[Premiere Pro CS6] Temps de rendu TimeLine Lent et Saccadé

Bonjour,
Je possède un ordinateur portable a la configuration très recommandée d'Adobe: Processeur Intel I7, 8go de ram, carte graphique Amd radeon HD 7670M 2go dediés, windows 8 64 bits. Bref c'est une bonne machine
Mon problème, c'est que sur Adobe Premiere Pro CS6, lorsque je lance une video (dans l'apercu, ou dans la timeline), elle met du temps a charger, elle saccade, et c'est très lent. Surtout énervant lorsqu'on souhaite vérifier que la vidéo nous convient.
Quelqu'un aurait il des conseils, des astuces a me donner ? Je précise que j'ai laissé 6.5Go de memoire à Premiere, et activé le cache mémoire.
Merci d'avance,
Adrien.

Si c'est de l'usb3 ça pourrait suffire. En usb2 le gain sera nul.
Le mieux est de remplacer le disque en entier, mais bien sûr, au dépend de
la capacité. On commence a trouver des 512go a des prix raisonnable (pour
des ssd)
Le 12 juil. 2013 11:37, "Adri075" <[email protected]> a écrit :
Re: Temps de rendu TimeLine Lent et Saccadé created by
Adri075 <http://forums.adobe.com/people/Adri075> in Forums en français- View
the full discussion <http://forums.adobe.com/message/5498944#5498944

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Format: MPEG2-DVD
Preset: NTSC Widescreen High Quality
Output Name (and filetype): ______ name with Save as Type of "Video Files(*.mpg)
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choose the "DVD" button (vs the "None" button)
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Bitrate: kick it up to the max for high qulaity segments, adjust as needed to get the filesize I want for my lower quality segments
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Audio Format: Dolby Digital
Codec: Dolby Digital
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I check the "Use Maximum Render Quality" box
I chose "Queue" for everything and then let it run overnight
And yes, the original media has BOTH a video track and an audio track that works (see Screenprint)
So... what am I doing wrong, helpful experts????

Larry, Mark, Jim & Bill -
It is 1 am Tuesday morning and I'd do a primal scream if my family weren't all sleeping upstairs.
Somewhere along the way, I either read or was given the advice to just skip AME, load my videos as timelines in Encore, and just do the transcoding there.
I spent almost a day trying to figure out how to get "buttons" for my menus I was building (they weren't appearing in Encore's library like they should) and eventually found a simply workaround.
So I then spent the last 24 hours or so building all my menus, creating small clips for my "motion menu" buttons, getting all that straightened away.
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I have a 100 families awaiting their DVD they've paid for that they initially were told they'd have by mid-February. I've been telling everybody that they would have it - guaranteed - by this weekend when there's a band festival that would be ideal for distribution. The DVD duplication company says they have to have it by Wed morning at the absolute latest. Meaning I've got about 24 hours to figure this out and burn my dual-layer masters of the two DVDs or once again tell people "I know I guaranteed you'd have it by this weekend, but I don't have it ready yet."
Almost as importantly, I can't afford to keep spending the hours and hours and hours on this that I have. It's impacting my personal and professional life.
Thus the primal scream.
The posts I read about the encoding failure all pretty much advise that I use AME to do all the transcoding work. Which of course brings me squarely back to my original problem: I cannot get a video file out of AME.
I'm embedding a screenshot of what I see when I click on the pull-down menu in the AME dialogue window. The problem: there is no MPEG2-DVD option listed to be chosen.
Although I'm relatively new to forums, I've read enough posts by now that it seems like most people are in crisis mode when they post. So I realize my situation is not all that unique. But from a newbie rookie in the field to you experts, I REALLY could use some assistance right now, because between this and the long, cold winter we've had, I'm about to lose it. :-)
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Help. Please. :-)

Audio and video not synchronized when exporting from Premiere Pro CS6

Hi
We have made a project in Adobe Premiere Pro CS6 that´s intended to be exported to DVD (it´s a weeding). We are working with NTSC DV Widescreen. The exporting is 720x480
We have 2 audio lines activated and sounding on this project.
The question is:
When exporting the entire video (the entire timeline sequece) using Adobe Media Encoder to formats like H.264 (NTSC DV Widescreen)... Quick Tile Movie or AVI without compression (we tested these formats) the 2 audio channels get unsynchronized from the video. The same problem occurs if we get a direct link of the timeline from Premiere to Encore.
And Inside Premiere Preview audio is preety correct.
Does anyone here are getting such problem?
Also..can I ask another question (as I´m not expert on video production)?. What´s the best format for our purpose? Export a video to be played to DVD (we record weedings, birthdays..social events). No problem the time to export. We´d like the best quality for output.
Thank you for the help
Gustavo.

