Premiere Pro CS6 exports Blackmagic 10-bit 444 codec at 8 bpc

Color depth is automatically set to 24 bits (8bpc) when using the Blackmagic 10-bit 4:4:4 codec to export a file from Premiere Pro CS6 (Win-7). Is it possible to render from Premiere Pro using a higher bit depth so that the output isn't clamped? After Effects allows higher depth, but it is not an ideal workflow to export complex Premiere projects from AE.

Thank you for responding. Yes, I exported test files from Premiere and After Effects, and compared the files to the source sequence using scopes and a difference matte. The After Effects CS6 32bpc export showed no differences to the source sequence at 0.0% matching tolerance. The Premiere Pro CS6 export was different from both the AE file and the source sequence at matching tolerances below 0.5%, but was the same as an uncompressed 8-bit AVI at 0.0% matching tolerance.

Similar Messages

Default Premiere Pro CS6 Export Location

I had to edit videos of mine into a documentary for an assignment at university and am now looking for the place where i exported the finished work to. I know it was saved into some strange location that I hadn't chosen because it took me a while to figure out how to choose the destination for the export. So, I'd like to know if anyone can help me find that folder, it was what I assume to be the default Adobe Premiere Pro Cs6 export destination. I need to find the finished project for another assignment...

Premiere remembers the last export location.
...from each Sequence

Premiere pro CS6 export to DVD

Hi,
I have recently edited a film on premiere pro CS6 and it's all set to be exported. The film was shot with a 5D mark 3 @ 1920 x 1080, 24 fps. The timeline is about 160 minutes long. I have to export this to a DVD (like a classic DVD feature film with menus, subtitles etc). What export settings on premiere should I choose? I tried exporting in the .avi format but I'm getting horizontal lines (interlaced scanning) which is strange because I remember selecting the 'progressive scan' option.
I saw a video where this guy says adobe encoder is unable to resize HD videos into DVD (720x480) format succsessfully so he uses TMPGEnc video mastering to resize it before sending it to Encore.
Is TMPGEnc the only way around to this solution? Or is there something about premiere pro export settings that guy didn't know about, which probably the wise ones here can tell me?
Thanks in advance,
Kola

Thanks a lot Ann and Jim. You both being veterans on this forum I think I'm going to try both the methods starting with Ann's workflow. I've already started the export process and it says it's encoding it. This is what I've been seeing for the last 10 minutes:
I know you said the render bar won't show, but, here there is a bar only with no progress at all. Is this what you meant? Also, why is the CPU usage at 2% and RAM Usage at 19% when during encoding both figures hit the 50% - 60% mark?
So anyway, I closed the window and try again and this time it returned me an error, which basically crashes premiere:
Once again, I'm using premiere pro CC. Has this workflow been tried with CC?
Jim, I tried your method too. I referred to this page: http://neuron2.net/www.math.berkeley.edu/benrg/avisynth-premiere.html
I did exactly what it suggested, dropped the suggested .prm into the plugins folder. The first time I went to program > adobe > premiere cc > plug ins > common and then dropped the file there and opened premiere cc and went to export but under no option I get a 'link to avisynth' as filetype option. So then I go to program > adobe > common > plug ins > 7.0 > media core and I dump the .prm file there. I restart premiere and then go to export, same thing.
why are things so unnecessarily complicated and the ones which are not return error? This is so frustrating, I'm going crazy here. Please help, you guys.

