Re: run length encoding question

I have this string:
String s = "########## \r\n# #########\r\n";
I want to run length encode the results. I am successful at encoding it:
10#6-|#5-9#| // I am using a delimeter here: "|". I am also using the replace ('-') for whitespace
I need help with this: how to suppress the trailing whitespace if there is only whitespace before the delimeter. I want my output to be:
10#|#5-9#|
thanks for the help

Yes, I would like to generate code in the encoding phase. I need help in the construct of the conditional "IF" to say something like this in pseudo code: if there is ONLY whitespace between last character and the "|" delimeter, do not print to the console.
This is the method I am using for the encoding part:
public class LevelEncodeTrimTest1 {
public String encode(String input) {
StringBuffer dest = new StringBuffer();
for (int i = 0; i < input.length(); i++) {
int runLength = 1;
while( i+1 < input.length() && input.charAt(i) == input.charAt(i+1) ) {
runLength++;
i++;
if (runLength == 1) {
dest.append(input.charAt(i));
if (runLength == 2){
//dest.append(runLength);
dest.append(input.charAt(i));
dest.append(input.charAt(i));
if (runLength > 2) {
dest.append(runLength);
dest.append(input.charAt(i));
return dest.toString();
thanks for the help.
{noformat}
{noformat}

Similar Messages

  • Decoding Run Length Encoded String

    I have a class that reads data from a server using a BufferedReader. The data is read into a char[]. This data has been Run Length Encoded by a seperate process.
    I loop through the char[] looking for a sentinal value. Once this value is found, I look at the next char to find the length and then the next char to find the value that needs to be populated.
    In order to correctly determine the length, I & the char with 0xff. This works most of the time. What I am seeing is that in certain circumstances the value is not what I expect. For example, in the following hex representation:
    F0 8B 20
    FO is my sentinel. 8B tells me to pad for 139. And, 20 tells me the value is a Space. So my class should at this point add 139 spaces.
    However, even though I & the char with 0xff it interprets the decimal value as 57.
    Here is the Method that does the UnRLE:
    public static CharArrayWriter UnRle(char[] InBuffer)
            try {
                CharArrayWriter caWriter = new CharArrayWriter();
                if (IsRle(InBuffer)) {
                    int iLoop = 0, iByteRepeat = 0;
                    for (int iIdx = RLE_HEADER.length() + RLE_SENTINEL_LEN; iIdx < InBuffer.length; iIdx++) {     // Start after header
                        if (InBuffer[iIdx] == RLE_SENTINEL) {
                            if (InBuffer[iIdx + 1] == RLE_SENTINEL)                           
                                caWriter.write(RLE_SENTINEL);
                            else {                       
                                for (iLoop = 0; iLoop < (int)InBuffer[iIdx + 1] & 0xff; iLoop++)
                                    caWriter.write(InBuffer[iIdx + 2]);
                                iIdx += 2;
                        else
                            caWriter.write(InBuffer[iIdx]);
                else
                    caWriter.write(InBuffer);
                return caWriter;
            catch (Exception e) {
                System.err.println("UnRle Exception " + e.toString());
                return null;
        }Any ideas?
    Thanks,
    ABumgardner

    Readers and Writers expect to deal with 16-bit characters. You need to be using InputStream and OutputStream.

  • Encoding questions

    Hello,
    I have some encoding questions, my projects are PAL-AVCHD-Full HD 1080i 25 5.1 channel. I export the videos in Windows Media, here come the questions.
    What’s the difference between one and two encoding passes?
    What does “Allow interlaced processing” do?
    Thanks,
    Enrique

