Premiere Pro CC Update - Merge clips with audio works

Nice to be able to merge master audio with a clip using the audio merge option. Tried one video clip with master audio to see if the update fixed the bug and yes it did. Thanks to the guys in the back room at Adobe.

Just came on here to post about the buzzing transitions, glad to see it's been fixed already!
Another thing though I don't see mentioned, since moving to 7.2 I find audio playblack is out of sync while editing, and in some clips significantly more noticeably than others. This only happens during playback, if I pause and scrub manually, the audio is perfectly in sync. This actually messed up a project for a client. I thought the audio off the camera was out of sync in one segment so I bumped it a few frames before exporting. Didn't check it after of course and sent him the file, then got a reply back that it was out of sync in that spot. Check the exported video and sure enough, he was right. Check it again in project but it looks in sync. So I bump the audio back in the timeline so that it LOOKS out of sync again during playback, but the new exported video is perfectly in sync!
Editing a TV show now with hundreds of clips and it's maddening with some looking fine, some looking a little off, and some looking completely off and having to manually scrub to check and be sure along the way.
Hopefully this is also fixed in this update..will see tomorrow.

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Premiere Pro CC updated - crashes almost immediately on my mac OS X Yosemite 10.10.3. Crashes at startup, crashes with media import, crashes when creating a sequence. NEED HELP FAST I have tried many troubleshooting solutions I found online nothing has

Premiere Pro CC updated - crashes almost immediately on my mac OS X Yosemite 10.10.3. Crashes at startup, crashes with media import, crashes when creating a sequence. NEED HELP FAST> I have tried many troubleshooting solutions I found online nothing has worked.

Hi,
Sorry to hear about the experience. Please provide your computer configuration details.
Memory, Processor, Graphics card, Exact version of Premiere Pro, Error message that you are get. If you can post screenshots of the error report that would be helpful.
Thanks,
Rameez

Merge Clip using "Audio" function

The merge clip using the audio parameter works occassionally. I shot dual system with a slate, camera mic on a RED for scratch audio and multiple inputs on a Sound Device 744t. Some of the clips merged great, but some of the other ones didn't work at all. Even when there were shots within the same setup but just a different take, some worked and some didn't. Are there best practices in terms of how to use or configure Premiere Pro to match those clips better? Any parameters I can use to adjust how it analyzes the clips?

I'll add a third motion to this thread. There are several features of the new Premiere CC that I was looking forward to, but the "audio syncing" was by far the most exciting to me as it would save me several steps in Plural Eyes (and $200 bucks). So when I downloaded CC, this was, of course, the FIRST new feature I tried out. First, I selected multiple takes from various cameras (3 cameras, Canon HF G20 [AVCHD / MTS] and Canon EOS 7D [MP4 / MOV]) and audio recorders (320k mp3 voice files [I have my reasons for this project ]). I right click and select "Create Multi-Camera Source Sequence". I select "Audio" as the sync method. Premiere goes to work attempting to sync all sources. I am excited because it seems to be racing along much faster than PluralEyes. When Premiere finishes, it leaves me with a new Multi-Camera Source Sequence that has a separate track for every take. I'm not shooting one continuous concert for 2 hours, I'm shooting reality footage. This means that during a 3 hour event, my camera operators might start and stop recording every 20 minutes, or run for 40 mintues, etc. We try to get sync points (clap sync from the same source) either at the beginning or end of each run. The audio recorders, however, run for the full 3, 5, or 10 hour run. PluralEyes is amazing at handling all of this, with *almost* perfect results; I'd say 95% success rate. But in my experience, running the same footage through Premiere's new "sync on audio" feature (whether creating Multi-Camera Source, or simply Merging clips [as in this thread]), I get aproximately a 99% failure rate. I'll end up with a completely messed up timeline with each camera spread out across 5 video tracks (3 cameras x 5 takes = 15 tracks of video). Each camera also has it's own set of audio tracks (2 for stereo) and each mono audio recorder gets another audio track. So I've got something like 20 or more tracks of audio. This would all be fine, I suppose, if they were at all sync'ed to eachother in some recognizable way. But they are not. Not even close. Not even in a way that resembles the most feable *attempt* to synchronize these sources.
I'll try to post a video later today, to show the above workflow. While there are many new features that made upgrading a "can't wait" proposition for me, THIS feature was hands-down the most promising for my reality-style workflow.

