Weiche Überblendungen in Premiere CS4 werden zu hartem Schnitt bei AVI-Export

Beim Export einer geschnittenen Sequenz mit dem Media Encoder werden die Titelüberblendungen "Schwarz überblenden" nicht gerendert, sondern zu harten Schnitten. Bei der Ansicht in Premiere werden die Überblendungen richtig angezeigt, beim fertigen AVI-File sind die Überblendungen verschwunden und sind harte Schnitte. Hat jemand eine Idee, woran das liegen könnte und - vor allem - wie man das behebt?

Woran es liegt kann ich leider nicht sagen, aber zwei Lösungsmöglichkeiten anbieten:
Im Media Encoder CS4 gibt es bei den Exporteinstellungen in Höhe der Registerkarten "Filter / Multiplexer / Video / Audio / Andere" am rechten Rand eine unscheinbare Schaltfläche über die man u.a. steuern kann, ob man bereits vorhanden Vorschaudateien verwenden will. Diesen Punkt mal aktivieren: erstens ist der MediaEncoder dann schneller fertig, weil die bereits in Premiere gerenderten Vorschaudateien genutzt werden und zweitens sollten dann auch alle Effekte wie gewünscht im Export-File vorhanden sein.
Aufgrund der diversen Schwierigkeiten mit Premiere CS4 und dem MediaEncoder CS4 nutze ich für mich persönlich einen ziemlich sicheren Umweg: Alles, wofür ich nicht unbedingt Premiere CS4 benötige, erstelle ich in Premiere CS3 und exportiere es von dort direkt (ohne MediaEncoder, das geht da nämlich glücklicherweise noch!) als AVI-File. Das finale AVI-File (mit allen Tricks, Effekten und Blenden) übergebe ich dann je nach Exportwunsch an den MediaEncoder von CS3 oder CS4 zur Weiterverarbeitung.

Similar Messages

Premiere CS4 doesn't launch media encoder when exporting. Please help!

Trying to finish up a project but my school just upgraded to cs4 this week. It's running on a mac. I tried to export to no avail, watched a tutorial and saw that media encoder is supposed to launch on export. Since it wasn't launching, I went to media encoder and launched it seperately and re-exported. It still did not work. Is there a patch that needs downloading? Please help me get through this. I need to wrap this up ASAP.
Thanks!

Here's a great thread I found. Not the answer I was hoping to hear though...
http://forums.adobe.com/thread/387485

Problems with Premiere CS4 video

Just purchased Premiere CS4. When I import video (avi or mpeg), what appears in the preview monitor or the timeline monitor is greatly distorted. Audio is great, it's just the video that I'm having trouble with. Running it on XP with 3.4 GB of memory. Any advise would be greatly appreciated.

So would some information. AVI and MPEG mean nothing, they are just containers that can hold anything from scrap metal, toxic chemicals, food, clothing, electronics, spare car parts, tapestry or God knows what. Unfortunately PR can only handle certain contents, so you need to know what codec is used.
Look here and answer at least the 16 questions at the end of the Wiki article: Some suggestions

Premiere CS4: Befehl "Videoüberblendungen anwenden"

Hallo zusammen,
ich habe in Premiere CS4 das Problem, dass ich die Befehle "Videoüberblendungen anwenden" und Audioüberblendung anwendungen" im Menüpunkt Sequenz nicht anwenden kann (Grau hinterlegt).
Ich habe vorher Premiere Elements 8 benutzt. Die mit PrE 8 erstellten Filme habe ich in Premiere CS4 fertig bearbeitet. Hier waren die Befehle "Videoüberblendungen anwenden" und "Audioüberblendungen anwenden" nutzbar.
Filme, die komplett mit Premiere CS4 erstellt wurden, können diese Befehle nicht ausführen.
Weiß jemand, wie man diese Funktionen einschalten kann?
Die Filmclips sind alle in AVCHD.
Vielen Dank im voraus für die Antworten.
Gruß
leznem

Hallo Wiro,
Dein Punkt 1.) war genau der entscheidene Punkt.
Danke!
Gruß und ein frohes neues Jahr!
leznem

Adobe Premiere CS4 Projekte archivieren.