Framesauslassungen mit Premiere Pro CS6 und Blackmagic

Fehlerbeschreibung:
In Adobe Premiere Pro CS6 Quellmonitor und Programmonitor können Framesauslassungen angezeigt werden.
Sobald bei der Wiedergabe im Programmonitor ein Frame als ausgelassen aufgezählt wird, und das geschieht sehr oft, ruckel das Video im Programmfenster und auch am HD-SDI-Ausgang der Blackmagic-Karte oder das Video friert ein und der Ton läuft weiter. Dieser Fehler zeigt sich auch mit Adobe eigenen Clips in allen verschieden Sequenzvorgaben (SD oder HD) wie z.B. Farbbalken.
Bei CS5.5 gab es diese Framesauslassungen nicht.
Adobe Produktion Premium CS6, Grafikkarte GeForce GTX 570 und Blackmagic Decklink Studio sind immer auf dem aktuellen Stand.
Hat jemand den gleichen Fehler ???
Meine PC-Daten:
PC: Win 7 Prof. 64Bit Asus Board P9X79
Prozessor: Intel Core I7-3930 Sechskern 3,2GHz
Speicher: 4x 4096 MB Ram DDRIII 1333
Festplatten: Raid0 2x2TB
Adobe Produktion Premium CS6 Version 6.0.3
Grafikkarte: PNY GeForce GTX 570 update 306.97
Videokarte: Blackmagic Decklink Studio 2 Version 9.6.6

Hallo,
habe ich gemacht, ohne Erfolg. Habe mittlerweile rausgefunden, dass es vielleicht an der "schnellen Farbkorrektur" liegen könnte?! Wenn ich die weglasse rendert er richtig. Allerdings brauche ich diese... Also bin ich weiterhin über Lösungsvorschläge dankbar!

Premiere Pro CS6 export to Audition problem

When trying to export a sequence thorugh "Edit in Adobe Audtition" (with video preview), Premiere never gets passed the "Preparing Sequence Data" which runs infinitely.
When selecting the preview video option it actually makes it through the "Preparing Video for Adobe Audition..." and then runs the "Preparing Audio for Adobe Audition" process fine but then craps out on the next step and never makes it into Audition.
It is only a 13 minute clip that I am attempting to bring into Audition and when not selecting video preview, which i need to sync up the audio edits, it seems to work the majority of the time.

Thanks a lot Ann and Jim. You both being veterans on this forum I think I'm going to try both the methods starting with Ann's workflow. I've already started the export process and it says it's encoding it. This is what I've been seeing for the last 10 minutes:
I know you said the render bar won't show, but, here there is a bar only with no progress at all. Is this what you meant? Also, why is the CPU usage at 2% and RAM Usage at 19% when during encoding both figures hit the 50% - 60% mark?
So anyway, I closed the window and try again and this time it returned me an error, which basically crashes premiere:
Once again, I'm using premiere pro CC. Has this workflow been tried with CC?
Jim, I tried your method too. I referred to this page: http://neuron2.net/www.math.berkeley.edu/benrg/avisynth-premiere.html
I did exactly what it suggested, dropped the suggested .prm into the plugins folder. The first time I went to program > adobe > premiere cc > plug ins > common and then dropped the file there and opened premiere cc and went to export but under no option I get a 'link to avisynth' as filetype option. So then I go to program > adobe > common > plug ins > 7.0 > media core and I dump the .prm file there. I restart premiere and then go to export, same thing.
why are things so unnecessarily complicated and the ones which are not return error? This is so frustrating, I'm going crazy here. Please help, you guys.

Premiere Pro CS6 - Exported Video Longer Than Audio

Hello all. I've downloaded a series of tutorials from Groove 3 and have been using Premiere/Encore to convert them to Blu-rays. Up until recently, I've had no problems with the workflow, but now I'm stuck and can't figure out what's happening.
The tutorials are broken down into individual video clips per chapter, AVC MP4 media, 30p. Most of them are screen captures so they aren't in typical video resolutions, so what I've been doing is creating a new sequence in Premeire Pro (1280x720 59.94 or 30p, tried both) and brought the clips into the timeline. I resize the video, add Encore chapter markers at the start of each clip, then export the sequence using the H.264 Blu-ray template with 1280x720 resolution.
The entire length of each tutorial varies - some are 90 minutes others are several hours - so sometimes I need to adjust the bitrate to ensure that I'm ending up with an .m4v that'll fit on the Blu-ray.
When I bring that .m4v clip into Encore as a timeline and preview the project, the markers start falling behind and there's considerable audio drift by the end of the sequence.
If I bring that exported clip back into premiere, I find that the video track is actually longer than the audio track, which explains the chapter markers/audio not lining up. What I can't understand is why Premiere would export a video track that's longer than the audio track when everything lines up and plays back perfectly in the sequence timeline within PPro.
Again, I've used this workflow with previous tutorials and it worked fine, but I've not been able to fix this problem. Even if I export a different container/codec out of PPro then convert it to .m4v in Media Encoder, I keep ending up with the same problem.
I'm thinking about making each chapter its own sequence and exporting each of them individually, then manually linking all of them together in Encore, but that seems like a pretty ridiculous workflow when everything should line up as is.
I had originally assumed it was because I was changing sequence settings when bringing the footage into PPro (I want the sequence to be in 1280x720, not the screen resolutions of the tutorial vids), but even when I ensure that the sequence frame rate matches that of the source videos, the exported media does not match up.
Ideas?

