Premiere Pro Cropping end of sequence

When I place a clip on the time line it gets cropped on its right side, if I place another clip then the first clip is fine but the last clip gets cropped on the right.
Am I missing something here? And yes if I render it appears in the final render.

That's a feature referred to as the End of Sequence Indicator. Many people on these forums really really dislike it, so they were thrilled to learn that the impending update provides a way to disable it. For now, however, there's is no way to turn it off.
It does not, however get written to your encoded outputs. I'm guessing you think otherwise because you're bringing the clip back into Premiere to view it. Trust me, if you view the clip in another player, the EOS will not be there.

Similar Messages

When importing MPEG files into Premiere Pro CS3 the audio sequence is missing.

We have two computers running Premiere Pro CS3. Our computer most recently installed with PPCS3 will only import an audio sequence with the MPEG video file when I extract the file directly from the DVD. When I take the video folder from the DVD and drag to my Desktop, importing to PP from the desktop, it will only import the video sequence; audio does not appear. What would cause this happen and how can I fix this? It's too time consuming to continuously use my DVD Extractor.

1st, that old program has a different forum http://forums.adobe.com/community/premiere/premierepro_previous
2nd, To work with AC3 sound files in Premiere CS3, copy the ad2ac3dec.dll file from the Encore CS3 directory into the Premiere directory

Premiere Pro CC - Importing MPEG sequence 720x576

Hello,
When importing a video from an old DV camera, I have many sequences in 720x576 / 25ips ... When I open these video in CC I get a black border on the right side of the video, about 15 px wide. I am not able to understand where it comes from as long as when I read the sequence in either VLC or other players, I don't have this black border on the right side. It's old video format (.VOB) from an old camera writing on small DVD.
I wasn't having this issue with previous version (CS6). So maybe you could help me to understand what's the issue in CC ?
Thank you.

Im not even understanding how it should work but i can make a fix.
Yes Premiere is not supporting.... supported file formats correctly. Maybe it should scan more frames or more of them together summing for correct full size and remove assumption formulas?
[=======================================] < a scan line
[===----------------------------------------------------===] < 720
[=====----------------------------------------------=====] < 704
[======-------------------------------------------======] < 702
Premiere supports, imports and shows video & shows some info about it in metadata and based on that it should show video correctly or analyze somehow how video programming works..
Importing file we see in metadata it recognizes wrong file size but correct aspect ratio. Based from that it should divide wideness with that aspect ration number and then all would be fine.. Thats all the problem.. Programmers were working on theese filetypes right before vacation..
It seems like reason for not beeing on supported format list couse correct codexes are not found for the bug that Premiere shows files wrongly.
Thats right- with file all is ok. Formats here mentioned are from videocameras and playable not only on them but on computer players. With programm Premiere is problem- it doesnt recognize theese formats correctly.
But why only here couse and as it turns out it works in Premiere Essentials..
How not beeing on supported formats meaning its not a bug?
I can open my and here OP file in Premiere so it supports it BUT badly, buggy- cutting off right side or adding black. If VLC can play it then you can ask them for codex.
And here we know its at least 2 files witch can be opened and not having codex.. or at least variant B sollution.
===FIXES===
VOB
720/702=1.02564102564
So maybe for VOB this is what was missing.
Here even some other programm programmers find that they have bug.
http://jes.weiss.no/viewtopic.php?f=5&t=15972
Citation:
"Taking a 720x576 DV SD clip, JES will automatically crop 9 lines at each side - correctly and like the DV SD standard is defined."
Here MOD and VOB files mentioned in VLC version news https://github.com/jefferai/vlc/blob/master/NEWS
Here maybe is best solution
http://forums.whirlpool.net.au/archive/1470507
Heres discussions about black cropping
http://forum.videohelp.com/threads/333461-720-x-576-question
Heres something programmers can read on next vacation
http://en.wikipedia.org/wiki/Aspect_ratio_%28image%29
http://en.wikipedia.org/wiki/Nominal_analogue_blanking
MOD
from http://jes.weiss.no/viewtopic.php?f=5&t=15972 mentioned
page witch on webarchive http://www.sjoki.uta.fi/~shmhav/SVCD_on_a_Macintosh.html#aspect_ratios
Click "Aspect ratios and rectangular vs square pixels"
in http://web.archive.org/web/20121203143350/http://www.sjoki.uta.fi/~shmhav/SVCD_on_a_Macint osh.html#aspect_ratios
and from there more links
http://web.archive.org/web/20130930100105/http://lipas.uwasa.fi/~f76998/video/conversion/
http://web.archive.org/web/20110225015837/http://www.bbc.co.uk/commissioning/tvbranding/pi cturesize.shtml
i dont know so im just not understanding but there should be all for programmer understandable.
I just googled..
So if that doesnt help then from VLC git can be found correct formulas.
Here ppl been talking something too http://forums.adobe.com/message/4336348
mentioning link to something http://www.mikeafford.com/blog/2009/03/pal-d1-dv-widescreen-square-pixel-settings-in-after -effects-cs4-vs-cs3/
===My sandbox===
720 x 576 in vlc correct 16:9
in premiere metadata shows info 540x576 (1,4587)
So missing calculation is
720/540= 1.33333333333
or 133%
i assume programmers made some kind of rounding formula
rounded 1.3333 would be 1.33 or if rounded to 1 decimal then 1.3
540*1.33333333333=719.999999998
540*1.3333=719.982
540*1.3=702 (coincedence of VOB file)
interesting that rounding up
540*1.4=756
maybe with looking up closest ratios like 1,4587
finds what its now showing..

