Schwammiges und verpixeltes Bild nach Export in Premiere Pro CS6

Liebe user,
ich hoffe, Ihr könnt mir hier helfen. Ich habe Premiere Pro CS6 auf einem HP Z820, Xeon, Windows 64-bit, 16GB-RAM.
Wir zeichnen mit METUS Ingest 3.4.0 über BlackMagic Decklink HD ein Sender auf. Die Quellfiles sind von sehr guter Qualität.
Dateiformat: MPEG2 .720x576 .mpv und .mpa mit 9MB Datenrate. Die Files werden mit Premiere Pro CS6 geschnitten und anschließend im Encore eine DVD erstellt. Wir hatten vorher eine andere Schnittsoftware. Nun wurde Premiere eingeführt. Hier haben wir das Problem, dass die Exportfiles in Premiere schwammige Kannten und leichte Pixel zeigen, was nicht sein darf. Was mache ich hier falsch?
Anbei eine kurze Vorgangsbeschreibung:
Erstellen eines neuen Projektes. Aufnahmeformat: DV, PAL
Videoeinstellungen: 720x576 (1,4587) -> 16:9
Oberes Halbbild zuerst
Ein .mpv und .mpa -File wird importiert und anschließend von Premiere indexiert (rechts unten). Bei 90 Minuten Material geht dies ca. 12 Sek.
Bei Filmmaterial interpretieren zeigt es mir an, dass das Quellmaterial (SDI) oberes Halbbild zuerst ist. Das Seitenverhältnis wird von 1.0940 auf 1.4587 angepasst (Filmmaterial interpretieren).
Exporteinstellungen (siehe unten).
Danach wird das geschnittene File in Encore importiert und ohne Transcodieren eine ISO-Datei erstellt.
Das Ausgabeergebnis von Premiere lässt jedoch stark zu wünschen übrig.
Woran liegt es...kann mir hier jemand helfen?
Vielen Dank

Öhm... 9 MBit Datenrate? Wer soll das abspielen? Da verschlucken sich selbst gute Marken-DVD-Spieler. Völliger Humbug, solche abstrusen Werte zu verwenden. Kommerzielle DVDs haben im Schnitt 5 oder 6 MBit. Allein die Hohe Datenrate allein trägt schon zum Problem bei - um gute Qualität zu kriegen, muss man den Encoder zwingen. Hat er zu viel Luft, arbeitet er eben weniger genau. Und natürlich 2Pass VBR verwenden. Ansonsten kann man dazu relativ wenig sagen, aber möglicherweise wird hier schon beim Capture was verratzt - nur weil es über die Videoausgabe gut aussieht heißt ja nicht, dass es der SPezifikation entspricht. Kann man aber ohen Screenshots und Referenzbilder nicht mal ansatzweise beurteilen.
Mylenium

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Audio and video not synchronized when exporting from Premiere Pro CS6

Hi
We have made a project in Adobe Premiere Pro CS6 that´s intended to be exported to DVD (it´s a weeding). We are working with NTSC DV Widescreen. The exporting is 720x480
We have 2 audio lines activated and sounding on this project.
The question is:
When exporting the entire video (the entire timeline sequece) using Adobe Media Encoder to formats like H.264 (NTSC DV Widescreen)... Quick Tile Movie or AVI without compression (we tested these formats) the 2 audio channels get unsynchronized from the video. The same problem occurs if we get a direct link of the timeline from Premiere to Encore.
And Inside Premiere Preview audio is preety correct.
Does anyone here are getting such problem?
Also..can I ask another question (as I´m not expert on video production)?. What´s the best format for our purpose? Export a video to be played to DVD (we record weedings, birthdays..social events). No problem the time to export. We´d like the best quality for output.
Thank you for the help
Gustavo.

