How to export 2048x858 for DCP

Just wondering if it is possible to export DPX's from Speedgrade at the DCP Scope required size of 2048 x 858 there doesn't seem to be an option in the Outputs. Some of the files in the timeline are 2048 x 858 openexr's and others are 4.5k R3d's. I'm aiming to have the whole timeline exported as 1 dpx sequence with all frames at 2048 x 858. Any suggestions on how to do this?
** Ok after some messing around I found a solution, (I'm working on a Mac 10.7.3 ) I opened the App package and navigated to contents/macos/settings/rendersizes.fcps opened this in Textwrangler and duplicated one of the 2k settings and modified it to the size I needed , works perfectly.
Message was edited by: BenK1934

Hey Ben,
another, more comfortable method would be adding a Pan and Scan layer and type into the Crop area 'H2048 : H858'
Cheers,
Duy-Anh

Similar Messages

  • How to export chart for publication?

    How to export a chart created in Numbers for publication (either as TIFF or JPEG or PDF)?
    Thanks

    Thank you for the response. In the meantime, I figured out the following. There is no way to just export the chart itself without exporting the whole spreadsheet including the chart.
    These are the steps I took to generate the chart in different formats.
    1. I first changed the View in Numbers to 'Layout'
    2. Moved the graph so that it was situated completely within a page all by itself.
    3. Exported the file as PDF.
    4. Opened file in Preview
    5. Used 'Rectangle' selection tool
    6. Used the tool to select the Chart/Graph
    7. Chose copy from Edit Menu
    8. Created new preview document by selecting 'New from Clipboard' under File menu
    9. Next chose Export
    10. Chose format for Export (JPEG, PNG, TIFF, etc) and Resolution requested by publisher of Journal.
    11. Saved!
    Cheers

  • How to export files for book's

    whats the best way to export files for a book? lets say I want to make an apple book using aperture with 60 pics in it from my son's recent black belt test. do I simply send the 60 best pics to apple in raw/master format and let them figure it out? or do I try to do image editing myself and send them jpegs? if I send them jpegs how do I strip out the Adobe rgb that my Nikon d70 seems to embed so the lab can do the color balancing?
    thanks for any help. great camera. great software. total amateur dad photographer and I really want to get these particular pics right!

    To get the pictures in the Aperture-produced book really looking good, you should plan on printing a test book. Then based on the test book you can adjust your images to add saturation or contrast or whatever you need to get them looking right. Remember, any book you order online is printed by a CMYK printer, which has a specific and kind of limited color space. It's hard to predict what changes will happen in the conversion to CMYK, so the best thing is use the first book printing as a test, not as something you expect to look really great.

  • DPX export settings for DCP creation

    I have a short film that's been accepted to a major festival that requires a DCP, and I want to create the DCP professionally.  I would like to provide a true 24p DPX master to the DCP company.
    My final film is a 4K sequence at 23.976.  I have duplicate 24 fps 5.1 audio wav stems that were output from Pro Tools, so audio isn't a concern.
    Okay - so I export my sequence and choose "DPX".  I'm presented with several options:  24p Full Range (max bit depth), 24p Over Range (max bit depth), 24p Standard (max bit depth), and 24p Video (max bit depth).  Huh?  I'm a Jack of all Trades indie filmmaker, and I can't find a word about these options anywhere - not in the Adobe manuals, not in tutorials, not even via a Google search.  And, although these options are all "24p", my output still clearly shows as 23.976.
    What option should I select?  Why the variables?  And can I simply change the frame rate to "24" under the video tab?
    Finally, will I be able to import this image sequence back into a new sequence in Premiere Pro to check the 24fps audio tracks for alignment and sync?
    Thank you geniuses in advance.  I don't know how I would do this without you.

    I just heard that DPX/Cineon was the best format to use for lossless colour grading. I also was starting to learn speedgrade, which uses DPX as it's main format. This is the first time I've attempted using any codecs specific to colour grading before. I used to export as AVI or quick time and grade that...
    One of the problems i'm having is that I'm shooting on the 5D mk ii, which doesn't have anything near the colour depth of somethig like the scarlet..
    I did figure out however, how to get rid of those lines. In AE down the bottom of the project tab, where the new compositions button is, there's also a colour settings button where you can change the sequence bit rate and output settings. So I got rid of the lines, but not I'm having issues with the output being over exposed in some places, and under exposed in others. But that's probably becuse of the limited colour space of DSLR's..

