Looking for Java Reference Manual, Not User Manual

I'm a mainframe programmer learning Java. I'm going thru "The Complete Reference Java" by Schildt. In the mainframe world, manuals are usually broken into reference manuals (shows just the syntax) and user manuals (shows how to do things). I'm looking for a pure Java reference manual that strips away all of the verbose explanation of how to do things and just lists in an organized way the pure syntax of Java. Does anyone know of such a manual? Everything I've found so far falls more into the user manual category that perhaps contains the syntax somewhere (if you look for it), but is overburdened with tons of explanations. Thanks.

Thanks. What you provided is a bit like a reference manual and user manual combined into one. It has the complete syntax along with plenty of explanations. BTW, I think I know where Schildt got most of his material for his Complete Java Reference book. It's almost like he took the Java Language Specification book and reorganized it into a tutorial format.

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Hello,
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Lou Fuchs wrote:
For example, I just happen to have my book open to page 113 and it is showing me (at the bottom of the page) the dialog box for Layer Style. I was hoping for a reference manual that explains every option in the that dialog box in detail and tells you what each option means and how it effects the image.
I hope this clarifies what I am looking for.
Here's a little snippet from the info about Layer Styles in the Adobe manual.
Layer style options
To the top
Altitude For the Bevel and Emboss effect, sets the height of the light source. A setting of 0 is equivalent to ground level, 90 is directly above the layer. Angle Determines the lighting angle at which the effect is applied to the layer. You can drag in the document window to adjust the angle of a Drop Shadow, Inner Shadow, or Satin effect.
Anti-alias Blends the edge pixels of a contour or gloss contour. This option is most useful on small shadows with complicated contours. Blend Mode Determines how the layer style blends with the underlying layers, which may or may not include the active layer. For example, an inner shadow blends with the active layer because the effect is drawn on top of that layer, but a drop shadow blends only with the layers beneath the active layer. In most cases, the default mode for each effect produces the best results. See Blending modes. Choke Shrinks the boundaries of the matte of an Inner Shadow or Inner Glow prior to blurring. Color Specifies the color of a shadow, glow, or highlight. You can click the color box and choose a color. Contour With solid-color glows, Contour allows you to create rings of transparency. With gradient-filled glows, Contour allows you to create variations in the repetition of the gradient color and opacity. In beveling and embossing, Contour allows you to sculpt the ridges, valleys, and bumps that are shaded in the embossing process. With shadows, Contour allows you to specify the fade. For more information, see Modify layer effects with contours. Distance Specifies the offset distance for a shadow or satin effect. You can drag in the document window to adjust the offset distance. Depth Specifies the depth of a bevel. It also specifies the depth of a pattern. Use Global Light This setting allows you to set one “master” lighting angle that is then available in all the layer effects that use shading: Drop Shadow, Inner Shadow, and Bevel and Emboss. In any of these effects, if Use Global Light is selected and you set a lighting angle, that angle becomes the global lighting angle. Any other effect that has Use Global Light selected automatically inherits the same angle setting. If Use Global Light is deselected, the lighting angle you set is “local” and applies only to that effect. You can also set the global lighting angle by choosing Layer Style > Global Light. Gloss Contour Creates a glossy, metallic appearance. Gloss Contour is applied after shading a bevel or emboss. Gradient Specifies the gradient of a layer effect. Click the gradient to display the Gradient Editor, or click the inverted arrow and choose a gradient from the pop-up panel. You can edit a gradient or create a new gradient using the Gradient Editor. You can edit the color or opacity in the Gradient Overlay panel the same way you edit them in the Gradient Editor. For some effects, you can specify additional gradient options. Reverse flips the orientation of the gradient, Align With Layer uses the bounding box of the layer to calculate the gradient fill, and Scale scales the application of the gradient. You can also move the center of the gradient by clicking and dragging in the image window. Style specifies the shape of the gradient. Highlight or Shadow Mode Specifies the blending mode of a bevel or emboss highlight or shadow. Jitter Varies the application of a gradient’s color and opacity. Layer Knocks Out Drop Shadow Controls the drop shadow’s visibility in a semitransparent layer. Noise Specifies the number of random elements in the opacity of a glow or shadow. Enter a value or drag the slider. Opacity Sets the opacity of the layer effect. Enter a value or drag the slider. Pattern Specifies the pattern of a layer effect. Click the pop-up panel and choose a pattern. Click the New Preset button to create a new preset pattern based on the current settings. Click Snap To Origin to make the origin of the pattern the same as the origin of the document (when Link With Layer is selected), or to place the origin at the upper-left corner of the layer (if Link With Layer is deselected). Select Link With Layer if you want the pattern to move along with the layer as the layer moves. Drag the Scale slider or enter a value to specify the size of the pattern. Drag a pattern to position it in the layer; reset the position by using the Snap To Origin button. The Pattern option is not available if no patterns are loaded. Position Specifies the position of a stroke effect as Outside, Inside, or Center. Range Controls which portion or range of the glow is targeted for the contour. Size Specifies the radius and size of blur or the size of the shadow. Soften Blurs the results of shading to reduce unwanted artifacts. Source Specifies the source for an inner glow. Choose Center to apply a glow that emanates from the center of the layer’s content, or Edge toapply a glow that emanates from the inside edges of the layer’s content. Spread Expands the boundaries of the matte prior to blurring.
Style Specifies the style of a bevel: Inner Bevel creates a bevel on the inside edges of the layer contents; Outer Bevel creates a bevel on the outside edges of the layer contents; Emboss simulates the effect of embossing the layer contents against the underlying layers; Pillow Emboss simulates the effect of stamping the edges of the layer contents into the underlying layers; and Stroke Emboss confines embossing to the boundaries of a stroke effect applied to the layer. (The Stroke Emboss effect is not visible if no stroke is applied to the layer.)
Technique Smooth, Chisel Hard, and Chisel Soft are available for bevel and emboss effects; Softer and Precise apply to Inner Glow and Outer Glow effects.
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Provide Feedback for the DVD Studio Pro User Manual and Onscreen Help Here