CC Premiere Pro crashes on start up with "Not Responding"

CC Premiere Pro crashes on start up with "Not Responding".
Tried:
1. Reboot
2. Updating Graphics Drivers.
3. Removing Red Giant Plug-Ins from my current Adobe Common Folder.
4. Running in compatibility mode for Windows 7
5. Running as Admin
All Failed.
Got a film deadline in 24 hours, really need this fixed like 5 hours ago. Any help would be amazing.

Type Crash on Launch into the forum search. You'll get all the known fixes.

Premiere pro will only exports 2 files Audio and Video

Hi i'm jared i have a serious problem premiere pro is exporting 2 file an audio and a video file I've tried to use multiplexing and it wouldn't work please help.

Yes that is correct: video files (mp4). They are not separate.
Just export and see what you got.
Start with a small segment of your timeline.

Merging clips with diff Aud Vid sources

Does anyone know a way to successfully merge Audio & Video from separate sources with diff TC to make an independent clip but keep the same TC from the Video? I have video from DV CAM tapes, but the audio was recorded on DATs. The TC on the DATs is screwed up. I lined up the vid/aud according to the slates and made sequences, then made subclips from the sequences. I'm unable to make clips from these sequences, and having problems with match frame when I cut in the sequences as clips. I know this is confusing, if anyone has any advice, please let me know! Thanks!!!

I lined up the vid/aud according to the slates and made sequences, then made subclips from the sequences.
If you can go back to this point in your workflow - that is, if you still have the sequences available - try this...
Select a video clip and the audio clips that you've lined up with that video clip in the Timeline and press Command-L to link them
(The clip names in the Timeline should now be underlined)
Drag the newly-linked clips back to the Browser. If you linked correctly, they should show up as a single video clip (with audio)
(I'd highly recommend both renaming this clip - which will have the name of your original video clip - to reflect the fact that it has audio from the DAT, as well as moving this clip into a separate bin from your capture files. When you use this clip to edit, you should not have issues with Match Frame, since FCP sees this as a clip)
Rinse and repeat for all your files/clips
Or have you tried that and had no luck?

Premiere Pro CC Update has Apple Magic Mouse Timeline Scrolling Backwards

I've used the Apple Magic Mouse and for thousands of hours on Premiere Pro versions CS5 and CS6 and I just updated to CC. On the Magic Mouse, I used to press Option and then swipe right on the mouse to zoom in on the timeline and Option + swipe left to zoom out. Now Option + swipe left zooms in and Option + swipe right zooms out. It's backwards and it's so annoying. I've tried searching for a setting to reverse this but no luck. Anyone else having this issue or found a fix to get the Magic Mouse working the same was as in previous Premiere Pro versions?

I also use Logic for my music/audio production. In Logic, if you press Option and swipe right it zooms in, and Option + swipe left to zoom out. Basically the Premiere Pro CC update got this backwards.

Premiere Pro CC v8.1, Caravan drops audio on import

I have updated PP CC to 8.1, Caravan - and the first project I opened had to be updated of course.
That done - a .mov clip with audio on it that was playing perfectly PRIOR to the update has no audio attached to it - and when imported - the uadio is not imported.
1. The clip plays in VLC with audio - when opened from windows explorer.
2. The original clip that did play with audio in the previous version of PP was not changed in any way.
3. After importing successive copies - there is never any audio attached now.
Any ideas what's changed to make a previously fine clip - lose it's audio in the latest PP?
Thanks
Dave

Hey KMueller - neat thinking.
Before reporting - I did try the drag / drop, then the import, then the media browser options and they all ended up the same.
Using your idea, I just straight forward made a copy / paste of the file in the folder it sits in, then dragged that over and hey presto - it came in with audio...
The icon representing the original file says video only still - but the icon representing the "copy" of the same file has a video & audio icon - and it plays ball on the timeline.
Thanks
Dave

Premiere Pro 2.0 compatable video and audio formats

I am working on a project that uses old vintage newreel clips and such from the 50's and 60's, they are available for download in several different formats.
I have downloaded many of them but when i import them into my timeline, there is no audio for these clips. They work when i just play them out of premiere. What are the supported formats for premiere pro 2 both in video and audio?
I have made several movies but haven't come upon this issue before.

