Is there a mximum EF setting within QoS

I am configuring an ASR1002 which requires a large number of Voice connections. Is there a maximum limit (percentage or bandwidth) that can be allocated to the EF queue

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I don't know for an ASR1K, it might depend on your IOS version.
That noted, generally Cisco recommends not to exceed one third of link bandwidth for LLQ. They make this recommendation to leave sufficient bandwidth for other traffic, but another issue is, if you use too much bandwidth for LLQ, the traffic may queue itself, introducing delay and/or jitter to your VoIP traffic. In general, staying at or below one third should be great, going to 50% is probably okay, but going above two thirds is when you're really likely to start to self queue. I.e. if your VoIP needs more than about half to two thirds of your link bandwidth, you probably start to need to consider obtaining more bandwidth.

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Setting some QoS params when calling stored procedures

Hi All,
Can I set some QoS params when calling a stored procedure like Timeout, Connection Timeout, Retry Count, etc?
Thanks,
Daniel

Since anything between your client and your data can fail(including connectivity to the ALDSP server), we recommend that you exercise retries and timeouts from the client. If you attempt to implement retries and timeouts within the XQuery - you open up several cans of worms.(mentioned later) There is a Query Attribute (in RequestConfig) that you can use to specify a timeout on the query. And you can implement retries with a loop (for, while etc).
If you use timeout/fail-over in your query - a number of things happen. First, if something happens outside your timeout or retry - you'll miss it (i.e. if someone unplugs one of your ALDSP servers, the fail-over in your xquery is not going to help). Second, adding timeout/fail-over function calls into your XQuery blocks query optimizations - if you put a fail-over around access to a CUSTOMER table in a database, the optimizer cannot combine that with an access to the ORDER table in the same database). Third, in ALDSP 2.5, the database connections within a query are cached, so if you have Oracle RAC, and one instance goes down - the fail-over function will fail-over to the same instance (unless you create a duplicate data source for the same RAC, but with a different name).
ALDSP does not provide means to configure retries (like ALSB does).
You can explicitly attempt to call a stored procedure mutliple times using the fn-bea:fail-over function.
You can also retry (in case of timeout) by using the fn-bea:timeout function.
Note that during a single query execution, if an instance of fail-over actually fails-over - it will not bother to evaluate the primary expression again during that query execution - it will simply evaluate the secondary expression. (The idea being that if a web service is down, then it will still be down a few milliseconds later). You can contact Customer Support if you need different functionality (there is a fail-over-retry function available in a patch).
If you are calling a replicated web-service, you can implement round-robin in a web-service handler for that web service. Ask if you want an example.

Is there a way to set a default "Source Range" in AME when exporting from Premiere Pro CC?

When exporting a sequence from Premiere Pro CC, you are able to toggle between 4 drop down options within Adobe Media Encoder on what Source Range you'd like to export (Work Area, Sequence In/Out, Entire Sequence, Custom) as seen here:
Is there a way to set the default Source Range to something besides Sequence In/Out?
My reason for asking is that sometimes I export multiple sequences at once using AME's Queue. I add my custom presets to each Sequence and hit export, but SOMETIMES I may have accidentally marked an in point on my timeline and by default it's set to export only that In-to-Out part of the sequence.
I know what you may be thinking...well, just don't add any In/Out points to your sequence on the timeline or clear them first. The trouble is that I often don't see them or catch them when working quickly. In Premiere Pro CC, I use the "Lighter Brightness" Appearance setting because it's easier on my eyes after editing 10 hours a day, 6 days a week. Sure, darker looks cooler, but it kills my eyes for some reason. Anyway, PPro CC has a troublesome appearance issue in CC where it's not "optimized" for editing when you change it to a lighter appearance like it was in CS6. I've already contacted Adobe about this and another appearance issue (involving highlighted clips when in Lighter Appearance setting) and they are "actively working on fixing this appearance issue asap".
For reference, here's Premiere Pro CC in/out points in default dark appearance (notice the slightly lighter grey area):
Now here's that same in/out in "Lighter Appearance":
Not exactly optimized. Can hardly see it. Good luck spotting that little guy on a long timeline. Sadly, this affects in/out points in the Source Window as well. Really hard to see.
Conversly, CS6 looked the best (the blue REALLY stands out making things easy to see):
So my question again...is there a way to set the default "Source Range" to something else besides Sequence In/Out so that I don't end up doing what I just did and leaving for several hours while batch exporting only to come back and find that I exported only a "portion" of one of my big sequences?
Thank you!

shooternz wrote:
Here is the solution: Slow down. Give your project some love. Smell the roses.
Agreed about the roses but alas my next project always calls. Actually, I think what happens is I give each project SO much love that when it comes to exporting, I've run out of time.
shooternz wrote:
Then it would not be a default...it would be an option and you already have that option.
Semantics aside, I would love to be able to have it at least default to whatever option was last chosen. Or, perhaps I shouldn't use the word default again...I'd love it to simply remember my preferred setting. That's all.

