Transitioning from FCP to PPro - Control-v command

Hey guys,
I'm transitioning from FCP to PPro, and a shortcut that I use quite often is Control-V. This razorblades/cuts the selected clip/clips at the exact frame where the time indicator is sitting. Is there a similar shortcut for PPro? I know I can hit the Cut key and then click where I want to make a cut, but it would be much easier to simply hit a shortcut key stroke, and cut exactly on the frame without having to guess if the razor tool is on the correct frame.
CS5.5 - OS X 10.6.8

To split clips on targeted tracks, click the headers of the desired tracks
to target them. Position the current-time indicator where you want to split
the clip or clips, and choose Sequence > Razor Tracks (called Add Edit in CS5.5).
Alternatively, press Ctrl+K (Windows), or Command+K (Mac OS).
http://help.adobe.com/en_US/premierepro/cs/using/WS1c9bc5c2e465a58a91cf0b1038518aef7-7d03a .html

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"send to color" command from FCP not working.

Hello there...
The problem i'm having is when I send to Color from FCP nothing happens.
I'm working on a project all the footage is in DV... very straight forward.. i've worked with color in the past so i understand the process of preparing the material for Color.
I restarted, created a new project, imported material in different codecs like pro res... and Nothing... Nada.
I have the latest version of FCP and Color.
i'm on a deadline so i want to avoid reinstall... any ideas??
any help will be greatly appreciated!
thanks!!!
andres.

Hello JP, Thanks for your reply!!
Here are the answers...
Restart: the application and computer (usually the solution to every problem in life)
Created a new project In FCP.
I'm not mixing any codecs... everything is straight edits no dissolves, no speed change, just cuts, all the material is the same source an old school mini DV camera 29.97fps.
I'm trying to send a sequence form FCP. Actually the "send to color" command is highlighted.
By nothing i mean:
I select on file menu "Send to Color" command and I see the prompt window with the duration of the project (5min) Name of sequence... i change the name to v2... and thats it. Color doesn't open... I tryed opening color in advance and same thing. seems opening script is not working.
Thanks for your reply and help!!!!!!
best,
Andrés.

Best way to work on timerange from FCP X project in motion?

Suppose there is a region within my FCP X that I want to add some touches (that may rely on the footage and sound i.e. tracking etc) in Motion.
As I cannot export a region from FCP X, just the whole time line, for long projects this seems quite inefficient. I don't want one massive motion project and bit may change in the edit and it is a nightmare to maintain.
What is the best way to do this now? Is there a workaround.

You can save a lot of time by trying to do what you can in FCPX. You want to track something: easy. Apply your title, graphic, or other overlay as a connected clip. Select that clip and move the playhead to the beginning (type up arrow if you're after that start, down arrow if you're ahead of the start). In Video > Transform, set a keyframe on the Position (X and Y are keyframed simultaneously -- you only need to set that first keyframe -- any subsequent adjustments will automatically add new keyframes). Command - right arrow to advance 10 frames and reposition the clip, right in the canvas with the onscreen control. Repeat until you get to the last frame (the last frame is the right edge of the clip – 1 frame!). Playback (or frame advance with right arrow) and for any frame that needs adjustment, just drag that OSC to the new position. It will take you a lot less time than trying to get a Motion tracker going in Motion for a "remote" clip in the storyline.
If you're bound and determined to use Motion tracking:
Blade your clip.
go out to the projects pane and duplicate the project (right click on the project > duplicate project :: duplicate project only)
In the duplicate: delete all the clips before an after your target clip (magnetic timeline will move it to the beginning)
Export > Current Settings (should be some flavor of ProRes)
Do your work in Motion and Export out with same settings (go into the Render tab and set Render Quality to Best. No Fields, No Motion Blur, No Frame Blending (that way you'll get it back into FCPX the way you exported it.)
Import into an Event in FCPX. Select the clip from Motion in your Event Browser. Select the clip in your storyline and type Option R (to do a replace edit.) You can Move to Trash the duplicate project.

Problem playing back HDV from FCP HD

FCP 5.0.4
I am doing my first HD project and am experiencing a problem I cannot solve.
Using both a Sony HDV HC1 and Sony HDR FX1 as playback devices, I cannot get the video to play back from FCP using HDV1080i60. Under Video playback, the options for the HDV are grayed out for the only firewire options:HDV(1440 x 1080) 30fps and 25fps. However, the option exists under Print To Video, and when chosen, will send HD1080i60p video to the cam>hi def monitor.
I have tried every possible setting on both cams to find a solution. Using DV NTSC I can get a work around. The cam's will both capture and control via FCP. Thanks for any advice.