Welcome to the forums.
The following links will help you:
FAQ: How do I import xyz format files?
FAQ:How do I convert my files?
FAQ:Why is there no audio in my imported MPEG file?
Cheers
Eddie

Premiere pro 2.0: where is the audio track?

Hello,
I just uninstalled Premiere Pro CS4, because my processor was too bad for it, and installed the testversion of Premiere Pro 2.0.
This seemed to work fine, but when I imported a normal .avi file (it was a mpg converted to avi), I noticed that the audio track was completely missing What could I have done wrong? (This is the problem with every avi-file I import, the sound works on wmp and i should have the right codecs for it, too, I have the k-lite codec pack. The audio track is simply not visible, you wouldn't guess that there is one, if you didn't know it).
Please help me
Blubbel1491

I agree completely with John T. That was why I specifically asked about DivX/Xvid. It is a delivery-only format for streaming Video, and is good for that purpose. It is NOT meant to be edited, and is very highly compressed. Conversion will get you what you need and let you edit, but the quality hit has taken place, and you can never recover that.
When you convert, you want DV-AVI Type II w/ 48KHz 16-bit PCM/WAV Audio. Do not choose anything else for SD footage.
As for the CFA and PEK files, this is part of Importing an AV file w/ Audio into PrPro. It seldom takes very long to complete, if one is working with DV-AVI Type II files to begin with. Other formats/CODEC's, like WMV's, can take much longer. What often happens is that one Imports the Assets, and they never see the little progress bar, and start editing. Many workstations can do this OK, so long as a Conforming Asset is not used, before it's ready, but often trying to edit, while the process is ongoing, will result in a crash, or a partially Conformed Audio file. That is why I mentioned that aspect first.
Then I kept focusing on your description "AVI." For me, that means DV-AVI Type II, but I realized that it was just as likely that you had chosen another CODEC, in an AVI "wrapper."
Good luck,
Hunt
PS - if you have the original footage, I would just convert that to DV-AVI Type II, and leave the Xvid/DivX for streaming delivery ONLY. If you convert your DivX, you will loose a bit more quality, and since DivX has sucked the quality out already, you do not want to do that.

Premiere pro won't display or play audio on Mac os 10.9

premiere pro won't display or play audio on Mac os 10.9; we are uploading AVCHD mts file format video clips from a Canon camcorder. we get message : "Dolby Audio licensing decode restriction."

next link says After Effects, but check YOUR permissions !!!
-http://blogs.adobe.com/aftereffects/2014/06/permissions-mac-os-start-adobe-applications.ht ml
-Mac 10.9.4 and OpenCL issue https://forums.adobe.com/thread/1514717
-Mac 10.9.3 workaround https://forums.adobe.com/thread/1489922
-more Mac 10.9.3 https://forums.adobe.com/thread/1491469
-and https://forums.adobe.com/thread/1507936

Insert a video clip with audio in a sequence

I've created a sequence out of three subclips and renamed and saved it. When I try to add another video clip with audio to the end of the last subclip in the sequence it only adds the video, not the audio.
Please advise

Edit the video with sound to your timeline, when you are ready to replace the video with pictures, lock the audio tracks by clicking on the locks at the left side of the timeline:
Clicking on the locks will lock the tracks and will protect them from being affected when you replace the video with pictures.
Remember to unlock them when you want to edit or add more audio to the sequence.
MTD

Top 15 Issues/Fixes Needed in the next Premiere Pro release/update (CS6.5 or CS7)

