Ideal export format for hdv source movie edited in motion

Until recently, pretty much all completed projects I've done have been exported to NTSC-DV, but now I'm editing in HDV.
My most recent project was done with 1920X1080 HDV source footage editing on a 1280X720 canvas in Motion.
I like to export a web version and then a version of the project for posterity -- ie. the final best-quality (within reasonable final size) version of the movie that I can keep on hand for future uses as yet unknown.
So, my question then is: what's a good final format to export to? Is there any reason to export to HDV just because I've started with HDV?
Thanks.

I use h.264 for a review copy. It will give you a much smaller file size. I think Pro Res is intended to be used as a lossless format to take footage between applications, correct me if I'm wrong. If all you need is a copy to show people, h.264 can give you excellent quality (it's used on Blu-ray discs).

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List Export Format for Prospects

Hi,
I am looking for a list export format for Prospects in Siebel Marketing. An example load format was provided and I am able to load prospects successfully but I need the list export format for Prospects to be able to launch. The OBI version used is 10.1.3.4.1 and while this provides example export formats for Accounts and Contacts it doesn't for Prospects. Does anyone know if there is such an export format for Prospects or would I need to create my own list format and subject are?
Best regards,
Pete
Edited by: 855262 on Apr 28, 2011 8:06 AM

Hi,
I solved the problem myself. It was caused by the source (S_PRSP_CONTACT) for the logical table OLTP Prospects in the business model Marketing Contact List being inactive by default.

HDV: best export format for client viewing?

I am working on a project in HDV 1080i (1440).
What is the best export format to create a sample for a client to view- one that will give the proper aspect ratio.
I've tried everything I can think of, and the export is still squashed 1440 and not full 1920
I am a pretty experienced Motion user.....please give me the video and the output settings.
thanks!

hemmster- thanks I really appreciate the specific info
I dont mean to be dense but....I don't see those buttons anywhere in Motion 4. When I go to File>export what I see is:
Export: (quicktime)
Use: set to current project
When I click on the "options" button I am taken to the export options window with 2 tabs: "Video/audio" and "output"
Can you please translate your settings into those parameters....? I am assuming that under "video/audio" that compressor is H.264. The advanced button lets me set the data rate.
The Output tab lets you choose from a full range of resolutions. I could select "Custom" and set to 1280. No options for deinterlacing to be seen. Interlacing is a big problem with this project....
I have read the complete manual (twice) and the peachpit books. There is little info on this subject to be found there, so I am depending on the kindness of strangers
Thanks, you are awesome........!

What is the best video format for 50+ year movie storage?

Objective: In what video format should I store my family movies on an external drive? I want these family movies to be viewable by future generations in 50 - 70 years, so what video format / type is recommended?
Background: I have an iMac, OS X 10.7.5. I use IMovie '11, version 9.0.8. My iMac has an internal DVD player and burner and iDVD is installed.
I have dozens of family movies (total 80+ hours) dating back nearly 70 years. All these films have been digitized and I have imported many of them into iMove as events, then I edit them with title pages, transitions, music, etc. When a "project" is completed (Between 1.5 - 2.0 hours or less) I share the project to iDVD where I burn it to a DVD. Within iMovie I save each of these projects (on the internal Mac HD, which consumes very little space) and on an external drive I save for each project:
- a disc image (DVD.img) whose size is about 4.5 GB
- a copy of the iMovie project, whose size is about 60 MB (the original project is in iMovie, in the Mac internal drive)
- the original digitized raw movies imported into iMovie as events and are formatted as .mov (these are large size at 8 GB - 20 GB each)
- the finalized and fully edited iDVD which is formatted as DVD.dvdproj (these are very large size at 20 - 24 GB each)
As you can see with all these disc images, projects, events and DVD projects stored on my external drive I am at nearly 1 TB of storage, on my way to 1.75 before I comple editing all movies.
While I manage pretty well the editing my movies within iMovie, and how to create an iDVD project and then burn a DVD, I have no understanding of the technical aspects of the multitude of different movie formats in the market nor of Quick Time and its format.
I am told that DVDs will only last 10 - 15 years and then begin to deteriorate. And iMovie '11 won't be arond 50 years from now. Nor will the current / recent versions of iDVD. Thus, for posterity:
1. In what format should I store my family movies on an external drive so they can be viewed by family members 50 - 70 years from now? (best chance for viewing, since we don't know what formats they will have then)
2. How do I convert from what I have (disc image, iMovie project, DVD project) to your recommended format?
Thank you,
HDP

