What is the best setting for exporting an HD sequence as DV?

I want to make sure that my end product is the highest quality and for some reason I don't think I am getting it. when I play it on my big screen, it doesn't look sharp.
I am doing a project weekly that has 3 movies; one is nothing but pictures trasitioning to music. The second is a corporate TV 30 second spot that I converted to a .mov file (it came to me as a super huge .wmv file). The third is high def with photos to music.
For some reason, when I put all three in the same time line, it freezes FCP. (I guess that is another thread....) So I am doing all three in separate timelines, then bringing them all into DVD Studio Pro.
I do the clips 1 and 3 in HD, but have to export them as apple pro res 422 1280x480 30 because if I go "current settings", it makes it a HD .mov. The reason I don't want this is because in DVD Studio, I can't have 2 HD clips and 1 that is not. (I posted that problem in that forum and figured out that was the reason why the DVD wasn't playing)
So my question: am I down grading this HD sequence the best way? Here are the sequence's settings:
frame size: 1440x810
pixel aspect ratio: hd (1440x1080)
field dom: Upper (odd)
editing timebase: 29.97
Quicktime Video setting: compressor hdv 1080i60
Also, the fact that a 7 minute movie is only taking 10 minutes to render makes me nervous.......
Thanks in advance!

Aubry,
why don't you send your sequences straight to Compressor first, encode your movies as MPEG 2 and AC3 audio and import all assets in DVD studio PRO?
G.

Similar Messages

What is the best setting for export movie in widescreen format?

Please tell me what is the best setting for exporting movie in Widescreen format?

Like in After effect we use "NTSC D1 Widescreen Square Pixel".,
Carefully examine the codec and pixel dimensions of that output file. That's certainly easy for an experienced VFX person like yourself.
Then carefully look over the presets in FCP to find the same attibutes. You can also use the online help system for FCP and search for "D1"
However, your question remains unanswerable because we don't know how you're getting to the monitor. What are you playing back you AE sequences on that displays them on your LCD? You're assuming we know what you're doing and, I assure you, we do not.
bogiesan

What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?

What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
Any help would be greatly appreciated! Thanks

function(){return A.apply(null,[this].concat($A(arguments)))}
bmiller0525 wrote:
What are the best settings for exporting video in Premiere Pro Cs5.5 in HD MP4 format?
Any help would be greatly appreciated! Thanks
thats way too vague of a question... best what? quality? size? playback?
best quality then use high bitrate, small size use low bitrate.

What are the best setting to export video from after effects to get the best video quality ?

Hi
I am editing a raw time lapse in after effects and also some short video clips I would like to export them from after effects and upload them online afterwards but i get a bit lost in exporting settings and formats and mbps..
What are the best settings to export a video and get best quality(high) in full hd 1080 ? in 4k ? and what would be the best setting to export animations/logo/intro and get best quality ?
Thank you very much.

Thanks for reply !
I used until now quicktime in H264 codec was that OK ?
two more questions :
what are the export settings for 4k files for web/you tube ?
to play on my PC using windows media player or Quicktime player and getting the best quality ?
Thanks in advance.

What's the best setting for a best shades quality?

Hi!
I would like to know what are the best codec and the best setting for a video with 1920x1080 of resolution.
I've tried them all but nothing because the shades...are not shades.
I want a video that is like a uncompressed video but lighter. Same quality, same shades.
I've tried with Canopus Lossless but the video is darker and huge (7 min for >17 gb),
then with Canopus HQ, same quality but a little bit lighter (6 gb),
I've tried with all of codecs and settings but I haven't found what I want.
Who can help me for the best settings for the best shades?
Thanks so much.
P.S: Sorry for my english!

I used the PNG codec but the video is too big.
New Question: I've tried to encode the video with Canopus HQ but to 720p and now the video is more lighter, I wanted to upload it on YouTube but is not compatible with the standards.
If I encode this video by changeing the codec to Microsoft Avi uncompressed, can I have the same quality and the same weight?

What's the best setting for iPhone 4s video in Final Cut Pro 6

What's the best project setting in Final Cut Studio 2 for iPhone 4S 1080p footage?

Hi,
Convert your clips to Pro Res (LT if you have FCP7) with MPEG streamclip or similar and import to FCP.
Drag the first clip to the timeline and click ""yes" on the message that asks if you want to "change sequence settings to match clip settings". You're all set to edit.
DM

What is the best setting for compressing to a Window Media Player?

I now have the latest Compressor, just now need to figure out which is the best setting to use for compressing to a Windows Media Player. Does anyone know which is the best method?

