Video quality loss

I am importing video from a DVD using "Mac the Ripper", then converting the VOB files using "Video converter for mac 3.2.6".
Making up the my movie in Imovie 06 sending it to Idvd 08, and then burning a disc image using the best performance setting.
This all works fine except the quality from the original DVD is much better than the final result, being digital I thought there would not be much quality loss.
Is there a better way to achieve this without losing video quality. Or should I use different settings in any of the programs, (I have not changed settings from default setting in "Mac the Ripper" or "Video Converter".
Any advice appreciated, I am new to this process, but apart from quality loss I am having success.

Noted Bazmond, but we have to be careful!
You need to convert the VOB files back to DV which iMovie is designed to handle. For that you need mpegStreamclip:
http://www.apple.com/downloads/macosx/video/mpegstreamclip.html
which is free, but you must also have the Apple mpeg2 plugin :
http://www.apple.com/quicktime/mpeg2/
which is a mere $20.
Another possibility is to use DVDxDV:
http://www.dvdxdv.com/NewFolderLookSite/Products/DVDxDV.overview.htm
which costs $25.
Obviously the foregoing only applies to DVDs you have made yourself, or other home-made DVDs that have been given to you. It will NOT work on copy-protected commercial DVDs, which in any case would be illegal.

Similar Messages

  • How can I avoid video quality loss when burning Canon FS100 footage to DVD?

    When I put the footage onto iMovie it looked great, and then I sent it to iDVD to burn onto a disc. After I burned it to a DVD and watched it on my DVD player, I noticed that I lost a lot of the video quality (or at least it seemed). It looks a little fuzzy and seems like it could be much better considering how great it looks in iMovie. Is it just me or does sending it to iDVD make me lose video quality? What is another alternative so I don't lose the quality? I've heard that Wondershare is a good option and that you won't lose any quality burning it from there, is that true? What is my best alternative? A relatively expensive DVD burner? Thanks, any help is appreciated.

    A good suggestion was made before me, but I have another twist on the matter.
    From Wikipedia on DVD: "Although many resolutions and formats are supported, most consumer DVD Video discs use either 4:3 or anamorphic 16:9 aspect ratio MPEG-2 video, stored at a resolution of 720×480 (NTSC) or 720×576 (PAL) at 29.97, 25, or 23.976 FPS."
    Notice that the resolution for a DVD is roughly 700x500, which when multiplied gives you 350,000 pixels per frame. Now compare that with the video resolution of the FS100, which I see on web pages (eg, on dabs.com) is 710,000 pixels per frame.
    This means your camera records more quality than can fit on a DVD. Approximately twice as much information. This means half the information is lost during the conversion. That's why you notice a drop in quality. If you burned to a BluRay disk, you'd probably lose nothing, since they store more information per frame. So your alternative is to buy a BluRay burner and play it back on a BluRay drive.
    Another alternative is to burn it to a DVD but not in a form that's playable by a DVD, just in a form thats readable and playable by a computer. You will lose no information that way, but it will be playable only in a computer.

  • What is the video quality loss going Mac to PC vs Mac to Mac?

    Here's the deal, my wife is in the hospital and forced to miss her daughters wedding. I'm trying to sort out an iChat from Louisiana to Texas so she can watch the wedding live and ideally let her daughter see her mom during the ceremony. I've not been able to establish an ichat link into the hospital due to the 'does not reply' demon. So I know its a port issue but this huge hospital is PC only, totally mac ignorant but super willing to put a hot shot PC in my wifes room. My question is what am I giving up by not going mac to mac and giving in on a PC at the receiving end? Are the benefits of the h264 codec only available on the mac to mac solution? Will the video received on the PC be smooth or choppy? What about in a full screen mode? (I guess AIM Trillion is the only option for that)
    I'll be transmitting using a G4 Powerbook, 10.4.6, 256mgb ram. iChat 3. I'll be shooting with a digital video camera with firewire output. I've tested that, it all works fine in recent chats with other macs. I'll be sending over Earthlink DSL line, 256kbps up/3mgbs download. The Hospitals bandwidth is T-1 huge so not a problem. I'm just afraid I'm not going to get them to sort out the issues for a mac and will have to give in to a PC.
    Appreciate your thoughts. j
    G5 PowerPC   Mac OS X (10.4.6)   1.6 GHz

