Proportioning shapes and aligning them (specifically hexagons)

Hello, I am having a really hard time figuring this out, so I figure I'd come here. I am trying to create a striped outline around a design and I can't seem to do it. I'm doing the white stripes (which is what I'm troubled with) in the shape of a hexagon around the hexagon design in the middle. I can't resize each hexagon so that when i align them vertically and horizontally there is the same space between all of them. any help is appreciated. thanks
here is a picture of what i'm working on...

amnv,
To add new strokes, in the Appearance palette flyout (top right arrow) tick Add New Stroke, then make sure you have it selected in the main Appearance palette when you change it.
For stroke/nofill hexagonal paths, you can also use Object>Path>Offset Path setting the Offset to equal the sum of the (new) Stroke Weight and the desired gap. For identical Stroke weights and gaps you can just repeat it.
However, it seems that your hexagon shapes are fill/nostroke compound paths forming rings of increasing size, and none of the suggested ways would work with that.
It is much easier to work with stroke/nofill paths, unless you wish to have scaled shapes, with increasing gaps and thicknesses.
You can scale either; for stroke/no fill paths you need to tick Scale Strokes & Effects, which you can do in the Transform palette flyout.
If you wish to have hexagons of different widths but with identical gaps, as keenly spotted by Emil, for a stroke/nofill version you may also:
1) Create the innermost hexagon,
2) Scale a copy to get the outermost hexagon and adjust its Stroke Weight if needed,
3) Object>Blend>Options, set the number of intermediate hexagons,
4) Select both and Object>Blend>Make, you may need to go back and adjust the size of 2),
5) Object>Blend>Expand,
6) Align>Distribute Spacing.

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  • Is there a way to import images that have been edited and assign them to the original?

    I am transitioning to mac and aperture. Is there a way to import images that have been edited and assign them to the original? I have 10,000 originals and about 2,000 edited images. The originals are named img_XXXX and anything modified img_XXXX_modified. I would like to be able to import the originals and then import the edited versions and assign them to the original masters. Instead of starting from here and going forward with 12,000 masters, some of which are actual originals and others not. Thanks for the help.

    Ah, the vestiges of a destructive workflow! Once you "get" Aperture, (specifically Masters and Versions) you are going to love it, as all of this work goes away - the relationship that you seek to retain is automatic in Aperture; it is simply done differently.
    The short answer to your question is EVERY image file that is Imported into Aperture will create a new Master and one Version. Assuming that your images are PSD/TIFF/JPEG that you created in something like Photoshop, then each one that your import will be a new Master. You have many options:
    -- Stick the originals in one Project(s) and the edited versions in another Project(s).
    -- Stick them all in the same Project(s) and "Stack" them.
    But here is the real question: Why are you doing all of this work and what are you trying to accomplish? Seems you are trying to preserve old things that don't need preserving in a non-destructive workflow.
    So, what is most valuable to you?
    -- The original, out of camera files? (That is, the fear/need to revert.)
    -- The edited versions? (That is the hours of work that it took you to get there.)
    If the former, import the originals and ignore the edited versions. (Either simply leave them out on disk or import them into their own Projects which you ignore.) Use Aperture to recreate the work you had done previously. This will always give you the ability to revert to the original Master and create as many Versions as you want. This is the best idea if your edits are relatively simple crops and exposure adjustments,
    If the latter, then import the edited versions and do as above with the originals. This makes more sense if your work uses lots of layers and, perhaps lots of clone tool type corrections.
    Of course, you can do a bit of both.
    Others may have better suggestions, but you will find it easy to answer your own question when you understand an image based, as opposed to a file based, non-destructive workflow.
    Good luck!

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