Round trip editing with BC?

Is there round trip editing between Muse and Business Catalyst? Or once it is published to BC and gone live you can still only edit in Muse? If you add a BC tag within Business Catalyst it will break Muse compatibility?

Hi,
If you make any changes to the codes generated by Muse else where then the changes are not reflected back in Muse. So, next time you publish/export the changes are not there and you have to make them again.
Also, refer to this kb article which talks about using the custom code in Muse,
Simple way to insert custom Jquery Slideshows and Plugins in Muse
- http://forums.adobe.com/message/4562744
Regards,
Abhishek Maurya

Similar Messages

Aperture 3 and Round trip edits with Photoshop CS4

In Aperture 2, if I selected a Master or Version in my Aperture library and then right-clicked and edited in Photoshop. Made my changes in photoshop and then saved it, the changes would be created in a new version in the Aperture library. When viewing the PSD in Aperture, all my changes would be visible. In a sense it felt like a new "master".
In Aperture 3, if I duplicate those steps, save the edited photo in PS CS4, the resulting image in the Aperture library doesn't show my edited changes UNLESS I press 'M' to display the master. This feels like a bug. In other words, if I toggle back and forth between the original version (which I used to edit and send to PS) and the new Photoshop PSD file, they look identical until I toggle the Master and then I see all my photoshop edits. Very different behavior from Aperture 2--at least for me.
Can anyone explain what I am seeing? Is this an expected behavior? I hope I was clear enough.

i havent pressed M, but I have noticed that it takes aperture a longer time in AP3 to display the edits on an image that has been roundtripped to CS4. If you jump to full screen from browser view it should show the edits immediately, but sometimes when i go back into browser mode it switches back to an unedited view. however after a minute (sometimes more) the changes will be noticable both in full-screen and browser view without any toggling. I think it's just taking longer to update the image..it doesnt necessarily require you to toggle M forever to see the edits.
at least not in my case.

Best workflow for round trip editing?

I understand that iPhoto does not support (yet) round trip editing, i.e. a RAW file can be sent from within iPhoto to an external editor but the resulting edited file cannot be saved back directly into iPhoto but has to be temporarily stored somewhere (i.e. desktop) and reimported into iPhoto using the Import function.
However,this screws up my "roll" filing structure, because the imported file is now part of a new roll and cannot be moved back to its original one.
Sure, I could process my photos before importing but this only postpones the problem. Indeed, next year, there will be an other iteration of Nikon Capture with new features and I will want to reprocess some old files to get better results ... and they will have to be reimported into iPhoto!
Has anyone come up with a suitable workaround that allows an imported file to be part of an existing roll or a solution to merge 2 rolls?
Thanks
Michel

Solved!
It's again RTFM ("Read The F*ng Manual").
Workflow would be as follows:
1. Edit RAW photo from roll, say "Xmas '05", with external editor.
2. Save modified photo as jpg version (so that the modifications are visible in iPhoto) to desktop.
3. Import into iPhoto (this creates a new roll, say "Roll 112", number is automatically assigned by iPhoto)
4. Select all photos from "Xmas '05" and "Roll 112" in the iPhoto library
5. Select Create New Roll from the File menu (all photos are now combined in a single roll, say "Roll 113" with today's date)
6. Rename Roll 113 into Xmas '05 and change the date to keep the chronological sequence
Voila! Roll "Xmas '05" has been updated (just tried it. It works).
I should have completely read the manual before posting.