I'd propose you buy a licence for Telestreams FLip4MAC (flipfactory) Quicktime components to enable ENCODING for HD and SD as you need. It works ok however none of my work requires specifics for windows player. I have a licence just the same.
If you have Flip4mac already installed, you can use the system preferneces panel to order a an ENCODER component licence. There may be others around as well.
You can just use compressor.app and change the inspector video to use "quicktime components/windows media encoder" in the batch job.. its pretty easy.
hth

4K footage to DVD: what are the best settings for exporting in Premiere Pro CC v7.2.2?

Hello everyone!
I am editing a big bunch of short 4K clips (XAVC in MP4) which will then go onto DVDs. The idea is to get as many of those clips on a DVD as possible. Using Premiere Pro 7.2.2 on Windows 8.
What I would like to know is whether I'm actually using the best possible settings for this case, because the video exported to MPEG2-DVD doesn't look that good. Or maybe it needs to be exported to a different format and rather converted to DVD format after?
The sequence setting are the following:
RED Cinema
Frame rate: 29,97 fps
3840x2160 (16:9)
Square pixels
The export settings I've been using:
MPEG2-DVD
Aspect ratio: 16:9
TV Format: PAL
Field order: progressive
Frame rate: 25
Video quality: 100
Bitrate: VBR
1, I've tried different bitrates, also setting minimum at 9, but this blows up the file size too much (as i mentioned, the idea is to get at many clips as possible on a DVD)
GOP: M - 3, N - 15 (haven't touched those)
Multiplexer: none (should i put DVD?)
I'm using maximum render quality
Have I given all the information?
Any help will be appreciated!@

As Ann has advised do not expect too much, you are going down a lot in quality.
Why are you also going from NTSC to a PAL output?
Premiere will drop frames to get from 29.97 to 25.
PAL DVD players read NTSC discs fine as long as they are region 0
Why are you trying to produce a DVD anyway?
A Bluray would be far better quality.
Also a minimum 9 is way wrong, c9.6 is the max in the spec and hence avoided as your system is trying to push the spec limits to close.
I used to use 6 - 7.5 - 8.8 in my VBR and they looked fine, now I am all HD.

What is the best setting for previews in aperture for creating DVDs ?

Hi,
I would like to send clients DVDs of the photo shoots by dragging over the preview jpegs into iDVD. Not having a clue about the quality I should set for the previews [ in aperture preferences] could any one give some idea what preview size `I should be using for fairly decent quality. I should state I do not own a Television set and never will, so cannot test for myself. Seeing as widescreen is the most poular type of goggle box I intend to set IDVD to the widescreen dimensions.
Also does the size and quality of previews affect the overall responsivness of Aperture?

Congratulations on your avoidance of TV - I wish I could.
The most expensive High definition sets around at the moment have a resolution that can display 1080 horizontal lines, so anything greater than this would seem to be a waste.
Depending on who you believe the definition of "High Definition" as it refers to TV begins at 720 horizontal lines and extends up to 1080 lines. This is considerably less than what any half decent computer monitor can display.
If you set your previews to the one with an asterisk you will be perfectly matched to display fullscreen on your computer monitor, and as I said above this should be better than most TVs. If you set a step or two lower thaen you probably won't have any problems on most TVs.

Best setting for exporting my fcp6 sequence for DVD

Hello,
So I imported all my footage from an HD Cam into FCP 6... it gave all my clips the apple pro res 22 codec, with the 1440x1080 setting
I cut the sequence... and now I'm ready to get her onto a DVD.
When I go to export, what are my best options? I'm going to play the cut on an HD tv.
Thanks

barrymurf wrote:
I cut the sequence... and now I'm ready to get her onto a DVD.
When I go to export, what are my best options? I'm going to play the cut on an HD tv.
What kind of TV you play back isn't as important as the media and player. What kind of player (DVD, Blu-ray, HD-DVD) is it? To what kind of disc are you burning, (SD) DVD or HD-DVD? Also, how long is your sequence?

What's the best photograph for a no background image?