    Hi octoguy,
    iChat makes hardware and connection speed checks as it starts up.
    This gives you the framerate and bit rate duirng a call.
    Lets say that your processor gives your iChat 15 fps
    This will be the rate that you will then see to a another Mac.
    The same computer is likely to get 10 frames per sec to a PC.
    This is some part due to the PC putting a fair amout of effort into producing a clear detailed pic.
    On some PCs this setting for the video pic is so high that the audio will drop out completely.
    The cure is to bring the PC preview to the front (tabs)
    Then click on the small icon that appears to the right and adjusting the slider that appears to the left.
    This will incease the frame rate and bit rate from the PC. It makes the video look smoother although the actual quality has gone down (you may not be able to judge this quality difference by eye)
    As general rule you will get about 2/3rds of the normal Mac to Mac framerate shown in the Connection Doctor. It also seems to take about 50% more Connection speed to get the same quality video.
    So Mac to Mac min is 100Kbps where as Mac to PC will need about 150kbps.
    The quality drop from 15 frames a sec to 10 frames a sec does make the video generally more blocky but does also depend a fair bit on the processor power of the PC and the camera used.
    I know that sounds a little vague but there are really many variables that can be a factor.
    11:23 PM Monday; April 24, 2006

  • Editing iPhone video without loss of quality

    I've a stack of video clips taken from my iPhone 3GS which I want to simply stitch together and edit down a little WITHOUT loss of quality.
    All I want to do is import, crop and stitch them together, thus create a single file *with no change in image quality*. (for smaller projects, I used to do this kind of thing in older versions of QuickTime Pro.)
    What is the best procedure for this in iMovie 09? Indeed, can it be done?
    My understanding is that ANY re-compression will result in artefacts and loss in quality.
    Further info...
    I've managed to import the clips ok (making sure any options to 'optimise' anything are turned off) and edit them together in iMovie. This way, the import is fast and the images seems untouched, so I assumed no conversion has been done on the video (I think I'm wrong here?)
    (Setting the project aspect ratio to 4:3 was the other gotcha.)
    Having sorted the above out, and done some editing, I now want to export to a single file. I understand the iPhone codec is H264. However, when I export (via quicktime) and select H264, it wants to re-compress. I worry this will loose quality.
    When I export with lossless compression, of course I get a 150G file - owch. The sum total size of the originals are 2.63G
    Any suggestions?

    iMovie will re-compress. To me this is a small price to pay for having an edited movie. Personally, I would optimize, but if you keep your movies simple, you will be OK without. If you decide to apply image stabilization or speed changes, you will definitely need to optimize. Optimization resolves the highly compressed h.264 frames into full frames in Apple Intermediate Codec.
    While the quality loss you may experience is not likely to be visible to the naked eye, if that is your only criterion, then avoid iMovie and follow QuickTime Kirk's advice.
    Here is a [sample video|http://vimeo.com/7093442] that I made in a Dentist Office. You can see what the re-compression looks like. In this case, I did not optimize.
    Editing in iMovie is non-destructive, so you can try it both ways (imovie and QuickTime Pro) and see if you can tell the difference.
    Message was edited by: AppleMan1958

  • HT203554 MacBook Pro (15-inch, Mid 2010) intermittent black screen or loss of video. Can I still get this problem resolve by Apple or I'm screwed because the MacBook Pro (15-inch, Mid 2010) intermittent black screen or loss of video Quality Program has en

    MacBook Pro (15-inch, Mid 2010) intermittent black screen or loss of video. Can I still get this problem resolve by Apple or I'm screwed because the MacBook Pro (15-inch, Mid 2010) intermittent black screen or loss of video Quality Program has ended?

    You can have Apple replace the logic board, but it will be at your expense.  The free replacement program has ended.
    As a band aid you may try the following:
    https://gfx.io/
    This will allow you to run on only the integrated GPU.
    Ciao.

  • What quality loss is there when cam videos are compressed sent over email?

    What quality loss is there when sending videos taken with the iPhone 3GS over email? It seems that it's being compressed in preparation for being sent over email.