Problem with demo : Round-Tripping XML with Oracle9i

Hi,
We have recently installed a 9.2.0.1.0 database with the intention of trying some of the new XMLTYPE samples.
I downloaded the demo : Round-Tripping XML with Oracle9i.
The first part, Mapping XML into Oracle9i, worked fine.
The second part, Re-composing XML from Oracle9i, doesn't seem to run.
Here is what I get i SQLPLUS :
(Step 1 to 15 is OK)
SQL> create or replace type PURCHASEORDER_TYPE as object
2 (
3 "Reference" VARCHAR2(64),
4 "Actions" SYS.XMLTYPE,
5 "Requester" VARCHAR2(48),
6 "User" VARCHAR2(32),
7 "Reject" PURCHASEORDERREJECTION_TYPE,
8 "CostCenter" VARCHAR2(3),
9 "Vendor" VARCHAR2(32),
10 "PONumber" NUMBER(10),
11 "ShippingInstructions" PURCHASEORDERSHIPINST_TYPE,
12 "SpecialInstructions" VARCHAR2(2048),
13 "LineItems" SYS.XMLTYPE
14 );
15 /
Type created.
SQL> --script 16
SQL> create or replace view PURCHASEORDERDOCUMENTS as
2 select P.REFERENCE,
3 sys_xmlgen(
4 PURCHASEORDER_TYPE(
5 P.REFERENCE,
6 (
7 select
8 sys_xmlagg(
9 sys_xmlgen(
10 PURCHASEORDERACTION_TYPE(
11 A.ACTIONEDBY,
12 A.DATEACTIONED
13 ),
14 sys.xmlgenformattype.createFormat('Action')
15 )
16 ).extract('//Action')
17 from PURCHASEORDERACTIONS A
18 where A.REFERENCE = P.REFERENCE
19 ),
20 P.REQUESTER,
21 P.USERID,
22 PURCHASEORDERREJECTION_TYPE(
23 R.REJECTEDBY,
24 R.DATEREJECTED,
25 R.COMMENTS
26 ),
27 P.COSTCENTER,
28 P.VENDOR,
29 P.PONUMBER,
30 PURCHASEORDERSHIPINST_TYPE(
31 S.SHIPTONAME,
32 S.ADDRESS,
33 S.PHONE
34 ),
35 P.SPECIALINSTRUCTIONS,
36 (
37 select
38 sys_xmlagg(
39 sys_xmlgen(
40 PURCHASEORDERLINEITEM_TYPE(
41 L.LINENO,
42 L.DESCRIPTION,
43 PURCHASEORDERPART_TYPE(
44 L.PARTNO,
45 L.QUANTITY,
46 L.UNITPRICE
47 )
48 ),
49 sys.xmlgenformattype.createFormat('LineItem')
50 ),
51 sys.xmlgenformattype.createFormat('LineItems')
52 )
53 from PURCHASEORDERLINEITEMS L
54 where P.REFERENCE = L.REFERENCE
55 )
56 ),
57 sys.xmlgenformattype.createFormat('PurchaseOrder')
58 ) "PODOCUMENT"
59 from PURCHASEORDERSTORE P,
60 PURCHASEORDERREJECTION R,
61 PURCHASEORDERSHIPINSTRUCTIONS S
62 where R.REFERENCE = P.REFERENCE
63 and S.REFERENCE = P.REFERENCE;
View created.
SQL> --script 17
SQL> set heading off;
SQL> set wrap on
SQL> set pagesize 10000;
SQL> set long 10000;
SQL> select P.PODOCUMENT.getClobVal() from PURCHASEORDERDOCUMENTS P;
select P.PODOCUMENT.getClobVal() from PURCHASEORDERDOCUMENTS P
ERROR at line 1:
ORA-06502: PL/SQL: numeric or value error
ORA-06512: at line 1
Has anyone had the same problem ?? I would appreciate any suggestions.
Thanks,
Frank

I found the solution :
The database was running with a multibyte characterset (UTF8).
After changing that to WE8ISO8859P1 everything worked fine.
It is strange that Oracle suggest to use UTF8 when installing the new database (9i)
and on the other hand doesn't support multibyte charactersets for several of the XML-products.
Cheers,
Frank

Round Trip problems with FCP, Motion and 16:9

Hello all-
I've been having some problems with FCP5 and Motion 2. I am working with anamorphic footage (mini dv), and my problem lies in trying to use the "send to" feature in FCP to Motion 2. If I send some footage to Motion 2, edit it, and then go back to FCP to look at my edit, the anamorphic flag has been removed... the video is squished and there are black bars on the right and left sides of the film. I can easily fix this if I find the clip in the FCP browser and check the anamorphic flag, then drag and drop that clip over the original in the sequence, but I was wondering if there was an easier way. Is there a way to make it be anamorphic when it comes back into FCP from Motion 2?
Thanks!
Dual 1.8 G5/2GB & 12 PB G4/1.25GB Mac OS X (10.4.4)