PLUG-IN for ADOBE PREMIERE PRO CROP IN NOT WORKING RIGHT

please help, I use mojo, fx factory atrtitude and and they recently have been cropping in when trying to mask out an object. Doesn't mask correctly and something is going wrong...

We'll need a bit more info as mentioned above ...
-OS/CPU/RAM/GPU/vRAM and driver details.
-Specific program versions ... "2014" or "CC" or "Latest" don't count. Give us numbers off the "About" page.
-Footage codecs & info, what cameras they come off of ...
-sequence settings ... and are you blending footage & frame-rate & sizes besides using 3rd party plugins?
-which specific plugins are you using, and if you try the same thing through PrPro's masking tools do you have problems (trying to see if it's just the plugins or if your Prpro's masking stuff is wonky)?
Neil

Premiere Pro 5.5 Multicam Sequence Not Playing

So I'm running into an snag with a project I am working on in Premiere. Everything was working fine last night, I just finished up color correction and audio sweetening. However this afternoon when I opened up the project, everything appeared fine (media loaded, no weird error messages), until I tried playing the timeline (edited multicam sequence). Nothing, then when i tried moving the playhead to a different spot in the timeline, it would take about 20sec before the new location would show in the program monitor. I tried playing it and still nothing. I tried opening a clip from my project bin in the referrence monitor and it won't play there either. Nothing happens when I try scrubbing through the video.
I have tried importing only a single sequence into a new project and same issue.. but if I open up a whole different project the video clips play fine. I have also tried creating a new project and importing individual clips that are used in my original project and they play fine there, but the moment I tried importing one of my edited sequences, everything stops playing. The one thing I did discover is if I import one of the original sequences were I synced my my multicam clips, the video plays fine, so it seems like it has something to do with my edited multicam sequences.
Any ideas as to why the edited multicam sequences would not be playing?
Thanks for any advice!

Was messing around with some stuff and just figured it out.
I hope all this makes sense....
I have three sequences:
1. clips synce together (used as my multicam sequence)
2. edited multicam sequence (8min long)
3. edited multicam sequence (2min long)
instead of adjust the audio for each individual clip in both sequences 2 & 3, I had simply adjusted the audio in sequence 1, which then changed the audio in both sequences 2 and 3 appropriately. I didn't think this would have effected anything since I have used the same logic in the past to make my first round of color correction when using a single multicam sequence to edit multiple lengths of as well as the fact that after I first added the eq effect, everything was still working fine till I opened the proejct up the next day.
Apparently that is what was causing the issues, cause I just went in and removed the audio eq effect from sequence 1 and now sequences 2 and 3 play fine.
Fuzzy Barsik- I really appreciate your input and all your advice. Thank you!

Premiere Pro CC-MediaEncoder : Setting sequence composite linear color ?

Hello, hello,
Someone would tell me what is this option?
Setting sequence> composite linear color (or GPU acceleration rendering quality max neccessary)?
I wonder if the fact that my media encoder takes me 6 H encoding to make a video of 17mn which has no effect does not come from there?
Since I do not know what is this option.
Ahmotiond
Bonjour, bonjour,
Quelqu'un serait-il me dire à quoi sert cette option ?
Reglage de sequence> composite en couleur linéaire (accéleration GPU ou qualité de rendu max, néccessaire) ??
Je me demande si le fait que mon média encodeur me tape des 6 H d'encodage pour encoder une vidéo de 17mn qui ne comporte pas d'effet ne viendrait pas de là ?
Vu que je ne sais pas à quoi sert cette option.
Ahmotiond

You are not missing anything. This is how it works now in CC.