There is no such format for movies or even Photographs. Frankly we can't guarantee the persistence of any format past the next 10 years, not to mind 50 - 70.
Codecs are being improved and created all the time, and this process will continue. In 50 years time we may still have .mov and .avi files, but the codecs that create the movies within will have changed.
One thing is reasonably sure: DVD will be as deader than floppy disks are now. Ditto Blue Ray. They're on the way out now, and in 10 years they'll be curiosities.
So, what's the solution:
Best I can suggest is to keep your movies on volatile media like Hard Disks (with back ups on other disks, or course). Progress will be evolutionary - as new formats come along there will be the option to migrate older data to these newer formats, and that's the trick. As always, when it comes to migration, the more data available the better the likely result, so keeping your movies in the least compressed versions possible seems a good approach.
That and a dollar will get you a cup of coffee someplaces, but nowhere fashionable.
Regards
TD

What is the export format for Iphone and Android (Premiere Pro CS6)?

For Iphone, Ipad and Android, what is the export format (Premiere Pro CS6) for watching videos ?

http://forums.adobe.com/message/5950682#5950682

Best exporting format for mobile me publishing

Hi all,
Every time I publish a movie to my mobileme site I get notes from folks with PC's complaining they cannot watch my movies without downloading QT. Does anyone have an export choice that might solve this dilemma, and will there eventually be an export format that will work with both platforms?
Thanks

+"Does anyone have an export choice that might solve this dilemma, and will there eventually be an export format that will work with both platforms?"+
Not if you want to post to MobileMe. You would have to post to YouTube, Vimeo or some other video hosting site.

Best quick and dirty export format for roughcuts

They'll be going up on vimeo. Currently using H264, but filesizes are not small. Cant use FLV for vimeo, was wondering for opinions are the best format for quick encoding and small filesize (quality not such an issue)
thanks!

are you saying reducing the size makes no difference to filesize?
Correct. The bit rate determines how much data is available to create the image in the frame. If it's a small frame size, the data goes a long way and the picture quality is good. If the frame size is big, then the data gets spread very thin and the picture quality is bad. So a higher bit rate = bigger file = better picture quality for larger frame sizes.
Regardless of frame size, only the bit rate and duration determine the size of the video file on disk.
Jeff

Most compatible format for HDV export to dvd

Hi
I just got a new HDV camera (canon XH-A1) and have shot a project in HDV. I am now mastering it to dvd (using IDvd) and need to know the best format to use for compatibility across tv's (ie SD and widescreen)
I captured as HDV, made a DV PAL sequence. I have found on a friend's SD tv, the footage is clipped, not showing edges, eg the titles (even though in title safe area) and on a friends HDV TV, all the footage appears, the looks stretched?
What is the best format to export my HDV footage, so it is compatible with the widest number of tvs (ie HD ready and older SD tv's)?
regards
Mark

iDVD is not the ideal tool to be doing this with, DVD Studio Pro is better equipped to deal with it, however, if you want to use iDVD, you have to use a more recent version that knows how to handle wide screen (it involves setting a flag so the DVD player knows to letterbox or display widescreen depending on the capability of the tv).
You also need to tell either iDVD or DVDSP that the material is anamorphic widescreen 16:9 material...
Patrick

Help. What format is best to export to for Final Cut Pro editing from PPCS5?

Ok. So I really have no experience with Final Cut. After reading online for an hour about what formats to use, I was still left with no clear answer and confused. Here's my issue: I have 1080i 60i .tod files from my JVC ready to be batch exported from CS5 Encoder, I need a format that will be read and able to be edited on Final Cut Pro without issue.
Could someone with Final Cut experience please chime in:
What should I use exactly?
Greatly appreciated,
Nick

Are you using Premiere on the same Mac that FCP is on? If so, your best format choice is QuickTime and codec choice would be ProRes422. If, however, you're on a different Mac or on a PC instead, I'd suggest QuickTime with the freely available, cross-platform Avid codecs. You'd probably want to use DNxHD, in that case.
The Avid codecs are great because, well, they're free, but more importantly, they're available for both decoding AND encoding on Mac and PC. ProRes, on the other hand, only has an encoding component for Mac, and it has to have FCP installed on it.