Hi John and techkid123
We have 4 cameras here. 1 is Sony model HD1000 (since it works with Mini-DV cassete we need to capture the image via Firewire). 2 cameras are Sony HD2000 (it generates *.MPEG files if I remember well). And 1 camera is a Panasonic AG-DVC7 (it generates *.MTS files)
We start a new project using the Standard NTSC Widescreen 48Khz format. When we drag to the timeline for example the MTS file...Premiere ask us if we want to Keep and Change timeline to suit the file specification. Anyway we always have 1 or 2 camera files that has a yellow line over timeline.
But I renders correct...no problem to edit...and we had no problem with Premiere CS5.5 :/
We are downloading the latest update of Premiere. I´ll make some test and publish here if the problem persist.
Thank you a lot for the help
Gustavo.

Problème vitesse exportation Adobe Premiere Pro CS6

Bonjour,
Je viens d'acquérir Adobe Premiere Pro CS6. J'étais auparavant sur Adobe Premiere Pro CS5.5.
Dans la précédente version, lorsque j'exportais des vidéos d'environ 10 minutes au format H.264 destiné aux Ipad en grand écran, 25 images par seconde, mon exportation se faisant en 10 minutes à peine avec un fichier de 100Mo à peu près.
Maintenant, pour un export au format H.264 pour Ipad 480p 25 images par seconde, le poids reste identique mais c'est plus 10 minutes mais 1 heure d'exportation !!
C'est juste pas possible donc j'ai sans doute loupé un épisode, je vois pas d'autres raisons. Est-ce possible de retrouver la rapidité de CS5.5 ? Je suis du coup extrêmement pénalisé dans mon travail, obligé de faire tourner l'ordinateur toute la nuit pour exporter 10 vidéos.
Merci pour votre aide.

You still want to apply the hack in order for Premiere Pro to use your card for GPU acceleration.
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Why is video size different to original when exporting from Premiere Pro CS6 to Encore?

Hi there
My source files in Premiere Pro are 1920 x 1080.
When I export the sequence to Encore to burn to a DVD the size in the burned DVD changes to 720 x 576
In Encore project area I have these two entries
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this (for the first entry above)...
and this (for the second entry above)...
It does not seem to be possible to change the encoding to 1920 x 1080 for the first enry and as such the video is being burned as 720x576.
How can I fix this? What am I doing wrong?

DVD is 720x576 you cannot change that.
If you want 1920x1080 which is HD you need to make a BluRay.
You can however make an AVCHD disk which is HD on DVD.
About 20 minutes will fit on a DVD and will only (but not all) BluRay players.

MP4 exported from Premiere Pro CS6 runs choppy on some computers . . .

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Gary Silverstein

The tutorials are downloaded as a zip file then extracted; I don't actually screen record the tutorials while streaming or anything. I guess I couldn't say if variable frame rate was used when they recorded the tutorials, but the media I have shows up as 30fps as opposed to some sort of non-traditional frame rate that often shows up when recording with something at a variable frame rate (like the stock iPhone video camera app).

Problems exporting from premiere pro cs6

Heeeeeeeeeeeeelp please!
I downloaded my recent project from cs5.5 into a trial version of cs6 and now I'm getting an unknown error (problems compelling video) when I try to export my project (in H.264).
I tried shutting off the auto safe, exporting in a different format (quicktime), restarting offcause, removing effects from the clip where the export failes, even tried exporting without that particular clip, but then it just happened another place in the film at another clip.
I'm thinking there could be an export limit when you're only working with the trial, cause I have been able to export smaller bits of the timeline and as well other smaller projects. I'm a mac user and not that good at computers in general.
I can still export a early version of my project from cs5.5 but I would really love to detect the problem in stead of starting all over since it's my BA project and I'm on a deadline...
I really hope somebody know something helpfull

