How do I locate a clip in the timeline from the browser

I am using FCE and I know that I can locate a clip from the timeline by using shift F.
I want to check on a clip in the browser and find where it is in the timeline. How do I do that?

Open the clip from the browser into the viewer. Press the F key. If the clip is used in the timeline, the playhead will move to the clip.

Similar Messages

Opening the Canvas window and the Timeline from the browser

I am on an Intel 2x2.66 Dual Core using OS 10.4.11 and working in FCP 6.04.
I know this is a stupid question but having been a composer all my life, I am not up to speed on FCP and I seem to be unable to find the answer in my manual.
I dragged a QuickTime movie to the browser window. It is 500x375 in dimension and uses a H.264, AAC codecs. (info I got from the Get Info window).
The video shows up and plays in the Viewer window but I cannot get the Canvas window nor the Timeline to open.
I have tried selecting the sequence from the list in the browser and then control clicking it and looking at the shortcut menu there. The manual says I should choose Open Timeline from this shortcut menu but that is not even a choice I have. I don't mean it is grayed out, I mean there is no Open Timeline choice on the menu.
As an alternate, the manual suggests selecting the sequence and then choosing View > Sequence in Editor. I tried this also. There is no Sequence in Editor choice under the View menu. There is a Clip in Editor choice but when I select that it simply opens the movie in Quicktime.
I am aware that I am probably forgetting something simple or doing something stupid but I cannot figure it out. Help would be much appreciated.
Thomas

the simple fact that is being eluded to here is that without an active sequence in the project (shown in the browser) there is no canvas or timeline. If you delete your sequence from the browser, the timeline and canvas will disappear, and you will have to create a new sequence, then open that sequence by double clicking it, to get those windows back. Canvas and Timeline display sequence content. No sequence, no c/t.

How do I select multiple clips in a timeline in the reverse direction, e.g. middle to front?

I know how to click "a" and select clips in the timeline looking forward, but how do we select multiple clips from a middle point to the front of the timeline? I don't want to be lassoing -- is there some other way?

Hi denniscallan,
Please check the track selection tool. Refer to the link below for more information about the tools section.
http://help.adobe.com/en_US/premierepro/cs/using/WSd79b3ca3b623cac957c49aa9127401b0642-7ff f.html
Regards,
Vinay

How do i reposition the timeline to the left margin?

I dip into FCP Pro X when I have a new project to edit - in between doing other things. The interface reminds me of the dash on my old Merc A160. It has very few buttons and they have multiple functions, but to change the time on the clock I always have to consult the manual. Less is not always more - something Apple struggle to understand sometimes. If I was using FCP all the time (heaven would be not having several different jobs) I would probably figure it out - but, because there is nothing intuitive about the interface, I have to relearn how to use it every time I come back to it. Just like the buttons on my Merc. I have completed a couple of editing projects in FCP. But I haven't looked at it for some months. In between I have been using Resolve (because a lot of my footage is shot in Log mode - something FCP doesn't handle at all - and I have to use a LUT to make the clips usable in the editing process).
I have a wedding to edit. Three cameras, three audio tracks on the cameras plus the church PA audio and a Roderick recording from a mic work by the groom. I would like to choose an audio track and sync the video to that - but I learned last time that is not possible (or not easy).
I looked at multicam sync clips but I can't see how I can use this to fit my workflow - it requires too many decisions up front and I don't have small clips - I have two 1hr "clips" and some smaller ones from the handheld camera. I don't want to chop up the "master" clip and I can't see how to easily sync everything together in such a way that I can see it all.   Yes I see that I can choose different angles in a different editor, but I don't want to get into that at this stage - I just want to see all my material in a timeline so I can make major edit decisions first. Oh I wish I had not thrown out FCP 10...
So what I want to do this morning is just drop clips into the timeline from the main camera, chop it up and remove the bits of the ceremony that I don't want in the final video and then choose clips from the other cameras to replace the main camera.
So, I drop a clip in the timeline. Its the warmup to the wedding. People are sitting down. The organ is playing. I don't want this in this timelines. So I trim the clip from left to where I want it to start. Great. Except...
... the timeline now starts halfway across the display and I have a blank black box to the left. I cannot, for the life of me, see how to move the start of the clip back to the left margin. Nor can I imagine why anyone at Apple thinks this is a useful thing to do?
In between all of this I have the usual Yosemite instability issues and, for whatever reason, Preview keeps crashing so using the FCP User Guide is more or less impossible.
Any clues?
And don't say use Resolve on Windows instead. I don't need much persuasion, and I hate Windows.

