Live Recordings disappearing

Last night, I tried to tape 'Iron Man' again. Today when I checked, it is gone. I recorded it live.
This has happened before when I tried to record something with the red button and did it live. The next day it is gone.
There is enough space for the movie. When I schedule recordings, I get them. but live , i do not. So when a movie is partially thru and I need to record it live, i end up losing it. This has happened several times. Can you fix this?

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Live recordings and the click between tracks

Dear users,
I'm a very fresh user and i wanted to know if there is a way around the stops between tracks on live recordings.
I realy don't like the sound of that everytime a new number comes along.
I have done it by way of ripping and using itunes....they all have the same result between the tracks.
Somebody told me that i should learn to live with it?
Every tip is welcome!
Hans.

I know that i'm not the worlds best pc user...but i have done everything what i could think of.
Put a cd in > open itunes > and wait for the things to come.
Then i have the option to import the cd witch i do.
Before and during this i can not use this button...it stay's grey....also when i import a file from my folders its the same story...this button wont work.
I updated the itunes....and still the same.
Buttons i can not use under the " Advanced " tab:
Convert
Get cd track names
Submit cd track names
Join cd tracks
Convert ID3 tags
I have worked by the notes you've given me....and still no result.
I'm sory that i can not see/solve this problem the way that somebody else will see and solve it.
At my side the button stay's grey....
Thank you for your time and effort to help me out here
Hans.

Live corners disappear after scaling shape

The Live Corners feature is welcome in Illustrator 17.1, but I find that it works inconsistently. One issue that I've isolated is that scaling a path makes the live corners disappear.
To reproduce:
Create a rounded rectangle
Select the path
Click the direct selection tool to verify that Live Corners are present
Click the selection tool
Scale the rounded rectangle (say drag up from the scale point in the middle of the bottom side)
Click the direct selection tool - where are the live corners?
Is that a bug? Is that a design choice?

I'm trying to use live corners, but I too get the shape scaled incorrectly . If I create a square and create rounded corners with the DS arrow, that's fine. but if I want to make the square a rounded rectangle, the live corners distort. This is the same behavior as the rounded rectangle tool. it only keeps the "Live Corners" live if you scale it proportionally. I thought the reason to have a feature called LIVE CORNERS was to keep corners LIVE-even after scaling. The Stylize filter works better at this. Am I missing something? I hope so, because Photoshop does rounded corners better this. I thought the whole reason for the "live corners" was to FINALLY have this available in Adobe's main vector-drawing tool, Illustrator. Maybe this feature is not fully realized.

I bought a lot at an auction and it contained an ipod shuffle. I'm not sure what gen it is. I plugged in headphones and really like a lot of the music. Much of it is live recordings of DC gogo music which I'm a fan of. Is there a way Can I back it up? Thx

I bought a lot at an auction in Crumpton Maryland and a dresser drawer contained an ipod shuffle. I'm not sure what gen it is. I plugged in headphones and really like a lot of the music. Much of it is live recordings of DC gogo music which I'm a fan of. Is there a way Can I back it up? When I plug it into my macbook pro the songs are all in grey tone (not bold). I tried looking thru options but can't seem to figure anything out that works.
Thanks for any help you can provide.

This document shows the four types of shuffles
http://support.apple.com/kb/HT1719
If the music that is currently on the iPod is not your music, it would be inappropriate to discuss how to transfer it to your computer in Apple's discussion forum.

Ending Live Recordings

I am starting to do live recordings (shows/practices) in Logic and sometimes my recording gets stopped by the marker at the end of the project. I know that I can drag this marker way out in order for this to happen later, but is there any way to get it to record infinitely? It would be nice to know that if I am on stage performing that the software won't randomly stop.
Any tips?

Set your tempo to 5 Bpm - drag the end of the project to 901 bars - this will give you 13 hours of possible recording time if you have enough harddisk space. You can just doubleclick into the transport window below the tempo and enter the project end numerically.

Removing the shaking sound in live recordings

Im trying to remove the shaking sound produced during live recordings. I recorded a show on my iPhone via voice memos, and imported the file to garage band. Unfortunatly, im pretty new to it and im not quite sure how to clear up the audio. Im hoping to turn this into an album i can listen to later, and can share with friends.

