Video shot specifically for Slow Motion playback

I thought I might try starting a thread for sharing video shot specifically for the purpose of playing it back in slow motion. For the first example, I shot this flag flying on a perfectly clear day. We have had a lot of really clear blue days lately much to my delight.
My Panasonic DMC-GH3 can shoot 1920X1080 at 60 (59.94) frames per second. That is frames, not fields. So interpreted at 29.97 frames per second it plays half speed. This was taken a step farther and played back at 24p. So if my math is correct, it is playing at 40% (close enough).
Funny, but the camera actually has a setting to shoot video to play back at 40% but it seems redundant to me. Perhaps if the video was never going to be edited, just played back, that could come in handy.
I used a recording from the US Army Band because I was in the Army and I am just used to hearing it played by the Army Band. I thought of adding the lyrics since I really like them. All four verses. I just didn't have enough footage to do it right and I love the sunshine and blue skies. So here is a link to the four verses for those who want to play the video four times and sing along. Nobody? Are you sure? I did it. Couldn't help it. 
I am probably going to put up a couple more copies. One with the Pledge of Allegiance and one with the first verse of the National Anthem.  In the meantime, I am enjoying all that blue sky.
If your camera can shoot at a higher frame rate to play back at 24p, please post some examples.  If you are particularly good at using Premiere Pro to modify the playback speed of video, let's see what you've got.
The camera was siting on a GorillaPod shooting at approximately a 30 degree angle. The lens was my 100-300 set for 183mm, the equivalent of 355mm on a 35mm camera.
ISO 200. This video has not been modified in any way other than interpreting it to play at 24 frames per second, to trim off the beginning and the end (to eliminate the shaky setup and take down of the shot), and I also added cross-dissolve transitions at the beginning and the end. No color correction of any kind and no stabilization. This is what the camera saw.
I really love the flag of the United States. If you live in the United States I hope you do too. Today is Washington's Birthday. So Happy Birthday to the Father of our country. Our first President. This is my present to our founding fathers on this day, and I chuckle to think about how shocked they might be at the number of stars on the flag, and I am sad when I think how mad they would be if they knew how far we have strayed from the principles they fought and died for.
(I'll bet old Ben Franklin would love the Internet though.)

Steve, regarding my request getting inside flag and changing shutter speed etc..
I have to admit right off that I don't understand this myself as I should...and I don't have a motion pic camera OR the DSLR ....which I can get in April ...at which time I will be off to the races trying to figure out how to use it.
But the gist of what I was getting at ( though hazy and not understood by me ) I'll try to explain...
Motion pic film cameras with the mechanical gizmo that pulls down the film ( frame by frame ) have a rotating shutter ( the gizmo is typically called a mitchel movement I think ). The rotating shutter has a mirro on the back side which allows a person to 'see' via some magic stuff ( prism ? ) what is in the frame ( eyepiece ). I guess it's similar to a SLR mirror but this one spins.
This is what it looks like
So, a normal setting for that shutter is 180 degrees... and it spins so that each frame gets 'exposed' by the open part of the shutter. Then when the shutter is spun to the closed side ( no light getting to film frame ) the 'next frame of film' is dragged down into place to be exposed. So that happens typically 24 times per second.  It is pretty fast.
Some motion pic cameras can shoot even FASTER ( amazingly )...and you can therefore increase the FPS. Then as you know when it's played back at 24 FPS in projector, it looks like slower motion.
Unfortunately if the FPS is increased the 180 degree shutter may not be letting in enough light to get a good exposure anymore... so that shutter can be adjusted ( called the shutter angle ).
So a 45 degree shutter would let a lot more light hit the film ...cause it lets more light through its rotation time.  This is the part where I can totally confused....and hopefully I'll learn more when I get the DSLR how this is handled with modern digital camera.
Cause, if you let more light hit the film by adjusting film motion pic shutter it stands to reason there will more " blur " from the longer exposure. However, this is offset by the faster FPS speed... so this is why I am curious about it...
As a point of fact motion pic cameras can be synchd to CRT screens using a mechanism that times the shutter to coincide with the horizontal 'lines' of the CRT ( timing of frames of interlaced signal )... and the shutter has many 'angles' it can be adjusted to ..
So, anyway, I guess this is something to explore when I get that DSLR...
I was thinking it might look cool to have slo mo with more 'blur' to make something look a little ghost like...kinda like my flag picture with time exposure...
crazy idea...

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    I owe everyone an apology, because I gave the wrong information about the video file. As you will recall, I was frustrated that it appeared to play at only 23.97 frames per second in Final Cut Pro, even though I thought I had shot it at 60 fps. Yesterday I discovered why it appeared to play at a different frame rate, but the reason was so bizarre, so unbelievable, that I began to doubt my own sanity.
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    Message was edited by: andynick

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  • 60i to 60p ... to 24p for slow motion purposes!

    I hope I am not shot and killed for posting this topic as I (think) I am aware of the extensive amount of forums that already exist on this topic.
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    I owe everyone an apology, because I gave the wrong information about the video file. As you will recall, I was frustrated that it appeared to play at only 23.97 frames per second in Final Cut Pro, even though I thought I had shot it at 60 fps. Yesterday I discovered why it appeared to play at a different frame rate, but the reason was so bizarre, so unbelievable, that I began to doubt my own sanity.
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  • FCP 7. Best technique for slow motion

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    I'm late to the party but somehow I ended up here.  I'm reteaching myself this now.  I remember Captain Mench had a solution for this on the ProVideoCoalition site at one point for taking 60i footage and conforming to 24p using Shake.  The key element was Optical Flow, Motion uses OF as you know.  But I've just been doing a bunch of tests all night with some 60p (59.94) that we shot last week.  The CrumplePop tut is the one I've been following for Motion 4 and some random youtube stuff using Time Warp for AE tests.  The consensus seems to be each technique, including Twixtor, has limitations depending on the footage. AE better in one instance, Motion/Shake/Boris Red in another, Twixtor generally better than everything but still with flaws.  Let alone the other factors like did you shoot 60p to begin with?  Was the shutter 1/60 or 1/1600?  Other great tidbits like  this slomo conversion chart and this other Motion tut, 3 steps and bang!  I gotta go to sleep, hope this helps.
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