I don't agree with you here. Resolve is much easier to use - I don't have to try and get into the heads of the developers and its is easy to see how my material slots into the editor.
I am still trying to get my head around the way FCP organises the material. Events/Projects? What are they thinking here? How does this fit into a wedding video? I can create meaningful "events" (wedding/photoshoot/reception) etc but why would I?. Is a "project" just a timeline - a "sequence" in normal film editors? Why not call it that then? I cannot figure out what kind of environment Apple were imagining when they came up with this way of organising things? They must have had some kind of job in mind where events and projects make sense. The manual is silent on where the clips actually go - are they organised within events? within projects" or within both? Whatever it is, it might be easier to understand what FCP is doing if Apple explained what this structure means and why they have adopted it. I am left to guess.
What I can't seem to get rid of is the groups (I have no idea what else to call them) which are just a date and under which my clips appear. I don't want this hierarchy but I can't see how to get rid of it...   Clips that should be together, but were filmed on different dates, are in different places - and I cannot see how to group them together without these dates imposing another level of hierarchy, I struggled through the last couple of videos not really understanding where my clips were and ended up with multiple copies all over the place. Right now I don't know if I have all my footage in the library or not - its so hard to construct a meaningful organisation in this crazy interface. I just deleted 8 copies of a lapel mic audio track - I have no idea how I got 8 copies of that into this library. Does FCP just import duplicates without warning? Its so hard to correlate what is in the library with my folder structure on disk...
To my mind, this is one project - a wedding video. And this video will include multiple sequences. But my clips need to be ordered in such a away that makes sense to me - I am not sure how to do that in FCP, but its easy in file manager. The clips were shot in various locations on multiple occasions. But this has nothing to do with the finished product, which will have its own order of things, not necessarily related to the order of shooting. In FCP (or Resolve) I would have the clips in bins and my various sequences which I could then assemble.   Now I guess these are projects? They aren't "projects" at all - at least to in my mind. I don't like having to think about this project (the wedding video) in some weird way which only makes sense to the FCP developers. Maybe they never filmed a wedding!
Thanks for the advice re multicam clips. I came to the same conclusion but there is an awful lot of stuff to synchronise and I am not confident that FCP will do this in one go. But now I have to learn and get familiar with the different editing environment for multicam clips. Oh joy! I am hoping I can add more clips to a multicam clip afterwards - once I sort out how to get my footage into some meaningful structure without all these surplus dates... The clips have been imported so that the file structure creates keywords - which would be ok, perhaps, except for this extra date-related hierarchy which means I have to keep expanding the tabs to see the clips.
As for Synchronised clips, if you read the user guide there is nothing to warn you that this is an audio-only sync. Or which video track you are going to end up with. "For example, if you select two video clips and three audio clips from different sources that were all recorded during the same take, Final Cut Pro automatically analyzes and syncs the clips together into a new clip in the Browser." Perhaps, when they wrote this manual, they were thinking this would create a multicam clip. Or maybe its an old manual - I don't suppose they get updated automatically. Maybe I better go look to see if there is a newer version on Apple's website.
I seem to spend a lot of my time undoing the default settings in FCP. I don't want my footage disappearing into an impenetrable amorphous mass in some hidden library somewhere, so I have to remember to change that default - the wording in the inspector is not very clear and sometimes I find that it is importing the material into its library and creating another copy. I generally only notice when my backup software suddenly starts copying gigabytes of data to tape...
I don't want to see my footage an in iMovie layout with no tracks either. Especially my audio tracks, so I always have to unpack them. I miss the little buttons to turn off different audio tracks - yes I know there is another way to do this, but its not obvious (as with everything else in this software) and means fumbling around in the interface to find how to do it - and its slower if you want to flip between audio tracks to decide which one to use at any given point. Its the same with synchronising clips. You expect to select the clip, right click and get a sync option. But its in a separate menu under Clip. Why? If you want to copy a clip to another library its not under a clip menu - but under the file menu? Why? I think its a terrible mess - and I think that Apple introduced a level of complexity to this interface with little to show for it. I am new to Resolve. It looks complicated with all its colour wheels and stuff, but actually its very intuitive and easy to use. And its very easy to structure clips and sequences without having to spend hours trying to figure out how Apple think you should do things. if you use FCP all the time then fine - you get used to it. But is it truly a better way to work?   I like structure - it helps me to understand my material - but FCP is anti-structure and forces a virtual schema on its users. If you like that, well and good - but it shouldn't be compulsory.