The tutorials are downloaded as a zip file then extracted; I don't actually screen record the tutorials while streaming or anything. I guess I couldn't say if variable frame rate was used when they recorded the tutorials, but the media I have shows up as 30fps as opposed to some sort of non-traditional frame rate that often shows up when recording with something at a variable frame rate (like the stock iPhone video camera app).

Premiere Pro CS6 Export issues

We are using CS6.1 on Dell platforms and Mac's in the studio and we produce long form commercials. We are missing all of our deadlines becasue we cannot export these 29 minute films. We also have issues with exporting to SpeedGrade and simply gave up. I have four TV shows that I cannot get off these computers. Further the dynamic linking literally sucks. sometimes you can open a JPEG in Photoshop and save it with the changes appearing in CS6 and sometimes not. We cannot export through Project Manger or export as an AVI, or any other codec for that matter. We never had any problems with CS5.
Right now I am having to transfer to a deck to get the files ready for broadcast check. It seems that when you only have few seconds of video it works fine, but it goes to hell in a hand basket after that.
Does anyone have a workaround or can you tell us what we are doing wrong?
Right now I am putting all the new shows on AVID for editing, at least that works.
Bob Killen
BKFA Productions

Hi Bob,
How are you exporting the sequence? Give us some details so we can help you out.
Here are the guidelines for getting your details.

Premiere Pro CS6 export to JPG defaults to export as sequence

Sometimes I want to export a single frame as a JPG to use as a DVD label image. This encoding process should only take a few seconds. The first time I did this I couldn't understand why it was taking so long. When I scrolled down on the options I discovered that it was exporting as a sequence which meant that I had many more images than I needed. I've had a couple of versions prior to this one and have not had this issue before. I can't believe that most people would want this as a default setting. Since that first time doing it I still have trouble remembering to uncheck chis option. How can I get it unchecked permanently? I don't see anything in preferences that allows me to do that.

Make the setting into a preset if it will not stick to the last setting used.
Or use the camera icon in the Program Monitor.

Blackmagic & premiere pro CS6

since I have had so much trouble getting the blackmagic intensity pro to work with CS6, I thought it might be helpful to let others know what I have finally learned. Using the blackmagic drivers 9.6.8 which can be found in the archives at blackmagic and setting the output to HDMI & component and the input to component video & Analog RCA audio, I have everything working perfectly, at least, for my setup.

Thank you for responding. Yes, I exported test files from Premiere and After Effects, and compared the files to the source sequence using scopes and a difference matte. The After Effects CS6 32bpc export showed no differences to the source sequence at 0.0% matching tolerance. The Premiere Pro CS6 export was different from both the AE file and the source sequence at matching tolerances below 0.5%, but was the same as an uncompressed 8-bit AVI at 0.0% matching tolerance.