    Hi Ric,
    The Canopus ADVC-100 works fine with FCE. Here are a few tips -
    First, make sure you only connect or disconnect it from your Mac when both your Mac and the ADVC-100 are turned off. Make sure that your camera video-out is connected to the s-video port on the front of the ADVC-100. Ditto for the audio connections. Only DIP switch 2 (IRE level) should be in the ON position. Connect a FW cable from your Mac to the 6-pin FW port on the back of the ADVC-100.
    Second, once they are connected via FW, make sure the ADVC is turned on and actually in analog-in mode before you start FCE. I have often found the ADVC-100 resets this mode by itself after being turned off or idle for an extended time. (All you need to do is hit the silver button once or twice, depending on the current mode, in order to switch it into Analog-in mode.) If it is not in this mode, FCE will not detect the ADVC and will act as if there is no device connected. (Normally there is a warning message if FCE fails to find a camera or ADVC connected however if you turned off that message at some earlier time you would not see it again.)
    Third, you can use either the DV-NTSC or DV Converter easy setup in FCE. I have used both with my ADVC-100 and they both work.

  • Quality Loss When Importing Video into Timeline...Any Ideas??

    Hey all -
    I'm fairly new to CS4, so excuse me if this question is a little dumb.
    I've offered to edit a friend's actor showreel to familiarize myself with CS4. He gave me a bunch of HD clips: they're .MOV files, and are 1920x1080 and 23.976fps.
    I can import a clip and drag it into the preview screen in the middle: it looks fine. However, when I drag it onto the timeline, it suddenly looks faded and blurred. It's not horrible, but it loses the vibrancy of color, the sharpness and the contrast of the original clip. A lot of the quality is gone.
    I've tried opening the project with a number of different settings, no difference. I thought it might look OK when I exported it, but it looks just like it does on the timeline monitor: a little washed-out, blurred, just not as nice as the original.....
    I'd hate to present it to my pal looking like this, can anyone suggest a solution? I tried everything I could think of already....
    Thanks!!
    B

    Hi Hunt -
    many thanks for your reply. I've spent the last couple of days trying to follow your advice and do more research.....still no luck.
    Firstly, I upgraded my OS to Windows 7, thought it might help for some reason. Didn't. I downloaded a bunch of codec packs.
    Gspot reports:
    Codec: AVC1
    Name: H.264
    Codec Status: undetermined
    So I'm basically running through all the possible output formats, but really it doesn't seem to be an encoding problem: the quality loss happens as soon as I move the file from the preview screen to the timeline.
    If you have any othe suggestions I'be very pleased!!
    Thanks
    Bruce

  • FCP Novice needs help with video quality and FCP 5!!

    Hi,
    I have a real problme that I cannot seem to fix. I think its because I am doing something really wrong!
    I have a Sony HC42E MiniDV Camcorder which by default records video in full widescreen. I recorded several tapes this way and have now begun trying to edit them in FCP 5.04 (Tiger 10.4.6). Whenever I log and capture my clips they appear to be fuzzzy and unclear on the Mac monitor whilst being totally crisp and sharp on the camcorder viewfinder. I tried capturing using the DV PAL 48Khz Anamorphic Preset which keeps everything the right size (the final output needs to be true widescreen and not with black bars added) but the resulting video on screen is blurry and bitty. I then tried capturing using the DV PAL 720 x 576 normal preset and the video is a little clearer on the screen (for both presets I have chosen lower field dominance) but when I play back it plays back in widescreen on the mac canvas window but at 4:3 on the camera's viewfinder.
    I then assumed that maybe this is just becuase the mac screen (CRT by the way) doesn't use fields. So I exported the sequence as a QT movie using DV PAL 16:9 and used quicktime (OS9 Classic - my compressor has never worked because of the dreaded "unable to connect to baackground process" problem which I've never managed to correct) to convert it to MPEG2. When I import this as an asset into DVD Studio pro 4 and set the track size to 16:9 it comes through at the right aspect ratio. However it looks blurry on screen. Thinking that this will be fine on a TV I burned the disc - inserted it into my DVD player (a good one!) and watched it on my new 32" widescreen TV (a good one!) and the picture qualitty is poor. Its so much blurrier and bittier than the original footage looks when played through the camcorder's viewfinder!
    The final footaage looks like an old VHS recording that's a year or two old!
    Does anyone know how I can capture my footage in FCP with the maximum quality, edit it without quality loss and the export it for DVD again without such significant quality loss whilst all the time keeping it at proper 16:9 widescreen?
    Is there some presets I should be working to?
    I'm tearing my hair out! Help!

