When I choose the brush and start painting at 100% black or white, nothing happens and I can't figure out what is happening.
Any help would be greatly appreciated.
The exact steps that I'm taking are below:
1) click on alpha channel (visible and ready for editing), all other channels only visible not active.
2) selecting the brush at either 100% black or white
3) attempting to paint to alter the alpha channel (I've tried painting on the actual alpha channel in Channels, and I've tried painting on the alpha channel as it appears in Layers, and neither works for me).
CLARIFICATION:
I actually am able to "edit" the alpha channel HOWEVER I cannot remove the hazy artifact. I can use 100% black or white to remove the pink/light red areas on either the actual alpha channel (in the Channels area) or as it appears in Layers, but I cannot remove the areas that are grey-ish (well I can paint them white but I can't paint them black, i.e. fully pink).
A teacher showed me a quick fix process that basically involves activating the alpha channel, inverting the selection, and then deleting everything outside of the alpha channel, and then resaving the file. That worked at one point, but now that quick fix is not working either (I am just ending up with a completely visible, white space around the intended visible area, rather than an invsible area).
EDIT (07:22 3.20.13) Also, if you look at what Photoshop is registering as the actual alpha channle, it doesn't match with what I'm seeing above, that is the black and white alpha channel appears to be as expected, and there is not the weird distortion that I'm seeing above in the pink/grey image.
So I am super confused and would appreciate any help!

I greatly appreciate your help with this.
However, after adjustting the black from 99 to 100%, and double checking that the white is fully zero (right now I can't find any files with the white set to anything but "0," so I don't know why some of my screenshots showed that), I am still unable to use black to contract a selection, or white to erase unwanted areas of the alpha channel (this specific post's problem).
So, I'm completely baffeled and am wondering if there is anything else that could be accounting for these results (i.e. the black and white paint not producing the expected results).
Thanks again,
dk
EDIT:
I attempted to make another alpha channel, this time without any manual adjustment of selection via the paint brush. Instead, I used the selection modification option of Contract and used it to contract the selection.
SAME problem. The area that I contracted using Contract, (never painted), is once again displaying a slight grey artifact in the area that is supposed to be completely transparent.

Alpha channel from Quicktime into AE - broken?

This has been driving me nuts for some time. I am generating an animation w/alpha channel from my 3D software (FormZ.) It creates a proprietary .fan file containing the animation frames, which is then converted to Quicktime. I am using the animation codec, max quality, millions+ colors. When I import the QT file into Aftereffects, I get the alpha channel pop-up - so it apparently recognizes that something is there - but whether I choose straight or premultiplied, I just get black for the alpha channel with jaggy edges.
This is on OSX 10.5.5, QT 7.6, Adobe CS4. I have had the issue dating back a year or two, I had thought it was a bug that would be fixed by now - the same process used to work fine with older versions of AE and QT.
Now - the kicker - when I boot into Windows XP and do the QT (7.5.5) conversion there - then take it back to OSX for import into AE - THE ALPHA CHANNEL WORKS PERFECTLY.
I have talked with FormZ in the past, they recognize and have duplicated the problem. However, it is apparently a Quicktime issue so there is not much they can do about it.
This seems like a pretty fundamental issue that I can't believe it would go uncorrected for so long. Why would the Mac version behave differently from the Windows version? Am I completely missing something in the Mac QT? I have played with the various transparency settings under Movie Properties (QT Pro) - but all I get is a dithered mess when I try to change those settings and bring it into AE. I can't even find much discussion of it - I found a reference to Quicktime 7.1.5 breaking alpha channels, but nothing very specific.

Welcome to the discussions, austinpike.
Normally, QuickTime should work the same on both systems. However, there are some deep differences in how the OS's work that mean the code isn't fully transportable, so there's a chance some things might get missed, or changed, etc.
What you should do is go here.
http://www.apple.com/quicktime/feedback
And enter your details that you specified here. It could very well be that no one has reported this as an issue yet. I know I'd been perturbed by something in QuickTime I thought would just "get fixed" but a few versions after sending my bug, it was finally resolved. Hopefully, sending the feedback may put the wheels into motion to get it resolved for you.

How do i create a icloud id to log into from my pc . my apple id doesnt work

how do i create a icloud account id from my pc

You can only open iCloud accounts from a Mac or an iPhone/iPad. After you have created an account you can join it from a PC.

How do I create a slide from the Places map for slideshow in aperture 3

I would like to create a slide with the places map, like the photo journal in books, in my slide show. Has anyone done this and how did you do it? Thanks

Can I suggest that a screen grab using the selection tool in 'Grab' might work, and importing that image into your library might suffice.

How do you remove a symbol from the stage in Edge animate?

Hello-
I'm wondering how to remove a symbol from the stage in Edge Animate so you can jump to another place in the timeline. In Flash, the symbol was only on the stage for the amount of frames you indicated. Not sure how it works here.
For example, I have 2 buttons on my first screen with some text that animates in. I want the button click to take the user to another section in the timeline or (basically another scene, like in Flash) that contains different content. If I change the visibility the buttons are still there and will ( I assume) create problems when other elements are placed on top.
Or is the only way with code. If that is the case what would that code be?
I would appreciate any help.
Thank you!

What I usually do, is, once you have everything set up in the scene you are done with. highlight it all
right click
group elements in DIV
Now all those items act as 1 group and then you give it a properties name, much like a symbol.
THEN you can refer to that scene name and move it anywhere or hide it and slide in another scene that has the content for that next scene.
basically you take all the elements that make up 1 scene, gruop it up, name it, and then in the code for the button say something like:
on click:
scenename.play(framenumber);
that will then animate that scene according to any animation you gave it, such as moving to the left, off stage. while moving scene 2 that you create into the stage.
or just have something like this hide it
sym.$("scenename").hide();
sym.$("scene2name").show();
but if you do that, make sure in your CompositionReady code you hide all scenes EXCEPT the 1st one, so the user doesnt see them all instanatly anyway.

How do i create an alpha channel to place into edge animate?

Similar Messages

Maybe you are looking for