What should I trust more? FCP waveform, pro waveform/mon, consumer monitor?

What should I trust more when it comes to preparing a project for DVD (exporting a timeline to Compressor then using DVD Studio Pro)?
My bars look fine on the internal waveform and vectorscope. So does the image. (And everything looked fine when I captured the footage on an external waveform/vectorscope).
When I play a burned DVD, all the levels (blacks and whites) are low on my home 1080p LCD (the DVD is SD, anamorphic).
When I play the DVD on 4 different consumer CRTs and LCDs, the image looks very close to what FCP shows on the computer screen.
At work, when I play the DVD through an SDI framesync, through a Sony 8000 switcher, into a waveform vectorscope, the blacks are -7.5 and the whites are at 105. The chroma is just a tiny bit high.
Why is there such inconsistency between these three? How do you deal with it when you want to make a pro quality DVD?
And, most importantly, which program is making this change in levels: compressor, or DVD Studio Pro?
The target audience for my DVD is the consumer market, but it'll also be sent to industry people, so it needs to look as good as possible.
Thanks for your help.

Exiting my exile as this thread is interesting.
A couple of things. If you work at a place with a big ole 8000 switcher, there should be some staff engineers to help you track down your black level problem, aren't there? Also, there's no need to hit a switcher crosspoint simply to monitor your levels in a waveform/vectorscope.
In FCP, black is digital which means zero IRE. The output of your dvd player is analog which means black is 7.5 IRE. Darn near every dvd player made has a menu choice to manipulate black levels, you should probably find out where your studio dvd player is set.
The dvd player output is analog, why not plug the thing into an analog waveform?
If you must convert the dvd output to SDI, you need to make sure the frame shaker TBC controls are set to unity, did you do this?
If you must hit a switcher crosspoint, (my knowledge of the Sony switchers is very very thin) there are handles within the switcher for TBC controls; make sure that crosspoint is set to unity as well.
Black levels are tricky, without being there it's hard to tell you exactly why. Have a house engineer walk through the steps with you.
But, to answer your first question, the built-in scopes within FCP are innaccurate, trust calibrated hardware scopes first. Again, if you must use a frame shaker, you MUST set the TBC controls to unity before you can make any sort of qualitative judgements.
Report back.

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