Add music. Seriously. There's virtually nothing you can do. Maybe boosting an EQ range, but that's about it.

Windows live messenger disappeared?

Yesterday I accidentally hid windows live messenger but then I found the way to get it back by pressing show all.
But today I went to go on the application and it wasn't anywhere, I tried to press the show all button again but it wasn't there when I clicked the menu key.
I then tried to re download it and it didn't change anything.
Does anyone no what could of happened or how to fix this? Thank you.

1. On your homescreen, press the Menu key > SHOW ALL, so that SHOW ALL is checked.
When and if you see it, click the Menu key again > unhide.
also,
2. Look in EACH folder on your device... Applications, Instant Messengers, Downloads, etc.
If you still don't see it, look at Options > Advanced > Applications. Do you see it listed there?
You might have accidentally moved it to a folder.
1. If any post helps you please click the below the post(s) that helped you.
2. Please resolve your thread by marking the post "Solution?" which solved it for you!
3. Install free BlackBerry Protect today for backups of contacts and data.
4. Guide to Unlocking your BlackBerry & Unlock Codes
Join our BBM Channels (Beta)
BlackBerry Support Forums Channel
PIN: C0001B7B4 Display/Scan Bar Code
Knowledge Base Updates
PIN: C0005A9AA Display/Scan Bar Code

Lync Recordings disappeared after upgrade to Skype for Business

I had recorded some training sessions while my company was still using Lync. I recently upgraded to Skype of Business and can no longer find my recordings. Searching for *.mp4 files yields nothing. Where did my recorded training sessions go? Should they not still be accessible via Skype? Thanks in advance for any assistance out there!

Hi,
As far as I can tell for now, no.
Currently there is only a preview version of Skype for Business, you can download it from this link below:
https://www.microsoft.com/en-us/evalcenter/evaluate-skype-for-business
Anyway, Lync will surely be upgraded to Skype for Business gradually in future updates or versions, please keep focusing on our products.
Regards,
Melon Chen
TechNet Community Support
It's recommended to download and install
Configuration Analyzer Tool (OffCAT), which is developed by Microsoft Support teams. Once the tool is installed, you can run it at any time to scan for hundreds of known issues in Office
programs. Please remember to mark the replies as answers if they help, and unmark the answers if they provide no help. If you have feedback for TechNet Support, contact
[email protected]

Recordings disappeared AGAIN! Can I retrieve them??

This is total crap, I recorded almost 5 minutes of audio through my line-in...
Chopped it, arranged it, added drums, etc.
*Saved my song multiple times...*
I closed out of GB, open it minutes later and got an error that what I JUST recorded AND SAVED is missing. I'm pretty sure it's not supposed to do that.
This doesn't make any sense, if any of you know how to help me retrieve these files, PLEASE LET ME KNOW. If not: I'm calling Apple tomorrow and yelling at someone, I spent HOURS on song after recording. This isn't why I paid for a Mac.
Thanks

I clicked "Show Package Contents" and a folder opened, but I can't find them inside, they probably disappeared because the only files inside are the drums and bass which were both created IN GB, and they all add up to 111.4 MB.
If you didn't lock the tracks, that's way too much for just the midi data of the drum and bass tracks, so there must be something else. Did you look inside the Media folder?

Live Corners disappeared on me... What's up?

The widget is being shown. I don't know why it disappeared.. I've been building almost all of this project using these things and now I can't?

The issue wasn't within the
View > Hide Corner Widget
It was because of
View > Show Edges
Don't accidentally press Ctrl+H and not know about it

How do I set up iTunes to keep all the songs in an album together and not rearrange and separate them according to singer / live recording etc.?

When I install an album from a CD, iTunes arranges the songs as multiple albums according to who is listed as the singer and if the songs are marked as being live recordings. If I load an album, I would like all the songs on that album to be listed together under the album's name and not as 3 separate albums!

You are most welcome
Each post should have the text "this helped me" or "this solved my question," or something similar. Just click on whichever one applies to that particular post!
This tutorial has more info.
~Lyssa

Live Recording DISASTER - help, advice, moral support...