Ideal compressed format for editing on a Mac?

Hi
I have some AVCHD files I need to edit in PrPro CS5. Is there any good compressed format I could transcode the source files to, in order to get rid of the source files and eliminate the need to render the timeline just to get started with editing without any playback hiccups?
Thanks
Greetings

If you are working in DV, you connect your NTSC monitor to a analog/DV converter and the converter to the firewire port of the Mac.
The manual will have a good description of all the various permutations of this.
If you are working in HDV, your only monitor options are the cards from Kona or Decklink (which give you i/o options) or the Matrox MXO box which is output only through the DVI connector.
I don't believe FCE will let you edit in formats other than DV or HDV so the Kona card would be overkill.
good luck.
x

What export format for best resolution and 4:3 aspect ratio

Team,
I am putting together a DVD for my son's hockey season. It is a mixture of Livetype stuff, imported DV clips (Not HD), and using a program called Photo To Movie for my photo montage's.
I have about 2 mins of livetype stuff, and about 2 mins of an export from "Photo to movie" in iMovie DV (NTSC) format
Now I'm doing a few dry runs to see if this newbie can get this to DVD using iDVD. Now when I burn it, and I play it on a standard DVD player on a standard 4:3 ratio TV, I'm seeing a black bar on the top and on the bottom.
The only way I get those bars to go away is if I export from FCE in Streaming DV format (export using quicktime options and choosing DV Streaming (then imported into iDVD), but I'm feeling my quality is lower as a result. Am I off here? Is there a format that has high export quality .
I'm new to mac, and am not accustomed to "Exporting" and "Importing" and maybe I'm screwing something up during those events. I just think my video quality may be suffering because I can only get DV Streaming to not have the black bars when burning with iDVD.
Any advice would be appreciated asap.
Thanks!

I'm exporting from FCE and I then use it in iDVD. My brain is fried, and I may have not been clear on the following: I export from FCE using File => use quicktime conversions.
Now when I export to straight-up Quicktime (not use quicktime filters), and then take that Quicktime file into iDVD it gives me a "Widescreen Preview" and when I take the next step and burn to DVD and play on a 4:3 aspect TV it comes out with the black bar on top and bottom (Which I believe is letterbox?)
So that being said, I'm at a loss as to why there are letterboxes in iDVD.
Thanks in advance.
Message was edited by: Skatingskis
I found something close. http://discussions.apple.com/thread.jspa?messageID=5924938&#5924938
It appears they are going from "Photo to Movie" straight into iDVD and having a similar issue. The big difference is that I'm using FCE before I go to iDVD.

What's the best export format for Keynote to iMovie?

Okay, here is the situation, I have a lengthy Keynote presentation which I plan to export via QuickTime so it can be imported in to iMovie in order to do voice-overs. The question I have is what the best format is to use to export from Keynote in order to import in to iMovie. I am obviously looking for the format which is the smoothest, doesn't lose any quality, and will look clear once imported in to iMovie. Also, there is no reason to use H.264 since size during the transfer doesn't really matter to me, besides, H.264 seems to be somewhat jerky with Keynote exports (or maybe it's just my computer) as I am using some of the graphics intensive transitions and effects.
Also, I know that when you send movies directly from Keynote to iDVD or from iMovie to iDVD, it uses a format which is directly compatible and there is no conversion that takes place, is there a format which will work this way from Keynote to iMovie or does it always have to do the conversion.
Finally, the other thing you should know is that I created the presentation in Keynote using 1280x720 in order to achieve the true widescreen aspect ratio. Now, I am NOT looking to keep this in HD, once I import it in to iMovie, I only need the standard DV Widescreen resolution since I will eventually transfer it to iDVD to burn it as a widescreen DVD. So, I would also appreciate some sort of input as to whether I should export the QuickTime file out of Keynote as the full 1280x720 and then let iMovie do the down-sampling, or should I export it directly out of Keynote using the standard definition widescreen resolution? Please, I would appreciate ANY help on this!!!