Hilfe- ich verzweifle: Ich arbeite mit Adobe Premiere CS4 (Windows). Grosse Probleme habe ich einzig beim Archivieren fertiger Projekte. Kann mir da jemand helfen? Ich lege meine Projekte so an, dass sämtliche Footage-Dateien (AVI,MFX.JPF,WAV,MP3, verbundene Aftereffects-Kompositionen etc.) im selben Stammverzeichnis (mit mehreren Unterverzeichnissen) sind. Wenn ich nun die Festplatte mit dem entsprechenden Projekt an einen anderen Computer anschliesse und das Premiere-Projekt wieder öffnen möchte, findet Premiere die Footage-Dateien nicht mehr. In stundenlanger Handarbeit muss ich die dann jede einzelne Footagedatei wieder zuordnen (Medien verbinden). Das kanns doch nicht sein!!! Was mache ich falsch? Wo zum Teufel speichert Premiere die Dateizuordnungen ab? Das Löschen der Common-Cachedateien führt übrigens auch nicht zum gewünschten Resultat. Mit der Funktion "Projektmanager" komme ich auch nicht weiter, da dann verbundene Aftereffects-Kompositionen und MXF-Filmdateien (von meiner EX1) NICHT archiviert werden, d.h. die fehlen dann im Projekt. Ich habe sämtliche möglichen Einstellungen durchprobiert. Es funzt nicht!!! Also-hier nochmals meine einfache Frage in Kurzform: Wie kann man komplexe Premiere-Projekte archivieren, um sie später auf einem anderen Computer (auf welchem die CS4 Suite installiert ist) wieder problemlos zu öffnen.

Christoph,
Glad to see your English is good, because it makes for a broader audience for your questions.
It is a make or break condition that drive letter and directory structure are absolutely identical on both systems.
Let us know if that helped.

Media Encoder error about activation when exporting in activated version of Premiere CS4

I get the following error when I try to export media in Premiere CS4 (Note: I have a legal and activated copy of CS4 Master Collection). In Premiere, it appears to go through (the loading progress bar fills and then disappears) but when I check the folder, it's empty. And then I notice that there's another icon in my taskbar and oh hey, it says "AMT Subsystem Error: Thank you for using Adobe Media Encoder CS5. The Adobe product that installed Media Encoder has not activated. Please launch and activate that Adobe product before continuing to use Media Encoder."
I'm using Windows 7 x64 (8gb of RAM). I tried installing the patch as suggested in this thread: http://forums.adobe.com/thread/719451 but it only claimed to not have the corresponding program installed. I tried checking to see if there were any updates - there weren't.
A quick check on my computer reveals that both Media Encoder CS4 and CS5 are installed. I looked to see if there was a way to uninstall the CS5 version but didn't see it. The only way I think I could have gotten it was though some sort of Adobe update.
Any ideas of how to fix this?

Hi: I have the same problem, but it happened very suddenly and after very specific updates. I successfully encoded a file using the CS6 encoder. Then, I allowed updates to Adobe Media Player and Adobe Air. I tried to encode with CS6 again and it had stopped working - all in the space of 5 minutes. A reboot did not help. I also have CS4 and CS 5.5 installed and have had all along (which means that you can have them and use the CS6 encoder). Since I can no longer use the CS6 encoder, but am able to launch an older one, I am using that for the moment. I hope that this reply will be of some help in finding a solution.

How do I get Vio Pov.1 (helmetcam) footage to work with Premiere CS4?