I been in this same situation for two weeks. First update your software to the latest update. Just released yesterday
I believe you have more than one clip. At the end and begining of the clip you should have little grey triangle shape. They are called handles, meaning extra space at end point and at begining. Usaually for transition. If you dont see it on both clips (as in picture) then the one clip which is misiing need to be trimed little or more until handles disappear or some time you see full triangle (as in picture). Do same if there are more. Then just try to export the ending where clips attach each other. Set in and out points as I did in the picture. Export and make sure to choose sequence in and out setting. here is the picture:
I hope it works. I dont use this software anymore. I had a trail version. Used for two weeks. Every day same problem then finally figured it out and moved back to Edius 6. Thanks

Audio levels in exported video [Premiere Pro CS6]

The audio level is just what I want in the actual track. However, when I export the video the exported audio is too loud. So I went back and lowered the clip by 3dB...the volume level of exported video still didn't change--it sounds like people are shouting.
This is a new problem...is there a setting in the export dialog box I have accidentally changed?
Thanks in advance.

I have found this to be a problem in CC at one of the places I work.
Export at 16bit perfect levels with a tone ident...bring it back it into the project and now -3db.
I tried exporting 32bit float and it comes out 3db higher!
Only method I have found is to export audio separately to a 32bit file then in a new final video sequence, replace the audio timeline with this file and adjust levels. The new export seems to come out at the right levels
May have something to do with a bug in the pan law but you can't adjust settings like in Audition.
Many bugs in this program causing me nightmares....
....Can't save track preset effects and have to copy complicated track EQ and compression settings by hand
....Track effect settings adjustments that revert as soon as you click away or hit play
....Very slow with crashes and freezes in sequences with nested sequences.
Leave plenty of time for your final exports...you will need it

Error when exporting from premiere pro CS6

I have been using PP CS6 since launch date- and have had none stop problems with exporting, I cant dynamic link, add to render ques or simply export straight from PP!
When i Que my project it will export up until half way and then freeze, i've tried changing the clip, removing effects, everything!
has anyone encounted this problem before?
This is happening with more then just this one project aswell.
These are old projects that were originally created in CS5, could that be causing it?

Thats what i thought!
All earlier projects open, i can edit, manipulate it! do the works! However when it comes to export time! i can't export it to anything! whats the point?!?!
Im really angry, when you pay for something you expect it to do what it was designed to do! and the fact i can't export at all is really really frustrating!

Red video glitch at render and export in Premiere Pro CS6.

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Any solutions?

Thank you for fast answer.
my version is 6.0.5. ( 001 (MC: 264587))
i use more kinds of cameras, but each provide different video file type.
this problem is with HC-V700 Panasonic, which is creating the AVCHD files.
i am talking about working video window, where you see the movie you cut and edit! (not the green/blue/red bar in timeline)
(after finishing the rendering, sometimes without it), and in case when i see it red, it is exported as well as RED screen .
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What is the export format for Iphone and Android (Premiere Pro CS6)?

For Iphone, Ipad and Android, what is the export format (Premiere Pro CS6) for watching videos ?

http://forums.adobe.com/message/5950682#5950682

Premiere Pro CS6 and MXF Compatibility.

We have recently had a problem with audio dropping out during export using Premiere Pro CS6. This particular project file used a combination of footage from a Canon XH-A1 and a Canon XF305. It was created in CS5 (Not CS5.5) and was recently converted to a CS6 Project file. When we would export the sequence the video would have missing audio in several places.
We think it may be a compatibility issue with the MXF conatiner used by the XF305. I have seen other people mention issues they have encountered using a similar set up. Is this something that may be a an issue for us if we move forward using CS6 and the XF305 on all of our projects?
The problem was resolved by taking all the footage offline in CS6, deleting the render files, moving the cache folder and bringing everything back online.
We just want to make sure that everything is compatible like it should be and if not what kind of patches we could expect in the future? It would be preferable not to have to transcode our footage prior to importing into Premiere Pro.