    Enrique,
    Let's look at the 1-pass vs 2-pass Encoding.
    When one sets the general parameters for Encoding and chooses 1-pass, the parameters are applied over the entire Timeline. This is the quickest method for Encoding and will be pretty good, based on the chosen parameters.
    With 2-pass, the Encoding program will first look at the footage, in the scheme of the chosen parameters, but while doing so, will look for faster motion (both camera and subject) in the Timeline. Where it finds the motion, it will mark it for the highest setting in the parameters. The highest settings will be applied to the sections with the most motion, and the "average" will be applied to the rest. This yields a better Encoded file, especially where there is motion. This Encoding method takes longer, as the Encoder must look at all of the footage first to decide what to do, and then to apply the Encoding parameters.
    The Encoders used by Hollywood, are usually at least 9-pass, and often quite a bit more. They are also run by experts, who do nothing but Encode all day, and are highly-paid for their work and their expertise. This is why the high motion footage in a commercial DVD will look smoother, than what we can accomplish, and the file will likely even be smaller. Those Encoding programs cost hundreds of thousands of $, so it's not like we could download one and use it, even if we were experts and could figure out the settings.
    So to wrap up, a good Encoding engine will likely do a fair job when set to 1-pass, but especially with higher motion footage, likely a better job with 2-pass, and the only cost is time. Unless I am trying to Encode a quick reference file, I will always use multi-pass schemes, to get the best possible output, and just have a cup, or two, of coffee, while I wait. Also, there are better Encoders, than the ones included in our NLE's and authoring programs. Grass Valley's ProCoder is one that gets really high marks - this side of Hollywood.
    Good luck,
    Hunt

  • In the middle of the installation processing, this has appeared: "There is a problem with the windows installer package. A program is required for this install to complete could not be run." my question is, what is that specific program?

    in the middle of the installation processing, this has appeared: "There is a problem with the windows installer package. A program is required for this install to complete could not be run." my question is, what is that specific program?

    Let's try the following user tip with that one:
    "There is a problem with this Windows Installer package ..." error messages when installing iTunes for Windows

  • H1 footage & premiere deinterlace encoder questions.

    Hi all,
    I recorded some footage on a H1 in 60i HD (HDV). Used Premiere CS3 preset HDV 1080i 30 (60i) to capture it.
    Capture question...
    1. Should i buy cineform aspect or prospect HD to convert it before editing in premiere CS3?
    Adobe media encoder questions...
    2. Should i deinterlace the footage first by selecting "Deinterlace" in the from the output tab?
    I was reading some adobe livedocs info that its a good idea to do so, even though canon says their 60i, 30f, 24f is as good as progressive.
    3. should i choose "HDTV 1080i 29.97 High Quality" or "1440 x1080i 29.97 High Quality"?
    The H1 captured output from tape is 1440x1080i. The encoder HDTV preset outputs 1920x1080, the other preset obviously outputs 1440x1080.

    1. I use Cineform with great results and would indeed convert it to cineform BEFORE editing. It converts the 4:2:0 colorspace to 4:2:2 and is better to edit with, along with the fact it also coverts long GOP to almost a frame based compressin.
    2. Cineforms method of "deinterlaceing" is different than Adobe's.
    I have tried both. It seems that Cineforms is better. There is a LONG post under HDV to SD conversion. Read it.
    But, it seems to me that if you keep it interlaced, motion seems smoother and more natural.
    Adam Wilt did a good review of the HL and stated that the "F" frames are really progressive frames made from interlaced CCD's. The frames do lose a little vertical resolution.
    I would either shoot in F and keep it there, or shoot in I and keep it there.

  • Help PowerBook 150 not Run disket flash Question mark System 7.5.3 - 18 parts.

    PowerBook 150 not Run disket flash Question mark System 7.5.3 - 18 parts.  Please Help !!!

    Hi,
    First of all, in order to verify whether the 7.5.3 system software files are of the type earlier downloadable from Apple (with one large image file split onto floppy-sized segments), could you confirm that the first of the eighteen files has a file name with ".smi" at the end (before .bin or .hqx), and that the remaining seventeen files each include ".part"? The US version had totally nineteen files (one. smi and eighteen .part), but as I indicated above, this was different depending on language version.
    If the PowerBook 150 is empty (without an operating system), you will need a startup floppy. Do you have access to a Disk Tools floppy for the PB 150? A Network Access Disk 7.5 floppy would be useful under all circumstances, and can be used as an alternative startup disk (and the system folder could be copied to the hard disk, and would then act as a temporary system). The problem today is that Apple's older software downloads list, which contained the Network Access Disk 7.5, does not appear to be available any more.
    If you have the NAD 7.5 file already, the normal way of creating a bootable floppy was via a utility called Disk Copy (on another Macintosh computer with a built-in floppy drive). Disk Copy 6.3.3 can still be downloaded (https://support.apple.com/kb/DL1262). The Make a Floppy command under the Utilities menu is used to create properly sector-copied floppy disks. Please note that the Disk Copy utility is not needed or used to mount a self-mounting image (.smi).
    There were special methods allowing an NAD 7.5 floppy to be made through a Windows PC as well (using a Windows version of StuffIt/Aladdin Expander and a utility such as WinImage).
    It is also possible to obtain a version of StuffIt Expander for the PB 150 through a PC (but the PowerBook would need at least a temporary operating system first). With access to an older Windows PC (capable of running a DOS program) with a floppy drive, you may want to try the following: Prepare an empty PC-formatted 1.44 MB diskette via FORMAT A: in DOS or the "full" formatting option under Windows. Download the MACDISK.EXE file from http://rrzs42.uni-regensburg.de/Macintosh/files/macftp.html . Run this MACDISK.EXE (DOS) program on the Windows PC. Follow the instructions on screen. The result will be a Mac-formatted (sic!) floppy that could be moved to and used with the PB 150. This floppy contains a StuffIt Expander installer. Once installed, drag downloaded .bin files onto the StuffIt Expander program icon to decode them.