Hi.
I'm having the same problems as this guy: http://www.adobeforums.com/webx/.59b78c2b/7 with video from the Vio Pov.1 not playing in premiere. Although his topic is already there I made a new topic to get some fresh hits and try to resolve this once and for all. Also because I make some reference to Canon Ixus video files.
I have run the codec-analyzer g-spot on one of the pov.1 video files and it states that I have the proper codec installed.
Codecs in video clip:
Video: XviD ISO MPEG-4 @ 3101kbps 720*480
Audio: 0x0050 MPEG-1 Layer 2 @ 32000Hz 64 kb/s , Monophonic
Still no luck playing/editing them in Premiere CS4. Audio plays fine, video shows but frame is only updated every 4-5 seconds and not the actual frame that corresponds to that point in the audio but actually the next frame from the first one. It continues like that.
Specs:
Running Vista 32 bit and Adobe Master Collection CS4
Quad-core 2,4GHz
4GB ram (i know, only about 3 to 3,5GB utilized in 32 bit OS.)
Nvidia 8800GT 512mb
74GB WD Raptor as system/adobe software drive.
500GB Samsung spinpoint throuch E-sata as project drive.
The wierd thing is this:
I have a separate system drive with windows xp installed, Adobe Master collection CS3 fully updated and NO other software. (same computer)
Differance between CS3 and CS4:
CS3,no codec pack:
- Canon ixus video files WORK
- Vio Pov.1 reported as audio only, not even thumbs showing FAIL
CS3, ffdshow codec pack installed(ffdshow-rev2180_20081004_xxl)
- Canon ixus: WORKS
- Vio Pov.1: WORKS
CS4 on vista, relatively fresh install, fully updated, no codes packs.
- Canon ixus: FAIL
- Vio Pov.1: FAIL (video)
CS4, same as above with ffdshow installed:
- Canon ixus: FAIL
- Vio Pov.1: FAIL (video)
CS4, same as above with morgan mjpeg codec installed:
- Canon ixus: WORKS (yay!)
- Vio Pov.1: FAIL (obviously as it's not mjpeg)
Someone with some insight into these things, please point me in the right direction. Does anyone have experience with managing video settings within the ffdshow interface? I'm not experienced enough to tweak all the settings.
The current project Im working on is a small web clip shot with a Panasonic HDC-SD100 and the Vio Pov.1. It's a short rally on ice clip I'm looking to produce the panasonic video files are NOT supportet in CS3 even with codec packs.
CS3=
panasonic: no!
vio-pov1: yes!
CS4:
Panasonic: yes!
Vio-pov1: no!
See my problem?
I added the Canon ixus comparison since I previously had problems with it but have now solved them. Also to show that Adobe seem to have cut support for certain formats when moving on to CS4. It has taken me a looong time figuring out how to get ixus working in premiere because I'm not used to this stuff.
The ideal solution is not having to convert clips before using them so I would like to focus on that avenue. After all it finally worked with the ixus clips so I have hopes that eventually a solution can be found for the Pov.1 clips which is also more widely spread and used in proper productions.
Im very sorry for the format of this post, and the length. I just had to get it out there to see if someone can help me.
/ Johannes

Thank you Stanley and Bill for your input.
Sorry for checking the topics progress so late.
Bill, could I ask what specific software you are using for this batch conversion task?
Like I stated in my first post I am able to edit the Pov.1 material when plugging in my secondary HD with Xp and CS3 on it. So I can fiddle about with that as well but if you could supply me with the name of your software it would save me all that time swapping harddrives back and fourth. There are so many out there, would like to eliminate risk of malware and such by using the software you have.
(reminder, cs3 does not do AVCHD, #1 of many reasons why I prefer cs4)
I'm still testing various xvid/mpeg4 settings with ffdshow and other codecs, I'm still determined to find a solution, for everyone. After all, it CAN run under CS3.
I have also submitted the case to Adobe. Hoping to hear from them soon. Anyone else care to throw some thoughts in?
Thanks again for the input so far,
Johannes

Can you help me with this Premiere CS4 error? (picture included)

Hello
I have Adobe Premiere CS4 and when I recently updated to 4.2.1 many of my videos now do not have playback in the source or edit windows. Some are black screens, and some are turquiose during playback. If I click on the edit window to select the video frame and move it within the edit window (say to the left side) it will play back with a turquoise overlay and show the video behind it enlarged. This ONLY happened when I did the update. I am running Windows 7 64bit. When it was at 4.0.0 everything ran just fine. The video I have been working on is a 1080p .MOV file. Has anyone else seen this? There is a picture of the problem below.
Thanks for any help!
James Poremba

Updates, whether with a program, or the OS from MS (or Apple), can cause all sorts of driver issues. These are most often seen with video and audio drivers. Just a simple OS hot-fix can render these obsolete instantly. Also, some recent nVidia drivers contained some "gamer-only" modules for things like 3D rendering and 3D stereovision for use with nVidia goggles. These seem to have been updated, so that these modules do not bring Adobe programs to their knees.
A couple of XP-Pro hot-fixes messed up my nVidia Quadro in PS. A simple driver update fixed those. I had gone more than 6 mos. with not one problem, and then installed the hot-fixes and BOOM!
Good luck,
Hunt

How can i open .mts files in premiere cs4?

Hi all,
I am using premiere cs4.
when i import .mts file in cs4 it says file format is not supported.
could any one please tell me how can i open .mts file in premiere cs4.
Thanks
Murali.