No HDV decks will allow you to monitor external video from FCP through them UNLESS they are in the recording mode. So they just don't support this like DV devices do.
You need to look at a card for this. Least expensive would be the Intensity cards from Decklink. I like the MXO from Matrox too for this too... does more output, but has no input... I use an Io HD for that... and turn that slow rendering HDV to ProRes.. much faster rendering, and visually lossless.
Jerry

Whats the best way to import video clips from FCP into a personal template

Hey all, I'm doing some tests. I see some color shifting going on when I export out of FCP using QT conversion (same settings as sequence), Importing into Motion, then adding lower third graphics, then exporting out of Motion .... and finally back to FCP. I put the new graphic added layer on top and have the original on bottom. I toggle the monitor on both layers and see a slight saturation drop on the graphic layer. Has anyone noticed that ?
The reason Im doing this is because lets say I have lower thirds that I want to place throughout a hour show. I want to set-up a basic lower third template and just plug in the video clips for the areas that I need those graphics. It would be way to difficult to export out of the timeline in FCP
and rebuild those lower thirds everytime in Motion. Does anyone know of a better way or does everyone have to export out to the desktop and then into Motion every time they want to use a Motion template.
Thanks to any replies.

Try roundtripping from FCP to Motion and back using Send to Motion. In FCP, Control Click your clip>Send To>Motion Project. The clip will open in Motion with the proper project properties. Make your edits there, press Save, and then render back in FCP. No exporting necessary, although you might see a gamma shift. Much easier.
To do this with an existing Motion template, I'd try copying and pasting in that template's contents once you've sent to Motion from FCP.

Is there a way to make state transitions/animations of a fl.control states - button for example ?

Is there a way to make state transitions/animations of a fl.control states - button for example ?
All I can do now is change the skin design and that's it, I can't animate between states like I can with Flash Builder skins. So is there a way to do that, any technique or I have to create a button component from scratch?
Thanks!

simplebuttons have upState etc properties you can use to assign movieclips to the 3 states. you can use the currentFrame property of movieclps to (appear to) smoothly transition from one state to another.

Finishing From FCP to DVD STUDIO..... should it be really simple????

I'm trying to find a way to to editing my DVD with surround because i'm more of a logic user
and i so all my surround editing and everything in logic
but for some strange reason i'm finding it had to take my project from FCP to DVD studio
to do all the chapters and menus and all the other things you get on most DVD
i know iDVD is the easiest way to go
but its limited abit
so can anyone give me a tip on how to import or open a FCP project in DVD stuido without exporting FCP project as DV or Movie and importing it into DVD studio
thanks in advance
stash

If you want it to be simple and don't need surround, just export a reference movie of your timeline from FCP and import that into DVDSP.
A reference movie is quick to export, as long as your timeline is rendered. It also doesn't take up much space, as it's simply a reference to all your render files.
Once you bring that into DVDSP, it will compress it and you can add your menus from templates, add chapter markers, and burn.
Those of us who do critical work prefer to use Compressor because it allows us control over every setting of the compression process and we can tailor our compression to the project at hand. But for ease of use, just import that reference movie into DVDSP and burn.
Also, set DVDSP to encode in the background, not encode on build. That way it will start compressing as soon as you import the file, so it's working while you're working on menus, etc. Otherwise it won't start compressing until you hit burn.

DVD studio wont recognise PAL footage from FCP

OK, I have shot some footage on my Canon XL1S (PAL) and done some very minimal editing in FCP Studio, again set to DV PAL, I have added no effects as it is basically a video assessment for a friends pilates class. I have then exported it from FCP using Compressor and gone to import the footage into DVDSP...it has then told me that I cannot import NTSC formatted assets into a PAL project? Am I missing something?!

Did you create a PAL m2v in compressor?
You might confirm your workflow. Make your sequence timeline active in fcp and hit command-zero to view your sequence settings. Confirm that it's PAL pixel dimensions and 25 fps.
Either export a quicktime with current settings or send your sequence to compressor. Apply the appropriate DVD preset and then doubleclick on the item in the batch window in compressor and review your settings for the compression in the inspector. Again, confirm that it's PAL pixel dimensions and 25fps.