  • Exporting Jpeg2000 for DCP directly from Premiere

    Hello everyone,
    I have to export a jpeg2000 sequence for a dcp. I`ve just installed the j2k plug in in premiere and after effects. My question ist do I have to export the jpeg2000 sequence from AE or can I do it directly from premiere? The problem is that I can`t change the color space to xyz in premiere, which I can do in AE, but is it necessary if the plug in seems to have a XYZ Conversion as an option? Did someone used it before that way?
    my second question: in my timeline I have a dpx sequence, some psd graphics and titles made in Premiere Pro. Everything in Rec709. Do I have to convert everything to XYZ before exporting as jpeg2000 sequence in XYZ color space?
    thanks in advance!:-)

    hi there, so I made some tests with exporting a jpeg2000 sequence
    1. directly form Premiere Pro, through the j2k plugin, with convertion to xyz color space
    2. from After Effects with convertion to xyz
    3. first I exported a tiff sequence from Premiere Pro and then exported it from OpenDCP as jpeg2000 sequence
    the problem is that all of the final results are slightly different. the brightness is a little bit different and the colors too. any idea why?
    btw. I`m using Premiere Pro CC 2014.0.1

  • How to Export HDV for Blu-Ray?

    When editing in DV mode, I would export an avi and a wav file, use Tmpgenc to convert the avi to an m2v file, then import the m2v and wav files into Tmpgenc DVD Author 16 to build a menu and burn a DVD. How do I burn a Blu-Ray disc after editing HDV? What are the steps? (I have a Blu-Ray burner and Blu-Ray discs.) I downloaded Tmpgenc Authoring Works 4 Trial, but it wouldn't recognize an m2v file that I made using Adobe Encoder. I can't use Encore because something screwed up upon installation and now it refuses to install it again. All I get are error messages.

    Yes, fixing an installation is a pain but it will help you in the long run.  You're asking for an aspirin to take away the pain of a broken leg.  Fix the leg.
    My thought would be that even if you try to work a blu-ray with some other program, your system problems will cause it to have the same problem.
    Try a simple uninstall of Adobe products, get and run the CS4 clean script, run whatever disk checking program you have on the system, do whatever maintainence is appropriate and then reinstall the Adobe apps, run the updaters and hopefully you'll be good to go.
    It's a pain, but it will likely be worth it.
    Dennis

  • How to export FCP for broadcast station

    I recently picked up a gig editing for the zoo here in the city. Unfortunately, I have never filmed/edited anything for t.v. How should I export the movie for the cable networks? Here are a few questions I have (I'm a rookie, please be patient with me):
    1) Should I select make movie self-contained?
    2) Should I export as "using quicktime" or "using quicktime conversion"?
    3) How do I change the codec and frame rate if needed?
    4) How would I transfer the movie file onto DVD after I am done?
    Thanks, it is really apprecitated!

    1.You should export a self contained movie using current settings -same as your Timeline codec and make the deliverables from that, using Compressor. Only the broadcaster can tell you what they need. Ask each and everyone of them that you will be delivering to for their spec sheet.
    2. QuickTime Conversion will recompress the file, even if it is to the same codec as your Timeline.
    3.Compressor. See 1.
    4. You already have a copy of DVD Studio Pro. Learn to use it.

  • How to export song for a pro tools user

    how do i export an audio instrument track for a pro tools user? i have a song with audio track and audio instruments and i was wondering if there was a way i could export the audio instruments seperately
    iMAC G5 isight   Mac OS X (10.4.6)   M-audio keystation 49, m-audio firewire 4-10, logic pro 7, yamaha monitors

    this is very easy now in logic. look in file -> export and there are a range of options.
    export region as audio file, and export tracks as audio files. if you do this (as opposed to OMF which is really only best for audio) then it is worth making sure that the regions start at the same point. it might be worth checking to see if exporting tracks as audio files will do this automatically for you - i have not used the feature.
    once the tracks have been exported (and incidentally they will print all the plug-in processing you have applied to them in the channel-strips) then simply import them into PT and start working. obviously they should all start at the same position.

  • How to Export Repository for standalone environments?

    Hi All,
    Can someone help me understand if it is possible to run export repository command and export out certain repositories in case of a stand alone environment?
    Thanks,
    Mathew

    It's not possible to run utility commands like exportRepository, startSQLRepository without ATG installation directory.
    If ATG is installed on the machine where code is deployed, U can use them.
    Otherwise, U can use dyn/admin to export repository data.
    Steps:
    Go to repository component path location. i.e- http://domainname:port/dyn/admin/nucleus/atg/commerce/catalog/ProductCatalog
    Execute <export-items/> command in text area, it will export all items for that repository along with dependencies.
    If u need to export specific item-descriptor use <export-item item-descriptor=""/>
    Regards,
    Nitin.

  • How to export movie for web?