What kind of audio did the camera record? For example, the Sony NX5U can be set to record linear PCM audio, which will not import into CS4. If the same camera is set to record AC3 audio, then the clips should import and play as expected. This thread may help:
Adobe Community: AVCHD audio
Jeff

Camtasia Poor Quality in Premiere CS4 Export

I am a PC user. One of my clients uses Mac and Camtasia to screen capture his software program, which I need to integrate into a video I am making for his company. The MP4 Camptasia file he sends me looks good. I bring the file into Premiere to edit it, but when I export it, the clip done with Camtasia has very poor quality, while the footage I shot with my video camera looks great.
Specs:
Camera: HMC40, PH mode 1080/60i (MPEG-4 AVC/H.264 compression).
PC: i7 quad-core 64-bit running Windows 7 Professional 64-bit, 8 GB RAM.
Editor: Premiere CS4 in the Adobe CS4 Master Collection .
New Sequence setup in Premiere: AVCHD > 1080i > AVCHD 1080i30 (60i) Anamorphic.
Premiere’s export settings:
Format: MPEG2
Preset: HDTV 1080p 29.97 High Quality
Multiplexer tab > Bitrate and Buffering Details: Variable
Video Tab > Basic Video Settings > Quality: 5
Field Order > None (progressive)
Profile > Main
Bitrate Settings: Bitrate Encoding: VBR 2Pass
Minimum Bitrate: 4 (default)
Target Bitrate: 15 (default)
Maximum Bitrate: 18.5 (default)
GOP Settings > M Frames: 3 (default)
N Frames: 15 (default)
Output summary: NTSC, 1920X1080, 29.97 drop frame (fps), Progressive, Quality 5.0
Note in general: I found that if I set the Bitrate Encoding at VBR 1Pass, I got glitches sporadically.Using VBR 2Pass has solved this.
My question about the Camtasia clip:
1) How can I get the Camtasia footage to be as sharp in the export as in the original?
Other questions in general:
2) Are my New Sequence setting in Premiere correct? AVCHD > 1080i > AVCHD 1080i30 (60i) Anamorphic
3) Is my choice to export as MPEG2, HDTV 1080p 29.97 High Quality preset, the best for the footage I shoot?
4) Is my choice to set the Multiplexer tab > Bitrate and Buffering Details at ‘Variable’ the best?
5) Do my Bitrate and GOP settings need adjustment?
6) Should my Export field order be Upper instead of Progressive?

function(){return A.apply(null,[this].concat($A(arguments)))}
The frame rate is 1038 X 882
That is a very odd frame size, and one that probably won't work well no matter what workflow you use. You asked:
function(){return A.apply(null,[this].concat($A(arguments)))}
how could he better capture and export to match my workflow?
Have him capture and export to match your desired export frame size for the finished project.
function(){return A.apply(null,[this].concat($A(arguments)))}
How would you suggest I change my workflow to handle the interlaced and progressive issue?
I can't answer that until I know exactly how you intend to deliver your finished video. Any answers to your other questions will also likely depend on your intended delivery format and media.
-Jeff

Premiere CS4 Does Not Correctly Export Quicktime

Hello,
When CS4 initially came out, all of the Quicktime exports were messed up. Now after several patches it still seems that it is not completely correct. I have rendered out of a 3d app sequential images with a white background and an alpha channel. When I import these into Premiere, when the alpha channel is disabled for the clip, it correctly shows a white background in the monitor. But when I export this clip to Quicktime Animation and turn on 32 bit depth, it creates the clip with an alpha channel, but when the alpha channel is disabled on the clip, it renders the background still as black, but with no alpha. It should render it as white. Quicktime Animation clips created this way with other Quicktime exporting software does not do this, and so I believe this is a bug. Where can this be logged?
thx

It's not a problem with Quicktime, but rather Premiere CS4 because other apps can create the same thing correctly, using the Quicktime Animation codec.
thx

(CS4) Why is Premiere CS4 modifying TIFF files in a sequence?