I got my head around using keywords - but I hate it - its just extra work for me and I hate the loss of the direct relationship with my material. Its very hard to see whether I have used all the material or not and how it all fits together. Now I have duplicated stuff everywhere and lots of things missing - but no real organisation. And I have to remember how I keyworded clips to find them - not easy in a big project. And since I have lots of big clips I have to remember not to change the I/O points without first saving the subclip and assigning a keyword. Extra work and easy to stuff up. Its a problem too if you edit a subclass without realising it is just a virtual clip so every instance will be edited. Sometimes thats a good thing, but not always. The issue is that this happens invisibly so you have to be very careful working with these virtual clips. Subclips are safer - you always know whats happening - and that's increasingly difficult when you have lots of subclips which are really the same material but grouped separately.
Its much the same with all Apple's software today - its all written from some other planet. I have had to take out a subscription to Office 365, use Dropbox and oneDrive instead if iCloud and download Resolve to deal with my Blackmagic camera. Its a consumer world at Apple now - and an iMovie view of the world. Apple like to hide half the functionality because they think it makes things look easy. Their manuals are useless and their online Help worse.
And yes, thanks for the Shift-Z. That works, though finding it in the manual is another matter. But why this behaviour in the first place? Is there any reason why you would want your timeline to start halfway across the screen? Why doesn't the clip just snap back to the left as it would in any other editor? Its little quirks like this that make this a very frustrating experience. I am not editing all the time - I am just as likely to be in Dreamweaver, Indesign, Illustrator or Photoshop - or working on business projects. I don't feel I should have to wade through a badly written user guide or ask basic questions in this forum every time I come back to FCP Pro X - that was never the case with the old FCP. Its just like the clock on my car - daylight saving happens here twice every year and the time has to be changed. I always need to refer to the manual. To my mind that is a crap user interface.
FCP Pro X has some nice new features. But its hard to justify this when everything else is so hard to use. Its like connected tracks. Why is that an improvement? I always start with an audio track from my master camera - because its on tape and runs for the whole take - but its impossible (or very difficult) to do this in FCP Pro X. If I have a jumble of clips and its not clear where they fit, I can't assemble them, in sequence on a separate track - I have to connect them, arbitrarily, to an existing track. And then undo that connection later. I have to rethink my workflow every time to try and fit in with FCP Pro X.
In an earlier life I was a software developer. The golden rule of applications in business was that you built your application to suit the workflow of the user. You could streamline it, but not change the sequence unless the business had made a decision to do that already. I wrote quite a few large applications for various areas of the business - I used them to make sure they worked, and I used the existing workflow. A user could come back from holidays and know immediately how to use the app to do their job. A new user could use the app without weeks of training. Its not hard to write intuitive software - but its impossible if you set out to impose a new workflow or method of organisation on a user.
Apple seem to have missed this altogether. FCP will always be a dog, for that reason alone. I have never used Avid or Premiere Pro, but I imagine no-one else has adopted Apple's upside-down way of doing things. That spells lots of training issues for anyone adopting FCP Pro X. And now since you have to work with colour grading apps, like Resolve, users have to work backwards for Apple and forwards for everyone else, in the same project.
After this project I am going to look seriously at Premiere Pro - but only if I decide I can't use Resolve on its own for everything. I have been an Apple diehard for 12 years after being a Windows guru for a decade before that. I am close to giving up on Apple. Having to buy Office was very difficult - but the Apple apps have been dumbed down (Pages) or were never up to the mark (Numbers). I can't use iCloud because it doesn't support half my material so I have Microsoft oneDrive which also goes against the grain. And I am running Yosemite which means crashes at regular intervals and reboots several times a day.
I am an Apple shareholder too. But I beginning to think they have lost the plot. I hope not.