I had this once too, and I "fixed" it by deleting the XMP files.
Ulf

Export Problem (VBR, 2 Durchgänge) Premiere Pro CS6

Hallo liebe Community!
Ich habe seit einiger Zeit ein Problem beim Exportieren meiner Videos in höchster Qualität (z.B. H.264) mit Adobe Premiere Pro CS6.
Bei meinen Projekten handelt es sich meistens um .MP4 Videos (Canon EOS DSLR) im Full-HD Format; 25 fps.
Bis vor einigen Monaten hat alles nahtlos funktioniert. Die Exporte hatten perfekte Qualität wie in den Settings eingestellt.
Hatte bis jetzt immer diese Optionen ausgewählt:
H.264
Auflösung sowie Framerate gleich dem Originalmaterial
Profil: Hoch
Pegel: 5.1
Bitratenkodierung: VBR, 2 Durchgänge
Zielbitrate: 100 Mbit/s
Maximale Bitrate: 100 Mbit/s
Die Box mit "Maximale Renderquaität" ist auch ausgewählt.
ERGEBNIS - FEHLER:
Der Rendervorgang dauert so lange wie gewöhnlich.
Wenn man das Video abspielt sieht man ein total verpixeltes Videos, ähnlich einem 144p Video auf YouTube.
Leider ist dieser Fehler das erste Mal bei einem wichtigen Kundenvideo aufgetreten.
Ich habe dieses Problem seit dem mit einem Qualitätsverlust umgangen. Export in Apple ProRes dann erneuter Rendervorgang mit Apple QuickTimePlayer.
Habe seitdem regelmäßig nach Lösungen gegoogelt.
Eine Art Lösung habe ich gefunden. Leider stellt mich diese nicht unbedingt auf Dauer zufrieden.
Wenn ich die Kodierung von VBR, 2 Durchgänge auf > VBR, 1 Durchgang ändere, tritt diese "Verpixelung" gar nicht auf.
Warum funktioniert diese Qualität nicht mehr mit VBR, 2 Durchgänge?
Früher hat dies immer funktioniert. Ich könnte mich nicht an irgendwelche Installationen erinnern, welche dies beeinträchtigen würden.
Bitte um Hilfe bei der Lösung dieses Problems.
Vielen Dank bereits im Voraus.
Mit freundlichen Grüßen
Andreas

Die Box mit "Maximale Renderquaität" ist auch ausgewählt.
Eben. Völliger Quatsch. Trägt überhaupt nix zur Qualität bei und macht nur Sinn, wenn man 126bit oder 32bit After Effects Projekte rendert. Und ich würde mal behaupten, genau daher kommen die Probleme, weil dann dein Preview-Cache verwendet wird mit reduzierter Auflösung...
Mylenium

