Where is the exposure compensation detail

I am looking for the exposure compensation detail in Lightroom 4.4 but cannot find it.

Maddieraz2 wrote:
Thanks Rob
You bet .
Maddieraz2 wrote:
Do I just download the plugin
Well, you have to install it too ('Add' using Plugin Manager).
Maddieraz2 wrote:
is it straightforward?
It takes some getting used to, but with practice, it is a very useful plugin indeed.
Worth noting: the plugin doesn't do anything you couldn't do yourself manually by editing .lrtemplate lua files (stored in 'Metadata Field Lists' folder in with Lightroom Presets) with a text editor - the plugin just makes it accessible to all users who can weild a mouse.
To be clear: you don't need a custom preset to see exposure bias, for example you can just select the built-in preset "EXIF". (exposure bias was omitted from the default preset for some reason).
Cheers,
Rob

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Adjusting Exposure Compensation Settings Of 808 To...

Apart from the inaccurate white balance of the Pureview 808 in low light which appears to be a permanent feature of the phone(still waiting for confirmation from Nokia whether there will be a software update to correct this), it seems that the exposure of the Pureview 808 can be manipulated or adjusted in Creative mode with the "Exposure Compensation" feature found on the left side of the screen. Since the image of the 808 is always over-exposed in low light, I guess this feature may come in handy. Has anybody used this "Exposure Compensation" feature when taking pictures in low light? Are there any guidelines on the usage of this feature? I have fiddled around with the settlings yesterday and found that in very low light situations where a brightly lit object is in a completely dark background, the Exposure Compensation needs to be at -0.7 or -1.0 for a satisfactory image to appear. At 0 or -0.3, the image will become too bright and blurry. The ISO plays a part as well in these low light conditions as a minimum ISO400 is required for these low light shots.
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Try checking this and see if this helps you in any way: Nokia 808 PureView Tips, Tricks and Photography.
Another thing, one of our friends here posted a thread that there's a new update available for the said device so you may also want to check if the update is already available for your precious one. See here. Please take note though that update availability depends on the existing firmware version, operator and variant.
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Thanks for the information. Much appreciated. The latest update that I have on my 808 is software version 113.010.1507. The latest update (113.010.1508) is still not available yet at where I live.
THanks for the link on the Pureview tips and tricks. Will check on it in a while.
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600EX Flash - 5D III. Flash exposure compensation.

How can I set the FLASH exposure compensation from the CAMERA. It appears that I have to set the exposure compensation on the back of the flash unit. I would like be able to change the FLASH EC settings from the camera, not the flash unit.
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Ok, I have my 5D III out with my 600EX-RT mounted.
Let's make sure you don't have terminology confused.
There are two different compensations... there's "explosure compensation" and "flash exposure compensation".
If you meter exposure with the camera and then use the rear dial (assuming you did not disable it) after waking up the metering system then the rear dial will change the "exposure" compensation (this changes the metering for the AMBIENT light reading that the camera reads -- ignoring the flash). So changing "exposure compensation" will not change the flash even if the flash is powered on and connected. It would only change the camera.
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Also... on the rear LCD screen there's a box just below the ISO setting that shows if you have flash exposure compensation set and the amount.
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IF I DO use the buttons on the flash to set flash exposure compensation then the camera is locked out. It will report what compensation has been set on the flash, but will not let me change it until I use the buttons on the flash to return it to 0.
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When shooting in Camera RAW format you are retaining the full Analog to Digital (A/D) resolution, which today is 14 bits, or even 16 bits color depth (48 bits). When shooting JPEG the camera file output is limited to 8 bit color depth (24 bits). So even for 14 bit camera A/D converters we have:
This is not correct. jpeg files are gamma corrected while raw is a linear capture. Theoretically, a 8-bit jpeg in sRGB space can contain as much dynamic range as a raw file of any bit depth because of the tone curve. It breaks up quicker when you edit jpegs because you will start seeing posterization earlier because of the lower bit precision but the dynamic range is there to start with.
Jao xDL I appreciate the additional information and links you have provided, but it is probably more information (and some misinformation) than most of us can digest in one reading. Yes sRGB tone curve helps to "compress" a wider dynamic range" signal into the 24 bit JPEG space, but it still only contains 24 bits of information! My point is that when opening a Camera RAW file in LR we can use the camera's full A/D dynamic range for recovery of signal "beyond 24 bit JPEG." Today that is typically 14 bits or even 16 bits per color (42-48 bits), with even the cheapest cameras using 12 bit A/D. If JPEG has the same ability, then why are we capturing and using "larger" RAW files?
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At a fixed exposure, you actually will want to raise the ISO as far as you can to make sure you don't posterize shadow detail in the very deep shadows because of limited bit precision left over and to minimize the read noise contribution.
People use their expensive (and inexpensive) camera gear to shoot pictures, NOT run laboratory experiments! I don't want to change my ISO setting to get the best shadow details or use Auto ISO, except for very specific shooting situations. You are parsing technical semantics, gone way beyond the original question, and are now incorrectly restating what I already said:
The bottom line is that “best practice” is to expose for the maximum highlight value, even clipping highlights when you want to retain maximum noise-free shadow detail.
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Where is the exposure compensation detail

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