Portal Unstructured Template Question About Edit Links

Hi, I have an unstructured template that I'm making. If I want to use an image for my edit link instead of using this #PAGE.EDITPAGE.LABEL#
How would I block someone who is not allowed from editing a page from seeing the image?

Hi Lorenzo,
you can create a new ivew based on the component com.sap.km.cm.navigation or just copy the iView <a href="http://help.sap.com/saphelp_nw04s/helpdata/en/e8/e1401acdfd11d5994200508b5d5211/frameset.htm">Link List</a> located under "Portal Content / Content Provided by SAP / End User Content / Standard Portal Users / iViews / com.sap.km.iviews" and add it to your portal page.
Here you find more information about <a href="http://help.sap.com/saphelp_nw04s/helpdata/en/b6/29892e91601940bb7a2cd673a1dff5/content.htm">KM Navigation iViews</a> in general.
After that you go to "Organize Entries" and create some links via Links(Context menu) -> New -> External Link (Internal Links are lins to documents or folders inside KM).
The last thing you have to do is to set the correct permissions. For that you go to "Content Administration -> KM Content -> documents / Links" where you should see your created links and use the context menu to go "Details" -> "Settings" - "Permissions". Remove the group everyone and add the group of users who should be the only ones to see the link.
Do this proccess for every link and you should be done.
Hope this helps,
Robert
PS: Feel free to use the colored stars as another way of saying thanks.

Similar Messages

Question About Broken Link

How do I determine the cause of an item being placed in the broken link list after doing a site check?

Rick and Ben:
You have been very patient with me
Guess at 81 I am starting to lose it - the code and screen shots I put in my email apparently did not make the trip
I will study how to use the forum tools and get back to you if I grasp the procedures required
Thanks again
Tom
Date: Thu, 19 Dec 2013 07:49:50 -0800
From: [email protected]
To: [email protected]
Subject: Question About Broken Link
    Re: Question About Broken Link
    created by Rick Gerard in Dreamweaver support forum - View the full discussion
You are trying to post code from an e-mail, that won't work. You ahve to be on the forum and use the tools there to post code.
Copy and post the suspect code and we can help. Otherwise we are completely guessing.
From what Ben says you have a typo or some missing files on your server.
     Please note that the Adobe Forums do not accept email attachments. If you want to embed a screen image in your message please visit the thread in the forum to embed the image at http://forums.adobe.com/message/5944607#5944607
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Questions about editing with io HD or Kona 3 cards

My production company is switching from Avid to Final Cut Pro. I have a few editing system questions (not ingesting and outputting, just questions about systems for the actual editors - we will have mac pros with either kona 3 or io HD for ingest and outputs)
1) Our editors work from home so they most likely will be using MacBook Pros - Intel Core 2 Duo 2.6GHz 4GB computers with eSata drives to work on uncompressed HD, will they be able to work more quickly in FCP if they are using the new Mac Pro 8-Core (2 Quad-Core 2.8GHz Intel Xeon) or will the mac book pro's be able to hold their own with editing hour long documentaries, uncompressed HD
2) Will having an AJA Kona 3 (if we get the editors mac pros) or io HD (for the mac book pros) connected be a significant help to the editor's and their process, will it speed up their work, will it allow them to edit sequences without having to render clips of different formats? Or will they be just as well off without editing with the io HD?
I'm just trying to get a better understanding of the necessity of the AJA hardware in terms of working with the editors to help them do what they have to do with projects that have been shot on many formats- DVCPro tapes, Aiptek cameras that create QTs and P2 footage.
Thanks

1. with the IoHD, laptops become OK working with ProRes and simply eSata setups. Without the Io, they can't view externally on a video monitor (a must in my book). It will not speed up rendering a ton, nor will it save renders of mixed formats. The idea is to get all source footage to ProRes with the Io, and then the Io also lifts the CPU from having to convert ProRes to something you can monitor externally on a video monitor, and record back to any tape format you want... all in real time.
2. Kona 3's on Towers would run circles around render times on a Laptop... no matter what the codec, but the Kona does not really speed renders up. That's a function of the CPU and just how fast is it. (lots of CPU's at faster speeds will speed up render times).
I'd recommend you capture to ProRes with Io's or the Kona 3 and don't work in uncompressed HD. You gain nothing doing it quality wise at all. And you only use up a ton of disk space (6 times the size in fact) capturing and working in uncompressed HD, which from your post, you're not shooting anyway. The lovely thing about ProRes is that it's visually lossless, efficient, and speeds up the editing process. Mixing formats can be done, but it's better to go to ProRes for all source footage, and edit that way.
With either the Kona or the Io, you then can output to uncompressed HD tape... that's what they do for you no matter what codec you've edited in. ProRes is designed to be the codec of choice for all HD projects when you're shooting different formats especially... Get them all singing the same tune in your editing stations, and you'll be a much happier camper. Only reason to buy laptops is portability... otherwise you're much better off with towers and the Kona 3 speed wise.
Jerry
Message was edited by: Jerry Hofmann

