How to achieve good non-interlaced video using compressor (newbie question)

Question

Dear all,
I am completely at sea but I know that I have to use the "none" setting for the field order and cannot for the life of me work this out.
Now- I usually export direct from Final Cut Pro (H.264, best quality etc etc) but this time the exported QT file just will not de-interlace (not my footage but I have to deliver the edit), come **** or high water.
So- a kind soul said to use Compressor... And to not use any field ordering.
But HOW? I watched videos, sought to use the instructions given me here but am still totally lost.
What I did:
1. Launched Compressor,
2. Dragged in the self-contained reference QT file from my desktop,
3. Picked a setting (H.264 which has field reordering ON by default),
4. Dropped the "setting" into the blue field to right of clip thumb,
5. Double-clicked the "setting" and then-
6. picked the "Encoder" button, as instructed but cannot change the Field Order.
Because Compressor is completely new to me I don't know if I ought to NOT pick a setting until I have it how I want it, saved it as a "custom setting" and THEN bring it into the project or if I am to do it once brought in to the project. Either way- how to change the field order to "none". Or should I pick a de-interlace filter? Just that I have been looking and testing and nothing I do creates a de-interlaced final file.
All the tutorial videos I have watched (erm- about 5 now) go over exporting and how to pick your settings from those which exist but what I need to know is how to change a setting to suit (ie get rid of the evil interlacing).
I am hoping someone here can give me a very simple step by step or point me in the direction of one.

Answer 1

Let me see if I can wrap my head around what you're trying to do. You started with an HD timeline 1280 x 720 (16:9). Into this you want to add your SD PAL clips, shrunk down for a picture in picture effect (a completely different concept from multicam.) But your shrunk down clips have nasty interlacing, and the one clip which was meant to be full frame looks like rubbish, right? Sorry but there's no way to blow a clip up 180% and have it look even halfway decent. At least not in FCP. Compressor has an upscale algorithm, available in the same Frame Controls tab where you did the de-interlacing, which can give you somewhat better results. There's also a plug-in from Red Giant called Instant HD which may or may not yield better results than Compressor.
Here's where you went wrong. The clips to be shrunk should have been deinterlaced before bringing them into FCP, and into your sequence. Go ahead and do this, using the ProRes 422 setting, with the deinterlacing technique from before.
Your sequence in FCP is fine, except that you want to change its compressor to ProRes 422 so that it matches your newly imported de-interlaced clips.
You want to de-interlace your P2 1080i clips beforehand as well. The other change to make to your sequence is to change Field Dominance to None.
If you've already finished your edit, you can still do all of the de-interlacing, outputting all of the results to a new folder. But you have to do every source clip in its entirety if you want to re-link to retain your edit.
When Compressor's done - this will probably take all night - open your FCP project, select all the source clips, right-click and choose Reconnect Media. Locate the newly de-interlaced ProRes clips and Connect.
Then you only need to export your sequence as a Quicktime Movie, Current Settings, Self-contained. This will give you a pristine master which will play fine on your computer, and from which you may then use Compressor to create a web or dvd version as needed.