I’m excited for what’s coming next in Premiere Pro CS6.5 or CS7 (whichever update is next). As a former FCP7 user myself, Premiere CS6 was a quick and necessary switch (especially after changing the main keyboard shortcuts back to what I was used to). I’ve since gone back to FCP7 on occasion for certain things and I can tell you that I’m so glad I’ve switched. For all the headaches and serious errors that I still get daily/weekly with Premiere Pro CS6, it’s still definitely a big step up. I'm encouraged by staff members like Mitch W. that have expressed confidence that many of these issues will be resolved in the next release. Here is my personal list of “Top 15 issues/fixes” needed in the current Premiere Pro CS6…
(Adobe STAFF...feel free to print this out and hand it to the engineers responsible for making changes )
1) The infamous multicam FLAW. Needing no introduction…when you are editing your video in the multicam window and you hit pause or stop Premiere has decided that’s a great time to make a cut on your timeline and also switch angles back to the original angle whether you like it or not. You cannot stop ever while editing multicam without Premiere making these unwanted cuts and angle changes. Awful. Multicam in PPro is otherwise pretty nice, but this issue is terribly counter-productive especially when you are editing longer complex multicam sequences. Imagine if every time you hit pause or stop in the regular timeline it made a cut there and switched clips. Ugh. You get my point.
2) The audio meters/levels do not work while in the multicam window. A staff member in the forums (I think it was you) said this was a bug. Hope it will get fixed. The audio levels work in every other window and its essential to be able to keep an eye on the levels while editing multicam.
3) Ticktime.cpp-207 error. Ugh. What a nightmare. I have confidence that it will be fixed soon. Mitch W. from the forums is my new hero for taking on this error. How to replicate it?…simply have 6 (or 7) or more clips with the warp stabilizer effect added on the same timeline as a nested multicam clip and you get this error upon reopening your project. The more warp stabilizers you use, the more times you’ll have to hit “continue” to get through the error before you can open your project or export it to AME. I deal with this every single day because all my projects use these two elements. Most of my projects I have to hit “continue” on the error message upwards of 350-450 times to open my projects. Gets old fast.
4) Icon View order control. When you display all your clips in icon view instead of a list view (In the project window), there is no metadata to allow you to put the clips in order somehow (or at least maintain the order that you have in the list). There are roundabout workarounds, but c’mon.
5) Warp Stabilizer fixes…it is an AMAZING tool (far, far, far better than smoothcam in FCP7) BUT…it has it’s issues. Since I use hundreds of times/week (no exaggeration) I know it’s functions/flaws really well. The issues with Warp Stabilizer:
a) #3 above
b) Toggle OFF the effect after it’s applied and then hit Analyze again and PPro crashes. (easy to avoid but annoying bug)
c) If a clip is in the middle of stabilizing (not just analyzing…but the final step labeled “analyzing”) when Auto-save comes up…most of the time PPro freezes and crashes.
d) The DEFAULT “method” (in the settings for Warp Stabilizer) should NOT be “Subspace Warp”…it should be “Position, Scale, Rotation”. Why? It’s FAAAAARRRR better and more efficient. 95 out of 100 times it causes MUCH less “wobble” in the final stabilized clips AND most importantly 95 out of 100 times it scales the video less. Way better method.
6) The ability to open multiple projects simultaneously. As simple as FCP7 had it…or even better…as cool and efficient as FCPX does it would be nice.
7) The ability to mark a clip and not just a point on a timeline (because if you move the clip, the marker doesn’t go with it). I know you can use “Clip Marker” but it's very limiting, can't be moved, can't add notes, can't advance to the next marker (as far as I know). Also a marker list like FCPX has would be nice so you can see your markers all in a list at a glance and adjust them as needed.
8) Ability to select a clip in the Project window and find out where it’s used in the timeline. I LOVE how you can do the reverse and take a clip in the timeline and “Reveal in Project Window” but it would really help to go the other way around. Dealing with several hundred clips for every project I’ve missed this feature from time to time (FCPX handles this really well).
9) Add a through-edit indicator in timeline and “re-join clips” option. If you cut a clip but keep both clips together it’s just one continuous clip. But I really hope Premiere adds the not only an indicator of some sort (like FCP7′s way of having two small red triangles facing each other on that cut) so you know it’s one continuous clip BUT ALSO the ability to right-click and “re-join” the two clips into one.
10) When clip is double-clicked in timeline, CTI position in source viewer should match location in timeline. This one is pretty annoying and a fix would be incredibly helpful. The way it is now is very counter-productive. Definitely hope this gets fixed ASAP.
11) Better border controls for images/videos. Can’t do much with images right now in PPro. At least allow to customize the color and size/strength of it’s borders and shadows.
12) Better support for Mac/Apple's top end computers/GPU's. I'm still surprised that 2011 top of the line iMac cards (AMD 6970M) that have 2gb of ram are not supported. I’m sure/I hope 2012 iMac’s will be supported with their new Nvidia GPU’s…but I’ll hold out hope that the top iMac (up until 3 months ago) is supported at least at it’s full power. All around better Mac support would be great considering the wave of new users coming over from FCP.
13) Opacity/Transparency issues with EXPORTED videos with Cross Dissolves, etc. For some odd reason videos exported from Premiere CS6 have issues with cross dissolves or minor transparency. I’ll try to explain…in the program window of PPro CS6 cross dissolves look fine. Also, if you take a clip and stack it on top of another clip and put the top clip at say 99% opacity instead of 100 it looks like it should in PPro. But, if you export the clips you’ll quickly see that there are issues. It’s almost like the exported videos dissolve from 5 to 95. They skip the subtle beginning (0-5%) and subtle end (95-100%) of any fade. A clip in PPro as described above that is on top of another but set at 99% will look more like 90-95% in the exported file ESPECIALLY if the two clips are contrasting (eg. top layer dark, bottom layer with bright elements). It’s like the opposit of ease-in/ease-out. I have to ease-in/ease-out of every dissolve to avoid this issue…and even then, it’s not THAT much of an “ease” as one would hope. Another user in a forum once posted a video that shows how abruptly exported videos end their transparency changes…see: THIS SAMPLE VIDEO Perhaps this is a GPU/processing issue with AME vs. Premiere Pro but whatever it is, it should be fixed so videos you export look like the videos you edited!
14) Better control in Creative Cloud over which devices are “activated/deactivated” We have 3 computers and it would be nice if one could log in to their Creative Cloud account and see a list of which devices they have and just toggle on/off which one’s are activated/deactivated. This is especially helpful when you are mobile and forget to deactivate one of your two home/office devices so you’re stuck now until you get back to the home/office to deactivate it. This is not a Premiere thing, but just a general wish.
15) Ability to sync multicam clips automatically using the audio. Plural eyes apparently does this well. Would be nice to have it built into Premiere like FCPX does. Select all the shots you want to sync, One button click, wait a few seconds, done.
That’s my top 15. Everything else is awesome in my opinion for what I do 10 hours a day 6-7 days a week. I’ve included bug reports/feature requests for all of these at one point but if you are someone else reading this go to the following link and ask for these issues to be fixed: FEATURE REQUEST/BUG REPORT
I wish Adobe did smaller updates more often. Because even if they were smaller updates, we’d at least know you are working on fixing some of these issues that have plagued this NLE for years. Holding off fixes for one or two big “updates” every year is tough to deal with in a world of the ever updating apps we live and play with daily on our phones. I realize Premiere is a much larger scale and far more professional than a phone app, but hopefully you get my point. Here’s to hoping the next release (NAB 2013?) resolves all my top 15 issues. Here’s to hoping that these issues will be resolved sooner than later so I can stop raising hell in various forums. I’m honestly ready to start praising and defending Premiere Pro instead of griping about it’s bugs and flaws. It’s a fantastic program “on the way” to being the best. I hope.