[Adobe premiere pro CS4] Getting started: Sequence settings & more

Hi people, I am new here and I am from holland so excuse me if I make some grammar mistakes
I have been trying to edit movies, for fun and for my mother, but everytime I bounce into an numerous of problems.
So I have listed some questions I or problems I bounced into:
Question 1: What is the purpose of the sequence settings? Is it used to match your source video or is it also for your output file?
Question 2: And what if I put multiple vidoe's in one timeline, with sequence settings do I need then? of multiple sequences?
Question 3: Whitch format do I need to use when I want to burn my modified vidoe to a dvd?
I allready tried some stuff out, but when I saved this dvd to my harddrive or burn in on a dvd it's sometimes laggy.
Question 4: Did I put the quality to high for a dvd and was the bitrate to high to read it for a dvd player? or becuase it was an HD movie?, made by a HD camera. Or did something else went wrong?
Question 5: Which output settings can I use
Question 6: Which output settings do I need to use if I want to put the video on youtube, HD-youtube?
Question 7: Which sequence settings do I need to use when I have a movie with stereo audio and my output file will be an 5.1 audio?
When I am busy with a project I found all these questions, while they are the basics which I need to know. So it would be really helpfull if you guys can answer all of my quenstions
Thanks allready
Rik

Check your private mail by clicking on 'Your stuff'.

Roughcut sequence from Prelude does not appear to be "seamlessly" editable in Premiere Pro CC

Hi,
Please Help.
I have been working on a film and created the entire rough cut, using both entire clips and sub clips, in Prelude CC. Once I sent the rough cut to Premiere Pro CC, I expected that I could "seamlessly" (as advertised) continue editing the same sequence of clips and sub clips in Premiere Pro. When I drag and drop the rough cut file that appears in Premiere Pro into the Premiere Pro timeline, it appears as a single block (is that what a "nested sequence" is? is there a way to un-nest a sequence?) instead of a sequence of clips and sub clips.
What is worse, the sub clips do not transfer to Premiere Pro, only the entire original clips. Even if I had to re-create the sequence of clips and sub clips in Premiere Pro, it would at least be better if I didn't have to re-do all of the sub clips. This is incredibly frustrating. I hope there is a solution (other than waiting to buy the next version of the same product).
I would give up and assume that the products just were not designed for what I was expecting them to be designed for, except that in the video tutorials, both within Adobe and elsewhere, the two programs seem to work just as I expected them to (that is probably where I got that expectation actually). When the guy in the video sends a rough cut from Prelude to Premiere Pro, It pops up in Premiere Pro as an editable sequence of clips and sub-clips.
Thank you.

Often when sequences come in as 'one lump' this check box need to be altered

Premiere Pro 8.1 won't play sped-up clip in real-time smoothly

Just upgraded my computer to an x99 MB, Haswell E process (5820k), GTX 970, and 64 GB of RAM (only using 24 GB due to nvidia issue with 32 GB ram +).
I have a few clips from a 5D MKII-III (h264 MOV) that I'm speeding up significantly (2500%).
Premiere doesn't, and has never liked to play sped up clips smoothly for me in real-time. I thought this latest hardware upgrade would help, but same result.
Has anyone experienced this?
I can provide my clip offline if anyone wants to test it.
My CPU util goes up significantly during playback, but doesn't spike on the new system (only 70% ish).

Luke,
I ran your .MOV clip in a fresh project, put it on the timeline, and set the speed to 2500%. Observations below were largely the same (most unexpected by the way!) for 3 very different systems (listed below):
Initial playback was dropping some frames, but didn't really look too bad; CPU is definitely working the hardest for this workflow
After changing two rather random things, all 3 systems could play this back with zero lost frames. Settings included: Memory: set so 8GB is available outside of Premiere Pro (default is 3GB), Sequence Setting: checked Max Render Quality box (default is off), and performed a "Render Audio" on the sequence (this takes less than one second and seems to help a bit).
Rather interestingly, this particular workflow actually seemed to work a bit better when MPE was set to software only (GPU off)
Systems tested included (all running CC 2014):
3 year old x58 6-cor i7-970 with SSD array, 24GB RAM, GTX 480
2x Xeon e5-2687w, 128GB RAM, GTX Titan, single Samsung 830 SSD for everything (OS/Programs/media/projects/swap/cache/scratch)
1x Xeon e5-2687w v2, 64GB RAM, SSD array, GTX Titan
Questions:
What version of Premiere Pro are you using?
How many dropped frames are you getting when you just playback this clip?
Have you ever tried doing just a small project with just this clip (at 2500%)?
Regards,
Jim