I am about to photograph some products and would like to make a set up where I can photograph each of the products in the same setting/lighting. Then, when I go to open/edit them in PhotoshopCS4, I can take out the background and have just the image. Then, I can place that image ontop of any background I want. There is one bad thing. Some of these have a clear top where you can see thru them. Does or will that make a difference?
I want to set it up like they do for the weather on television, have a blue background and erase all of the blue showing. Then the only thing showing in the end is the digital background that was added in by computer and the weatherman(unless he's wearing a blue tie, in which case you can see the info through him). But my question still stands, what is the best setting for this and/or background color, how should the photographs be taken and then opened and edited(removing the background) using PhotoshopCS4?
We have a lighting set up, a 30" x 30" x 30" light tent setup, 3 lights with Pro Light Reflectors(one on the left, one on the right and one on top), 1 white and 1 black background and a box to place the images on. I'm using a Nikon D100.
Attached in a photo example.
This was taken with the black background and you can see the black through the bottle. I erased all of the surrounding black, but the dark shades still show on the sides.
Any help will be appreciated.
Sean

The whole point is that these photographs will be used for the book, manuals, magazines, ads... The backgrounds will not always be the same. That's my main problem. I am trying to figure out a way for the glass of the bottles to be "glass" images or "see through" so that when the photograph is placed on a background of, let's say, flowers, the flowers would show through. The edges of the glass are still solid and the flowers would not show thru them, but...
Is this type of thing possible for printing quality photographs?
Note - In the attched photo, it can be seen that the black background can be seen the plastic cap.

Best setting to export an HDV sequence to Encore

I have a sequence in a Premiere CS3 project (HDV NTSC preset) and I want to export it to Encore. What is the best setting to export a movie to be imported by Encore?
As a test I have exported it as DV NTSC (720 x 480) but final quality is poor.

Are you planning on burning a BD Project, or do you want to down-rez to SD?
Good luck,
Hunt

HT4681 What is the best most compact export to use for Youtube?

What is the best, most compact export codec / frame size to use for Youtube?

louisfromseven hills wrote:
What is the best, most compact export codec / frame size to use for Youtube?
YouTube says ....
http://support.google.com/youtube/bin/static.py?hl=en&topic=1728573&guide=172858 5&page=guide.cs

What is the best set up for video editing?

What is the best computer? The best software? The best external storage? The best ram? 3D editing? Everything!!!!!!
Running full HD and 720p at 60 fps videos. Clips ranging from a few seconds to 10-30 minutes.
Cost isn't an issue.
What is the best set up, not the most excessive. If it doesn't need to be there or it isn't greatly needed I would like to know. This is looking at the production aspects, not the camera and such. What is the best plug in for slow motion? Pros and Cons of the set up?
I would greatly appriciate everyones input in this. Thank you so much.

That is a hard question to answer.. Nothing is best for everyone... However if i am to generalize it I would put it this way.. If you want to cut everything from a short promos to hollywood pictures..
A high end windows pc (only cause mac pro hasn't been updated in ages)
Avid Media Composer with Nitrus DX
Two monitors
Broadcast monitor
HD Deck
pimping 5.1 speakers
A good mixer
You are looking at over 70,000 or 80,000, could even approach even more.. HD decks run atleast 15k.
If price is not an issue then there you go....
However this is not realistic for most people nor best solution by no means... I run a macbook pro with Avid (as primary) Final Cut 7, Final Cut X (for practice, didn't have to use it for a job yet), and Premiere (just in case)
I am a final cut child who grew up on it and love it however everything I am doing in last few years is on AVID...
Have a second monitor..
I am very portable and rest of the gear I usually get where ever I work at.. I am looking into getting a good broadcast monitor connected with AJA thunderbolt..
Like I said this is very open question, there is no (BEST) it all depends what you will be doing.. If you get AVID (which can do everything, however is cluncky as **** and counter intuitive) but you are only cutting wedding videos and short format stuff, it would be an overkill galore.. Just get FCP X in that case... Simple,easy, one app...
Be more specific and you will get clearer answers..

What is the best practise for setting dirty flag of a page/view?

For a page/view, normaylly there are 2 things to do for diry data:
1. when it's clean, Save button is disabled, when it's dirty, save button is enabled.
2. when it's dirty and the window is closed, a popup says "you have unsaved data, close will lose the data".
My thought is: it must be handled at client side, because not all valuechange is auto submitted. E.g., you type the 1st letter of a string in a input box, the server side does not know it, but save button should be enabled immediately.
Is it possible to capture all valueChange events in a page or a view at client side?
I'm not sure what is the best practise for setting dirty flag? If there is better solution? Does ADF provide facility for this?

public void save(ActionEvent event){
boolean formValid = isFormValid();
   if (formValid) {
save button is enabled.
    private boolean isFormValid() {
        boolean valid = true;
        if (Check Condition 1) {
            valid = false;
           showErrorMessage1();
        if (Check Condition 2) {
            valid = false;
           showErrorMessage1();
        return valid;
    private void showErrorMessage1() {
                when it's dirty and the window is closed, a popup says "you have unsaved data, close will lose the data".

What is the best setting for exporting an HD sequence as DV?

Similar Messages

Maybe you are looking for