Odd symbol scaling, when key set within a tween

Hi,
I'm doing some character animation for a game project.
The developer would like the symbols I animate to be at 100% scale, but I'm running into a problem where the the symbol scales to ~99.9% and won't allow itself to be reset to 100%.
This is what happens ( ah, sorry about the odd images-- click to see the full-size clean versions ):
first keyframe set
second keyframe set-- with a rotation value on it
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keyframe set within the tween-- odd scaling value appears
Now, the weird thing ( to me at least ) is that once the ~99% scale has been assigned to the symbol I'm not able to change it to 100% from the transform panel ( either by resetting the scale or by manually typing in 100% ). It'll temporarily read like it's at 100% scale, but when I scrub away and then come back to that keyframe-- it's at 99% again.
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( for anyone interested: the reason I animate like this is that it seems to be a nice way to quickly get breakdown poses ( a pose that helps the animation flow between major poses )-- I'll make two major poses and create a classic motion tween connecting them. I'll set keyframes at a point along the tween, delete the tweens, and them tweak those keyframes to create my breakdown. If anyone has a better method of doing this, I'd be thrilled to hear it also )
Thanks!
--Ross

It looks like this might not be a problem now-- but just out of interest:
I noticed that the scale value can even change from 100% after just creating a symbol and rotating it ( sometimes you have to click the scale value to see all the decimals ). Why does the scale value sometimes change?
Thanks again,
--Ross

Editing timelapses in Lightroom- looks very different if there´s a small change within the frame

Hi
We´re having some serious issues with editing timelapses in Lightroom (5.6). What seems to happen over and over again, is that if there´s a small change within the frame (such as a bird flying past, people walking), the editing result varies greatly compared to the previoius frame. It´s easiest to understand what I mean by viewing the examples below.
Here there´s one picture without a boat in the frame, and a few seconds later there´s a boat in a small part of the frame. The camera is set to full manual, and the two JPGs which show the unedited pictures shows that the background and sky in both pictures look exactly the same. However, after pasting the same editing setting on both pictures, the picture with the boat looks vastly different (shadow areas are much darker). It´s the same result weather it is a white boat, a black bird or a person walking in/out of the frame. The picture gets much darker, and leads to some serious flicker in the timelapse which can be impossible to get rid of.
I assume that as there´s a small change in the histogram when the boat enters the frame, this change affects what Lightroom thinks of as shadows/highlights on so on? The example below has some heavy editing applied (shadows up, highlights down, clarity). You can see the settings that have been adjusted in the screenshots below. Does LR change what it considers shadows/highlights based on the histogram, or are there standard settings? If this is the case, it would be much better for timelapsers if Lightroom had standard values for what is considered shadows/highlights, so that two pictures where the only difference is a person walking on the street or not, would look the same with the same editing settings applied. What I find strange if LR works like I´m asking here, why does the picture get darker whether it is a white boat or a black bird changing the histogram slightly. Shouldn´t they then have the opposite effect of each other?
Any ideas what is causing the difference, and what I can do about it? Thanks!

In these forums you are only talking to other users like yourself, not Apple. Be sure to repost your info in the channel Apple has set up for it:
http://www.apple.com/feedback/imovie_iOS.html

I updated to the latest Firefox but now can't make a payment via the PC Tools site. They've given me alternative paths to their checkout but I cannot complete transaction. They have suggested there may be a setting I need change to allow this. Help?

I am trying to renew my PC Tools Spyware and Antivirus license but when I go to their site and enter all the relevant information I cannot get past the final "Pay Now" button. The button changes colour to show it has recognised my 'click' but does not take me any further. I have conferred with their Customer Service and they have tried very hard to give alternative routes to this final transaction stage but to no avail. The last suggestion was that there may be a setting I have to change within Firefox. Anybody help please?
I did update to the latest version of Firefox a couple of weeks ago and had no difficulties before then.