  • Cs4 media encoder question

    Hello all....I have been holding off upgrading to CS4 production premium from my CS3 suite....mainly as I really am not sure what the benefits would be for my particular workflow.....but one question I need answered is this....I currently use Procoder 3 for all of my encoding needs and am extremely pleased with the results....would upgrading to CS4 make Procoder redundant? or can I bypass the AME (which sounds extremely buggy)any feedback is much appreciated
    cheers
    steve

    Steve,
    I have similar concerns about switching over to PP CS4--though I find many of its features enticing.
    Obviously, any workaround will cost time and workflow effectiveness. I certainly do not care for the stranglehold they have given AME. That was not a smart design move IMO, and certainly not a smart marketing decision, especially given the level of complaints about AME's slowness and quality issues with some formats. It IS a separate application--so where is the necessity in making it required for PP export.
    I presume one could edit/render in a given standard format, run a batch through AME while doing other work in PP, and then batch the the lot through procoder 3 to final format while continuing editing. I may give that a try with the trial version just to judge what the workflow costs are. It would take a lot for me to give up procoder, unless I was convinced that the control and quality levels were the same or better in AME.

  • Flash Video Encoder Question(s)

    Hello,
    This is the first time we've used Flash Video Encoder. We
    have a video that is about 12 minutes long that is in QuickTime
    format. We have added it to the FVE queue and have two questions.
    1. I think we may have messed up the settings. The first time
    we tried to do this conversion we tooled around in there, but then
    when we tried to go back in later we receive a message that says
    "Flash Video Encoder cannot find the selected file. The file may
    have been moved or deleted" when we click the Settings button.
    2. It takes FOREVER to convert this video. Before we stopped
    it, it had run for 25 minutes and the estimated time left was over
    10 hours.
    Is this normal? What on earth are we doing wrong?
    Thanks for your help.
    GN

    That is odd since I also have quicktime pro and it IS an
    option:
    http://www.johnkalnin.com/images/quicktime.jpg
    Maybe that is something that got installed when I installed
    Sorenson Squeeze. I am very sorry if that is the case. Try
    downloading and installing the sorenson squeeze trial and see if
    that helps.

  • Can't run (Media Encoder or Encore) and Premiere Pro

    I finished a sequence, started up Media Encoder, then began editing a new sequence with Premierer.
    The result was that after a while, Media Encoder "Not Responding".
    I started Media Encoder again and this time I left the room to watch TV.
    Media Encoder built the AVI file correctly.
    Also Encore died when I tried to use Premiere at the same time.
    Is that the rule with CS4 applications?

    Harm
    In EN once I click on the Build button to begin building a DVD it will take more than 30 minutes before the DVD comes out.
    In the mean time I would like to fire up PR to start editing some other project.
    If that is not something I can do then I can use my KVM switch to go to my old PC and produce artwork for the DVD case.
    On another topic, I am in the process of making a BluRay DVD with Encore and when I clicked on the Preview button, instead of getting the neat little window that allows me to run a simulation of the DVD menu, I got a huge version of that menu that I could not manuver to get to the controller buttons.

  • File encoding question

    Just attempting to open some file and read it to screen with BufferedReader and no encoding is handled anywhere...
    I tried to save an html file to .txt and just use that as a test file, but yeah encoding was different from ???(the standard encoding I guess) and stopped at some point in the text file.
    I did open notepad2 and say under encoding to be ANSI, read a bit on the forums and see UTF-16 mentioned a bit as well... So my question is just what type of encoding is a normal standard text file?