Export Media in Premiere Pro CS6 ONLY produces an Audio File in Media Encoder

First, all the system info:
Windows 7 Home Premium Service Pack 1
Intel HD Graphics 3000 Display Adapter
I’m using Premiere Pro CS6 Version 6.0.5 (001 (MC: 264587)) “Mighty Kilt”
Version 6.0.3.1 (64 Bit) of Adobe Media Encoder CS6
Other Adobe applications installed: AIR, Creative Cloud, Download Assistant, Encore CS6 Library, Flash Player 12 ActiveX, Flash Player 12 Plugin, Help Manager, Premiere Pro CS6, Premiere Pro CS6 Functional Content, Reader XI
I’ve run check for updates on both Premiere Pro and Media Encoder and everything is up to date
I'm producing a two disc, dual layer DVD set for 100 families of my son's marching band.
I have a half hour "masterwork" of interviews, performance segments, rehearsal sequences, credits, etc that I've edited together complete with sound, etc.
I also then have various other video segments from the season, some high quality (1920x1080) and some lower quality.
Rather than import everything into Encore and have Encore transcode them all at the same quality, I wanted to ensure that the half-hour piece and certain other segments were transcoded as high quality as possible and given the largest file sizes I could and then transcode other segments at lower quality levels as needed so everything would fit on the discs.
The company I'm using to duplicate/replicate the 100 DVDs from my Master DVD advised me to encode them FIRST in Premiere Pro as desired, and THEN import those files into Encore.
I've used Adobe Media Encoder a lot to export the individual segments into files I could upload to Youtube and have had no problem for the last several months.
But now, two things happen:
1) AME automatically designates the "Output File" with an .aac extension (see attached)
2) When I do an "Import As" of the AME encoded file in Encore it only loads an audio file (obviously)
Huh?
Here are the settings I use in my Export Media dialogue in Premiere Pro CS6:
Format: MPEG2-DVD
Preset: NTSC Widescreen High Quality
Output Name (and filetype): ______ name with Save as Type of "Video Files(*.mpg)
BOTH the "Export Video" and "Export Audio" boxes are checked (see attached screen print)
Filters Tab: left as is, don't do anything here
Multiplexer Tab:
choose the "DVD" button (vs the "None" button)
Bitrate Type: left as Variable which is what is selected as a default
Video Tab:
Codec: Reads MainConcept MPEG Video
Quality: increase it to the max of 5
TV Standard: NTSC
Frame Rate: 29.97
Field Order: None (Progressive)
Pixel Aspect Ration: Widescreen 16:9
Render at Maximum Depth box checked
Bitrate Encoding: I choose CBR for my high quality segments and VBR 2-pass for my lower quality segments
Bitrate: kick it up to the max for high qulaity segments, adjust as needed to get the filesize I want for my lower quality segments
Audio Tab:
Audio Format: Dolby Digital
Codec: Dolby Digital
Bitrate: At least 320, sometimes higher for the segments I want to be the highest quality
I check the "Use Maximum Render Quality" box
I chose "Queue" for everything and then let it run overnight
And yes, the original media has BOTH a video track and an audio track that works (see Screenprint)
So... what am I doing wrong, helpful experts????

Larry, Mark, Jim & Bill -
It is 1 am Tuesday morning and I'd do a primal scream if my family weren't all sleeping upstairs.
Somewhere along the way, I either read or was given the advice to just skip AME, load my videos as timelines in Encore, and just do the transcoding there.
I spent almost a day trying to figure out how to get "buttons" for my menus I was building (they weren't appearing in Encore's library like they should) and eventually found a simply workaround.
So I then spent the last 24 hours or so building all my menus, creating small clips for my "motion menu" buttons, getting all that straightened away.
Got really excited earlier tonight since it seemed like I was nearly finished and coming down the home stretch.
I hit "build" in Encore, went away for a couple hours, and came back to find a big error message awaiting me telling me that "Encoding Failed."
I have read a lot of posts, and the outlook is not good, or at least the possible solution not simple or short from a time perspective.
I have a 100 families awaiting their DVD they've paid for that they initially were told they'd have by mid-February. I've been telling everybody that they would have it - guaranteed - by this weekend when there's a band festival that would be ideal for distribution. The DVD duplication company says they have to have it by Wed morning at the absolute latest. Meaning I've got about 24 hours to figure this out and burn my dual-layer masters of the two DVDs or once again tell people "I know I guaranteed you'd have it by this weekend, but I don't have it ready yet."
Almost as importantly, I can't afford to keep spending the hours and hours and hours on this that I have. It's impacting my personal and professional life.
Thus the primal scream.
The posts I read about the encoding failure all pretty much advise that I use AME to do all the transcoding work. Which of course brings me squarely back to my original problem: I cannot get a video file out of AME.
I'm embedding a screenshot of what I see when I click on the pull-down menu in the AME dialogue window. The problem: there is no MPEG2-DVD option listed to be chosen.
Although I'm relatively new to forums, I've read enough posts by now that it seems like most people are in crisis mode when they post. So I realize my situation is not all that unique. But from a newbie rookie in the field to you experts, I REALLY could use some assistance right now, because between this and the long, cold winter we've had, I'm about to lose it. :-)
P.S. Mark, in answer to your question about frame rates, I have 18 different videos/films/projects that I'm including in my two DVD-set. There have probably been nearly 6-7 different cameras that have contributed footage to one or more of those films by borrowing camcorders of different brands and types and quality levels from people. Nearly every one of those 18 films have multi-camera sequences in them. And many films are collections of sequences which themselves are "nested sequences" sometimes three deep. In otherwords, there is no way I can tell you all the various frame rates that may be represented among these 18 separate projects and I certainly can't go back and hope to change them all to the same one.
Help. Please. :-)