Is it possible to 'pin' the timeline to the top-center of the screen?

In Captivate 4 I was able to move the timeline from the bottom-center and "pin" it to the top-center. In Captivate 5, you can only "float" the timeline around the screen and it blocks the screen beneath it. I know I can then move the window behind it down but it's not ideal and actually quite a simple thing I feel I'm trying to accomplish. Has anyone else run into this?

Hi,
Yes, its not possible to dock the timeline to the top-center in Captivate 5.
But still, you can place the timeline at a suitable position, and then create a new workspace. This workspace will remember the position of your timeline panel.
Regards
Chinmay

I have an old project with AVCHD clips and I want to import the clips again with surround sound. How can I relink the project clips to the re-imported ones without doing the project from the begining?

I have an old project with AVCHD clips and I want to import the clips again with surround sound. How can I relink the project clips to the re-imported ones without doing the project from the begining?
I have a sony handicam and I imported the clips to iMovie and they lost quality and converted the audio to stereo. I want to import the project to final cut X and import the AVCHD in 1080p and surround sound and export the movie in bluray. Can I relink the clips without editing everything again?
thanks!

Only photos taken with the iPad, copied onto it via the camera connection kit, or saved from emails/websites etc can be deleted directly on the iPad - either via the trashcan icon in the top right corner if viewing the photo in full screen, or via the icon of the box with the arrow coming out of it in thumbnail view.
Photos that were synced from a computer are deleted by moving/removing/de-selecting them from where they were synced from and then re-syncing. If you want to remove them all then normally you could just sync an empty folder (in terms of photos) to the iPad, but as you don't want to sync at the moment you can't do that.
You can reset the iPad back to factory settings and start from scratch with it : Settings > General > Reset > Erase All Content And Settings

How i can wacht video clips in my mac and the tv at the same time trough the apple tv

how i can wacht video clips in my mac and the tv at the same time trough the apple tv

Welcome to the Apple Community.
Unfortunately you can't do that.

On iMovie how can you mute a section of the sound track so you can hear the audio from the video clip?

.

Hey,
If you double-click on the soundtrack you can open it up in the inspector tab and lower the soundtrack so that you can hear the audio from the video clip.
A great resource for finding answers to questions like this is http://www.imovietutorialhelp.com
You can ask questions just like these and they will be answered for you. If you need a tutorial video made or anything like that, you can go there as well and ask for a video to made as well. Check it out.
If you still have questions on how to do this, they can help you for sure.
I may receive some form of compensation, financial or otherwise, from my video or link.

How do I move a clip with transitions attached on the primary storyline?

One more frustrating problem with the mysterious magnetic timeline: on the priumary storyline I created a text clip with a gap clip on each side, then added cross dissolve at the beginning and end of the clip so that it fades in and out to black:
Now I want to reposition this text in the timeline, mantaining the fade in/out at the head and tails. In FCP7 this was simple as a gap in the timeline simply showed black and the clip could be moved as one piece. In FCPX when I try to move the text clip with the P position tool, the transitions disappear after repositioning. Extremely frustrating:
If I select the clip and the fades together, plus the gap clip at the end, and move them together with the Position tool then the fade out is retained, but the fade in still disappears. I've also tried rolling from the fade in from the gap clip before it, but instead of rolling the clip ahead this shortens the fade (I think the behavior of trimming and rolling transitions is totally wacky). The trim tool is also useless in this situation as you can only select one edit point at a time with it.
The only solution I found is to cut the gap clip before the transition, then move the text clip and transitions with the P tool. This will create two abuting gap clips before the text clip, but allow the transitions to remain intact. Not hard, but annoying to have to do
Often I have to adjust the position of a text clip in the timeline like this after adding the transitions to get the timing right. Is there any way to move the clip while retaining the transitions at the beginning and end? It would be so much easier to be able to roll the edges of the gap clips so that I didn't have to make extra edits and workarounds.
The problem seems to be that the gap clip acts as like a regular black slug video clip in some cases, but not in other case. When you move a clip in the primary storyline a gap clip is automatically created to fill a gap -- okay, fine. But you can roll the edges of a video clip with the P tool, but not a gap clip. ***?
I'm using the latest update, 10.0.8. I will be submitting this to Apple as well....