Nice list, however it does seem a little bit like you may be hoping that Adobe provides the Final Cut 8 package that Apple never delivered on. Having edited primarily with P-Pro for the last decade, I hope Adobe focuses more on getting the next release to run as smooth as CS5x does, strangling and crucifying all the codec and playback bugs that arose in CS6. To me, it appeared that too many of the changes in CS6 were semantic or cosmetic, meant to give a FCP user more familiarity. Why change the name of an edit function from "overlay" to "overwrite" after 15 years? Because it enhances the product, or because that is what Apple called the function in FCP? If Adobe renames the Program Monitor to the "Canvas" with the next release, I think that I might be sick. There were nice additions to the Creative Suite as a whole, but I hope the next Premiere release reverses some missteps made in CS6, and focuses more on stability and enhanced functionality. I also really hope that they have an open ear towards criticism; Apple did not and their users ended up with FCP-X
It saddens me that the fixes I want most in a future release were purposeful changes between CS5x and CS6x.
1) Provide the options for transport controls in the source and program monitors. All of the users at my office hate that the jog and shuttle were removed in CS6. JKL was an option prior to CS6 and if we liked it we would have used it. I keep reading the justification that this change was meant to save space and streamline the UI. I can't express cordially how much this bothers me to look at the empty wasted space in my CS6 UI where the transport controls should be. The experiment has gone on long enough.
2) Restore the 3 Way Color Corrector to its previous functionality. The 3 way color corrector has been effectively neutered in CS6. Where in CS5x and earlier releases one could separately target the input/output levels of Highlights, Midtones, and Shadows, CS6 has only a master input/output level control. Why is less control better? Is it a 3-Way Color Corrector or a 1-Way Color Corrector?
3) Restore Clip and Timeline markers to their previous functionality. I don't even.... I can't. A user shouldn't have to do work arounds to create a modicum of functionality. This again was an attribute that wasn't broken in earlier releases.
4) Simplify the the task of pasting media into a targeted track. As it is now, pasted items will always go to the lowest activated track instead of the targeted track.
Lastly I would like the Adobe Premiere teams to consider what an amazing accomplishment Premiere CS5x was. Upon CS5's release, a good portion of competitor's workflows became obsolete. CS5.5 refined, stabilized, and expanded functionality.
CS6 changed the UI around, moving or deleting buttons, changed keyboard shortcuts, and renamed functions. Oh, and added hoverscrub, you know...like FCPX. In exchanged there was loss of functionality, stability issues and broken codecs.
I really hope the next release is more like CS5x and less like FCPX