I've been using my Powerbook and Firepods to do 16ch live recordings for the past 4 months. The first 20 times or so were for friends' bands or just practice, all for free. Last night was the first paying gig, and it also happened to be the first time the recording didn't come out right. Scattered throughout the tracks for all 3 bands are periods of audio distortion/warping/f*ed up useless garbage. Sometimes its only on 1 track, sometimes all of them. It always happens in a section, there do not seem to be any random momentary blips.
This is very similar to a problem i had momentarily in the studio that i recently posted about. I bought a SPDIF cable to physically connect the two firepods for better syncing, and I'm using the aggregate device for a full 16 channels. I thought i had the problem solved, we finished tracking with no problems. My environment is trimmed down to only the necessary tracks, and as far as I can tell, nothing else was different than all of the previous successful attempts. My 160 gb fw hd was 50% full.
Up to this point, the one night that really counted, I was 100% confident in my rig. now I have no idea what to do, or what to tell the bands. two of them also hired videographers for a DVD with our audio. i've worked hard to get this kind of gig, and then this. and ultimately, its my fault. yeah, so thats that. if you've made it this far, thanks for reading my venting.
Powerbook G4 1.67 Mac OS X (10.4.4) 2 gigs RAM, 2 Presonus Firepods, LaCie 160 gb FW 800

I do not have final cut pro. i haven't messed around with the files much yet, we had a live sound gig tonight. (tested recording, and it messed up again, something must be wrong still) one thing i tried on a kick drum track was eq'ing out all of the highs, which got rid of most of the mess. but on a few vocal parts, nothing could be done short of overdubbing. i guess this could be my learning experience for salvaging recordings.
we've thrown out the idea of a md or dat board mix before, and we'll definitely do it from now on. are there better ways? i really love doing this, and I know the machine can do it, i just don't know what changed.

Any Tips for editing Live Event 2 camera shoot?

I need to quickly edit a 2 DV camera recording of a live multi-scene performance (duration of 90 minutes), with audio additionally recorded on a good quality remote mic.
I have used FCE for some time, but not for several months. I have managed to forget many of the lessons learnt through trial and error, as well as by reading Tom wolsky's FCE Editing Workshop! So shortcut tips would be very helpful.
I am also using FCE 3.5 for the first time after my upgrade.
1
I want to make a safety copy of the synced rushes, as well as keeping the original camera sound recording as a back-up guide track.
2
I am worried about making sure I am working with Master clips, so that when I edit I don't mess up any of the source material. I am a little confused.
3
I would appreciate anyone with any suggestions or tips for the best edit process, and any warnings or other guidance. Speed is of essence. (ie there is no budget).
4
I am considering making separate sequences for each scene (14 scenes in all of varying length and complexity). Is this advisable rather than creating one programme length sequence?
5
I am considering making the audio into one mono track for simplicity, as the auditorium acoustics have "mixed up" the sound, with little stereo separation. Should I then duplicate the track to build the sound quality at the end?
Any other general Tips always welcome.
Thank you in advance. I appreciate all the unsung contributors to this group.
Freesh