After Effects CS6 and Premiere Pro CS6 not available for installation for 32-bit systems

After Effects CS6 and Premiere Pro CS6 require a 64-bit operating system and processor to be installed and run.
If you subscribe to Creative Cloud but use a 32-bit computer system, you will not be able to download and install Premiere Pro CS6 or After Effects CS6.
This issue primarily affects users on the Windows operating system, since all supported versions of the Mac OSX operating system are able to run 64-bit applications.
See this document for details:
"64-bit Windows required for After Effects and Premiere Pro CS6"
In general, you can only download and use applications for which your computer system meets the minimum system requirements.
Premiere Pro system requirements
After Effects system requirements

Who's says that Microsoft can't debug?
I used msconfig, first disabling startup items, -same result.
Enabled all startup items, disabled all non-microsoft services - AE worked!
I re-enabled each service in turn until AE crashed.
The fault was related to an item for a video streaming device I have in my house. It was Monsoon-multimedia's Vulkano Service. Sometimes under the old name of Hava, this is an app that acts like a sling-box to send my Cable TV to my screen. It does load a couple of virtual devices in device manager, and uses a proprietary codec.
I uninstalled the vulkano streamer application and rebooted the external Vulkano device. I reinstalled the Vulkano and verified it connected to the device and could stream. Once it did, I tried AE again and IT WORKED!
I wonder if simply rebooting the Vulkano would have fixed it. Its like opening the garage door to turn on the refridgerator.
Thanks for the help!
Jim

Premiere Pro CS6 playback freezes, regenerates .pek and .cfa files

When I try to watch something in a sequence, the Program Monitor freezes. The playhead moves in the timeline as usual and the audio plays just fine, but the visual freezes. Sometimes it stops a few seconds after I start playing and sometimes the video never plays at all. When I stop playback, it remains frozen for a while, then resets to the frame the playhead is on.
As I checked different options, I discovered Premiere is regenerating both the .pek and .cfa files every time I open it, even though all of my projects have already conformed. I have it set to store the media files with the project, so I know the preview files have not moved or been deleted. I work on this setup 8 hours a day, 5 days a week, and nothing changed since I was in yesterday. It was working fine when I shut it down last night, no one could have logged in while I was gone, and this morning it doesn't work. No updates were installed, no files were moved, no drives switched.
I have searched the internet for help, but all of the forums I've found are at least two months old and recommend installing the 6.0.3 update. I did run updates for all my Adobe software, and it didn't help. I also deleted and re-rendered my peak and cfa files.
One six-month-old forum said that Premiere CS6 cannot playback long AVCHD .m2ts files. Previously I had no problem working with .m2ts files 35 minutes and shorter, or with .mp4 files up to 75 minutes long. The video I'm currently working with is about 75 minutes long. And again, it was working fine yesterday.
Further investigation revealed that playback does not freeze when I import a selection from the Source Monitor (vs. importing from the Bin and trimming in the Timeline) and do not layer clips or apply effects.
Any thoughts?
Thanks.
Media Spec:
File type: AVCHD Video
Resolution: 1920x1080 (1080p), 29 fps
Imported from camera hard drive using PlayMemories Home
Computer Spec:
Adobe Premiere Pro CS6
Windows 7, 64-bit Service Pack 1
Graphics card is Quadro 5000, driver 276.19
OS/boot drive is a solid state 250gig, and files running off a 2TB local hard drive

I've tried several more things.
The playback does not freeze if I have only one clip in the timeline.
If I have clips on two or more video tracks, it starts freezing.
Once I clear it down to one video track, it takes a couple of seconds (up to 30) to start playing normally again.
Sometimes I can play two tracks for several minutes before it freezes. Sometimes it freezes immediately.
When I open Premiere, I get the "Media Pending" screen for way longer than usual.
I have rebuilt the peak and cfa files, no difference. GPU accelerator is enabled. The latest Adobe updates are installed.
I see a few other forums with similar problems but no solution.
No settings, file formats, or file locations have changed since Monday (the last time CS6 was working properly). After a lot of digging around I found that a Windows Defender Definition update was installed the morning of the day PP started freaking out. I can't get rid of this update.
I edit two or more hours of footage per day. They are lectures, so they are recorded in 1-3 hour chunks. I use two videos simultaneously--one with the professor's powerpoint presentation, and one of the professor. I keyframe the PPT video into the corner, overlaid over the lecturer. I did this for years without problem in CS5.5 and for two months without problem on my current setup.