Input video appears stretched when imported to Premiere Pro CS6

I'm on a beginner level on Premiere Pro so please be gentle if this question is very basic. I'm trying to make a video that preserves the input video resolution exactly. My input video was an MP4 movie with resolution 1440 x 1080. It's an iPad screen recording using X-Mirage software. When I opened it normally in quicktime, it didn't seem stretched. However, when I imported the clip into Premiere, the clip appeared stretched. I checked the Properties of the clip and it turned out to have Pixel Aspect Ratio of 1.3333, which meant the pixels were stretched. My output sequence was also stretched out because of this, even though the output indicated that the resolution is the same: 1440 x 1080. I tried to comply with "Clip Mismatch Warning" and the result was still a stretched version. Please help!

Hi,
In premiere pro, you will see sequence on the top. Click on sequence and from the drop down select sequence settings. Under sequence settings there would be a tab of pixel aspect ratio. Try and change it to d1/dv ntsc widescreen 16:9 or hd anamorphic.
Check if it makes any difference.
Thank You
Arjun

AVI in Premiere Pro 4.0.1

Can anyone explain why, when I import my avi files into an Encore 4.0.1 timeline, they playback perfectly.
However, when I import them into a Premiere Pro 4.0.1 sequence, they do not playback correctly at all (no display in monitor, audio is heard but is incorrect).
TIA

Thanks for redoing the G-Spot screen. Don't know why attachments take forever to get out of queue.
Now, the problem with your AVI files is that they are using the Xvid CODEC. This is an open source version of DivX CODEC. Both of these are very heavily compressed CODEC's designed to create streaming media files of a small size for delivery only. They do their jobs well for this one purpose - delivery only.
However, one might be asked to edit this material. First, quality has taken a big hit. It can never be recovered. The only way to edit these is to convert the files to something that an editing application can use and work with. I happen to use DigitalMedia Converter (DMC) to do this, when I get handed almost any footage that is not DV-AVI Type II w/ 48KHz 16-bit PCM/WAV Audio. Write that down, as it will be your target setting for any conversion program that you use. I like DMC, because it works with almost any format/CODEC that I throw at it (you will need to HAVE the CODEC properly installed for it to work with it - you can use G-Spot to get the official name of the necessary CODEC and then Google to find it), and has batch processing. I can load it up with files, check the settings fire it up and go get my coffee. Depending on the speed of one's machine, the Duration of the files and the CODEC that is used, in no time, you'll have those DV-AVI Type II files. Import them into PrPro and edit away. The one downside of DMC is that it is not freeware. It costs ~US$50, but I love it so much that I own a copy for each of my computers. There are freeware converters available. I do not use any, so I cannot comment on any. There are many recs. on this forum and one many more. With some freeware, you get what you pay for. Still, there are some good programs out there, but you have to try them to see. Many seem to do a good job, and then the audio is gone, or the video stutters horribly. If that happens after a few tries, move on to another freeware conversion program. Don't fight it. Just try another.
The first trick of editing is to always convert any non-standard footage to DV-AVI Type II, before you Import it. Obviously, HD material will differ and there are more choices and more concerns. Take those on a case-by-case basis. I'm only talking SD footage here.
Now, remember that I mentioned "highly compressed" earlier on. This means that the quality has been squeezed out already. You can never put it back. You just have to understand that the result will never be as good, as if you have been given the original source files. Only you can determine if the quality hit is acceptable.
Good luck, and do not hesitate to ask more questions. I hope that the quality of your Xvid material will still work for you. I find the results just bad of marginal, but that's me.
Hunt

Switched from Premiere Pro 2.0 to FCP studio 2

and I couldn't be happier!
No crashes
fantastic rendering times
simple work flow
no glitches with Boris continuum
the list goes on....
PLUS
the advantage of working on a mac- which I'd never done before
I have to say it was the best thing I could have done-
this software kicks ***!
I use to be a PC only only guy
editing long form and promos on Premiere Pro, and I got use to the crashes,
the reboots,
the glitches, etc etc\
one day I got ****** and dropped $$$ on a top of the line Intel Mac and its been glorious ever since!
I wanted to write this in the premiere forums but I would **** all those guys off big time.