I am trying to move the text clip forward with the transitions still attached. The difference is that in FCP7 you can leave a gap before a dissolve and it will fade in from black. If you move the text clip, the dissolve moves with it, still attached.
In FCPX however, the gap has to be a gap clip. So the dissolve is attached to both the gap clip and to the text clip. Once you put the dissolve on the edit point, there is no way to move the text clip forward or back on the timeline without deleting the dissolve. Or, if you move the clip forward or back with the Position tool (necessary to create a gap) then the transitions just disappear.
Basically, I am looking to roll the transition with the clip.
I could use the opacity handle on the text clip (using "show video animation") in stead of a dissolve, but then I have no control over the shape of the dissolve curve and I'd have to add extra handles to the text clip to center the dissolve where I want it.
Regarding "I very seldom use the position tool. Rolling the gap clips can be done with the regular arrow tool - *that* is one example of the magnetic timeline working for you."
This is true, but clips behave differently when you you roll with the P tool vs the A tool. With the A tool, other clips are magnetically rippled forward or back on the timeline to maintain their relative relationship and avoid all gaps. With the P tool, video clips maintain their position on the timeline, creating or trimming gap clips when a gap is created or filled. The problem arises when a transition is attached to the clip you are moving or trimming.
I understand in priniciple why it behaves the way it does, but it's inconvenient in this case, and inconsistent with the normal behavior of gap clips when a transition isn't involved.
In my mind the transition should be anchored to the video clip, not to both the video and gap clip when there is a transition between the two.

Help Please..Until recently I have owed 2 iPod Classics - 2007 80gb and 2009 160gb (which has since been returned). How do I transfer the library from the 160 to the 80gb in iTunes using Windows Vista (ie merge the 2 libraries)? Thanks

Until recently I have owed 2 iPod Classics - 2007 80gb and 2009 160gb (which has since been returned as it had a very noisy hard drive).
How do I transfer the library from the 160gb to the 80gb in iTunes using Windows Vista.
Nothing seems to help on the Apple support pages, so any help would be appreciated
Thanks

Thanks for the reply, but not actually sure how to sync a second iPod with the library of the first, as I thought it would not recognise a new iPod for copyright reasons.
Also, the files are in a location on the pc but I had to do lots of formatting amendments in iTunes as most of the stuff was on mp3 files and the formatting was all over the place. I did not want to loose any of the work by simply asking the new iPod to look at the original file and would rather copy en masse from one device to another.
Any help or pointers greatly appreciated
Thanks

How can I move an existing iTunes library from a Dell PC (which uses Windows Vista) to a MacBook Pro? I have tried to copy the library from the PC onto a memory stick but cannot move from the stick onto the MacBook Pro.

I have tried to copy my iTunes library from my old (2008) Dell PC to a 32 GB memory stick and then copy it from the stick to the iTunes library in the new MacBook Pro which I purchased recently from a reputable dealer which resells refurbished Macs, (lease returns, etc). The dealer was Computer Trends store in Saskatoon. They told me how to move my existing iTunes libary from the PC to the Mac but I cannot seem to achieve that objective. The Mac does not seem to recognize the memory stick. I thought the Mac would recognize that the memory stick held iTunes files and would then transfer them without prompting to its own iTunes libary. It did not do so. I have therefore tried to find the command sequence within iTunes (on the Mac) for moving the material from the memory stick to the iTunes library. Cannot find those commands. Does anybody know where to find such commands. I have to say, I am really disappointed that such a simple function would prove to be beyond my capabilities. I thought the Mac was supposed to be easier than a PC. !!! Oh well, I am hoping this forum will help !!!

iTunes: How to move [or copy] your music to a new computer [or another drive] - http://support.apple.com/kb/HT4527
Quick answer if you use iTunes default preferences settings: Copy the entire iTunes folder (and in doing so all its subfolders and files) intact to the other drive. Start iTunes with the option (shift on Windows) key held down and guide it to the new location of the library.
So, you can see your whole iTunes folder on the memory stick after copying from the PC?

I am not able to access Firefox under one user account on my computer so I created another account. How can I transfer the bookmarks from the old account?

I use windows Vista and I cannot open Firefox under one user account (I keep receiving the "firefox profile cannot be loaded . . ." error message) on my computer so I created another account. How can I transfer the bookmarks from the old account?