Yes, it loses the anamorphic flag on round trip. Just
ctrl/right-click on the Motion project in your
timeline, select Properties/Format and click on the
anamorphic setting column.
Patrick
Patrick-
Thanks for the reply. That's exactly what I've been doing, but I was just wondering if this was an actual bug or not. I guess we will have to wait for Apple to fix it...
BTW- Whenever I check the anamorphic culumn, I always have to re-drag and drop the clip in the timeline again. Is this right? Or should it go ahead and change it in the timeline automatically?
Thanks again!
Dual 1.8 G5/2GB & 12 PB G4/1.25GB Mac OS X (10.4.4)

Round trips motion with FlexMotion

I am EAGERLY looking for a LabView routine that allows the M-UTM150CC.1 motorized stage (driven through the ESP 100 controller) to perform a choosable number of round trips with the same velocity profile as it already has for one way out (for one way out, I have already the code)
Is the FlexMotion card could solve my problem? How much does it cost?

We bought in 1996 the FlexMotion 1035 (ISA card) which was at that time built by nuLogic, a startup from the MIT. Someone from nuLogic has been employed by National Instruments, I would like to get in touch with him to know what are the differences between the model PCI-7334 you propose me and the above one.
PLEASE answer me SOON because it is PRESSING
The references written on the card are the following:
FM 1035
Solder side L6 Rev-B
Made in U.S.A. 1994
P/N 5200-0005
nuLogic Inc. ECCC4 94 VO 2595
nuMotion BD
BD. COMP side L1 Rev-B

Round trip workflow with proxies between Premiere and AE / a more general question about how these programs work?

Hi all,
I'm new to editing with proxies in Premiere and have some questions about how to handle the relationship with After Effects. Say I have a rough cut (with proxies) and I want to send it to AE to do some effects. The simplest thing to do seems to be to replace the proxies with the originals in Premiere, send the project to AE and do my thing. But if I then want to send the project back to Premiere, it will involve the original files, which are too machine-intensive for me to edit. In theory, it seems like there should be a way to send the project with original footage to AE, do effects, send it back to Premiere, and then replace it with proxies to do further editing while retaining the effects.
This leads to a confusion about how AE works. When I do an effect, am I correct in assuming that it does nothing to the original file? If that's the case, it seems like it shouldn't matter (in the editing stage) what file AE "applies" an effect to (proxy or original). But I feel like there's a hitch in this workflow. The same question could also be asked about going back and forth in Speed Grade.
Perhaps there is no real answer to this and the best option is to save effects and grading for after I have picture lock, but sometimes that's not entirely possible or convenient, etc.
Hopefully this makes some sense—It's a little hard to explain.
Thanks.

Hi Mark,
Here are the specific sections of the manual that should give you the best explanation regarding the Check out/in workflow for FCP projects in Final Cut Server:
Check out:
http://documentation.apple.com/en/finalcutserver/usermanual/#chapter=7%26section =5
Editing:
http://documentation.apple.com/en/finalcutserver/usermanual/#chapter=7%26section =6
Check in:
http://documentation.apple.com/en/finalcutserver/usermanual/#chapter=7%26section =7
-Daniel

Round trip,[edit in ........]

Hi , I use Photoshop cs5 and Lightroom 3.2 and I have a problem with "edit in Photoshop CS5" how do SAVE in Photoshop does not see a copy of the pictures in lightroom.

Hi,
You could try resetting your LR preferences file - this may also be corrupted or have issues.Do you have many presets, plugins etc in LR? You may need to reinstall these if you do this.
Are you on PC or MAC?
Info on location of your prefs file can be found here:
http://kb2.adobe.com/cps/843/cpsid_84313.html
You could rename the file extension to .old which would allow you to keep it as a backup.
If you have tried all this then you may need to do a clean install of PS then Lightroom. If you uninstall both and backup & delete remaining folders this should resolve this issue and may be the quickest way to fix..
What is the full exact wording of the message? Also have you tried using PSD in your external editing settings in LR?
Couple of things for you to try..
Jon