XDCAM movs from FCP

I'm currently working on a project in Premiere Pro CS5 with material originally sourced from FCP as XDCAM-EX 1080p 25fps. Unfortunately the original BPAVs are currently unable to be located & I've had to use the transcoded .movs which FCP creates. I have purchased the Calibrated XD Decode codec & installed & this appears to work (the watermark has disappeared at least). However playback is stuttering after a couple of seconds of playback. I know my laptop has enough processing power as it can playback the clips in Quicktime Pro without stuttering.
FYI Laptop is a G73JW with Intel i7940QM running 8gb RAM, 500GB drive, nVidia GTX460M graphics. Normally this handles the BPAVs without any issues affecting performance. I'm wondering whether it's the 32bit Quicktime translation that might be causing this.
Once rendered these clips playback fine but obviously this would not be an ideal workflow. As I am creating split screen effect edits & plan to export them for another FCP editor to work on I'm all ears for any ideas on the best way to do this.
Thanks

As chance would have it, I was just discussing this issue with Greg from Calibrated Software (very helpful guy!) yesterday via email. I'm going to be purchasing the DV50/DVCPROHD decoders, but had previously tried XD Decode, and noticed the slowdown. This is what he had to say:
Per the XML file - yep it can be used with Calibrated{Q} XD Decode for Windows too.
Basically
the XML file is modified from the one that comes with PPro - and it
just tells Adobe CS5 applications (AE and PPro) that our Decode codecs
support native YUV decoding - thus PPro will ask our Decode codecs for
YUV frames which in turn makes the performance/playback much much
faster.
Without the XML file, PPro asks our
codecs for 8-bit RGB frames - which then takes a big hit on playback -
as our codecs must first decompress the data to YUV and then convert the
YUV to RGB and then hand to PPro. The XML file let's PPro know that it
can just ask for the YUV frames directly.
You can get the XML file and instructions here: Why are XDCAM/HDV MOV files not playing back in realtime on my computer?

From FCP to iDVD?

I haven't tried it yet, but I was wondering if its possible/easy to export a finished FCP movie into iDVD for the DVD production?
I didn't have enough hard drive space for everything from the FCP package, and so until I can get a better computer, or until I get more space, I only installed the essentials, which means I didn't install DVD Studio.

DVD Studio Pro itself isn't a large installation, it's just the supporting media for templates and such that will take up the extra space.
For iDVD, from FCP export a self-contained Quicktime movie, then import that to iDVD.
Honestly, you should take a look at using the FCP > Compressor > DVDSP workflow, since this will give you a lot more control over the encoding and mastering process.
For the record: DVDStepByStep

Export DPX files from FCP with Timecode

Hi,
Have anyone found a way to export DPX files from FCP, and also get the timecode in the DPX header...
Thanks for answers!!
//P

Your workflow is not correct.
In FCP I bring the clip to the timeline, trim, color correct it then File> Export> Using Compressor. Compressor opens up and places the clip into the Batch Window. This works fine, but when I go back to FCP, delete the clip from the timeline and place an other clip there and when I Export>Using Compressor, Compressor places the clip in a new Window title "Untitle 1" and so it goes on. As far as I understood, whenever you add a clip from the FCP it places it below the first clip so when I want to add my settings, I can add all 3 settings to all the clips. Did I missunderstand something?
You're misunderstanding a couple of different things. When you send a clip or sequence from FCP to Compressor, you cannot then apply the settings you want in Compressor then go back to FCP and delete that clip from your sequence ... Compressor is trying to reference that sequence. If you keep removing clips, then Compressor won't follow those clips ... you're essentially breaking the link between Compressor and FCP by doing this.
Try this:
1. Load Clip A into the Viewer, Set your In & Out points and add your Color Correction.
2. Press Command U to Make a Subclip. This will create a separate "clip" in your bin. Rename as necessary.
3. Repeat this process for your other 19 clips.
4. Then Select all of your new subclips in your Browser, then File > Export > Using Compressor. This will open Compressor and add all of those subclips into the Job window.
5. Add your appropriate Target settings and set your Destinations and revise any filenames if necessary.
6. Click Submit.
For a good, quick overview on the basics of how and when to use Compressor, check out this video from MacBreak Weekly: http://www.pixelcorps.tv/macbreak153

Best way to export from FCP for website

I've been reading around about this and am not getting a clear idea of what to do...
I have some short sequences in FCP (longest is 2 minutes) that I want to post individually on my new website (that I'm just learning about).
I want to export them in a way that is a small file but that looks and sounds good, and also that can be played by most or all computers.
So I guess that is two questions: settings for export from FCP, and how to control how it will be viewed.
Thanks so much, anyone with ideas or experience!

We don't know what format you are dealing with, ratio etc.
However, some short answers for you.
For best quality at a considerable small file size the choice is, yet again, H.264 (Require QT7 or higher. For universal compatibility you may need flash conversion).
FCP main menu>File>Export>QT Conversion>Options> the higher the bit rate the better the quality but the bigger becomes the file size. Size : i.e 320x240 if 4:3; 480x270 if 16x9). Choose AAC (Not PCM) as sound format (192 target bit rate).