I am a pretty good source for basic sound info - you can email me if you like
[email protected]
you are right about the link - I am sorry - i checked the website before I typed the link in too! A blond moment
A low shelf filter - as included in FCE and soundtrack cuts the bottom off a soundmix. 20hz is a low frequency - not many speaker systems can reproduce this frequency, and most speaker systems can't even get to 40hz - even you high fi system or speakers which say they may be able too present sound for 20hz to 20khz - well unless you have spent an aweful lot of money and have a sub bass speaker the size of a car probably may only go down to 40hz, and the production of any 20hz sounds is more likely a feeling - a psychoacousticc effect. The thing about cutting off the bass is that practically it can make the recording sound less muddy, and you can make the recording sound louder. Most recordings for CD play have the bass started to roll of pretty heavily at 40hz and nothing present at 20hz... theirs this thing called narquist theory which talks about frequency responce - but it is this math heavy thing - so basically cut out a good amount of the sub bass. A low shelf filter does this and If you want to be conservative cut below 20hz, and if you want to be real give it a good cut below 35hz.
Now I was sure that their was a mac version of that monofilter that I saw on the web page - I have a PC and do most of my audio work on a PC as that is what I have used the most. If you can get the mono filter work it will make the bottom end sound much better - more natural - less clicky and perhaps abnoxious.... those of us who like trip hop are always striving to get a nice warm bass that represents itself well on a range of speakers. something smooth - it is a bit of a trick - monofilter is one of those tricks.
If you put the bass in mono (below 250hz ish) and keep the phase right speakers find it easier to work with the signal. Also stereo bass is not something that translates well on speakers... Bass tends to just flood the room where as the more mid and trebbly sounds give the audio a feeling of distance and space and left and right. The monofilter has a bass compression/limiting and phase correction built itno it, and implimented on a slider called 'trim'. Listen to your recording on good speakers and probably just bring the trim down a touch (my guess)... as complex as it sounds the monofilter is very easy to use, and is super clever. Now I thought that nugen had a mac audio unit plugin - that is a pity if they don't and kind of makes my advice seem irelevant unless you are prepared to download an application that can use VST's.
Amy
be careful using an eq as most eq's disrupt the phase of the signal and can reek havok on live recordings. but do give it a low shelf filter at least below -20 but probably below -40 to -80 for practicalitys sake
This is a bit over my head, I am afraid. Do you know a source of basic info for sound recording to help explain such things? It could be a book or an online resource?
lol, what i meant was 20hz or 40 too 80hz - their is a low shelf filter in soundtrack that works well - I am talking about cutting off the low frequency bits of the recording here. Nugen audio has a little pdf that comes out with the monofilter talking about bass signals... I know it is geared towards music and perhaps music that you want to have a nice bass feel - however it translates to the real world too - You will be suprised at how great your audio will sound if you cut off a chunk of the sub bass, and put the low bass in mono.
then you could look at exciting the signal - but that is another story....

How to use a compressor to fix the sound of a 2 track live recording?

Can anyone show me the basics - or where to look on the internet?
I have some live recordings from a gig - in stereo. you can't hear the acoustic bass - and the sax and trumpet are way too loud - unfortunately - it was recorded direct to 2 track.
I know this is a deep question - but, even some simple basics of how to boost the bass and get some mids would be helpful.
Thanks in advance!

You asked about a compressor in your subject, but I'm not sure thats what you need. In any case, I got a lot of use out of this pdf back in the day, and still look at it sometimes:
http://www.presonus.com/pdf/dynamics_processors.pdf
Technically it goes with one of there products, but there is loads of general info.
I would start with your eq, go into your channel eq and make a pretty sharp full cut, not more than 100hz wide. drag it across the spectrum slowly and you will get a feel for what sounds reside where. After you know this you can likely make cuts where the horns come in the most and boost the bass. Bright horns are going have have a lot of body above 7k, while string bass will reside mostly between 70 and 1000

Need tips on improving a live recording

I realize that this question could have a million different answers, based on circumstances. What I'm looking for is something very basic to get me headed in the right direction.
I recently participated in a gig that was recorded live in a bar. The songs have been broken down into separate files, so I can drag a song into a GarageBand track and work on it there. I want to use any number of the available AUs to improve on the sound.
The main problem with the recording is that the lead vocal mic was set too high, and the recording mic was set too close to the PA speaker. The result is that the lead vocal drowns out the rest of the band. I need to come up with a way to put that lead vocal back a bit and bring up the rest of the band. I have had some success utilizing the EQ AUs in GarageBand. Just wondering if there is anything else I should be looking at?
I realize that I will never be able to get a fantastic sounding end result (bad initial recording, garbage in...garbage out, etc.), but feel I might be able to make things somewhat better.
Thanks in advance for any and all suggestions.

This was a very useful tip, and something I would not have thought of on my own. Just apply the same theory and procedures that I use when recording myself on multiple tracks. Makes sense! I was able to make some improvement to the original live recordings, but still could not get them to where I liked them. Not much to work with from the start... garbage in, garbage out, as they say!

Live Recordings disappearing

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