Trouble with Round trip between Soundtrack Pro 2 and Final Cut Pro 6

I have edited a home movie together. I then have sent the sequence to Color for grading and then after completing the Color changes and Rendering. I sent it back to Final Cut Pro. It starts out working fine but during the transfer process it stops at somewhere between 50% and 60%. It is during the "Importing XML Data" phase. It just sits there and does not change and I have to force quit to get out of it. The exact same thing happens when I try to round trip from Soundtrack Pro 2 back to Final Cut Pro. So I am unable to make use of the changes I make in these programs.
This is a round trip process that I have successfully made many times before. Nothing has changed. I am working in Final Cut Studio 2 with the latest updates on an Intel Mac. Any advice on how to remedy this situation would be greatly appreciated.
Thank you in advance.

Thanks.
What's I've been doing is exporting the Soundtrack files as AIFF files, then importing them into Final Cut...
It's working... at least well enough. Still seems harder then just being able to go back and forth between the two applications.
Thanks for the advice.

Trouble with the round trip from Soundtrack Pro 2 to Final Cut Pro

I have edited a home movie together. I then have sent the sequence to Color for grading and then after completing the Color changes and Rendering. I sent it back to Final Cut Pro. It starts out working fine but during the transfer process it stops at somewhere between 50% and 60%. It is during the "Importing XML Data" phase. It just sits there and does not change and I have to force quit to get out of it. The exact same thing happens when I try to round trip from Soundtrack Pro 2 back to Final Cut Pro. So I am unable to make use of the changes I make in these programs.
This is a round trip process that I have successfully made many times before. Nothing has changed. I am working in Final Cut Studio 2 with the latest updates on an Intel Mac. Any advice on how to remedy this situation would be greatly appreciated.
Thank you in advance.

Make sure your easy setup has the correct frame rate for your sequence. Seems crazy but somehow or other fcp assigns a frame rate to audio files. I've found this can sometimes be tricky to get right. Here's what I've done to force the issue. Make sure the easy setup frame rate reflects that of the target sequence in fcp. Create a new project. import the audio in the new project. And then copy the clip from the new project to your main project.
Good luck

Trouble with the round trip from Color to Final Cut Pro

I have edited a home movie together. I then have sent the sequence to Color for grading and then after completing the Color changes and Rendering. I sent it back to Final Cut Pro. It starts out working fine but during the transfer process it stops at somewhere between 50% and 60%. It is during the "Importing XML Data" phase. It just sits there and does not change and I have to force quit to get out of it. The exact same thing happens when I try to round trip from Soundtrack Pro 2 back to Final Cut Pro. So I am unable to make use of the changes I make in these programs.
This is a round trip process that I have successfully made many times before. Nothing has changed. I am working in Final Cut Studio 2 with the latest updates on an Intel Mac. Any advice on how to remedy this situation would be greatly appreciated.
Thank you in advance.

Hard to say where the XML interpretation is getting lost... That it stalls at 60% could mean a number of things. If you have a cuts and dissolves simple timeline, that should not be an issue. Something is causing a corruption, though and it could be a media type, a filename (which can break folder paths), a filter or motion tab which generates an invalid value, or a recompression that violates the sequence settings.
At this point, I start cutting up the original sequence and roundtripping it until it works, or breaks and then try to figure out what's different. Often there's something hidden like an imbedded recompressor in a nested sequence or something like that, that will allow COLOR will load, grade, render, and then not know what to do to re-write the export XML, or re-imbed it illegally.
There are a lot of things that FCP does that editors take for granted that COLOR utterly cannot cope with -- but may deceptively carry along and then crash on the next step.
jPo

Round tripping with Fireworks CS3

I am using Dreamweaver/Fireworks CS3 and editing images
between Dreamweaver and Fireworks by round-tripping via the
Property Inspector is a very cool feature. However, I can't seem to
use this same feature with background images linked to the page in
a CSS style sheet, because there is not way to "select" the image
in Design View.
Is there a way to "select" a background image linked to the
page in a CSS style sheet, so it will show up in the property
inspector where I can edit the source file? There has to be a way!
Can anyone help me out?
David Conner