Media Encoder crashes when exporting from Premiere Pro

Media Encoder crashes when exporting from Premiere Pro. I am queueing multiple files for export and Media Encoder will crash. The computer system has 32GB of RAM and the videos export fine in Premiere, but that requires exporting each one individually. Each video file is being down converted and some can be quite long (upwards of 3-5 hours). Nothing else is running on the computer that would take up memory.
Any idea why Media Encoder will crash?

Try turning off GPU acceleration.

Premiere Pro CS6 and Media Encoder CS6 Color shift on export

Hello,
I am working on an early 2008 Mac Pro with 2 X 3.2 GHz Quad Core Intel Xeon Processors 32 GB of RAM a NVIDIA GeForce 8800 GT 512 MB Graphics Card and I am running OS X 10.8.2.
I have the updated Version of Adobe Premiere Pro CS6 and Media Encoder CS6 through the awesome Subscription program that Adobe has started.
My footage is shot with the Canon 1D Mark IV shot 1920X1080 at 24 FPS
I am importing the camera files and then exporting them after I cut them up in to Quicktime Pro Res 422 HQ files
With the technical explination out of the way here is my problem. I have color right from the camera files that I like. and with out doing any thing to change the color I export the footage and get a dramatic color shift. The exported file looks desaturated and slightly green.
I have tried using Media Encoder CS6 to export my footage and that has the same result.
I started my career as a photographic retoucher and use photoshop and light room constantly so I am pretty confident that i know color. I also calibrate my Lacie 526 and Lacie 324i montiors monthly as well as have a sensor that will slightly shift the profile depending on the time of day.
I have attached three screen shots that show the color shift exactly. Now what I need is a solution. What I am not seeing is color settings for Premiere. I am totally open to any suggestions on what I might be doing incorrectly.
Ben

Benjamin Peterson wrote:
I started my career as a photographic retoucher and use photoshop and light room constantly so I am pretty confident that i know color. I also calibrate my Lacie 526 and Lacie 324i montiors monthly as well as have a sensor that will slightly shift the profile depending on the time of day.
I've been doing this for a few years now, and have come to some conclusions. Basically, the difference between still photography and video is like the difference between playing the trumpet and the sax. What you bring to the sax from playing trumpet is your ability to read music, what you know about composition, blending while playint with others, ect. But playing trumpet tells you nothing about how to physically play a sax. So it is with still photography and video.
For starters, your carefully calibrated computer monitor is just that, a computer monitor. It doesn't display the correct working space for video. What you need for WYSIWYG in video is a monitor that can show you the Rec.709 working space. Rec.709 has a different gamut, a different gamma, probably a different white point (D65), different phosphor colors, etc., etc., etc. Enought differences that it's difficult to make a computer monitor that can successfully display Rec.709. Yet there are a couple of computer monitors that can do this (a few Eizos, one HP). The vast majority of people doing serious color correction work in video use a production monitor for just this reason.
But a production monitor isn't enough. You also have to make sure that the signals you're sending the production monitor are correct. There's a sub-industry making signal converters for signals from NLE video cards (usually RGB based) -> signals for production monitors (usually YUV based).
That said, it is certainly possible to get a very good match between your NLE suite and a DVD / BD as displayed on an HDTV. But it's not as simple or easy as a calibrtated computer monitor for still photography use.
This is probably part of your problem. But Quicktime is probably the root of it. Quicktime is, well, I guess the polite way of saying it is that Quicktime is problematic. It gives all kinds of problems. Most people have abandoned it. You should too.

Schwammiges und verpixeltes Bild nach Export in Premiere Pro CS6

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