    Hi Guys,
    thanx for your replies.
    here's the latest:
    Brian, I followed your instructions and the DVD burned successfully. However the video quality of the dvd when viewed on my TV ('ve tried on all 3 of my tvs now) is still a lot poorer than the quicktime movie that was imported into DVDSP4. When I play the original QT Movie on my Mac CRT monitor it looks a little blurry and grainy because I guess its non interlaced however when viewed on an external Video monitor it looks great - very sharp.
    When I view the burned DVD on my television the picture quality looks like the non interlaced version of the original QT Movie that appeared on my Mac CRT and not the sharp interlaced (lower field) version that appeared on my external video monitor.
    Its almost like taking a sharp jpeg into Photoshop and applying a gaussian blur of about 0.3 followed by jepg compression compressing it down to 5% quality!
    I'm totally mystified. Can the conversion to Mpeg2 be removing all interlacing so that you get the less sharp computer monitor look? I just want the video on my final DVDs to be as good as the original source footage! I appreciate that along the way there might be loss of some quality but surely not that much?
    Does this make sense to you guys or am I still doing something very wrong?
    Robert: I have tried setting all manner of drives including a fresh external firewire HD with nothing on it (clean out of the box) but it doesn't seem to help.
    Brian: I tried the no network suggestion a few months back but I'm not sure if I got it right. At the moment I have broadband through an external speedtouch usb modem and am also connected (occasionally although not for the last 3 months) via a crossover cable to my PCs ethernet card. When I last tried the No Network solution I had immense trouble getting my internet to work again! Can you please help me by directing me to the best ay to do this while protecting my internet settings?
    any more help guys would be greatfully appreciated.

  • Significant quality loss and jagged diagonal lines when exporting from FCP

    I've been working on this problem for several days and I'm going insane! Every time I export my movie from Final Cut, there is a significant quality loss. It is most noticeable in two ways: diagonal lines become very jagged (looking somewhat like diagonal lines in an older video game -- more a diagonal sequence of blocks); also, in some areas such as faces, the colors get a little blurry and there seems to some "pooling" of colors around the edges of the face.
    I'm pretty sure the problem's not in capture: the Quicktime clips that I captured from the camera are all pristine. When I play them in Quicktime, I can blow them up several times their original size, and they maintain their sharp lines. (I also Reverse Telecined them all with Cinema Tools, if that's relevant.) I also know the problem's not just my computer monitor; when I play these movies on my external monitor and TV, they look bad too. The clips look bad after I bring them into Final Cut, and while I'm editing, but at first I figured that was because Final Cut sometimes doesn't show full resolution in the timeline. Still, when I export, the quality of the original captures just isn't there.
    Some details:
    Captured from 24A progressive, Sony HVR V1U HDV.
    Using Final Cut 6.0.1, Compressor 3.0.1, Quicktime 7.2.0, OS 10.4.10 (all the most recent versions I believe).
    I've exported in many different ways: using Compressor (and have tried a number of different settings: the DVD Best Quality 90 Minutes default Setting, as well as using a variety of bit rates from 3.0-8.0, One pass CBR, Two pass CBR, Two pass VBR, Two pass VBR best; Video Formats NTSC, HD 1440x1080...I have tried many combinations. Regardless of the size of the m2v created, the files seem to have the same problem over and over. I've also tried exporting from Final Cut as a Quicktime Movie and with Quicktime Conversion. Same result. I also tried using different compressors with my Final Cut sequence: Apple Intermediate Codec (which I used when capturing -- you have to with the Sony HVR), HDV 1080p24, HDV 1080i60, Apple Pro Res 422, H.264...
    What's happening? Why is Final Cut turning my nice pristine captures into jagged foulness? What can I try that I haven't yet?