Question about editing a Dreamweaver template

I used a #2 template from http://www.adobe.com/devnet/dreamweaver/articles/dreamweaver_custom_templates.html
and have muddled through editing it and have done "ok" by my standards.
One unresolved issue I have is how to put something "UNDER" my left navigation bar.
If you look at my site http://mpalitigation.com/index.html you will see a paypal button waaaay down on the left side, I was hoping
to put that button under the navigation links but not right with them. I tried doing a crash course on float, clear, etc..but
the best I could do was clear after the navigation bar float left but then the content in the middle is pushed down below the end of the navigation bar.
Any help would be appreciated.
The related CSS code is
.leftnavigation {
    width: 192px;
    margin: 70px 0px 0px 0px;
    padding-left: 8px;
    float: left;
    list-style-type: none;
.leftnavigation a{
    margin-left: 0px;
    width: 156px;
    padding-left: 15px;
    padding-top: 5px;
    padding-right: 20px;
    padding-bottom: 5px;
    float: left;
    color: #364957;
    font-size: 10px;
    font-weight: bold;
    font-family: Verdana, Arial, Helvetica, sans-serif;
    text-decoration: none;
    background-image: url(images/nav_normal.jpg);
    background-repeat: repeat-x;
    background-position: 0px 0px;
    border-bottom: 1px solid #999;
.leftnavigation a:visited{
    color: #364957;
.leftnavigation a:hover{
    color: #ffffff;
    background-image: url(images/nav_down.jpg);

The page you have linked is not a child page of a DW template.
Anyhow, if I remove your PayPal form from its current location, and place it like this (note the inline styling), it seems to work OK -
<div style="width:190px;float:left;">
                <ul class="leftnavigation" style="float:none;overflow:hidden;">
                    <li><a href="index.html">HOME</a></li>
                    <li><a href="subrates.html">SUBPOENAS</a></li>
                    <li><a href="sumrates.html" >SUMMONS</a></li>
                    <li><a href="investrates.html" >INVESTIGATIVE SERVICES</a></li>
                    <li><a href="clientlogin.html" >CLIENT LOGIN</a></li>
                    <li><a href="contact.html" >CONTACT US</a></li>
                 </ul>
<form action="https://www.paypal.com/cgi-bin/webscr" method="post" style="width:180px;margin:15px 0 0 15px;">
<input type="hidden" name="cmd" value="_s-xclick">
<input type="hidden" name="hosted_button_id" value="39PHD4X5DP57N">
<input type="image" src="https://www.paypalobjects.com/en_US/i/btn/btn_paynowCC_LG.gif" border="0" name="submit" alt="PayPal - The safer, easier way to pay online!">
<img alt="" border="0" src="https://www.paypalobjects.com/en_US/i/scr/pixel.gif" width="1" height="1">
</form>
</div>
Note that I have also wrapped the combination of the navigation and the form in a containing div.

Newbie question about editing template

I'm new to dreamweaver and I've been getting the hang of things but I'm stuck on editing my navigation bar. I know this might seem pretty beginner but I am very new to code and designing website.
I've been working on a website template and I've been mostly editing it from design than code. But here's my problem. This is how the navigation bar looks in live view:
http://img684.imageshack.us/i/pic2me.jpg/
But when in design view, the navigation bar disappears.
I looked through the code and the template doesn't include any of the navigation bar text so I can't adjust it in the code.
Does anyone know what I should do?
Thank you!

We need to see the code to comment.
How has the nav bar been inserted into the page?
Are you using Spry in Dreamweaver?

Question about "Edit Edit Original", and a question about efficiency.