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• What resolution is the computer display set to when you view onscreen help? For example: 1024 x 768, 1280 x 854, or 1920 x 1200 pixels?
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documentation? Under what circumstances do you use it
most?
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• Are there any particular examples of other manuals
or documentation that you consider to be good models
for future editions of the DVD Studio Pro User Manual
and onscreen help?
The OSX help is great!
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application? For example: provided tutorials and
manuals, third-party tutorials or books, training
classes?
Manuals, third-party tutorials and discussions foruns.
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feature/concept to grasp in DVD Studio Pro?
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with the DVD Studio Pro Help documentation?
Using scripts. It could be better with a lot of examples. "To do that, try this one".
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17-inch, 20-inch, 23-inch, or 30-inch?
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1650x1050
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Provide Feedback for the Final Cut Pro User Manual and Onscreen Help Here

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Search.
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Ease of use to get through the manual instead of going through the books themselves.
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Better organization of the search results. Again, if I search Nests, make the first set of results the answers that actually show me how to use the tool, not the 50 times it appears in the table of contents and indexes.
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documentation that you consider to be good models for
the Final Cut Pro manual and onscreen help?
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application? For example: provided tutorials and
manuals, third-party tutorials or books, training
classes?
Just crack the app open and start. Use websites like the Creative Cow for more input and ideas.
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you feel the book provided a good introduction to the
application?
I thought the Tutorial that came with my first copy of FCP (Version 2.0) was outstanding at introducing me to the interface and how FCP operated. I came from Media 100 and in particular, the Log and Capture operation was completely different than what I was used to.
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feature/concept to grasp in Final Cut Pro?
Media Manager. Not sure why it has to be so convoluted. Media 100 was too easy with this one. Select the Sequence to be up-rez'd, set your new format and capture.
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with the Final Cut Pro documentation?
Search results using the Help menu.
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Not really. Internet based help is always nice, but I don't keep my FCP workstations connected to the web so that would actually create a bigger hassle for us.
• What size computer display do you typically use to
view the onscreen help? For example: 15-inch,
17-inch, 20-inch, 23-inch, or 30-inch?
17" Powerbook display, 17" 20" and 23" Apple Displays and a 17" Sony Display.
• What resolution is the computer display set to when
you view onscreen help? For example: 1024 x 768, 1280
x 854, or 1920 x 1200 pixels?
Highest resolution for that monitor.
• Do you use multiple computer displays?
Yes. 23 & 17" on one G5. 20 & 17" on the 2nd G5. 17" Powerbook
Powerbook G4 17, G5 Dual 2.0, G5 Dual 2.0 Mac OS X (10.4.5) AJA Kona 2 on both G5's, Fibre Channel and SATA arrays in use.

Looking for Java Reference Manual, Not User Manual

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