    Welcome to the forums!
    Unfortunately, you seem to have tried everything I can think of, and I don't have the latest versions of FCP to know if it is a bug. However, in the off chance that you haven't given this a shot:
    Take a problematic 10 second section of your timeline (set in and out points) and the Export -> Quicktime (not QT Conversion) and make sure that you have it on Quality settings that you captured, and select the "Make Self Contained" box.
    Look at that in Quicktime and see if it's bad. If it's not problematic, use that video file in Compressor for your render.
    Hope that helps!
    ~Luke

  • Tif export quality loss

    hi,
    i exported a tif sequence from a mp4 in premiere (cs6) to do some compositing on it. the exported images look the same but when doing some color correction on it the tif sequence reveals that it's in lower quality.
    the left side is the tif export with significant less detail.
    i also tried ae with color management but i always had the same problem.
    rendering with 'use max depth' and 'use max quality' did not solve the problem.
    did i miss something or is premiere processing some colors wrong internally?
    (as a sidenote, quicktime player, nuke, vegas12 worked just fine)

    hi,
    it looks like the problem is related to mpeg 4. i did not have time to do further testing. here is the file info:
    Format                         : MPEG-4 Visual
    Format profile                 : Advanced Simple@L3
    Format settings, BVOP          : Yes
    Format settings, QPel          : No
    Format settings, GMC           : No warppoints
    Format settings, Matrix        : Default (H.263)
    it did not occur with other videos.
    the interesting thing is that the quality is fine within the timeline. but upon output there is a quality loss.
    no, output is 8bit. as mentioned in the first post 'use max depth' did not solve the problem.
    quicktime based applications did not have the issue.
    as for the color shift problem i thought it is related to the same issue but it was something different and is fixed now. i was unable to edit the post to remove it.

  • Huge quality loss in iMove '11

    Hello fellow iMovie users.
    Yesterday I upgraded to iLife 11 to get the new iMovie and its "new" audio editing capabilities. I could ofcourse just buy it from Mac App Store, but I am principally against App Store and its strict rules, so I choosed to get it the old way.
    Anyway, I liked what i saw. Finally the new iMovie was about as good as the five year old one, and had some neat features like chroma key and cropping.
    So I decided to start practicing and create a short video based on some old DV-videos filmed with my Canon MV950 DV-PAL camera.
    I imported the footage into iMovie, and noticed some significant quality loss after the import.
    And it get worse. After I exported the video, it seems like it is heavily compressed, even if I'm exporting to QuickTime and selects the highest quality possible.
    I have some screenshots to show you the differences.
    This is the original DV-footage.
    The imported video. Notice the higher compression and the choppy edges.
    And this is the exported video. Notice the insanely bad quality, especially in dark areas.
    Is there any way to fix this, or do I have go back to iMovie HD?
    PS. Sorry if my post is a bit unreadable. I'm from Norway.

    Steve,
    While I agree everyone should have owned a HD camera by now, there are a lot of low-end SD cameras that are still being sold today. In this era of our economy, consumers are sensitive to prices; especially low or lower prices.
    And unlike the video camcorder boom of the 80s with Sony introducing the Video8 handycam (shoulder mounted camcorder), people today do not video using traditional camcorders. Most either do it through a digital camera, DSLR, iPhone or blogger cameras and are already mostly in an acceptable progressive format. There is nothing wrong with DV style cam. Canon GL-2 and the Panasonic DVX-100 are still commanding such a very high price tag for cameras of older technology and still being repaired goes to show that there are people out there still using it.
    If one can convert quality interlaced footage into quality progressive footage, you can use that footage and create good results using iMovie 11. I agree with you and Tom that iMovie 11 captures interlaced footage in full. But what's the use if it can't make a good product in the end that looks like what iMovie 6HD can do and when there are PC software out there including the free Windows Movie Maker that can do this with no problem.
    Consumers, unlike some of us, only relate to past software used and are usually benign to the fact of progressive vs interlaced. I have dealt with some mis-informed customers that they believed FULL HD only means 1080p at 60fps; anything else is not. I digress.
    With Mac users, they don't necessarily follow the same upgrade frequency as PC users either. Macs generally last a lot longer between upgrades compared to a PC because they don't have to run a barage of virus/spam/anti-malware growing definition files which ultimately slow an otherwise healthy PC down. Macs do not have to worry about this.