Hello,
decided to post here, because I didn't find any old postings of this subject anywhere.
I'm composing 2-d drawn animation on AE and editing in Premiere, then importing to
Avid media composer for exporting to Sony Digital Beta tape via SDI. When working in
CS3 and earlier, everything was nice, AE made about 1730 kB TIFF files and Premiere
kept them the same size, you just needed to select export -> movie... Tiff sequence,
deselect recompress, select best quality and optimize stills. File sizes were the same,
and I could rest assured that the original AE image quality was still there.
Now in CS4, something fundamental has changed. AE CS4 still makes perfect TIFF
animation frames (at 1024x576 same as CS3, about 1730kB and at 1050x576 about
1770kB).
So far, so good.
In Premiere 2.0 and 3.0, you could select a preselection 720*576 pal widescreen
composition and when exporting the edited animation would get the same pixel-level
IQ as from a custom Desktop: 1024*576 square pixel composition, when using the
Export movie described above. This to me looks like Premiere uses the original
TIFF material.
But in Premiere 4.0, something weird happens. If I use a 720*576 pal widescreen
preset (with AE CS4 1050*576 animation sequences) and export 1050*576 pal
widescreen square pixel image sequences, Adobe Media Encoder chops off 330
square pixels and stretches the image horizontally for blurred, sad results.
EXPORT MOVIE never did this!
Having found that out, I use only custom-> desktop: 1024 or 1050 projects now,
but here again something weird happens: Adobe Media encoder adds about 600kB
to every TIFF frame, and I'm almost unable to notice the difference, but I would say
that the images certainly don't look any better than the ones that were imported to
Premiere, more on the opposite. So, in every option but when exporting one TIFF at
a time Media Encoder alters the superb AE TIFFs.
Why on earth does Adobe want to add a huge amount of useless bits, in animation
the disk space required increases very significantly. What was wrong with the
EXPORT MOVIE option?
I'm asking should I just edit in Premiere 3 if I want unchanged, superb AE quality
TIFF sequences? Premiere gives it when I export only 1 frame, but as soon as I tick
"Export as sequence" it starts Adobe Media encoder which affects all frames, even
those with no Premiere effects on them. Premiere 3 preserved original IQ even in
PAL editing mode (export movie uncompressed) but Encoder in CS4 either
loses 30% of the pixels or adds about 600kB more air!?!?!
1050*576 is not a must for me because I want web movies to be 16:9 sqpix and
the Avid where I work in prefers 1024*576 over 1050*576 in Digital Betacam tape
exporting for uncompromised broadcasting results.
This issue is affecting many animatiors here in Finland, in CS3 and earlier there
were no problems because Premiere respected AE quality work, but now this Media
Encoder has messed things up, not selecting Custom-desktop-1024/1050 will ruin any
animation movie image sequence and selecting it makes files A LOT bigger without any
improvement in IQ.
I hope someone from Adobe could explain what on earth is going on in Premiere
development? Many animation professionals in Finland are awaiting your kind reply.
Anyone with a clue what's going on in the altering can give a hand!
Olli Laamanen, Finland

I did additional testing by comparing exported frames from Premiere
to the AE frames. Only when I delete all render files before export, do I get
the same image pixel-wise. But then there's the extra ~600kB of data.
Does anyone know what that is, a colleague suggested it might be the color
profile or some metadata added by adobe media encoder. I'd really like
to know what it is! Someone who knows something about this Adobe
Media Encoder might have the answer.
So if you are using AE and Premiere to make animation and want to
keep your master footage unchanged, the equivalent for CS3 export ->
movie -> TIFF uncompressed is to
-work only in desktop mode
-delete all render files before exporting media through the encoder
otherwise CS4 will change your images.
Like this it doesn't change the images but adds over 30% additional
data (somekind of tags/metadata)?
Anyone with a guess what it is, please help!

Slow down issue with Premiere CS4 on a Mac pro

I am having a similar slow down issue with Premiere CS4 on a Mac pro, but I don't have bloated prproj file size.
Here is what I am working with:
Mac Pro intel quad core 2.8ghz
OSX 10.6.7 Snow Leopard
6Gigs RAM
3TB storage between 4 drives, each drive with about 50% free space
I am editing a 10 minute HD video from avchd files. The edited video is very heavy in photoshop files with a variety of different fx including green screen. The system has slowed down to almost a standstill. Anytime I move the playcurser, or try to do any action, it displays the spinning top "thinking" icon and takes 15 seconds to several minutes to unfreeze. I am often forced to force quit and I have gotten unexpected quits several times. The program also freezes on startup frequently.
No other programs are running. When I export with media encoder, it took about 4 hours to complete. The last 4 or so photoshop images I added seemed to tip the program over the edge. It had been slowing down some, but those last few really dropped the processing speed. Before those additions, export took 30 min to 1hr.
I did delete the render files (did not check if the file size was bloated beforehand, oops) but it has not significantly affected my performance.