Hi John and techkid123
We have 4 cameras here. 1 is Sony model HD1000 (since it works with Mini-DV cassete we need to capture the image via Firewire). 2 cameras are Sony HD2000 (it generates *.MPEG files if I remember well). And 1 camera is a Panasonic AG-DVC7 (it generates *.MTS files)
We start a new project using the Standard NTSC Widescreen 48Khz format. When we drag to the timeline for example the MTS file...Premiere ask us if we want to Keep and Change timeline to suit the file specification. Anyway we always have 1 or 2 camera files that has a yellow line over timeline.
But I renders correct...no problem to edit...and we had no problem with Premiere CS5.5 :/
We are downloading the latest update of Premiere. I´ll make some test and publish here if the problem persist.
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Gustavo.

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I'm trying to get this project finished for a soon upcoming family get together. Any suggestions, tips, and general advice would be greatly appreciated.
Eric

Hi Eric,
The issue I would have with the workflow is that DVD is heavily compressed for delivery - not meant for re-compressing again. You're re-compressing a file that's already been compressed as small as can be. Most DVD recorders have different quality settings, like 1 hour, 2 hours, 4 hours. Use the 1 hour mode on the DVD recorder to get the "best" quality source if you must re-edit the stuff. The typical workflow would be to have some sort of capture device on the computer that records a larger, less compressed file to begin with.
As for export from Adobe using Media Encoder, choose "MPEG-2 DVD" of course, and select "NTSC DV" for the preset. Under the VIDEO tab, you'll need to adjust the encoding bitrate according to the video length. A good rule of thumb is to use 560/minutes=bitrate, and I will round down a touch for safety margin. This assumes Dolby Digital audio on the DVD (AME exports .wav audio and Encore converts to Dolby). Note that most folks don't go over 7 or 8, for best compatibility (the max limit is a bit higher, but quality of VHS source is not going to get any better anyway at higher rates, GIGO).
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Note sure what you meant about the 16:9 screen - would recommend against putting the 4:3 source material into a 16:9 sequence in Premiere in you are, this will do more harm than good. Stay with 4:3 throughout, including the DVD creation - the DVD player and TV ought to know what to do with it. You're actually REDUCING the resolution if you use a 16:9 workflow. Note that if you encode a 16:9 DVD using 4:3 material in the 16:9 frame, and then play that DVD on a 4:3 TV, bad news - it gets letterboxed AND pillarboxed and you end up with a small video surround by black on all sides. Not cool.
I'd stick with interlaced - if you deinterlace the footage at any point, you are essentially throwing away HALF the resolution, which is weak to start with for SD. Most software players will have Preferences settings to let you tweak the playback/deinterlacing at that point, and TVs will handle it fine.
PS - if you use Encore, then just export the .m2v and .wav files using Media Encoder, import both to Encore, and Encore then does NOT recompress the video any further (as long as it fits), only the audio gets the Dolby conversion. Do NOT use Multiplexed files in Encore.
Hope this is all helpful
Jeff Pulera
Safe Harbor Computers

Editing Faster You Way with Adobe Premiere Pro CS6 | Adobe at NAB 2012 | Adobe TV

Join Karl Soule, Business Development Manager at Adobe, as he unveils and demos the exciting new features in Adobe Premiere Pro CS6. See how Adobe Premiere Pro CS6 combines incredible performance with a sleek revamped UI, and a host of powerful new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more for a fluid workflow.
http://adobe.ly/HImtcE

Sleek revamped UI?
Until the UIs across all CS products are consistent, the UI as a whole is a complete failure.
It is astounding how after all these years, the CS products STILL have different UIs and UXs. Even the way the user accesses basic functions for layers (rename, duplicate, etc.) are not consistent from one app to the next.
So please hold the comments about the UI, other than "We realize we have completely failed, and our different product groups do not care at all about a unified experience across the suite, and each just want to do their own thing. And nobody in Adobe was willing to beat our groups up to force them to have some consistency. That is priority #1 for our next release."

Working with video and photos in Premiere Pro CS6

Hi Folks.
I am a LONG TIME Adobe Premiere 5 user. NOT CS5, Adobe Premeire 5!! Yes, from the 1990's!! Recently I went back to college and taking advantage of the educational store, I treated myself to Adobe Master Collection CS6. I LOVE IT!!!
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1.
My movie is being made at the resolution of my video footage, 1280 x 720. My photos are MUCH bigger then this. When I place a photo on the timeline, because it's much bigger then the video resolution I have to right click on it on the timeline and select Scale To Fit Screen or whatever the option is. This works great as the whole photo then shrinks down to fit within the video resolution. But it's a pain as I have LOADS of photos!! Is there a way to make photos default to fitting on the video resolution when I place them on the timeline? I don't want to resize them in Photoshop to fit the resolution as I plan to move and zoom into the photos as part of the video so I want to keep them at their 14Mpx size.
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Paul.

Start by downrezzing your photos in PS to a more manageable size. If you don't need pan and scan, just use 1280x720. You can batch resize them in PS and it will make the editing experience a lot better, putting less overhead on the system and resulting in a much snappier response.
Read about handles in the Help file for transitions. You need extra material at the end on a clip and the beginning of the next clip.

[Premiere Pro CS6] Temps de rendu TimeLine Lent et Saccadé

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