Here's a big question, and I've been scouring the net for almost 2 months trying to find an answer.
Is it possible to export meta-data Premiere Pro 2.0 timeline sequences to Final Cut 6?
I've recently switched to Mac and with many years of cutting on Premiere Pro I have several projects that are still online that i CAN NOT bear to go back on the PC to finish. Is there anyone else with a solution that will allow me to preserve my edits and work on them in FCP 6.0.2? I've heard of a few rumors for being able to transfer edit information from Avid to FCP.
I do definitely realize the native DV file format (AVI/MOV) and I already have a solution for a large batch conversion.
I realize this may be something that "the management" might not want us to know, but I thought it was worth a try.
Thanks

Premiere Pro CS6 - video noise in the exported file

Hi everyone,
Im trying to make the transition from FCP7 to Premiere Pro CS6. I edited my first project with Premiere Pro and exported the sequence. However I noticed that the exported file had more video noise than the original clips.
The material is shot by Canon 5D Mark III and edited natively in the Premiere's timeline. Then they are exported to ProRes 422. After noticing the noise I exported the sequence as "match the sequence settings" and it created the .mpeg file. Same thing, there was noise. I then tried another other formats of that same clip and transcoded the Mark III footage to Xdcam EX 1080p before sending to premiere. Same thing, no matter what I did.
The only way i got the exported file to look the same as original file, was to convert the files before sending to ProRes 422, then edit those files in Premiere in the sequence thats settings are XDCAM EX 1080p and then to export it to ProRes422.
Do you have any thoughts for this. The noise I'm talking about is not a huge amount of noise but definitely noticeable if you look the FULL-HD material.
I really hope there is some setting I missed. Im using Mac pro 2009 and Macbook pro 2011.
Thanks
Thomas
mac

Hi Thomas
Try exporting by enabling "Render at maximum depth" and " Use maximum render quality" in the export dialogue window.

Premiere Pro CC - can I waveform sync with *multiple* camera and audio clips a la Pluraleyes?

Many of us use Pluraleyes to sync DSLR and 2nd audio WAV files using waveforms. (No timecode.)
The ability to sync in Premiere Pro CC was mentioned in several feature lists, but I only see the ability to sync one clip at a time.
Is there no way to line up several MOV and WAV files, with different start / stop times and no other match other than waveform, and sync them automatically in Premiere Pro CC in a sequence (or by creating multiple merged clips)? In other words, can I mimic the functionality in Pluraleyes in this new version of Premiere Pro?

Currently, the best way to do this is by selecting all the clips in the project panel, right click on them and select Create multi camera source sequence. Sync via audio, choose your audio sequence settings (if you want audio from both clips, select all cameras) then hit ok. Multicamera is smart enough to do this batch process and make multiple MC Sequences with only the clips that match each other. Unfortunatly merged clips or timeline sync will only do one at a time. If you wish to have this behavior in merged clip and/or timeline sync, please file a feature request: https://www.adobe.com/go/wish

DownConverted HD to SD Premiere Pro CS4.1 now what?Please HELP!!!!

Hi I have followed Jeff B's tutorial downconverting HD to SD using Maximum Render etc.. excuse me for being dumb but now what? How do I get that onto DVD in best possible quality. Do I import the avi file into Encore? Or do I Start another Premiere Pro project paste this sequence onto timeline & then export to Encore? What settings do I choose in Encore?
Sorry for being so untechincal but was used to CS3 & SD and am having all kinds of trouble with HD, downconverting & authoring DVDs.
Thankyou

Jan,
I would Import the AVI into Encore as a Timeline, and let Encore do the Transcoding on Automatic. When the authoring is done, Burn to Folder, and use a DVD software player, like CyberLink's PowerDVD to test it. Look especially close at the areas where you have motion, either camera, or subject. How does that look? You could also Burn to Disc, and use an RW, to test in a set-top player (no "coasters" that way). If you have any issues, you can go back, clean the Media Cache and manually set the Transcode settings, but Encore does a good job.
Some feel that other encoders do a better job, than PrPro, or Encore. In that case, you would use one of those to do the MPEG-2 Transcoding. I think that most of those are stand-alones, and not plug-ins for PrPro.
Good luck,
Hunt

Premiere Pro Cropping end of sequence

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