Missing Audio from FCP to Soundtrack Pro in Final Cut Studio 2

I've been trying to edit a sequence from Final Cut Pro 6 in Soundtrack 2 by sending the sequence to soundtrack as a multitrack project. For some reason, when I send it, multiple audio files from the original sequence are completely missing, and I have no clue why. They're .mov files from the original import of footage.
Anyone know why these don't transfer and how to fix it?

Hi
I too have had trouble with Audio from FCP 6 messing up in STP 2. My opinion is that the process works if the audio tracks in FCP are either Mono sourced or stereo sourced and are never relinked, split to mono (in the case of stereo files) in FCP during editing. God forbid you unpair a stereo track and delete one channel!
Once in STP I have had occasions where non audio appears, the wrong track appears... or sometimes the wrong audio!
Once in a while double clicking on the offending clip in STP to open it in a Wave window seems to show the right audio. Either saving it of closing the window ( command/w) restores the right material to the clip in STP.
You could right click on the audio in FCP and "send to STP Audio Project". Hopefully the correct audio is opened in STP. Then save it. Now re-export the Multitrack project and see if the audio makes the trip.
Or, you could export the Audio directly from FCP, then import it into STP and position it against the video manually.
One warning : once things start going pear shaped in the FCP-STP workflow, it's my experience that I'm fighting problems all the way. It's why I don't use STP for FCP mixing .... I want to, but its too risky.
I hope V3 is better.
Best
Lee

Cs5 is asking me to find all media associated with a project file imported from FCP BY HAND.

Please tell me there is a way around this.
I have an XML file that was exported from FCP and I'm importing it into CS5. I have the drive with all of the media on it. I load up the XML and CS5 is asking me to find every single piece of media involved with the project by hand on the drive. THis is insane and will take me hours. Why will it not locate it itself? Please someone tell me there's a way to let it search throught he folders on its own.

Repeating some of what has been stated here....
What PPro is looking for is the assets in the same directory structure as when the XML file was created from FCP. So let's say that as you were about to save the XML file from FCP, you had all the assets on 1 single drive. Some were in Folder A, some where in Folder B, some in Folder A-1 (a subfolder of A) and some in Folder B-1 (subfolder of B). As long as the files remained in roughly that same folder structure in relation to one another, PPro should be able to find all the other assets AFTER you've found the first one.
With all the translation if you go from a Mac to a PC system, there's a lot of chance there that the directory structure - even if you kept it basically all intact - could still be messed up. Once the XML is loaded into PPro, however, you should be able to select multiple offline clips in the project folder, choose "Link Media" and have PPro go through and (hopefully) find everything automagically. If not, the Finder button in the "Link Media" dialog box should help.
PPro doesn't really care specifically about folders and subfolders when relinking, it is just looking for the RELATIONAL structure based on the last time the assets were ONLINE in the project. So even if your original assets were in 1,400 different folders, it shouldn't require you to relink based on each individual folder, so long as the RELATIONSHIP between all the files and folders remained the same.
Hopefully that makes sense. I know when I work with FCP editors the footage is generally handed to me on a drive with all the assets being essentially in a very different relationship than when they were on their FCP projects (since they usually are going from multiple drives on their Mac to the single drive that they hand me with the project assets). So I'm usually required to manually relink all the assets anyway. Kind of a bummer, but thankfully most projects are limited to only about 100 assets or so, and filenames are generally unique.
Good luck!

Problem exporting from FCP using compressor

Out of the blue - I'm getting batch failures trying to export from FCP for use in a DVD. Immediately after selecting compressor for export, I get an error reading "That file already exists", and a new tab appears in the media browser with a lengthy character string. Compressor opens fine, and I select Best Quality 4:3 encoding for video and aiff48 for audio. When the batch is submitted - it promptly fails and blames FCP for generating an error.
Did all kinds of restarts and work arounds to no avail. The promising news is that this error seems to occur only when exporting from FCP through Compressor.
My work-around is to export a QT movie of the piece, quit FCP, launch Compressor, and then import the QT for batching.
Hope this helps anyone else in similar situations
Martin
G5 PPC Mac OS X (10.4.8) FCP 512 post production

Hi:
How long is your movie?
The best workflow is FCP > Compressor > DVDSP.
You can encode your timeline directly to get MPEG2 video and Dolby 2 (AC3) audio files. Then import those in DVDSP and author your DVD.
Using Compressor you control the full encoding process. You can test with small parts of your movie (those where you got problems with iDVD) and find the best encoding options fopr your footage.
Of course the DVDSP learning curve is longer than iDVD but once you learned ir you probably never go back. Like iMovie and FCP.
To give you detailed info about what encoding settings to use you must post some info about your FCP project.
Hope that helps !
Alberto

Transitioning from FCP to PPro - Control-v command

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