    I am trying to upload a movie I made on iMovie to my website, but the .m4v does not work on anything but my mac. Is there some way I can convert the .m4v to an .mpeg?
    TIA,
    Dana

    I am trying to upload a movie I made on iMovie to my website, but the .m4v does not work on anything but my mac. Is there some way I can convert the .m4v to an .mpeg?
    There are many ways but it would help to know what flavor of .MPEG file you are targeting. Normally I would assume you are referring to an MPEG-2 video with MPEG-1, layer 2 (MP2) audio. The easiest to use application would probably be Visual Hub if you can find a copy. (Support dropped and possibly will return as an open source project called "FilmRedux.") iVCD, MPEG2 Works, and FFmpegX would be alternative dedicated converters. If you have iDVD or Toast, these burning application can also produce other flavors (MPEG2/AIFF or MPEG2/AC3 multiplexed files) which can be then be modified by MPEG Streamclip to an MPEG2/MP2 file secondarily.
    NOTE: The same four dedicated applications mentioned, as well as, Toast can also be used to create multiplexed MPEG-1 (.MPG) files if that was really what you really wanted.

  • How to Export in 1440p (2560x1440 - H.264 for YouTube)?

    Hey,
    can someone tell me how to export in 2560x1440 (so 1440p) in H.264 format? I would like to uplod it to youtube in 1440p but i can't find a preset and the if i manually change the resolution it stopps around 2000, i can't get 2560 as widh...
    I read this one alrady: http://forums.adobe.com/thread/1109729 but couldn't find the stuff.
    I'm using Premiere Pro CC 7.2.1
    Thank's for any help,
    MFG H. im G.

    I wasn't scolding you in any way, just suggesting. Sorry if it came out other than I intended.
    The value in using the old thread is that if you have that question, perhaps others will too. So it is generally better to keep questions in the older thread, if they are directly on topic like this one was.

  • Exporting photos for UHDTV or Native 4K TV, what are the best settings ? (File: Quality File: Color Space, Image Sizing and resolution)   Or in other words; How can I get the smallest files but keep good quality for display on new UHDTV

    Exporting photos for UHDTV or Native 4K TV, what are the best settings ? (File: Quality File: Color Space, Image Sizing and resolution)   Or in other words; How can I get the smallest files but keep good quality for display on new UHDTV

    You're welcome, and thank you for the reply.
    2) Yesterday I made the subclips with the In-Out Points and Command-U, the benefit is that I've seen the clip before naming it. Now I'm using markers, it's benefit is that I can write comment and (the later) clip name at once, the drawback is that I have to view to the next shot's beginning before knowing what the shot contains.
    But now I found out that I can reconnect my clips independently to the format I converted the master clip to. I reconnected the media to the original AVI file and it worked, too! The more I work with, the more I'm sold on it... - although it doesn't seem to be able to read and use the date information within the DV AVI.
    1) Ok, I tried something similar within FCE. Just worked, but the file size still remains. Which codec settings should I use? Is the export to DV in MOV with a quality of 75% acceptable for both file size and quality? Or would be encoding as H.264 with best quality an option for archiving, knowing that I have to convert it back to DV if I (maybe) wan't to use it for editing later? Or anything else?
    Thank's in advance again,
    André

  • How to Export Team Site Site Pages to .aspx and for subsequent upload to other Team Site and Web Part Customisation included. (Powershell)

    Hi guys,
    Can i please technically know how to export an .aspx file (in Site Pages library of a team site) to local file?
    Basically, SharePoint Designer has this feature "Export File"
    i Need exactly the same feature that can be done in Powershell
    I tried the following
    $web = get-spweb "MY URL"
    $folder = $web.GetFolder("SitePages")
    $files = $folder.files
    #trying to download the first file
    [System.IO.File]::WriteAllBytes("C:\\LocalPath",$files[0].OpenRead(),$true)
    The file exported via this method is Clean HTML without the Web Part Customisation!
    I NEED the web part customisation in the exported files.
    Sample downloaded via above script
    <!-- Cropping -->
    <tr>
    <td id="_invisibleIfEmpty" name="_invisibleIfEmpty" valign="top" height="100%"> <WebPartPages:WebPartZone runat="server" Title="loc:LeftColumn" ID="LeftColumn" FrameType="TitleBarOnly"/> </td>
    <td id="_invisibleIfEmpty" name="_invisibleIfEmpty" valign="top" height="100%"> <WebPartPages:WebPartZone runat="server" Title="loc:MiddleColumn" ID="MiddleColumn" FrameType="TitleBarOnly"/> </td>
    <td id="_invisibleIfEmpty" name="_invisibleIfEmpty" valign="top" height="100%"> <WebPartPages:WebPartZone runat="server" Title="loc:RightColumn" ID="RightColumn" FrameType="TitleBarOnly"/> </td>
    </tr>
    <!-- Cropping -->
    I tried using WebRequest, it returns the  End HTML, which is not working too.
    Please if anyone has done this? Or is there any SharePoint Designer Developer here and is willing to share how to perform the export in SharePoint Designer via Powershell? API available?
    Much Appreciated!
    Cheng

