Premiere CC italian and correct US FPS bug

I'm using a trial version of Premiere Pro cc in Italian but the same bug is present on the 7.1 version in Italian of a friend of mine.
When I import a clip recorded in the U.S. at 29.97 fps Premiere always automatically assigns a value of 25 fps. Since I'm using a clip recorded in NTSC and not in PAL I tried to go to Edit> Preferences> Media ... Intermediate to change the Time Base to 29.97 fps but got no change. Only by doing Right click on the clip and select Modify> Interpret Footage ... and set it to 29.97 I get the correct value. But this is not normal.
I tried the same clip from another friend of mine who has the version of Premiere Pro CS6 and in this case, the clip is automatically imported and correctly at 29.97. What else can I do to? Thanks from Italy

I don't know why CC is seeing the clips incorrectly, but the Interpret Footage command is the correct way to modify that. Indeterminate Media Timebase has no bearing on this.

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This question was posted in response to the following article: http://helpx.adobe.com/premiere-pro/using/color-correction-adjustment.html

Hi Ann,
I apologize for the incorrect screen shots. I will forward this thread to the new content and community lead, Mallika Yelandur.
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Hello,
I am working on an early 2008 Mac Pro with 2 X 3.2 GHz Quad Core Intel Xeon Processors 32 GB of RAM a NVIDIA GeForce 8800 GT 512 MB Graphics Card and I am running OS X 10.8.2.
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Benjamin Peterson wrote:
I started my career as a photographic retoucher and use photoshop and light room constantly so I am pretty confident that i know color. I also calibrate my Lacie 526 and Lacie 324i montiors monthly as well as have a sensor that will slightly shift the profile depending on the time of day.
I've been doing this for a few years now, and have come to some conclusions. Basically, the difference between still photography and video is like the difference between playing the trumpet and the sax. What you bring to the sax from playing trumpet is your ability to read music, what you know about composition, blending while playint with others, ect. But playing trumpet tells you nothing about how to physically play a sax. So it is with still photography and video.
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In case you did not find it, the following is a copy/paste of the Announcement on Premiere Elements 19/NVIDIA GeForce
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http://www.nvidia.com/Download/Find.aspx?lang=en-us
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ATR

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Hi folks,
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In my opinion this doesn't make sense, though. First, if output to 1080i 25 it has to stay interlaced anyway. Second, in case the output will be 720p 50 I would edit the footage either natively or in Apple ProRes 422, but leave deinterlacing until the very end when outputting to the final format. This way I could use an advanced deinterlacer, e.g. the one from Magic Bullet Suite, rather than just checking some deinterlace box in the export settings for Apple ProRes 422.
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How smooth is native editing with XDCAM HD in Premiere Pro CC? I don't think there will be more than 3-4 video tracks in use...
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working with
Adobe Premiere Pro CC and Adobe Media Encoder CC
Apple MacBook Pro
Intel Core i7 Quad Core Prozessor
2.3 GHz and 6MB L3 Cache
16 GB RAM 1600MHz DDR3,
256 GB SSD
Intel HD Graphics 4000 512MB + nVidia GeForce GT 650M with 1 GB GDDR5 RAM

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What is your Premiere, After Effects and SpeedGrade Workflow?

Hi Everyone,
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fabian

Hey there,
I'm also looking for a solid workflow solution since adopting (and actually really liking) Speedgrade. So below is what I'm going to try which should work and will follow this thread to see if any other workflows pop up. Also typing this out here to help me with plan of attack
Project Specs - 3 minute corporate video with text animation, interviews, broll, and computer screen replacement
Edit in Premiere
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DoneHopefully
This was my similar work around back in the day before I had Automatic Duck in FCP to AE
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I haven't noticed any significant performance difference between the two versions (I've also been heavily using dynamic link since CS6 ).
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Hello, montages-voyages. If you'd like to post in your own language, that's fine. No need to use Reverso.

Gallery Demo and IE7 Z-Index Bug

What is the workaround that corrects the problem in IE7
whereby Spry's Grow function shows enlarged images behind (not on
top) of their adjacent micro thumbs. Thanks in advance.

I'm confused. The example for Spry gallery DOESN'T use an
anchor tag around the thumbnails... In your article and in some
posts, you say that the structure is:
<div id="thumbnails">
<div class="thumbnail">
<a href="image.jpg"><img src="image.jpg"
/></a>
</div>
</div>
However, I downloaded Spry_1_6_1_022408 and copied the
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dsGallery">
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NO ANCHOR TAG. Even if you look in the generated source,
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Any ideas? I managed to track down your post about the bug in
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http://mad.sweepingdesign.com/index.html)
goes to a page that says "It works!"]
The actual article can be found here, though the demo link
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http://www.sweepingdesign.com/wordpress/2007/11/18/spry-gallery-demo-and-ie7-z-index-bug/

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Some of the older 80's and 90's anime on film, the film has aged and that is where the color cast came from. There is also a loss of color information across the board. For instance in the below picture. The sky is supposed to be more blue instead of teal/sea green.
Another thing is back in the 80s and 90s a lot of Anime worked from limited color palletes; something like maybe 16 colors total, so a lot of colors are used repeatedly. So even with only a limited amount of reference material I should be able to get the corrections close. (I dont have reference clips for every single episode, only a handful of scenes from a handful of episodes.)
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Premiere CC italian and correct US FPS bug

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