Do you need all of those extra pixels in the stills? Are you panning the full 4976?
Two things to consider are that if you using, say a 1920 x 1080 Sequence Frame Size, you can only see that at any time, regardless of how large the images are in pixels. If there are extra pixels, i.e. the Pan is not using all 4976 pxls., I would Scale to just what you need in PS, prior to Import.
If you are doing any Scale in PrPro, its Scaling algorithms are not as efficient, as those in PS. [Note: CS5 and 5.5 are a major improvement on that statement.]
With many large stills (the max for CS4 is 4096 x 4096, if there ARE extra pixels, pushing those around will use up resources, and quickly. As a test, some years back, I was working on a "photo wall," and was using 4000 x 4000 images. The workstation had no issues with slowness, until I got to the 5th large still. By the 8th, the Project was too slow to edit. I had to wait for everything. Luckily, I have AE, and it handles large stills much more efficiently, and much differently, than PrPro. I just moved to an AE Comp, and completed the Project, finishing up n PrPro, after I Exported from AE.
Just something to think about. With Scaling in PrPro, this is one time, where bigger is not necessarily better.
Good luck,
Hunt

Can't open Premiere CS4 project in CS5

Having issues opening a premiere cs4 project in cs5. The machine I was using with Cs4 has died, so I'm trying to continue the project with CS5.
Whenever I open the project I get a message saying "this project contained a sequence that could not be opened, No sequence preview preset or file or codec could be associated with this sequence type."
I have the latest version of premiere cs5 installed, and quicktime. The footage I was using was from a Canon 7D.
Thank you!
Patrick

Read Bill Hunt on a file type as WRAPPER http://forums.adobe.com/thread/440037?tstart=0
What is a CODEC... a Primer http://forums.adobe.com/thread/546811?tstart=0
What CODEC is INSIDE that file? http://forums.adobe.com/thread/440037?tstart=0
Report back with the codec details of your file, use the programs below
For PC http://www.headbands.com/gspot/ or http://mediainfo.sourceforge.net/en

Premiere CS4 to Encore CS4 Export Quality Problems

I recently purchased a non-linear editing machine with an RTX2 Matrox Card and CS4 Professional. After six or seven projects, I finally noticed that all my imported .avi files exported through Adobe Media Encoder and burned through Encore CS4 are not as crisp, sharp, or look like the original high quality SD footage after the DVD is burned like it always used to look in CS2. ( jumped from CS2 to CS4)
These DVDs were of plays, football, and basketball games. It seems that when the camera shoots a close up, the video looks fine but after you shoot from a distance, there is a considerable difference in the footage. ( alomost blurry) I just caught this and nobody has complained but I watched one of my older DVDs I produced with CS2 and it had no quality loss whatsoever. There is a night and day difference
For the sequences, I am using Matrox SD, NTSC, Standard, 720 x 486 and capturing with firewire through the Matrox card. The raw footage is beautiful. The Video Preview Option is NTSC Standard and the Codec is NTSC Matrox DV/DV Cam.
I can playback a timeline from the Matrox card and burn directly to a DVD burner and the footage is perfect, but when I export, I have chosen Microsoft .avi file, Matrox DV/DV Cam/ MPEG2, and MPEG2DVD.
I have even changed the sequences codec to Matrox MPEG-2 I-Frame and tried exporting using that out of Adobe Media Encoder and am getting the same results.
None of my customers have complained yet, but I definitely do not want to continue producing almost blurry DVDs.
I am using Adobe Premiere CS4 Version 4.1.0 and Encore CS4 Version 4.0.1.048 and Matrox Version 4.1.0.23
Can this problem be related to and eliminated by updating my CS4 Production Suite and my Matrox Software.
I was wondering if anyone had experienced this same issue and what solution they came up with or if anyone knew if the updates would correct this important issue. I just filmed a lengthy play that I have to author through Encore CS4 and I cannot release any more of my productions until this problem is solved. This is a big dollar production and I need some assistance on this matter as soon as possible. Thanks Jimi White

Thanks for taking the time to help me out. I just purchased my non-linear with CS4 Production Suite and the Matrox RTX2. I have several projects that I am working on right now and I was advised by Adobe, Matrox, and my non-linear vendor, 1 Beyond, to finish those projects before performing updates.
I also found out that If I export using the MPEG2 8Mbps, it cleared up the video dramatically. We had to go through a number of export presets in order to find out what worked best in Encore. I am going to try to finish the project now and will advise on the results.
This is a basketball highlight DVD and that's when I noticed the problem. My other productions were photos to music, and non sporting events and I didn't notice any problems with those DVDs ( they actually looked decent. Worst part about it was, I finished the project once and burned 18 DVDs, and then reviewed one of them and found the problem. I have to start over and just eat the DVDs printed and all.
Thanks again, it was nice of you to get back to me.
Jimi

Weiche Überblendungen in Premiere CS4 werden zu hartem Schnitt bei AVI-Export

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