In Aperture 3.4 Export Slideshow to a video, what are the actual Data Rates used for "Best", "High", ... "Least" quality for a given resolution?
My Photo website host (SmugMug) converts uploaded video files at a specific Data Rate in Mbps before installing them. I would like to compress my slideshow video file to the same rate before I upload it to reduce file size and upload time. When I choose the "Custom" setting for an Export, I can choose 1 of the 5 Quality choices and see the estimated file size. But, I cannot know what the actual Data Rate is until after I wait a long time to export the slideshow (hours for a long slideshow) and then examine the resulting file in QuickTime Player's Inspector.
I ran a few tests using a short slideshow (16 images, 1:23 mins/secs) at 1,728 x 1,080 resolution to find out the bit rates for various quality level choices.
Export setting Quality Resulting bit rate File Size
HD 1080p default 20.68 Mbps 214.8 MBytes
Custom Best 20.49 212.8
Custom High 6.25 65.0
Custom Medium 3.97 41.3
However, I don't know if those bit rates will be the same for different length slideshows or for different output resolutions. My SmugMug host site uses an 8.0 Mbps rate for a 1728 x 1080 video file. If I choose Custom/Best, my file will be almost 3 times bigger and much higher quality than necessary, but if I choose Custom/High, my file will be smaller and lower quality than SmugMug's converted version.
I have installed MPEG StreamClip that will let me convert an exported Aperture slideshow video file, and StreamClip allows me to choose a specific bit rate in Mbps. But, I would prefer not having to do a 2 step process (Export from Aperture, then convert in StreamClip).
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Thanks in advance.Hi there and welcome to our community
You might have better luck asking this question in the Premiere Pro support forums.
Click the link below and navigate the the Premiere Pro forums and re-post there.
Click here to visit the main forums page
Cheers and best of luck to you in solving your issue! Rick -
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Read this concise guide.
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PremiereProPedia
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You're welcome, and thank you for the reply.
2) Yesterday I made the subclips with the In-Out Points and Command-U, the benefit is that I've seen the clip before naming it. Now I'm using markers, it's benefit is that I can write comment and (the later) clip name at once, the drawback is that I have to view to the next shot's beginning before knowing what the shot contains.
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Hi!
I've been having so much trouble with this issue and it's something that continually frustrates my boss. I have a HD video the settings for it are
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What are the best export settings for HD without loosing any quality?
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Thank You!
http://forums.adobe.com/thread/713070
On the above thread I used the 5th anwer, and it's going to take about 7 hours to export a 4 minute video :/It Stands for "Coder Decoder."
Your format is like a container for your video file. Certain containers can hold certain codecs and not others. Other containers can hold other codecs. Sometimes different containers can hold the same codecs.
This might be a bad analogy but I'll give it a try.
A coffe cup (container) can hold pretty much any liquid you drink, where a red solo cup (container) won't hold scolding water. So, the coffe cup would be your container of choice most likely because it has the most options for liquids (codecs). But, you might want a red solo cup for just a single crappy beer at a party (a moderate quality streaming video on the web). In that case, you don't need all the optoins of another container.
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Yesteraday I wrote a blog entery on Exporting from Premiere Pro and found that the MPEG-4 codec inside of the QuickTime container gave me much richer colors than the H.264 container/codec option.
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http://goo.gl/8GZq4i -
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bmiller0525 wrote:
What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
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This is not always exactly true. There are many things that can affect the perceived quality. In Premiere's case:
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I Need to export a 3 min. video clip as 1080p50 5.1
DovSolomon
What version of Premiere Elements are you using and on what computer operating system is it running?
What are the properties of your source media and what project preset are you setting to match the properties of your source media?
There is no 1080p50 5.1 project preset in any version of Premiere Elements.
Please see the following for creating your own 1080p50 5.1 project preset and exporting it as 1080p50 5.1.
ATR Premiere Elements Troubleshooting: PE11: Exporting a 1080p50 or 1080p60 file with 5.1 Channel Audio
Let us determine what your sources are, how you are setting up the project, and then we can look microscopically
into the Timeline content for flaw(s) that might be triggering your error message.