Export Media in Premiere Pro CS6 ONLY produces an Audio File in Media Encoder

First, all the system info:
Windows 7 Home Premium Service Pack 1
Intel HD Graphics 3000 Display Adapter
I’m using Premiere Pro CS6 Version 6.0.5 (001 (MC: 264587)) “Mighty Kilt”
Version 6.0.3.1 (64 Bit) of Adobe Media Encoder CS6
Other Adobe applications installed: AIR, Creative Cloud, Download Assistant, Encore CS6 Library, Flash Player 12 ActiveX, Flash Player 12 Plugin, Help Manager, Premiere Pro CS6, Premiere Pro CS6 Functional Content, Reader XI
I’ve run check for updates on both Premiere Pro and Media Encoder and everything is up to date
I'm producing a two disc, dual layer DVD set for 100 families of my son's marching band.
I have a half hour "masterwork" of interviews, performance segments, rehearsal sequences, credits, etc that I've edited together complete with sound, etc.
I also then have various other video segments from the season, some high quality (1920x1080) and some lower quality.
Rather than import everything into Encore and have Encore transcode them all at the same quality, I wanted to ensure that the half-hour piece and certain other segments were transcoded as high quality as possible and given the largest file sizes I could and then transcode other segments at lower quality levels as needed so everything would fit on the discs.
The company I'm using to duplicate/replicate the 100 DVDs from my Master DVD advised me to encode them FIRST in Premiere Pro as desired, and THEN import those files into Encore.
I've used Adobe Media Encoder a lot to export the individual segments into files I could upload to Youtube and have had no problem for the last several months.
But now, two things happen:
1) AME automatically designates the "Output File" with an .aac extension (see attached)
2) When I do an "Import As" of the AME encoded file in Encore it only loads an audio file (obviously)
Huh?
Here are the settings I use in my Export Media dialogue in Premiere Pro CS6:
Format: MPEG2-DVD
Preset: NTSC Widescreen High Quality
Output Name (and filetype): ______ name with Save as Type of "Video Files(*.mpg)
BOTH the "Export Video" and "Export Audio" boxes are checked (see attached screen print)
Filters Tab: left as is, don't do anything here
Multiplexer Tab:
choose the "DVD" button (vs the "None" button)
Bitrate Type: left as Variable which is what is selected as a default
Video Tab:
Codec: Reads MainConcept MPEG Video
Quality: increase it to the max of 5
TV Standard: NTSC
Frame Rate: 29.97
Field Order: None (Progressive)
Pixel Aspect Ration: Widescreen 16:9
Render at Maximum Depth box checked
Bitrate Encoding: I choose CBR for my high quality segments and VBR 2-pass for my lower quality segments
Bitrate: kick it up to the max for high qulaity segments, adjust as needed to get the filesize I want for my lower quality segments
Audio Tab:
Audio Format: Dolby Digital
Codec: Dolby Digital
Bitrate: At least 320, sometimes higher for the segments I want to be the highest quality
I check the "Use Maximum Render Quality" box
I chose "Queue" for everything and then let it run overnight
And yes, the original media has BOTH a video track and an audio track that works (see Screenprint)
So... what am I doing wrong, helpful experts????