  • "Shared" Video quality disappointing

    When I use iM to share even full quality .DV video from my iM project I get a lower quality video! It appears to be somewhat "pixelated" especially with horizontal lines during even the slightest motion.
    And when I export to .mpg or .mov formats the video is very pixelated when compared to videos of similar compression and size in the same format, what gives?
    Would QTpro solve these quality problems?
    TIA
    -Tim
    eMac   Mac OS X (10.4.6)   1.25ghz 1gb superdrive

    .dv is a format meant for being displayed on TVs:
    640x480/interlaced.. a computer has a different
    concept of displaying "video"/content... a much
    higher res, no interlacing (and diff. colors, etc)
    I actually just "shared", "QuickTime" (tab) in "full quality" from iM, then viewed in QT. No change in view size, did see significant loss of picture quality, as described.
    Believe me I am NOT blaming my MAC!!
    watching an iM project on a Mac fullscreen results in
    a "blow up" =>loss of quality
    and:
    QTplayer is by default set to "best performance" not
    "high quality" (in QTpro: -J,
    video/quality/checkbox...)
    Don't have QT-pro (had it in QT6, on a different MAC, since sold)
    so, DO NOT judge pic quality on your Mac!
    playout to tape/watch on telly; or use the "live
    playout" feature of iM via fw connected camcorder +
    TV....
    Believe me I am NOT blaming my MAC!!, Just looking to make videos of comparable quality and of comparable size to .mpg I see on web. There must be a way, and my iMovie doesn't seem to do it right now.
    the dv exported by iM are in highest possible
    quality... don't worry
    ...And when I export to .mpg...
    iM/QT does not support export to .mpg ... how/with
    what app did you generate these files?
    I "shared" to quicktime, "expert settings", movie to Divx, and mpeg-4, the ipod setting .m4v seemd pretty good, but obviously small, and larger file than comparable video (in size and length) to other .m4v for ipod I have found.
    I also have used the .dv files with ffmpeg, and I still cannot match the quality of similar viseos made by others without a MUCH larger file.
    Any Suggestions?

  • Quality loss after exporting 1280 x 960 30fps footage

    Hello everyone,
    Everytime I edit and export footage shot with my GoPro camera (1280x960p, 30fps) the quality gets a little less. Very frustrating as I am clueless after a long time of looking for what I'm doing wrong..
    I use Premiere Pro Version 4.2.1
    Sequence presets:
    General
    Editing mode: Desktop
    Timebase: 29,97fps
    Video Settings
    Frame size: 1280h 960v (1,0000)
    Frame rate: 29,97 frames/second
    Pixel Aspect Ratio: Square Pixels (1.0)
    Fields: No Fields (Progressive Scan)
    Export settings:
    Format: H.264
    Preset: Custom
    TV Standard: NTSC
    Frame Width: 1280
    Frame Height: 960
    Frame Rate (fps) 29.97
    Field Order: None (Progressive)
    Pixel Aspect Ratio: Square Pixels.
    Has anybody got an idea what could help here?

    Thanks for the replies guys, but unfortunately the problem isn't really solved yet..
    I tried checking the maximum render quality, but that only resulted in my laptop not being able to smoothly play the exported video.
    Filming with the 1280 x 720 setting is possible, but then the footage just doesn't look that sharp.. (as I can't film in 60fps, I got the first GoPro 960).
    I installed Cineform and converted a little test video to AVI. This resulted in an export video without quality loss, but the conversion with Cineform took way too long for it to be a practical solution cause I edit a lot.
    At last, Abhishek Kapoor, I couldn't find the video setting you're talking about to increase the maximum bitrate.
    Any other ideas that might work?

  • Airplay Video quality and buffering

    I'm new to apple TV and am trying to watch my home movies (holidays etc) over airpay. However, I've found that if I try to watch in Full HD there's a considerable amount of buffering (2-3 mins) before the movie will start to play, and if I skip if buffers again. Basically is seems any file over 1.2GB struggles. I can convert the video using a lower bitrate etc which reduces the file size, but then obviously you lose quality.
    Is there a way of playing Full HD video of large file sizes without buffering, or a way of compressing the video files without losing picture quality? I've tried MP4 and .MOV but the file sizes are very large.
    TIA