> Is there a way to "select" a background image linked to
the page in a CSS
> style sheet, so it will show up in the property
inspector where I can edit the
> source file? There has to be a way!
not directly from the design view window-
But find out the image's name and folder location from
whatever code it's
called in, and then go to the Files Panel and right-click on
the file to
edit or optimize it in fireworks. If it's a background, it's
a single image.
If it's part of an inserted .png table or similar, select an
adjacent real
image that's part of the same .png and pick the round trip
option.
Alan
Adobe Community Expert, dreamweaver
http://www.adobe.com/communities/experts/

Catalyst and HTML/CSS Round Trip with Flash?

Question one: I was wondering if Catalyst will be able to assist in importing into Flash an existing (or under development) HTML page which contains flash apps --to make technical changes such as insert more multimedia? audio, swf, jpgs, etc?
I have a nearly completed html/css page that contains Flash etc., but I'd like to add a new swf at the beginning of the page and edit it in Flash to be sympatico with the overall style established in Dreamweaver. I am using CS4 Premium Creative Suite.
I know how to bring Flash files into Dreamweaver but a round trip would be so great! Can Catalyst do it? or what do you recommend?
Question two: I am hoping to give Catalyst Beta a try where do I sign in for it?
Joy Foraker
I Web Woman

Hey Joy,
Currently there isn't any way to go between Flash Catalyst and Flash CS4. You can bring the SWFs you create in Catalyst into Dreamweaver in the same way you bring in other SWFs, but it won't be able to edit or change any of your current Flash files.
And the public beta is getting close, we're still looking at late May, early June. You can sign up here - http://www.adobe.com/cfusion/mmform/index.cfm?name=flashcatalyst_notify - to be notified when Catalyst goes beta.
=Ryan
[email protected]

When round tripping with photoshop cc, i get a saved psd file with my original raw,the problem is these are high file sizes and taking a lot of space,can i stop this?

when round tripping with photoshop cc, i get a saved psd file with my original raw,the problem is these are high file sizes and taking a lot of space,can i stop this?

That's not the workflow that I use. I have my Lightroom preferences set to create TIF images when going to Photoshop. I keep the original raw file and the TIF image (usually reduced to an 8-bit image) and only export JPEG's when they are needed to send to a lab or to send to someone over the Internet. JPEG files are highly compressed. I only create them when they are needed, and they are discarded as soon as they have been used for their intended purpose. I keep the raw file and the Photoshop-created TIF in my library. This requires extra disk space. But I always have the highest quality files available.

How do I "round trip" a multi track Audition project with After Effects?

I'm a complete Audition newb and haven't been able to find an answer for this yet. I would like to make an ajustment in my Audition project and then move over to After Effects to hear it paired with the video. Also my voice over track is not in the mix even though it has signal and when I click into the individual cuts I hear it just fine. The voice over is track 2.

I'd need to see a little bit more of the Track Panel for Track 2 to know for sure why it's not included in a mixdown, but the likely cause is the Track Output is not set to Master, but instead was set to a specific output channel on your device.
As for the round-tripping between Au and AE, this process does not appear to be as elegant in After Effects as it is in Premiere Pro. You'll need to export the mixdown of your multitrack session, overwriting the file After Effects is referencing, the re-link it in AE. This would be how I'd approach it:
1. From Audition multitrack, File > Export > Multitrack Mixdown > Entire Session. Create a file in your AE project folder called Audition Mixdown.wav (for example. Best to use uncompressed WAV or AIFF formats at this stage.)
2. Drop this file into your Composition.
3. Make changes to the mix in Audition and either overwrite the original file, or save a new version.
4. In After Effects, right-click the file in your Project panel and choose Replace Footage > File... selecting the updated file.
Since it appears AE loads assets fully into RAM, it doesn't monitor the file on disk for changes and so it doesn't auto-update the asset when it is overwritten by Audition. In Premiere Pro, where the assets are streamed directly from disk, changes saved to the source asset update in the Premiere timeline almost immediately. Perhaps this is a potential workflow optimization we can discuss with the After Effects team to improve this workflow.

Round trip editing with BC?

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