Larry, Mark, Jim & Bill -
It is 1 am Tuesday morning and I'd do a primal scream if my family weren't all sleeping upstairs.
Somewhere along the way, I either read or was given the advice to just skip AME, load my videos as timelines in Encore, and just do the transcoding there.
I spent almost a day trying to figure out how to get "buttons" for my menus I was building (they weren't appearing in Encore's library like they should) and eventually found a simply workaround.
So I then spent the last 24 hours or so building all my menus, creating small clips for my "motion menu" buttons, getting all that straightened away.
Got really excited earlier tonight since it seemed like I was nearly finished and coming down the home stretch.
I hit "build" in Encore, went away for a couple hours, and came back to find a big error message awaiting me telling me that "Encoding Failed."
I have read a lot of posts, and the outlook is not good, or at least the possible solution not simple or short from a time perspective.
I have a 100 families awaiting their DVD they've paid for that they initially were told they'd have by mid-February. I've been telling everybody that they would have it - guaranteed - by this weekend when there's a band festival that would be ideal for distribution. The DVD duplication company says they have to have it by Wed morning at the absolute latest. Meaning I've got about 24 hours to figure this out and burn my dual-layer masters of the two DVDs or once again tell people "I know I guaranteed you'd have it by this weekend, but I don't have it ready yet."
Almost as importantly, I can't afford to keep spending the hours and hours and hours on this that I have. It's impacting my personal and professional life.
Thus the primal scream.
The posts I read about the encoding failure all pretty much advise that I use AME to do all the transcoding work. Which of course brings me squarely back to my original problem: I cannot get a video file out of AME.
I'm embedding a screenshot of what I see when I click on the pull-down menu in the AME dialogue window. The problem: there is no MPEG2-DVD option listed to be chosen.
Although I'm relatively new to forums, I've read enough posts by now that it seems like most people are in crisis mode when they post. So I realize my situation is not all that unique. But from a newbie rookie in the field to you experts, I REALLY could use some assistance right now, because between this and the long, cold winter we've had, I'm about to lose it. :-)
P.S. Mark, in answer to your question about frame rates, I have 18 different videos/films/projects that I'm including in my two DVD-set. There have probably been nearly 6-7 different cameras that have contributed footage to one or more of those films by borrowing camcorders of different brands and types and quality levels from people. Nearly every one of those 18 films have multi-camera sequences in them. And many films are collections of sequences which themselves are "nested sequences" sometimes three deep. In otherwords, there is no way I can tell you all the various frame rates that may be represented among these 18 separate projects and I certainly can't go back and hope to change them all to the same one.
Help. Please. :-)

Exports From Audition CC Give "Header Error" in Premiere Pro CS6

Hello,
I have finished the audio mixing on a 15 track project in Audition CC. It is very heavy so I had to export all the tracks separately to import them back into the Premiere Pro CS6 movie project. That way I could also do further adjustments in individual tracks later on directly on Premiere, if needed (since mixing isn´t something we´re ever done with).
I´ve exported them all in wav 9600 Hz 32 bit (Audition doesn´t say whether it´s floating point or not) and also wav 9600 Hz 24 bit. The originals on all the tracks were eitther wav 9600 Hz 24 bit, or wav 9600 Hz 32 bit (converted from 24 bit to aplly declipping and normalization), except 2 tracks with music that had mp3, wav and m4a.
When importing the exported Audition files back into Premiere all of the 15 tracks, including the ones that didn´t have mp3 and m4a in it, give me the message "The file cannot be opened because of a header error".
Questions:
1. What could be wrong?
2. In case there isn´t a solution, what would be the best lossless formats to try and do the exports for importing into Premiere?
Thanks a lot.

I see...
Trouble is I´ve never had an answer for my posts in the Audition forum (I did originally post this here because I thought it´s more of a Premiere issue, though). I guess Audition just isn´t nearly as widely used as Premiere.
Also, I have done the same kind of exports for smaller tracks from Audition before and didn´t have an issue importing them into Premiere.
I find it really troubling that Adobe intends to make Audition a reliable pro audio suite integrated with Premiere and, on top of some weird issues like this one (and such as the 16 bit limit for sending a project from Premiere to Audition, making that integration probably useless for most pro uses), there´s so little support.
But thanks a lot, anyways!

Exporting AVCHD for BluRay in Premiere Pro CS6

Hello,
I have AVCHD files taken with a HD camcorder at its highest quality settings (HD FX - 1920 x 1080 - 24Mbps - H.264AVC). I am looking for the most appropritate workflow to edit these in Premiere Pro CS6 and burn them over to BluRay using Encore, while maintaining the original quality of the AVCHD files. Currently when I import the files into Premiere Pro, and preview the video clips in the sequence, the video appears as it does in the original files. In PrPro, the properties of the AVCHD files indicate that they are at 29.97 fps, 1920 x 1080, with square pixels (1.0). However, after exporting the sequence from Premiere Pro (via Media Encorder) to Encore, the video appears to have some jagged edges with some loss of video quality, and I would like to resolve this issue. For the export settings I am using the H.264 BluRay default settings. Please provide details on the correct/most appropriate settings that should be used to export the PrPro sequence to Encore with the above mentioned AVCHD files to Encore for recording onto BluRay while maintaining the original file quality. Thanks.