    Hi,
    rugae wrote:
    So if I change my regional settings to Chinese or something and create a document with Chinese characters and attempt to read the file If you create the file with a editor, you save it with the encoding that is appointed in your editor. If you save it with java, use OutputStreamWriter with a defined charset (see http://www.exampledepot.com/egs/java.io/WriteToUTF8.html).
    say with BufferedReader or just Scanner line by line with no implementation at all to handle different encodings, to console or another file is that going to give me correct outputs? (yes/no would be sufficient to clear it up for me...)Maybe ;-) Finally you have to know the encoding of the file or you have to guess it. If it is a HTML document, there are HTML headers that shows the encoding. If it is transported via HTTP then there is also a HTTP header Content-Type with a encoding declaration. Firefox shows this to the user with [Tools]-[Page Info]. http://www.beijing.gov.cn/ for ex is encoded in GB2312. Some Taiwanese pages may be encoded in BIG5. Encodings aka charsets are defined by IANA http://www.iana.org/assignments/character-sets.
    If you know the encoding(charset) of the file, then read it with InputStreamReader and the right charset as shown in http://www.exampledepot.com/egs/java.io/ReadFromUTF8.html.
    You can feel confident, if you have saved the file in UTF-(8 or 16) and opened it with the same encoding. UTF encodings are recommended.
    greetings
    Axel
    ps: In java Charset.defaultCharset() shows you the default charset of this Java virtual machine.
    Edited by: Axel_Richter on Oct 9, 2007 8:12 PM
    Edited by: Axel_Richter on Oct 9, 2007 8:17 PM

  • Another "What to run CS3 on" question

    I'm an R&D Engineer and started a couple years ago doing video work for the company I work for and am in need of a laptop to work on as a mobile work station. I travel a lot and need to keep up with things rather than come home to a huge project while I have other work backing up while I am gone.
    I've researched many lap tops, Alienware looked great till you start searching for reviews. Looked at Macbook pro but I guess I am rebelling against Mac for no apparent reason (like pc's, call me weird). Dell...well they own Alienware and have seen some similar reviews and not sure the config is what I'm looking for, so here is what I am down to.
    HP HDX
    Vista Home Premium (32-Bit) Yes I know some have had issues with Vista for some crazy reason I'm willing to give it a go.
    Core 2 Duo T9300 2.5GHz
    3GB Memory
    512 Nvidia GeForce 8800m Video card
    2 internal 120GB Sata Drives @ 7200 rpm (Called HP and they said the two drives are not striped in a raid configuration)
    Will also run a eSata external in Raid 0 Gig unknown at this time.
    I pretty much use PP CS3 and PhotoShop CS3 for most of my work But I am a AE junkie, a cold beer and a nice long session with After Effects CS3 is what I call a hot Satarday night nowadays. I am working with a GL2 at the moment but will be moving to HD sometime this year. What I would like to do here is be able to function, without massive head aches and get my work done and enjoy my downtime stuck in hotel rooms working in AE.
    Its okay if render time is longer than on my custom desktop, gotta get out and eat sometimes. So the big question is in your experience is it possible to run CS3 Production Premium Suite on this system and have a ball with it or is there a better machine for a mobile work station out there?
    Right now the imaginary buget is at 3,000 but I'd go a bit more for piece of mind if needed and I'm not concerned with size or weight, its not for working on an airplane or at Starbucks.
    Thanks in advance for your opinion and don't be uncomfortable about being brutal, good or bad I want to hear it.
    Woody

    I don't see any problems other than...
    - you won't be able try different display cards.
    (no dual screens and no incompatibility workarounds.)
    - you won't be able to try any high end HD-SDI capture cards.
    (you may need one for full HD ingest.)
    - how are you going to capture your video onto the laptop?
    (you'll need a firewire pci card to capture HDV, you won't be able to capture full HD without a high end HD-SDI card.)
    - i would get the fastest cpu you can afford.
    - i would get the largest screen you can get on a laptop.
    - make sure the laptop has video outputs.

