Scaling and Clipping Masks

I have a 2 color carton that I am trying to layout in Illustrator CS3. It has spot Black, a dieline, and a solid 109 yellow. I need to make the yellow bleed over the outline of the die by 1/8". I tried scaling the die larging and creating a clipping mask but I don't understand the process, and therefore have come up unsuccessful. Any help

I answered your question in another post. Here it is again. This method uses a Live Paint object of your dieline and requires no scaling, masking, nor joining of paths.
You can usually select the dieline, copy it, then paste behind. At this point the original dieline should be unselected on top of the pasted dieline which will be selected although you may not be able to see that's what happened.
Now go to the Object menu and select Live Paint/Make. Immediately change the stroke to 18pt like mentioned by Hans and set the stroke and fill both to 109 yellow.
You should now have the shape of your carton filled yellow with a 1/8 inch yellow bleed with the original dieline showing the knives and scores on top of that.

Similar Messages

Draw inside disabled, and clipping mask workaround loses information

I want to use my compound paths, with styles, fills and strokes applied to "draw inside", but that command is greyed out when I select them.
However, if I "cheat" and instead use the compound paths as clipping masks first, I accomplish something which looks exactly the same way in the layer palette as when I do manage to "draw inside" an object.
The trouble is that all my styles, fills and strokes get killed using that workaround, and I have to reapply them.
Am I missing a step somewhere, or doing this in the wrong order?
Any advice will be appreciated.
Also, any word on why "draw inside" is disabled for compound paths?
PS. Another problem using my poor workaround is that when the compound path becomes invisible, I can't find a way to drag appearances to it or apply swatches, even when I select it in the layer palette. I have to redo all styles, gradients, etc. manually, which is not efficient, nor desirable, at all.

Monika Gause wrote:
eobet wrote:
So, if I understand this correctly, two people replying here can draw inside compound paths, and two people can't. Is this a design premium feature, or why does there seem to be a difference?
Has nothing to do with Design Premium.
Maybe you'd like to show us your art. There might be other ways to achieve what you need to do.
Well my problem is that I can't do either of these:
Now, the stroke aligned to the outside, I apparently can never get around unless I choose to outline the path on that stroke, which means I loose flexibility (or add steps to my workflow).
And drawing on the inside... I guess I could make a clipping mask manually, but then I loose that really nice gradient I spent a lot of time to position just right... (either way, more steps in my workflow).
Actually, the whole point of my question is completely lost if I have to outline any path, because the reason I want to work with compound shapes and clipping masks at all, is that I want to easily be able to move one of the sub-shapes which creates the final outline, without having to redo neither the gradient fill or stroke.
And yeah, thinking again, my workflow is completely wrecked either way, since compound paths don't allow aligned strokes.

Calling all compound path and clipping mask experts...

I am attempting to get all the white areas in the attached "globe" artwork to knockout to the background color. I have tried making the entire thing a compound path, tried clipping mask and different combinations in pathfinder with no success. The image on the right is what happens when I make it a compound path. Any suggestions would be greatly appreciated, thanks!

The simplest way, I think, would be to set the white line work as an opacity mask on top of the tan circle. That is not a clipping mask, but does the same thing and it's much easier.
Otherwise, outline white strokes and "Unite" using pathfinder tool, then delete outside path (the circle), from the compound shape. That will leave the appropriate compound object to make the clipping mask:

Trouble with mass amount of text and clipping mask - please help!

I have a curvy vector image that I want text to appear in, then create a clipping mask. When I try this I get a message saying that the text object is extremely complex and might not print. The file is impossible to move around and sometimes crashes my machine.
Here is a screen cap of what I'm doing:
http://www.aaronpenton.net/mask.html
I blocked all the text so there's just a ton of it.
This is for a large graphic (22') that will be placed on glass.
Is there a better way to do this? Or a way of making the file more manageable ?
Any help is much appreciated.