Hi,
You can try to access the site in a [https://support.mozilla.org/en-US/kb/Managing-profiles?s=profile&r=0&e=sph&as=s new profile]. If the problem persists you can also try to complete the transaction in Internet Explorer.
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Is there a way to set extension specific download folders in safari? aka .docs to one folder, .mov to another, etc
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You can have pretty good control by slight mods to how you download:
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Is there a way to set window dimensions before publishing project as standalone from Aggregator?

Hi,
I am combining several SWF files using aggregator and publishing it as a Standalone (.exe) File type. The executable works fine and displays all the files as expected. The expectation from the customer is to have the ability to maximize, minimize the window of the executable. Is there a way to set the dimensions before publishing the standalone. Currently, I am able to minimize or close the window and not maximize the window of the exe.
P.S - I am using Captivate 4.
Thanks,
Latha

Me again, Carol
You also asked about the functional differences between WebHelp and WebHelp Pro, so let me elaborate.
I'm aware of only two major differences (other than the extra benefits of feedback analytics reports and management of "Areas" with authentication in RoboHelp Server).
The behavior of Browse Sequences as explained above
The fact that Content Categories are not supported in WebHelp Pro for this latest version 9.
As for the Browse Sequences you are trying to provide for different modules (licensed, etc.): Multiple Browse Sequences are included in a single .BRS file. The sequences are defined in the XML within the single file.
As a workaround (for either WebHelp or WebHelp Pro) you could create a NGP Help.brs. which you have already created for one module; then backup and archive it. Then, create a modification for the different module before you generate again. The NGP Help.brs. will need to have the same name as your project so you will have to manage the desired .brs file into the project folder when you generate that version. All of your other choices (TOC, Index, Conditional Tags, etc.) would remain the same for the respective modules.
Finally, I note that you are apparently generating WebHelp Pro right now even though you are not publishing it to the RH Server? This is really not the best practice. You should generate plain WebHelp for a web server that does not have RH Server on it (even though you may be getting away with it). As for your concern about "breaking" something; each output is placed in a different !SSL! folder automatically when you generate, so you should be able to generate WebHelp without interferring with the WebHelp Pro output. Then, you can re-publish to the RH Server using WebHelp Pro whenever the server is ready.
John Daigle
Adobe Certified RoboHelp and Captivate Instructor
Evergreen, Colorado
www.showmethedemo.com

Is there a way to set ebooks up in iTunes so when they go in ibooks they stay in the order of the author and series?

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My husband and I are using the same computer. He has a ton of songs in iTunes that I don't want...but when I sync my iPod I get all of his songs too. Is there a way of setting up another ITunes account without having to untick all of the ton songs iTunes

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Is there a risk of setting a console connection timeout and what is the recommended setting?

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Hi Henrik
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HTH
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My wife and I share an iTunes account. Is there any way to set up a seperate one for her to sync her phone contacts, iCloud and music to without having to purchase all her music again and then share going forward?

My wife and I share an iTunes account. Is there any way to set up a seperate one for her to sync her phone contacts, iCloud and music to without having to purchase all her music again and then share going forward?
It would be so much easier having seperate accounts but we have hundreds of her purchased songs on my account and she would need to be able to access these from her account. Possible?
Also, if we bought a song in future we would want to be able to both have access to it.
Alternatively, what is the easy way to sync two distinctly different contact lists to one iTunes account?
Thank you in advance.

FYI: iTunes account (used to make purchases) is not the same as iTunes library (iTunes on your computer with music, movies, etc.).
ecbclb wrote:
Will we have to create a seperate account for her, or can we all have the same one?
You can but you will not be able to limit what she syncs.
I would like to avoid 'checking' and 'unchecking' individual songs every time one of us tries to synch our ipods to the library.
I don't recommend using (only) the checkmarks to select what to sync.
Each of you can create your own playlists then sync only those playlists.
Then add/delete from your own playlists to change iPod content.
The only time I uncheck items is if I rarely/never want to sync them to anything, such as Christmas music or old audiobooks.
I suggest you each have your own computer login account. Then everyone has their own contacts, calendars, and everything else.
You and your husband can share an iTunes library and let your daughter have her own.

I have an iTunes account with my own music library. My wife wants to have her own music library. Is there a way of setting up a sub account for her, or do I have to set of husband playlists and a separate set of wife playlists?

I have an iTunes account with my own music library. My wife wants to have her own music library. Is there a way to set up a sub account for her, or do I have to set up a set of husband playlists and a set of wife playlists?

Sorry, but that's not possible.
You can share iTunes libraries on a network > iTunes: Setting up Home Sharing on your computer

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Is there a mximum EF setting within QoS

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