  • Character Encoding question

    I'm helping another group out on this so I'm pretty new to this stuff so please go easy on me if I ask anything that is obvious.
    We have a J2EE web application that is sitting on a Red Hat Linux box and is being served up by OAS 10.1.3. The application reads an xml file which contains the actual content of the page and then pulls in the navigation and metadata from other sources.
    Everyone works as it should but there is one issue that has been ongoing for a while and we would like to close it off. In my content source xml file, I have encoded special characters such as é as & amp;#233; - when I view the web page all is well (I see the literal value of é but when I do a view source, I see & #233;
    If I put & #233; into the source xml file, the page still displays with é but when I do a view source on the web page, I see literal é value in the source which is not what we want. What is decoding the character reference? While inserting & amp;#233; into the xml source file works, we do not want to have to encode everything that way we would prefer the have & #233;. Is it a setting of the OS, the Application Server or the Application itself?
    When I previewed this post, I noticed that by typing & amp;#233; as one solid word, it gets decoded as is seen as é so I had to put a space between the & and the amp to get my properly explain myself.
    Any help would be appreciated!
    Thanks,
    /HH

    There are a lot of notes on MetaLink about character encoding. I wrote Note 337945.1 a while ago, which explains this into more detail. I will quote some relevant to your situation:
    For the core components, there are three places to set NLS_LANG:
    - in the system environment (this is obvious)
    - in the file opmn.xml
    - in the file apachectl
    A. Changing opmn.xml
    - go to $ORACLE_HOME/opmn/conf and edit the file opmn.xml
    - Search for the OC4J container your application runs in.
    - Within the <process-type.... > </process-type> section, add an entry similar to:
    (1) OracleAS 10g (10.1.2, 10.1.3):
    <environment>
         <variable id="NLS_LANG" value="ENGLISH_UNITED KINGDOM.AL32UTF8"/>
    </environment>
    B. Changing apachectl (Unix only)
    - Go to $ORACLE_HOME/Apache/Apache/bin
    - Open the file 'apachectl'
    - search for NLS_LANG
    e.g.
    NLS_LANG=${NLS_LANG=""}; export NLS_LANG
    Verify if the variable is getting the correct value; this may depend on your environment and on the version of OracleAS. If necessary, change this line. In this example, the value from the environment is taken automatically.
    There is more on this topic in the mod_plsql area but since you do not mention pulling data from the database, this may be less relevant. Otherwise you need to ensure the same NLS_LANG and character set is used in the database to avoid conversions.

  • Highest quality Blu-ray disc encoding question ...

    I did a bit of searching on old posts, but still wasn't clear on the answer.  My source footage is 1280x720, 59.94p and came from a Contour+ helmet camera where the files are stored in a .mov file with H.264 encoding.   My video is only 9 minutes long.   What is the best method to produce the highest quality single layer BD out of PP and Encore in this case?
    One response I can envision is that isn't going to matter in this case given the camera/source.  Otherwise, would one be better off using Adobe Dynamic Link and letting Encore choose the settings or selecting the format/preset and tweaking the video settings in PP and importing the resultant files into Encore?
    If PP, I have seen some posts saying MPEG2 Blu-ray will produce a better result if the bit rate is cranked up high.  But then others imply H.264 will likely come out better.   I also noticed that the H.264 video settings allow increasing the bit rate there as well. 
    I will have a question on video settings depending on the answer above.
    Thanks!

    Thanks Ann.  Everyone else confer or do we have any MPEG2 advocates?   Assuming H.264, what video settings would you change from the default beyond the frame dimensions and frame rate?  I'm a layman/consumer, but at a glance I thought perhaps "VBR, 2-pass" would have merit as I thought I read somehwere that produces a better result (encoding time doesn't matter for me).    What about increasing the Target and Maximum Bitrate sliders all the way to the right (my video is short)?  What about the Render at Maximum Quality check box (I'm still confused on that one and when to use it)?