>I have a curvy vector image that I want text to appear in, then create a clipping mask.
Inaccurate description. You are using the text as a clipping mask for the image. That's a lot of text, which means a very complex compound path with tens of thousands of points. No wonder this is slowing things down.
Try using the text as an opacity mask instead, then flatten transparency. Keep a copy of the text and a copy of the wave on hidden layers so you can go back and edit the text or modify the path.

Line segment and Clipping Mask help

Hi,
I have created a complex shape using just line segments. I want to be able to create a clipping mask using a .jpg photo as the texture inside the shape I have created. I have tried Grouping the path, and also making it a Compound Path, but the most that happens is the line segments themselves get filled in, NOT the inside of the shape I would like filled.
I have went through and made sure every segment is attached, but to no avail.
Any help please?
Thanks.

In CS5 you can select all you lines and then hit Command J and all but last two points will join you then select those two points and do Command J once again but if you wish to have your original art intact then just make a copy lock it and make not visib le until you need it.
Now make your clippping mask

I have photoshop 6.0 and clipping mask

I have photoshop 6.0. I was wondering how i could enable the clipping mask. This is the first time i've used an old photoshop. @Thank you in advance

Since a Clipping Mask can mean a couple of different things, i'm guessing your looking for what is Layer>Create Clipping Mask as it's called in newer versions of photoshop.
In photoshop 6 it would be Layer>Group with Previous

Clipping mask is clipping my lines and not the actual object.

Hi all,I'm using the latest CC Illustrator.
I'm so frustrated and hope someone can help me, I've already spent a few hours trying to figure this out and looked through a number of tutorials and troubleshoot forums and I cant find an answer.
How do I stop the clipping mask from clipping inside the line itself, instead of my within the object. I'm still a newbie and I know I've done something wrong somewhere. I just cant figure out what.
Here are a couple of screenshots of my problem.
The end result looks pretty cool, but since this is for an assignment, I need it to work properly.
Help!

You are welcome. No you don't need to undo, you are on the right track, you expanded the lines in order to clip mask with a lighter image, now you need to use PathFinder to fill the holes (the turtle's shells) and clipmask them with a darker image like two turtle I created a few years ago. To use pathfinder, place a large rectangle behind the turtle expanded lines (compound path), select the expanded artwork and the rectangle and click PathFinder Divide button, at this point you will have the holes filled with paths and grouped with the original paths, so ungroup them. Then you select the newly generated paths and clip mask with a different and darker image. This attach image was done with PathFinder, pen tool and live paint. The images I used are real wood species, that I scanned into .jpg files.

Some help required with Clipping Masks

Hi,
I'm quite new to illustrator - I've made designs before but really just playing at it.
Now, though, I have a design which I had "grunged" up by applying a texture and knocking out the sections of the design with it in Photoshop. However, I want to learn how to do that in illustrator and thought that clipping mask was the answer.
I can get the clipping mask to work except it creates the opposite effect I am after...It masks the portions of the image I want to keep visible leaving those areas I want masked visible.
In effect I need to inverse the mask but I don't know how to do it in illustrator.
Hopefully, I've made it clear what I mean and I appriciate any advice.
Ta
Malc

You can use the Transparency panel to make an opacity bask as well and inverse that.
Or if you wish use the pathfinder panel to minus front. I think the second icon on top from the left.
Read the help files about opacity masks, pathfinder and clipping mask
and it might also work as a compound path Command 8 or Control 8.
Read about compound paths

I have a line (stroke, no fill) and an eps graphic. I'm trying to make a clipping mask of the single line art but all it does is cut the eps graphic instead of making a mask?