I have a background image that I have imported (placed) inside my Indesign document. Problem is that I can't tell how the image will look against the other Indesign layers until I actually import "place" the image. I find myself having to keep going back into photoshop to adjust the hue/saturation or use the brush tool for adjustments. I then save, and from Indesign I update the link.
Having to do this 6 or 7 times in a row until I am satisfied, seems like a huge waste of time. It just seems like it would be SO much easier and less time consuming if I could edit my image in the Indesign image. Is there a workaround?
Here is an analogy. To me it's like an artist painting, but having to run into another room to dip his brush. He rushes back to his painting only to find that he needed just a little bit more yellow added to his white...so he has to run all the way back into the paint room to dip his brush again. I'm sure there is a reason for this work method in Indesign, but I'm just a little confused with it.
Question #2: I have tried going to "Edit>Edit original" in InDesign. Problem is, that the "preview" app pops up instead of photoshop, because I like my psd's and jpgs to automatically open in preview for quick viewing purposes. I've read that the work around is to go into Bridge and change the way a program opens a certain type of image. I did this..I changed it so Photoshop and Indesign should open jpgs by default, yet still allow the osx operating system to still open them in "preview". I tried restarting Indesign to see if it was just something that required a restart to take effect. It still opens "Preview" when I go to Edit>Edit Original.

CS4 adds an edit with feature...other than that sorry, Photoshop is
where you'll need to do the editing.
Bob

A question about editable regions

Thanks for helping out self-taught, little experienced, non-coder....
I am building a new site and would like to use templates and nested templates (I know how to do that). The page I would make my template from can be found here - www.sttimothysanglican.org/Home.html. My question is this, how can I set up 2 nested templates with different content colors? In other words on some pages I would like the white area to be black and in all cases this is the area that needs to be editable.
Thanks again for your advice.

Hi
Style and content are seperate issues.
Style: My approach would be to give <div class="content"> a "Make Attribute Editable..." in the Modify > Templates menu.
Now becuase there is already a class... perhaps give it an id and put in a default value (once in there you'll see what I mean by 'value'. Otherwise your code won't validate with a blank id attribute on the tag. I'd make the default value the 'most often' choice of background colour.
Then in your css file assign the colour. Now you will have to manually asign the 'less often' colour to the pages you want to do this to - with the page open choose Modify Template Properties and you'll find the id listed. You can style all sorts of aspects then using #black h2, #black h3 (colour:white;} for reversed out headings on the black areas.
Content: ... is that not the usual editable area within a nested template? I may be misunderstanding what you want to achieve.
Hope this has helped... I've ripped through this explanation somewhat but if you're as comfy with it all as I think you'll figure it. All the best.

Questions about updating linked .ai files

I have two questions regarding linked images.
(1) Sometimes when I make changes to an .ai file, the InDesign document will automatically update the image as soon as I save the changes in Illustrator. In other words, I do not need to update the link in the ID links panel. Other times, however, the link will not update, and I have to click the yellow triangle next to the image in the links panel to see the changes. Is there a reason why this happens, and is there an easier way to update images than the links panel. In Quark, I could just double-click on the image and a dialog box would ask if I wanted to update the image. This isn't a big deal to me, but I thought I'd ask.
(2) Whenever I make a change to an .ai file, the linked image in InDesign always re-scales, and I can't figure out why it does so or how to make it stop doing this. For example, I placed a bar chart made in Illustrator in a frame and adjusted its +x and +y values. It came in at 100% scale and I did not change that. Then, I had to make a change to a text label on the chart, which made the graph slightly smaller. When I updated the link in InDesign, it was re-scaled to 118.12%. I had to go into the +x field in the control bar and type in 100% to get it back to the scale it was before. Is there a default setting I need to uncheck to turn this feature off? If not, is there by chance a simple keystroke that will let me re-scale the image quickly?
Thanks in advance for your help!

1. It sounds like you sometimes select the art or thename of the link and choose "edit original" and sometimes you just open the art and make changes. If you tell ID to edit original it updates at the save.
2. There are two options, depending on version, for the relink behavior and scaling. In CS5 (and CS4 if I remember correctly), you have a choice between them inthe prefs, in earlier versions it's one or the other, depending onthe version. One option is to preserve the dimensions, which is wha'ts happening to you. The other is to preserve the scale. Exactly how preserving dimensions behaves depends, too on the cropping options you used when placing the .ai file. If you cropped to aret or bounding box, for example, changing the size of the art or removing a stray point affects the art or bounding box, but cropping to media would not change.

Question about Illustrator links in Indesign

Hello all,
I recently had a job from a customer that contained many links of company logos in which the fonts weren't outlined.
As I understand it, fonts from IL links are not collected when using the package function in Indesign....is this correct?
I didn't have most of the fonts for the Illustrator links, so they were substituted when I open them in Illustrator, however when I open the Indesign document and link the Illustrator links, they appear correctly.
When I open the links panel in Indesign, it shows the format of these .ai files as adobe PDF not .ai(or .eps as several of the links are).
What is happening here?
Is it safe to ignore all the font warnings and just link them in indesign?
Thanks, Bill