  • DSC Run-Time Licence Questions

    Hello,
    I have recently discovered that LabView Developers Suite that I thougt was a complete development & deployment platform is not:
    Since I had chosen to use DSC Modbus funcitonality, I need the DSC Runtime as well, apprantly both on my development system, and on the PC where the system will be deployed.
    As bad as this is, I find it more frustrating to find out how these licences must be handled.
    Our customer is a Precast Concrete Production plant that is not accustomed to handling software installation and licence issues.
    Further, the PC is of course not online to the internet: This is a rough production environment.
    I will build a complete installation package so that that customer can install the complete software onto the PC in a few easy steps.
    I thougt LabView was up to this task, but I am now wondering if this is the case.
    My questions are:
    Must the DSC Runtime Licence be activated on the client's PC?
    If yes, how is the licence activated when the PC has no internet connection?
    PCs quite frequently die in these rough environments, and the client must be able to quickly install my software package onto a new PC to keep the production running!
    Can the client reinstall my software package on a new PC with no DSC Runtime licence hassle?
    What are the exact steps to do this?
    Suggestions:
    I strongly feel that NI should put up information about the fact that a DSC runtime is needed and links that explain these Licence issues on the following page:
    http://sine.ni.com/nips/cds/view/p/lang/en/nid/1012
    The page above should also contain a link to this page: http://www.ni.com/labview/labviewdsc/faq.htm
    Like it is now, developers are waiting valuable time to find answers to thse questions (at least we did).
    Message Edited by geirove on 12-07-2009 03:44 AM
    Message Edited by geirove on 12-07-2009 03:46 AM
    Message Edited by geirove on 12-07-2009 03:48 AM
    Geir Ove
    Solved!
    Go to Solution.

    Christian_M wrote:
    Hi,
    If you simply need to use ModBus, here is a free library for LabVIEW: http://sine.ni.com/nips/cds/view/p/lang/en/nid/201711
    To your questions:
    Must the DSC Runtime Licence be activated on the client's PC? Yes
    If yes, how is the licence activated when the PC has no internet connection? You can call your local NI Office, give them the Serial Number and the Computer ID (could be found in the license manager) and activate it per hand.
    PCs quite frequently die in these rough environments, and the client must be able to quickly install my software package onto a new PC to keep the production running! They can again call NI with the new computer ID
    It is not an option to start rewriting code to use the Modbus library directly at this time. We use DSC to bind Shared Variables to Modbus addresses.
    So NI is open 24  * 7 to support this and other 24 * 7 industries with new Runtime Licenses when a Control System PC / RT Module breaks down?
    This does not look good for using DSC functionality in this industry. The potential client base here, is quite large: > 130 factories throuhtout Europe.
    Why doesn't NI simply let users run 30 days on a temporary DSC Runtime License the way you do it for all other NI products?
    a) This way we could test the software.
    b) Clients could reinstall and have 30 days to get help to activate the DSC Runtime License.
    Does not look like NI is interested in supporting 24 * 7 industries at all !
    Better suggestions from NI?
    Geir Ove

  • Idoc inbound error - encoding question

    Hello,
       I receive idoc file from a parnter.
       I create a File Ports(WE21) : Non-unicode format and Checked 'Continue Despite Conversion Error'.
       The partner send to us a file with ASCII-encoding including  German NÄHER .
       In WE02, I found the line with German NÄHER disordered.  ÄH became char  腍 ,but I have set 'Continue Despite Conversion Error'.
       like this:
               PCKAR     SACK NICHT N腍ER SPEZIFIZIERT      0
               PCKNR     000SAC                            8
               ANZAR     00.000        0
               VBELN     301866818                         0
               POSNR     00060                        6
               BTGEW     000.000          0
               NTGEW     .000             1
               TARAG     .000             K
               GEWEI     GM0
               BTVOL     .000             0
       If the parnter don't want to change the encoding, Can I do something to make it worked ?
                                                                                    Thanks.

    I post the same question on Expert Forums » Application Server » Unicode
    It's OK now.
    ======================
    Good way:
    Add this code before CALL FUNCTION 'EDI_DATA_INCOMING'
    SET LOCALE LANGUAGE 'D'. "table t002
    Nils Buerckel's answer :
    Hi Harry,
    this is not a conversion error.
    The file contains Latin-1 data with the special character "Ä".
    Now I assume you use as logon language in the Unicode system ZH (or another Asian language) ... ?
    Then the system evaluates SY-LANGU and converts the Non-Unicode file based on the Asian code page.
    Then ÄH will be interpreted as 腍. Hence the system gets a word with 4 characters instead of 5.
    This can lead to shiftings in the whole idoc and the idoc might be invalid.
    Therefore I would propose to upload the idoc using logon language EN or change it via "setlocale " in abap code.
    Best regards,
    Nils Buerckel
    SAP AG
    Edited by: Harry on Jul 29, 2009 2:38 AM
    Edited by: Harry on Jul 29, 2009 2:39 AM

Maybe you are looking for