I have an eps graphic and a single line drawing 2 pt wt. I'm trying to make a clipping mask of the line drawing. When I tried it all that happened was the eps graphic was cut in half. I did the exact steps from AdobeTV except the line drawing [pink camera.ai*@1200% (CMYK/Outline)] is an ai pen line drawing instead of a vector graphic and the other is [vector flower lillies.eps @ 100% (RGB/Preview)]. If you need more info on the graphics please tell me where to find it and I will send it.
This is all because the eps graphic has a white background. I have tried everything I know including opening it in Photoshop and deleting the background and it always pastes with a white background. My thought was if I can't change the background then maybe I can make a clipping mask of the pink camera and just paste it in front.
Please help this has been a thorn in my side for too long...

please post a screen shot of the graphic(s) as it's hard to understand exactly what you are asking
IF these are 'vector' graphics there should be no need for a clipping mask--also--if the .eps files are small (MB or KB) try posting one of those

Preview highlight and shadow clipping mask in second monitor

Hi, I'm new in the forum and just starting with the new LR3. I have a question about to preview highlight and shadow clipping in the second monitor, becouse I can't check the mask clipping in my second monitor as in the LR2... Is there a possibility to change it to preview the mask in the second monitor?
Thanks and regards
Daniel

Yeah, thanks.... but I mean that when you are in develop mode and you try to see the highlight or black clipping mask, red or blue, now in LR3 only appears in the main monitor, not in the second monitor as well like in LR2... Maybe I'm not explaining very well the difference...

PSE 5--what is a clipping mask and how does it work?

Can anyone explain what a clipping mask is, how it works, and most importantly if Photoshop Elements 5.0 has this capability?
Also, are there any tutorials out there that I can teach myself on this topic? I am trying to mimic a layout explained in digital scrapbooking magazine and this technique is used.
Thank you!
Heather

Heather,
You can find one explanation at Janee's tutorials: http://www.myjanee.com/tuts/elements/elemask.htm
Since PSE does not support layer masks per se, the clipping group simulates a layer mask and hence Janee's name for it, "elemask" (cute, huh?)
Here are 2 examples:
In this example I wanted to blur the background leaving the flower in focus:
http://www.pixentral.com/show.php?picture=1euavV1sDqzrEqqqierfc5dSEH9yI01
1. Duplicate the Background layer and apply a Gaussian blur to the new layer.
2. Add an adjustment layer below the blur layer (any kind of adjustment layer will do), but do not make any adjustment - just click OK.\
3. Group the blur layer with the adjustment layer. On the adjustment layer paint the subject with black
to mask out the blur, paint with white to restore the blur.
Of course you can use other tools on the adjustment layer besides the paint brush, e.g., make a selection and fill with the black or white. In some cases it might be easier to first fill the adjustment layer with black and then paint with white.
In this example (not actually a mask but still demonstrates a clipping group) I wanted to crop the picture into a leaf shape.
http://www.pixentral.com/show.php?picture=1ys9Z7FspSwF8HHKGLrxjGVhbTodmF0
1. Use the leaf from the Custom Shape tool to draw out the leaf, creating a new layer.
2. Move the leaf layer below the picture layer.
3. Group the two layers.
Note that in order to move a layer below the Background layer you have to rename the Background layer to anything else (layer 0 in my example).

Why are all paths in Clipping Masks and Compound Paths?

When I open up previous versions of Illustrator files (i.e. CS5), why are all of my paths messed up. Every object is embedded in a Clipping Mask, paths are compounded and in most cases type on a path is expanded into multiple non-editable objects. This causes complete redesign. This is terrible.

Because Illustrator accessed the PDF part of the file.
---> this points to corrupt files.
How were those files transferred to your computer? Are they on a server?
How old are they?
Which versions were they created in?
Did you already try to restart (the computer)?
Any plugins installed?

How to solve illustrator cs6 save as cs5 problem about the stroke(when the stroke with clipping mask and color is gradient, save as cs5 will change to embed ).

how to solve illustrator cs6 save as cs5 problem about the stroke(when the stroke with clipping mask and color is gradient, save as cs5 will change to embed ).

Because it was not possible to apply a gradient to a stroke in CS5. When you open the file in CS5, it is reduced to something that can be rendered in CS5.

