How to set : Pixel Aspect Ratio?

Hi,
what s'ld i set for my Pixel Aspect Ratio? Square? BTW, Recording using Consumer HD Cam (Panasonic SD100 and Canon HF10) .
and,
what is "Enable 4:4:4 chroma filtering" ? shall i CHECK it?
Thanks for now!

Hi Tom - sorry it has taken me some time to respond:
This is the thread I mentioned previously:
http://discussions.apple.com/message.jspa?messageID=10705428#10705428
In this thread you indicated:
"Hello,
Copy your 7D card data to a dedicated folder, use a card reader, retain all the files on the card.
Then use Log and Transfer in FCP, at that point you can choose to convert to Prores (LT) or
Prores. It works just fine. I suggest you use 30P, it is actually 29.97, and stay away 24P until
you feel comfortable with this workflow. You can use Toast 10 to archive these files.
There are other sites you should explore:
http://prolost.com/
http://philipbloom.co.uk/
They are exploring these new hybrid cameras very actively
Good luck, Tom"
I tried this to no avail. I'm also having problems with some of the 7D raw files (H.264) freezing on a frame 1/3 of the way through - and Quicktime craches - I haven't seen any information in the Apple forums that address this. Thanks for your input!
Paul

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  • Premiere exports in incorrect pixel aspect ratio

    My Panasonic camera shoots quicktime .mov JPEG videos in a 720X408 px resolution. I am having a very hard time editing them in Premiere, because I cannot get it to export them in a correct pixel aspect ratio.
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    First, when opening a new project, the closest frame size I can choose is 720x480. So I choose that. I import the .mov file into it, and put it on the time line. At that point it looks like this:
    http://img291.imageshack.us/img291/812/premierewindowoc9.jpg
    Correct aspect ratio and no deformation.
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    Tina,
    Lets see if we can get kitty onto YouTube.
    There are four issues, that you will need to overcome:
    1.) Project Preset to begin. Stanley lists the possible choices in post #8, based on the specs of your camera. You will have to determine which of these you used to record the files. These are *probably* set in your cameras menu area, and if you have not changed them, are probably still set. That will get you started in the right direction - but wait, theres more...
    2.) It seems that your camera uses Motion-JPG as the encoder to create these files. There are at least two good Motion-JPG CODECs available, Lead and Morgan. Plus, your camera may well have come with its own Motion-JPG CODEC. The CODEC is what allows your camera to encode/compress the video data, and also what allows programs like Premiere to decode that data. Did your camera come with a CD/DVD with software on it? If so, the installation of that software *should* install any proprietary CODECs to your system. Now, if this was the case (or soon will be the case, when you locate that CD/DVD), Premiere *possibly* will be able to use that CODEC to handle the footage from your camera. If it does not, then it is *possibly* only a matter of purchasing, downloading and installing one of the two mentioned Motion-JPG CODECs. Both are relatively inexpensive, and Premiere *usually* can work with either, though your exact footage might not permit this. This is usually because a camera mfgr. chose to do their own thing. Thats why any disc that came with the camera is the first place to start.
    3.) Now, you are in Premiere, have the proper CODEC installed on your system, and have Imported the footage into a Project with the proper Presets. If all is working, and I hope that it is, you just edit your footage.
    4.) You have been working with Presets established based on your footage. That is likely not exactly what you will want to upload to YouTube. This is where Export comes into play. Unfortunately, YouTube seems to change the specs. weekly. About the time that someone publishes fool-proof details and settings for YouTube, they (YouTube) change everything. The best advice is to search as many fora, as you can for Export Settings for YouTube. Look at the dates for all articles. You really will only care about the most recent - very recent.
    Going back up the list, there is another possibility. That would be to use a 3rd party conversion program to convert your footage to a DV-AVI Type II file. Often, with the proper CODEC installed, Premiere can do this internally, though not always, and even when it works, there can be problems. I use DigitalMedia Converter (Deskshare) a shareware program for most of my conversions. There are many freeware, and shareware, conversion programs available. Many get mentioned in this forum. Many get glowing reviews. Some are easier to use, than others.
    Some balk at the thought of owning Premiere Pro and then having to use some 3rd party software to get their footage into a robust NLE, that they paid good money for. The fact is that Premiere Pro was designed to work primarily with DV-AVI Type II files, from mini tape cameras - the point made by several. That does not mean that it cannot work with other file types. It does, though not always without problems. Sometimes just passing the material through a conversion program will clear up all problems and no one is the wiser. I often use Premiere Elements, Pros little bitty brother, to convert some file formats, because it is more tolerant of many of these, than is Pro.
    Good luck, and sorry that I do not have a current suggestion for Export to YouTube. Since it is a hot distribution medium, you should have no problem finding the correct settings for today - be sure to check the date of all articles, as the specs change all the time and in a heartbeat.
    Let us know if you have any more questions. For "how things are done in Premiere," I recommend the Premiere-wikia: http://premierepro.wikia.com/wiki/Main_Page
    for tutorials. Most that you could want to do will be there someplace. The current YouTube setting might be an exception, just because every time the Wikia gets updated, that info is out of date.
    Hunt

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