    Thanks for the help, but this did not solve my problem. I have found a workaround though which is satisfactory.
    What I've found that ideally the bitrate needs to be around 15, 20 and above it struggles regardless of file size. I tried converting with wondershare with a lower bitrate (eg original bitrate 23, converted 15) but the quality was noticeably worse. I tried passthrough using quicktime pro 7, but as you'd expect the bitrate didn't alter.
    What I found by trial and error was to open the original .mov file using quicktime player 10 (10.2), go to file > Export and in the format dropdown select 1080p. The exported movie has a lower bitrate with no/VERY VERY little loss in video quality. These then play over airplay with no lag/buffering

  • Video Quality After Transcoding Disappointing In CS4

    To All,
    I am new to Encore so my situation may be as a result of my ignorance.  I have come to appreciate HD video so I purchased a Hauppauge HD PVR to capture programs in HD.  I have captured multiple HD video clips in a .mp4 format. I bring those clips into Premier Pro CS4 and when viewing them individually, they look great - crisp, clear video that looks fantastic.  Once I have put my video together (consisting of several clips that is about 1 hour long total), I then select Adobe Dynamic Link and send the project to Encore to burn onto a 25GB blu-ray disc.  I have tried 2 or 3 different settings in Encore and the result is a video that is 1920 x 1080 full screen but the video quality is disappointing.  It's as though a "soft filter" is used in the video effectively taking away the crisp, clean video I see in the original clips I imported into Premier Pro - the very thing I have come to love about HD (ex: beads of sweat on faces, seeing individual strands of hair on someones head, etc.).  Am I being unrealistic to expect the same quality video after being transcoded in Encore that I see in the individual clips I originally inported into Premier Pro or I am I just doing something wrong?  Thanks for the help in advance!

    It sounds like you are familiar with Encore.  Let me ask this general question.  Can one expect to achieve the same video quality after transcoding in Encore as the video originally imported or is some loss inevitable?
    Actually, this should answer both questions.
    What happens first is that your capture device/card will compress the signal originally. You then Import this footage into PrPro for editing. It will not be edited in it native format, as it is compressed and is also GOP (Group of Pictures) format, i.e. there are not real Frames to edit. These must be created for Frame editing. Now, you're working pretty much in a good replication of your initially compressed files. Here comes the problem: you now wish to Export to a BD. You need to re-compress and Transcode this material in PrPro to a format that can be used on a BD player. A second compression and Transcode will need to take place.
    As an example, lets use FAX machines and desktop printers. You create a document in Word and print it out with your 1200 dpi desktop printer. This is a pretty high quality document. It's like the HD TV signal. Next, you run your original document printout through your copy machine. This still looks pretty good, but not up to the original. This is what your capture card has now produced. Then, you take that copy and FAX it to a friend. It now starts to show degradation. This is like that second compression and Transcoding.
    Not sure what a better workflow would be for HD TV capture.
    Good luck,
    Hunt

Maybe you are looking for

  • Is there a way to force the cursor into a string control when a vi is called

    In a .vi I'm wrighting I need to input a new serail number at the beginning of each run. Is there a way to force the cursor into the string control box every time the start screen returns? eliminating the need for the operator to move the mouse aroun

  • How do I set color in IndexColorModel for Graphics

    I can't find a reasonable way to set the color so my test code is below: The IndexColorModel, BufferedImage, and Graphics2D construction is: IndexColorModel icm4=new IndexColorModel(4,16,r4,g4,b4); BufferedImage bi4=new BufferedImage(300,200,Buffered

  • Movies for IPAD2 if South African

    So now that I have bought the IPAD it seems I cannot buy movies from the USA itunes store as I am South African. Great. Where else can I buy movies on line that I can use on the IPAD? This is a lot of work for something that was meant to be easy and

  • Can't access any Leopard backups after upgrading to Snow Leopard

    The first time I tried to backup under Snow Leopard, it said I didn't have enough space on the hard drive. I tried to enter the time machine, but it wouldn't allow me to access any of the backups that I had made under Leopard. I ended up just erasing

  • Need help with opening ports on airport extreme

    My vonage phone is connected to airport extreme router, voice quality of phone calls was poor. Vonage tech support says   vonage port on my airport extreme was closed and i need to open it. Here is my chat details with vonage tech support- The follow