    Hi,
    According to your post, my understanding is that you wanted to export Team Site Site Pages to .aspx and for subsequent uploaded to other Team Site and Web Part Customisation included using Powershell.
    You can export a specific file or object from the Export-SPWeb context.
    Export-SPWeb -identity "http://sharepoint" -ItemUrl "/default.aspx"  -Path "c:\default.aspx"
    Import-SPWeb -identity "http://sharepoint" -Path "C:\default.aspx"
    Here is a similar thread for you to take a look at:
    http://sharepoint.stackexchange.com/questions/56664/how-to-download-a-sharepoint-aspx-page-from-server-using-powershell
    More information:
    http://technet.microsoft.com/en-us/library/ee428301(v=office.14).aspx
    Best Regards,
    Linda Li
    Linda Li
    TechNet Community Support

  • I have lost the export settings for FCP7. How can I get these back?

    I accidentally threw a folder in the trash. I got a lot of stuff back using Data Rescue, but not everything.
    I have lost the export settings for FCP7. How and Can I get these back? tia

    Sorry for the delay in response. It sounds like you have somehow deleted your quicktime ProKit with the codecs by what ever process you were trying to restore  you trashed files.
    Go to the Apple Menu > System Updates and see if the updater sees a need to install them.
    If this doesn't work - it might be
    the best thing to do would be to get FCS Remover from Digital Rebellion (free)
    http://www.digitalrebellion.com/fcsremover/
    and try to remove all traces of your corrupt installation and then do a clean install from your original disks, followed by updates to restore the new ProKit codecs.
    If your system has been corrupted by whatever you did, it might be best to wipe the drive and start from scratch - but understood this is not a pleasant choice.
    Other posters may have different or better suggestions. The FCS Pro Apps require a lot of files and file structure that may or may not be apparent, and were never drag and drop installable. They always needed to be installed with the proper installer.
    MtD

  • How to: export 4:2:0 MPEG2 for Visual Circuits Firefly MC

    I am trying to make a series of videos for a multi-channel media player called FireFly MC by Visual Circuits. It plays on 3 monitors and I am trying to make a multi screen presentation to give the illusion that it spans all 3 at times and the goes back to individual montors and back or whatever.
    Every time i export and MPEG2 from Premiere Pro and play it on the system, there are tons of artifacts. and color changes to B & W and back to color.
    There is a manual online, but the encoding requirements are not really something i am altogether familiar with.
    Here are some:
    1. Files must be program stream MPEG2 or system stream
    MPEG1 of audio/video, or elementary stream MPEG2 or
    MPEG1 of video only or audio only.
    2. Use 4:2:0, not 4:2:2 encoding.
    3. In MPEG-2, both audio and video fields should be encoded.
    This is the normal default.
    4. Audio only (Dolby Digital or MPEG Layer 2) files cannot be
    mixed with files containing videos (MPEG, MPEG2 program
    stream, video only).
    5. Firefly – Standard IDE Hard Drive): The total bit rate of a
    Firefly player must not exceed 40 mbps across four channels
    (i.e. averaging 10 mbps per channel). Channels may be
    encoded at different bit rates (up to 15 mbps on a given
    channel) as long as 40 mbps is not exceeded across a single
    hard drive (4-channel player).
    6. The presentation time stamp (PTS) values contained in the
    audio and video streams in a file must be continuous and
    increasing. In particular, the PTS values should not reset to 0 at
    any point in the file. The time between the first and last time
    stamps in a file should reflect the actual duration of the file.
    7. Files should be no less than 4 megabytes in size. If some of
    your files are smaller than 4 megabytes, use an editor to
    combine the files to create a single file at least 4 megabytes in
    size.
    8. Files should be no larger than 2 gigabytes in size.
    Anyone ever work with this system or know how to export this type of file?
    Thx in advance.

    Hi Jim, I too am confused!
    Why should the video codec for Option 1 be V210? Isn't this reserved for 10-bit video?
    http://www.fourcc.org/yuv.php#V210
    http://help.adobe.com/en_US/premierepro/cs/using/WS398C372B-B748-4ef6-BA0D-396D2E360707.ht ml
    I would have thought that the UYVY option was the correct choice for 8-bit video.
    http://www.fourcc.org/yuv.php#UYVY
    Videos exported using Option 2 definately do not play correctly in Windows Media Player - I get no video, just audio. I have tried many different computers running different versions of Windows and Windows Media Player. I'm running Premiere CS5 v5.03 if that makes any difference.
    I don't understand why videos from Option 1 play fine in Windows Media Player even though the systems don't have AJA hardware installed (or any video I/O device) - they are just plain vanilla office PCs

Maybe you are looking for