imarcr2 wrote:
I am going to do some testing on some trial files on my end.
Part of the problem stems from my client not using Suitcase or equivalent for font management. She has all the fonts needed in font book.
I don’t see how that is relevant. Font Book can install and activate/deactivate fonts as well as any other program. It’s just not built with an interface that is suitable for large libraries or frequent installation/activation/deactivation.
This job has about 15 company logos in it, most of which contain several fonts. When the client packages the job, she probably isn't even aware that the fonts from the illustrator files are not being collected.
Most logos have no fonts, and I suggest you do the same with yours. Convert the text in the logo to outlines and use that. Keep a master file with the text for further editing. I have worked at large design agencies where we keep a library of hundreds of fonts for clients and event sponsors. All type is outlined.
For this job, I was searching for the logos online from the individual company websites to assure the logos appeared correct
That is a good idea in theory, but finding the companys’ official approved logo files online is usually a wild goose chase. You can also try to contact someone at the company to see it they will provide you with a logo file, but that works about as often as Bullwinkle pulling a rabbit out of a hat.
My trick: search the website for PDF files. For abcd.com, I would google +site:abdc.com +filetype:pdf and look for vector logos in brochures, product sheets, or documentation. For larger companies, look for Investor Relations and download annual reports or quarterly reports. You may get the logo, possibly in black only or RGB instead of CMYK, so the colour might be off. You also won’t get a GSM (graphic standards manual), which explains guidelines for sizing, positioning, background colours, and spacing requirements.

Question about Dynamic Linking from Premier Pro

I have a number of sequences created in Premier Pro CS5.5 that I have linked into a project in Encore CS 5.1 via the "Dynamic Link" feature. My question is - if I make any adjustments or changes to those sequences in Premier Pro, will those changes be automatically transferred to the corresponding timelines in Encore? If not, how do I make that happen?

Jeff's answer applies to each dynamic linked sequence you transcoded after in Encore. For any sequence not already transcoded, changes will be automatic.
The exception is markers. If you change markers, including markers that shifted on the Premiere timeline because you deleted or added clips, changed duration, etc, you must select the sequence's timeline and select Edit -> Update Markers From Source (replaces all markers).

Question about the links that include parameters...

Hello,
I use this:
<a href="inserer_devis.jsp?firstparameter=<%= rs.getString(1)%>&secondparameter=<%= rs.getString(2)%>">to have a link that gives parameters to the other JSP.
My question is:
On the other JSP, when I use request.getParameter("firstparameter"), what is the thing that I get: is it a string, a char, ...??
And how can I convert it to a float or an int?
I have problems with integer.parseint() and float.parsefloat(), it tells me "NumberFormatException: null". The compiler thinks that my parameter is not a good int (or float).
Thank you.
Romain.</a>

Request.getParameter always returns a String (see the javadocs).
To convert a String to an int use Integer.parseInt(StringToParse);
To convert a String to a Float usse Float.parseFloat(StringToParse);
just see the javadocs for more information

Questions about editing podcasts

I just got my MacBook Pro and switched over recording my podcast to GarageBand and I have a couple of questions:
1) Is there a location where the raw audio is stored? There are sometimes where I edit a piece but then want to go back and retrieve a part of the audio I cut or does GB delete the audio as you go along?
2) Is there a way to save a single picture/"album art" that will stay the whole time the podcast is played instead of dragging the picture to fit the length of the show in the "podcast" track or by playing the file in iTunes and dragging the picture into the album artwork space?
3) Is there a way to put in ID3 information before exporting to mp3?
4) Not really a GB question, but is there a way to capture audio that is playing on the mac i.e. making sound clips from a DVD, creative sound blaster cards have the "What U Hear" option, is there something similar to this on the mac?

1) Is there a location where the raw audio is stored?
http://www.bulletsandbones.com/GB/GBFAQ.html#aiffsstored
There are sometimes where I edit a piece but then want to go back and retrieve a part of the audio I cut or does GB delete the audio as you go along?
GB's edits are non-destructive, jsut drag the edge of the region out, the audio is still there.
4) is there a way to capture audio that is playing on the mac
get Audio Hijack, or WireTap

How can I recover deleted folders - also - question about editing/deleting msf files