Hi Cornelius,
this is the workflow I had which worked fine for me:
My situation was that I had two existing movies in different formats, which a had to filet, add keynote foiles at the beginning (like "Confidemus presents" and so on), between chapters and at the end.
The best way to stick all this together was indeed to export to Qicktime and there to choose the highest resolution. There are several options. The most important point was to have all transitions within foils in keynote approprately defined, because after export it is not possible to do something in iMovie with it.
After having edited the movie in iMovie (that means adding transitions), next I will use Garageband to add sound. So you see that is the point where I'm standing at the moment. I have one time edited sound with iMovie, but Garageband seems to be more sufficient to do that. I have done a little radio play together with my daughter with Garageband and I found it very nice and - of course - easy to use. There are more effects in it and when you are familiar with this editing scheme in Garageband you will love it.
All the best
Fernando

What is the best format for HDV video for a computer playback

Hello guys,
I have made a very nice HDV video and after the frustration and awful results with compression for
SD DVD, I have decided just to export that video as a file, put that file on DVD, so people can just pop that DVD into their computers, copy that file on their HD and play it. (so there is no compression needed for over internet data transfer, Bit Rates for space, etc). The video is
HDV 1080i 60. If I export it from FCP as a QT Movie the quality is beautiful. But when being watched on the computer screen, there are those interlace lines visible, when any faster motion in the video occurs. So I am wondering, what would be the best export option in order to provide best qualities for computer playback. Would it be some of those QT progressive modes, like 1080 p24? Or any other?
Thank you for your help.
Cheers,
K.

Chris Walsh1 wrote:
Why are you using FCP 6.02? Why didn't you do the update to 6.04?? I did, and I am having tons of issues
That is pretty much the reason. It is fresh out the gate and so far untested. I am not an early adopter of any new technology (soft or hardware wise). I like to wait it out and see what other peoples' experience is. A bit of a prickish way to put it is: "In Chess, the pawns go first." (I'm a big Chess nerd -- I have Chess analogies for just about everything).
But even if the latest FCP, OS X and QT versions were humming along without any reported issues by the "power users" (by that I mean people who are editing on their systems 40+ hours a week in a professional capacity) I still wouldn't have upgraded because I am in the middle of three projects.
Well, that isn't entirely the truth. I started all three projects on a PowerMac G4 running OS X 10.4.11 and FCP 5.1.4. In the midst of this I started an across-the-board upgrade -- new computer, monitor, OS and FCS. But what I did (am still doing) is migrating from one to another and testing the performance on the new one before committing. In doing my research before hand, I see that the magic cocktail for stability appears to be OS X 10.5.2, FCP 6.0.2 and QT 7.4.5 so I built my new MacPro to that and stayed there. I have migrated all my current projects to the new system and have been putting the new setup to the test and is passing at every turn, so I feel confident I can work on this new system and will be retiring the PowerMac soon, but throughout this process I always had my stable G4 setup available so I wouldn't risk losing any work.
Might the reason the video you compressed "looked great" be because you didn't do the update?
Maybe, but I can't say with any certainty.
In the old compressor, I had no problems (in earlier versions of my project) compressing the video. It always looked GREAT! In 3.03, I get weird issues that don't make sense to me at all.
In the older version of compressor, this never happened. Even on this project.
Then I would think the update is the likely culprit.
Here is what I would like to try as my final attempt. I just bought yet ANOTHER computer. A Mac Pro/Two 2.8GHz Quad-Core Intel Xeo. I'd like to try to load Final Cut Studio on this machine, but where should I stop my upgrading? What is good stable working system for everyone??
OS X 10.5.2, FCP 6.0.2 and QT 7.4.5 is working great for me, and it appears for others here as well. I am running a new octo-2.8GHz Mac Pro.