NOTE: you can skip this 1st step.
Step 1
I'm on Win7 so the paths might be slightly different... C:\Users\(YOUR PC ACCOUNT)\AppData\Roaming\Mozilla\Firefox\Profiles\bnelgkol.default\bookmarkbackups ... Find the "bookmarks-[DATE].json" you want and copy it to the profile you want. You may want to change the date to a name you will recognize.
Step 2
Then on your browser "Bookmarks>Show All Bookmarks or Ctrl+Shift+B ". This will bring up the Bookmark Organizer, I think they call it Library now. From there click "Import & Back up>Restore" this will bring up a drop down with your back ups. If you followed step 1, find the json you added and select it. If you skipped step 1, from "Import & Back up>Restore" select "Choose File..." Then browser for the json you want to import. Which should be in a similar location as mentioned in step 1.
NOTE: "AppData" is a hidden folder, will have to set show hidden folders to be able to see it.

How can I remove the applications from the Content Administrator

I had undeployed the applications from Content Administrator in two ways:
A:
1. Start the tool using the go.bat located in \usr\sap\<SID>\<Instance Name>\j2ee\admin folder
2. Log in with an Administrator user.
3. Under the Server node click Services-> Deploy.
4. In the runtime tab, on the right hand side screen click on the Applications checkbox. The list of all deployed applications appears.
5. Select the application and click on the Remove button.
B:
Undeploying using SDM remoteGUI.
after I finished that,the application still exist in the browse of Content Administrator Web Dynpro.
But it is'n invailable.When I click the application name,it throws exceptions:
Failed to get the list of names of referenced deployable objects for deployable object 'local/Welcome'.
Failed to get list of defined JCO clients for deployable object 'local/Welcome'.
Failed to get the list of names of referenced deployable objects for deployable object 'local/Welcome'.
Failed to get enable state for 'local/Welcome'.
No resource bundles found for development component ''local/Welcome''.
My question is , how can I remove it form the list.

Hi,
Have you restarted the server after removing the application from the Visual Admin?
Regards,
Satyajit.

My Iphone was sync with Itunes on a computer then this computer broke down and i purchased another one. I was able to extract all the data from the old one. now how can i sync my phone with the new tunes without loosing any data?

My Iphone was sync with Itunes on a computer then this computer broke down and i purchased another one. I was able to extract all the data from the old one. now how can i sync my phone with the new tunes without loosing any data?

Yes, windows to Mac too.
iTunes: How to move [or copy] your music [library] to a new computer [or another drive] - http://support.apple.com/kb/HT4527
Quick answer if you use iTunes' default preferences settings: Copy the entire iTunes folder (and in doing so all its subfolders and files) intact to the other drive. Open iTunes and immediately hold down the Option (alt) key (shift on Windows), then guide it to the new location of the library.
Windows users see tip at: https://discussions.apple.com/message/18879381

Subject : Slideshow looks bad Hello guys I have a project in my Final Cut just about done. I want to add my slideshow as part of the project and burn it to DVD. In my slideshow, there are some stills from the movie clips and some downloaded from the i

Subject : Slideshow looks bad
Hello guys
I have a project in my Final Cut just about done. I want to add my slideshow as part ofthe project and burn it to DVD. Inmy slideshow, there are some stills from the movie clips and some downloadedfrom the internet but they all look blur when playback and even worse if Iapply Ken Burn to it. Pleasesome one can tell my how to do it right or it can’t be done because thedownload quality and stills from the clip are not suitable or slideshow. Thank you
PSC

Thank you Ross.
The entire DVD containing Quick Time movies (Final CutExpress project) and slideshow was done in iPhoto. The Final Cut project was rendered prior to export to QT, the slideshow was sent to iDVD withoutrendering. The slideshow with most of the pictures from my still camera incombination with stills from movie clips and some downloaded from the Internet.After burning, the movie playback is perfect but the slideshow is not. The slideshow containing 3 differentkinds of pictures; those from my still camera looks OK; the stills from themovie clips and from the Internet are not. I don’t have much knowledge in this game, but I think NTSCwith frame size 720x480, and the downloaded picture Item Property shows most ofthem are between 400 to 500 x 300 to 600, may be both of them are not suitablefor TV screen while the stills from my still camera looks OK because they are2048x1536. Please enlightenme. Once again, thank you so much,I really appreciate the time you offered.
psc

How do I locate a clip in the timeline from the browser

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