Context: My wife accidentally deleted a series of folders from Thunderbird v.24.6.0
She says that the system warned her that there was "not enough space" or something like that (she doesn't remember clearly) and asked her if she wanted to "delete them permanently" (or something like that), but she pressed "yes" anyway. She then freaked out, and when I came in to see what she was screaming and crying about, she told me the above story.
SO, after spending the last 2-3 hours reading through help articles and finding my local Mail file/structure, learning about Mork and msf and compacting and X-Mozilla-Status codes, downloading Notepad++ and poking around through some of the files to familiarize myself with their format ... here I am trying to learn how to restore the folders.
Here is where I am at so far:
1. When I went to the Activity Manager, it shows the folders that were deleted, one below the others in a list with the title "Deleted folder foldername" with a dozen different folder names.
2. When I look for the one of the folders that was deleted in the Mail/path/foldername" - I open it (the one without the file extension) in notepad++ and it is empty. There only exists line 1 and there is no text in it (vs. the other folders I check that have the emails in standard From_line format.
This concerns me greatly and leaves me stuck. Did TB actually delete and compact the folder? Are they really deleted, not just X-Mozilla-Status deleted?
3. I don't understand how to restore a folder. I know I can go into a folder and change the X-Mozilla-Status for individual messages - but how to I restore the entire folder? I don't understand how the msf related to the deleted files/folders. It seems like there would be an entry/code somewhere that tells TB - "don't read this entire folder" that I could reverse/edit. I can't figure it out on my own.
4. I understand that, if I delete the foldername.msf file, TB will compact the foldername file. I think I should NOT do this because it will permanently delete the files I want to restore - right?
Any help would be appreciated. I have an unhappy wife. Thank you.

The message she garbled I would assume is that the deletions were to large and that the deleted folder would be bypassed. So all the normal recovery from the trash is simply not possible. There is no Thunderbird magic available unfortunately. So your reduced to using operating system undelete software. I have no idea how that will go, but I just downloaded this http://ntfsundelete.com/download and it does appears to do the job, even if the close text is so pale as to be hard to see.

Basic Questions About Editing Audio

I am new to Final Cut Express and can get around fine just had a few basic questions to do more things with it.
-First, how can I detach the audio from the video file for a specific clip?
-Second, is there a way to adjust the volume in specific spots of clips like in iMovie?
That should be all for now...Thank you very much

RC
Shift-L toggles clip linking on or off.
You use keyframes to adjust audio volume.
First, enable keyframes by clicking the zig zag button at the bottom left of the timeline. You should see red lines appear in the audio clips of the timeline.
Next, select the Pen tool and enter keyframes onto the red lines, dots appear.
The dots can be dragged up or down forward or backward to fine tune.
Al

Question About Edit of Raw Images

I'm contemplating upgrading to iPhoto 08. It's nice that iPhoto can import raw camera images, but I am trying to understand what it does with them. When you import a raw camera image into iPhoto is it right away converted into some other format? If it's kept in raw format and you edit it, are the edits done on the raw image or some converted format?
I guess what I am getting at is that if there is a conversion to 8-bit grey level images when editing, then the advantage of shooting raw, which could be 12-bit, is lost. If there is a conversion to, say, a 16-bit TIFF, that would be okay.
Unrelated question: How the heck do you do a search just in this forum? The search box at the top right seems to be searching the whole Apple web site.
Thanks.

When iPhoto imports a RAW file it creates a jpg version of it for viewing and editing my iPhoto. Once a modified version is created, the RAW import or first edit of a jpg, further edits are written to an xml file and applied by iPhoto. So you're always one jpg edit away from the original.
As I understand it if you shoot B/W RAW you will get a color jpg version as the RAW contains ALL of the data, including color. The jpg that iPhoto creates is 8 bits per channel.
Now you can set iPhoto to edit the RAW file if you use an external editor like PS or PSE. When you do that a new file has to be created and saved to the desktop and imported as a new file. That the nature of RAW editing and iPhoto.
The current search function has been discontinued temporarily.
TIP: For insurance against the iPhoto database corruption that many users have experienced I recommend making a backup copy of the Library6.iPhoto (iPhoto.Library for iPhoto 5 and earlier) database file and keep it current. If problems crop up where iPhoto suddenly can't see any photos or thinks there are no photos in the library, replacing the working Library6.iPhoto file with the backup will often get the library back. By keeping it current I mean backup after each import and/or any serious editing or work on books, slideshows, calendars, cards, etc. That insures that if a problem pops up and you do need to replace the database file, you'll retain all those efforts. It doesn't take long to make the backup and it's good insurance.
I've created an Automator workflow application (requires Tiger or later), iPhoto dB File Backup, that will copy the selected Library6.iPhoto file from your iPhoto Library folder to the Pictures folder, replacing any previous version of it. It's compatible with iPhoto 6 and 7 libraries and Tiger and Leopard. iPhoto does not have to be closed to run the application, just idle. You can download it at Toad's Cellar. Be sure to read the Read Me pdf file.
Note: There now an Automator backup application for iPhoto 5 that will work with Tiger or Leopard.

Portal Unstructured Template Question About Edit Links

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