Super 16 mm workflow ???

I have a 10 minute film to edit at the end of the month and i am looking to sort out a workflow for this.
The film will be shot on a Arri SR3 and then telecined to Digibeta tape with a assisted best light telecine.
I will be using my Macbook Pro to edit on and will need to hire a tape deck to capture the footage.
What would be the best options for bringing this in to FCP and will using my laptop limit the options available to me.

I'll echo Jim and say get audio sync'd when you get the dailies telecined. ALSO, get a FLEX file or ALE from them so that you can use Cinema Tools to create a Batch Capture list so half of your work is already done.
Digibeta into a laptop? Gonna need the I/O HD...period. That is your ONLY option. That coupled with a digibeta deck. And no, that firewire drive will not do. The I/O HD connects to the computer via firiewire for one, and you only have one firewire bus. And if you want to capture at full resolution, firewire drives cannot handle uncompressed SD...nor ProRes. Gonna need an eSATA drive like the CalDigit S2VR Duo.
Or you can go for the offline/online workflow...capturing the footage as Offline RT. A firewire drive will work for that, so you'll have to get a PCIExpress firewire card for this. Or have a post production company capture the footage for you.
http://www.kenstone.net/fcphomepage/offlinert.html
Shane

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