How to make clipping mask with text and vector pattern?

Hey there guys, any help would be greatly appreciated. Im making a logo for a client and am having a nightmare of a time trying to properly use the clipping masks in illustrator CS5. I copied and pasted the logo I made behind itself with a different color just for a drop shadow-like effect. And now I'm trying to apply this diagonal line pattern I created over top the "shadow" I made to give it some texture.
Here's an example of what I'm going for, only imagine the line pattern on the text instead of banner

Eric,
As I (mis)understand it, you can either keep the Type live (or outline it) and:
1) Create one copy of the pattern for each Type object (this will give you the opportunity of having different(ly coloured) patterns;
2) For each Type object, select the type object and one of the patterns and Object>Clipping Path>Make;
or you can:
1) Select both Type objects and Type>Create Outlines, then Object>Compound Path>Make;
2) Select the compound object and the pattern and Object>Clipping Path>Make.

Two questions - Clipping Mask and Change color in group

Hello,
I have a file I rendered in Maya as a vector. I am not that great with illustrator, so I was trying to speed things up...
Anyway, it appears all the file have a Clipping Mask. If I unrelease it, it shows a plain with a similiar dimensions that is the original color of the object. See image for before and after...
Also, the same object says it is in a group. Because of that, I can't seem to change it's color, and the Ungroup button is greyed out... very confusing.
Jared

I rendered in Maya as a vector. I am not that great with illustrator, so I was trying to speed things up...
First, please forgive a little pet-peeve of mine:
You didn't render it as "a vector." A vector is a direction. You rendered it as vector-based artwork, which means it consists of [many] vector paths. I'm aware of the informal colloquialism, and I'm not just picking nits. The use of "a vector" as if in some corollary sense to "a raster image"--which I find so irritating--is misleading, especailly to newcomers.
When you refer to "a raster image", you are correctly referring to one object. When you refer to vector artwork, you are almost always referring to a collection of multiple vector-based paths, not a single object. And that is directly related to your current problem.
I assume there's a reason you need vector artwork. But you chose to have a 3D modelling program automatically render the model to vector artwork, hoping to shortcut a process while hoping to achieve the advantages inherent in vector artwork because, in your own words, you are "not that great with Illustrator." The example illustrates the self-defeating disadvantage of relying on automatic routines (much like the gross overuse of auto-tracing) to avoid having to know how to draw proper (and properly tidy) vector artwork. The end result is not the same.
Like auto-tracing, your auto-generated vector-based output is needlessly complex. This is particluarly poor practice for something intended to be used as base art for a corporate or product identity mark (logo). In a nutshell, it's sloppy.
That's why you find the results difficult to work with, and why responders to your post stumble in trying to advise you with specific step-by-step answers. The artwork very likely includes an unnecessary plethora of paths and multiple unnecessary constructs such as clipping paths and compound paths.
If this is intended to serve as an ongoing "master" vector version of an identity mark, imagine the similar difficulties that will be encountered by every downstream user. Yes, the artwork may be scaleable. But the results are not optimized for use as signage, or engraving, or screen printing, or spot-color printing, or a multitude of other uses assumed to be accommodated when someone pays for a proper piece of re-usable vector artwork.
So resorting to something like Maya's vector rendering for something like this, in hopes of avoiding what is really a rather modest learning curve, is quite often a false economy yielding sub-standard results from a technial standpoint.
It's a pity in this case, because the design itself is a good one. I don't know what your specific use is, but It probably deserves to be properly built.
To illustrate my point, below is an example from an earlier discussion. The top version was "automatically rendered as vector artwork" from Illustrator's own built-in 3D modeller. Yes, strictly speaking, it is "vector artwork." But its needless complexity practically negates most of the advantges that should be inherent in vector drawing. I would never have tried to pass it off as a finished "vector version" of someone's identity mark.
JET

Scaling and Clipping Masks

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