Best export format for importing into After Effects or even back into Premiere

Please look at this video, work in progress.
http://www.youtube.com/watch?v=49_wbdKALQk
The opening, featuring a ribbon of videos, was created in After Effects, using Digieffects Freeform.
The issue is the poor quality of the videos that are featured in the opening -- compared to the high quality of videos from the original Premiere project., which you can see at the end of the clip.
To create the After Effects project, I exported a series of video clips from Premiere to mp4.
Then I imported them into AfterEffects.
The bottom line, and the purpose of this question, is I am thinking that MP4 was not the best choice for the Adobe Premiere export.
What is the best format to export video from in Premiere Pro CS5 to import into after effects, or to import into any other editing program, incuding importing right back into Adobe Premiere, if that is eever needed.
AVI?
MOV
MP4
And any other settings that will result with the highest qualiity videos for importing.
Thanks

Okay, here's where I stand at this point regarding exporting and/or dynamic linking between AfterEffects and Premiere.
I'm in After Effects. I create a composition I like. So I first tried the old fashioned way. I exported it into a MOV file with the animation preset. Millions of colors. Same frame rate as my Premiere project, which also uses MOV files with no problem.
Howver when I import the MOV file created by After effects, the NEW MOV file section of the premier project plays sluggish. And it also causes the videos that follow to play sluggish. And they are all MOV files at the same frame rate.
The same thing happens when I do a dynamic link between the two projects. A sluggish response starting with the After Effects dynamic link and affecting the MOV video files that follow.
It's a very short After Effects composition. About 3 second slong.
I have a very powerful computer built especially for CS5 and premiere --so that should not be an issue -- recently was in the top ten of the benchmark list.
Up to this point my video files have played perfectly layer upon layer with no problems.
Is there something I am not considering?
Thanks.
Rowby

Exporting Format for Final Cut

I have been sent someone's home video on a DVD. I ripped it from the DVD and now want to send it to FCP to edit with some other DV footage. In the quicktime inspector, it is saying that the ripped file is:
h.264 720x480 (853x480) ---- 29.97 fps ----- data size 787.89 mb ----2117.86 kbits/s
All I was trying to do was convert this file to DV so that I could easily edit it in FCP. When I tell quicktime to export, the progress bar in the export window hardly moves at all -- in fact I came back a few hours later and it said "failed" due to the "disk is full". This doesn't make any sense because I have over 30 gigs available on my disk. I assume I am doing something very wrong here. Is there anyone who can tell me how to take the video file described above, and export it to be edited in an FCP sequence with other DV video? Thanks.

Excellent info fellas. Sorry, I have been gone for the past two days -- some of the information I understood, some not so much. For the record, all I am trying to do is convert the .vob file (i guess that's what it is) on the DVD to a video file that I can edit on my DV/NTSC timeline in FCP. As a curiosity, I just took MPEG Streamclip and used it to convert whatever file it is that I am converting from the DVD to a .dv file which I then imported into FCP. The movie was captured on some sort of an HD camcorder, so it is in 16:9, but otherwise everything is matched to my FCP sequence. In fact when I control click it in the FCP timeline, it is saying that its format is 29.97, DV/DVCPRO, 6.9 MB/sec, with a pixel aspect of NTSC - CCIR 601. But when I load it into the viewer, it has black bars above and below it and is definitely in a 16:9 aspect - this is enough to confuse the heck out of me. Either way, I have to render the movie when it is in the timeline, but the quality is real nice and it should work for the 20 seconds or so that I need of it. Either way, I am confused about the discussion about the MPEG - 2 conversion. Colin, the Apple product that you mention, is that meant to convert the .vob file on the actual DVD to MPEG -2 so that then it can be converted further using MPEG Streamclip to something that is useable in FCP? Any further clarification would be excellent. Sorry, I am still new to this format/codec conversion game and am trying to read and learn all I can to make this a little less painful in the future. Anyhoo, you guys are great and thanks for the info thus far.
If it would help, here is a more straight-forward hypothetical question:
If you had an FCP sequence that was DV/DVCPRO NTSC 720x480 29.97 and you needed to put a small movie clip into it that just happened to be coming from a buddy's DVD that he gave to you - and the video on that DVD was obviously shot on a consumer-grade HD camcorder (16:9), what would you do to make this work?? Thanks again.

Ideal export format for hdv source movie edited in motion

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