We will be watching for your reply.
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ATR -
What are the best setting to export video from after effects to get the best video quality ?
Hi
I am editing a raw time lapse in after effects and also some short video clips I would like to export them from after effects and upload them online afterwards but i get a bit lost in exporting settings and formats and mbps..
What are the best settings to export a video and get best quality(high) in full hd 1080 ? in 4k ? and what would be the best setting to export animations/logo/intro and get best quality ?
Thank you very much.Thanks for reply !
I used until now quicktime in H264 codec was that OK ?
two more questions :
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to play on my PC using windows media player or Quicktime player and getting the best quality ?
Thanks in advance. -
FAQ: What are the best export settings?
For a video version of this frequently asked question and answer, see this video:
What's the best export format or codec?
Compression is essential for reducing the size of movies so that they can be stored, transmitted, and played back effectively. Compression is achieved by an encoder; decompression is achieved by a decoder. Encoders and decoders are known by the common term codec.
No single codec or set of settings is best for all situations. For example, the best codec for compressing cartoon animation is generally not efficient for compressing live-action video. Similarly, the best codec for playback over a slow network connection is generally not the best codec for an intermediate stage in a production workflow.
When you create a movie for distribution, it is often highly compressed; when you create a movie for an intermediate stage in a post-production workflow, it is usually losslessly compressed (or even uncompressed).
To determine what the best settings are for your purposes, read these resources:
article from Aharon Rabinowitz about how to plan based on client specifications
article on compression
article on planning your work with final delivery specifications in mind.
In many cases, you can and should use encoding presets in Adobe Media Encoder, which are created for the specific purpose of setting up exports for common formats and uses. For information about several common encoding presets, see this:
"FAQ: How do I export a movie for YouTube, Vimeo, iPad, iPhone, or Apple TV?"See
Exporting to iPods, cell phones, PSPs and other mobile devices in the PPro Help for details.
Cheers
Eddie
PremiereProPedia
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- Over 300 free tutorials
- Maintained by editors like
you
Forum FAQ -
I am creating timelapse videos using Quicktime pro's Image Sequence. I then save them and import them into iMovie. Problem is...when I bring them into iMovie...I lose tons of quality it seems. The shaddows get all blocky and pixelated? Then when I export the movie...it's even worse. I'm creating this footage from images taken on a Nikon D3s so the footage should be CRYSTAL clear...and IS in Quicktime Pro at the beginning...but when it's brought into iMovie it's like it gets all compressed etc. How do I create beautiful stunning footage that doesn't look compressed and pixelated? Thanks!
> You just need to use a larger file or settle for less quality
This is not always exactly true. There are many things that can affect the perceived quality. In Premiere's case:
1.) Deinterlacing: If your sources are interlaced, Premiere (by default) will deinterlace them before scaling down for web export. Premiere's deinterlacer is as bad as it gets. If you are doing a ratio >= 2:1 (such as 480i -> 240p) it is probably better to untick the "deinterlace" checkbox, as the line-pairs will be blended on output anyway because of the large scaling ratio.
2.) Soft scaling: Premiere's Bicubic resampling is not really ideal for large ratio reductions. Unfortunately, there is not much way around this without using other tools.
3.) Noise: Video noise can greatly reduce the efficiency of encoding -- and therefore, when using a set data rate, it makes lowers quality output. Premiere does have a noise reduction filter option in AME, but it is quite slow and not the most sophisticated solution. You may want to experiment with it anyway: It can potentially make low bandwidth encodes look much better.
4.) Frame rate: It seems like a basic concept, but many people forget that you can greatly increase your spatial quality by reducing the frame rate. If you can live without the motion smoothness of 30 fps, you can get much higher quality with 15 fps at the same data rate.
5.) Two-pass Encoding: Unfortunately, Premiere does not have 2-pass for FLV VP6 which, IMO, is probably the "best looking" web output. You should look at other tools like Sorenson Squeeze or On2 Flix. In these cases you'll need to export a lossless intermediary AVI file to maximize quality.
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