How do I make sure that CS5.5 Merge clips encodes Audio at correct volume?

Windows 7 x 64, 2 TB, 12 GB RAM,
I am using the Premiere Pro CS5.5 Trial (full version), particularly because of the new Merge clips feature.
The Merge clips works intuitively and easily; this is a fantastic advantage. I am creating these clips to use in Captivate 5.0.
But, when encoded, the Audio volume has blown out so that it shatters the ear drums.
I am not sure whether this is a PP problem, or an AME 5.5 problem.
A second problem is this with the Merge Clips. In the Project panel, if you check the Duration of a Merge clip (in PP) it shows the original duration even although it has been altered on the Timeline.
If I encode the video clip separately from the Audio, I can adjust the Audio volume in Captivate, but, this:
1) increases the overall file sizes-something I don't want for the web.
2) the video duration and the audio duration do not match, even though they did on the Timeline. This did not happen in CS5.
I know this is a new version, but has anyone any ideas that I might try. I have alread delayed my project waiting for CS5.5 to become available.

Sounds like Media Encoder is actually recording the audio as a stereo file but the audio is panned to one side.
Check that you haven't accidentally panned the audio in the mixer to one side.

Premiere Pro CC update glitch

Hey all -
Any Adobe Creative Cloud users having any issues updating Premiere Pro?
I've tried over and over, but still get the same error: "Update Failed. Unable to extract the downloaded files. Press Retry to download again. (U441l210)"
All the other ACC apps update just fine.

Just came on here to post about the buzzing transitions, glad to see it's been fixed already!
Another thing though I don't see mentioned, since moving to 7.2 I find audio playblack is out of sync while editing, and in some clips significantly more noticeably than others. This only happens during playback, if I pause and scrub manually, the audio is perfectly in sync. This actually messed up a project for a client. I thought the audio off the camera was out of sync in one segment so I bumped it a few frames before exporting. Didn't check it after of course and sent him the file, then got a reply back that it was out of sync in that spot. Check the exported video and sure enough, he was right. Check it again in project but it looks in sync. So I bump the audio back in the timeline so that it LOOKS out of sync again during playback, but the new exported video is perfectly in sync!
Editing a TV show now with hundreds of clips and it's maddening with some looking fine, some looking a little off, and some looking completely off and having to manually scrub to check and be sure along the way.
Hopefully this is also fixed in this update..will see tomorrow.

Premiere Pro CC Update - Merge clips with audio works

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