Seaspray - I will let the experts correct any bad advice here and perhaps I am adding nothing you already don't know or are doing. I recently went through the same exercise being new to PP CS6. Is that footage interlaced? I first drug a sample clip to the New Item button to create a matching sequence. I had some issues when I wasn't being careful about sequence settings matching, particularly putting interlaced in a progressive sequence. When I was ready to export, I chose the H.264 Blu-ray preset closest to my source footage. I made sure the key video characteristics matched - frame size, frame rate, progressive vs. interlaced, if the latter upper or lower, PAR, etc. etc. In some cases I tweaked VBR vs. CBR and bit rates. I then produced separate .m2v and .wav video/audio files. Then I imported those files as assets into Encore. You should then see Encore tell you it does not need to encode the video or audio after analysis. Unfortunatley, this process does require one encoding, but I don't believe there is anyway around that matter as PP CS6 apparently does not support "smart rendering". However, I think with just one encoding you are not going to see your footage noticeably degraded. Agreed, none of the monitors in PP or Encore should be used to judge quality. I also noticed major differences playing back files on my PC with various media players vs. PS3 + big TV.

Schwammiges und verpixeltes Bild nach Export in Premiere Pro CS6

Liebe user,
ich hoffe, Ihr könnt mir hier helfen. Ich habe Premiere Pro CS6 auf einem HP Z820, Xeon, Windows 64-bit, 16GB-RAM.
Wir zeichnen mit METUS Ingest 3.4.0 über BlackMagic Decklink HD ein Sender auf. Die Quellfiles sind von sehr guter Qualität.
Dateiformat: MPEG2 .720x576 .mpv und .mpa mit 9MB Datenrate. Die Files werden mit Premiere Pro CS6 geschnitten und anschließend im Encore eine DVD erstellt. Wir hatten vorher eine andere Schnittsoftware. Nun wurde Premiere eingeführt. Hier haben wir das Problem, dass die Exportfiles in Premiere schwammige Kannten und leichte Pixel zeigen, was nicht sein darf. Was mache ich hier falsch?
Anbei eine kurze Vorgangsbeschreibung:
Erstellen eines neuen Projektes. Aufnahmeformat: DV, PAL
Videoeinstellungen: 720x576 (1,4587) -> 16:9
Oberes Halbbild zuerst
Ein .mpv und .mpa -File wird importiert und anschließend von Premiere indexiert (rechts unten). Bei 90 Minuten Material geht dies ca. 12 Sek.
Bei Filmmaterial interpretieren zeigt es mir an, dass das Quellmaterial (SDI) oberes Halbbild zuerst ist. Das Seitenverhältnis wird von 1.0940 auf 1.4587 angepasst (Filmmaterial interpretieren).
Exporteinstellungen (siehe unten).
Danach wird das geschnittene File in Encore importiert und ohne Transcodieren eine ISO-Datei erstellt.
Das Ausgabeergebnis von Premiere lässt jedoch stark zu wünschen übrig.
Woran liegt es...kann mir hier jemand helfen?
Vielen Dank

Öhm... 9 MBit Datenrate? Wer soll das abspielen? Da verschlucken sich selbst gute Marken-DVD-Spieler. Völliger Humbug, solche abstrusen Werte zu verwenden. Kommerzielle DVDs haben im Schnitt 5 oder 6 MBit. Allein die Hohe Datenrate allein trägt schon zum Problem bei - um gute Qualität zu kriegen, muss man den Encoder zwingen. Hat er zu viel Luft, arbeitet er eben weniger genau. Und natürlich 2Pass VBR verwenden. Ansonsten kann man dazu relativ wenig sagen, aber möglicherweise wird hier schon beim Capture was verratzt - nur weil es über die Videoausgabe gut aussieht heißt ja nicht, dass es der SPezifikation entspricht. Kann man aber ohen Screenshots und Referenzbilder nicht mal ansatzweise beurteilen.
Mylenium

Premiere Pro CS6 exports Blackmagic 10-bit 444 codec at 8 bpc

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