Why is Premiere CS6 remembering past cuts?
Is this a bug?
So throughout my video, I've been cutting, rethinking cuts. Yet, I'm having problems with CS6 remembering old cuts and I can't understand why because they aren't in the timeline.
Example: I cut apart a video. I decided I might want to make different cuts to the video. Redrag video in time line. cut off end. Render clip. In the middle of the clip, there is a big black 3 frame nothing that is not in the original video.
Example: Cut off a few frames of the beginning of a video. Drag another video starting the same time in video 2. Video one shows through for 2 frames despite video 2 being on top (I checked down to the frame. Even worse, the original video is being displayed for those 2 frames instead of the video I cut in Track 1.
It's almost like premiere is trying to remember something for some stupid reason. These ghost cuts are killing me. It's happened all throughout my video, usually 2 frames at the begninng of a clip but not limited to, like in example 1.
Anyone else see this problem?
This is a bug. This for some reason has to do with Motion>Scale.
Once I put the scale down to 33.3333 instead of 34 (making the new size to be exactly 640x480). That is just this particular video though and I have to check whats going on with some of the others as they have no scaling in the motion tab.
Similar Messages
-
Why wont premiere CS6 export .mp4's?
why wont premiere CS6 export .mp4's? Everytime i try to export h264 mp4's the final export is an unrecognizable .m4v file.
I read about this 'bug' in a thread started over 8 months ago, and read that the 'work around' is to export with audio on. (my videos have no audio channels, so why would i want to save them and make them larger, by encoding them with audio?)
I am preparing to switch from Final Cut 7, to Premiere Pro, but i'm concerned to do so as this bug apparnetly was never fixed by adobe, almost a year later. There seems to be no way to encode an .mp4 without audio using Premiere Pro CS6 or Media Encoder CS6. Is there any kind of patch or another way to export .mp4's?
thanks.That is exactly my point! Why should I have to export an audio channel and increase the file size to work around a known bug of the software...
We export about 100 videos a day and it will add up. These are files that will be online, and size is an issue.
I'm just not sure that we'll want to invest in software with a known bug that hasn't been addressed after months.
I was hoping that maybe there was a patch or update that I haven't found yet. Thanks all. -
Why my premiere cs6 doesnt have AVCHD on the page of Sequence Presets?
Why my premiere cs6 doesnt have AVCHD on the page of Sequence Presets?
There are only DV-24P, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD and Moblie & Devices.
I wanna choose AVCHD>1080p>AVCHD 1080p25.
Can you help me?http://helpx.adobe.com/premiere-pro/kb/features-presets-missing-premiere-pro.html
-
Why does Premiere CS6 drop frames in capture?
Why does premiere CS6 drop frames when I capture from my Canon Visia HV40 via Firewire 400
Bob Lamb [email protected]1st, more computer information might help... such as the Information FAQ http://forums.adobe.com/message/4200840 questions
2nd, some other software to try... to see if the problem is with your computer, or CS6
I have NOT used either, but many say to try these for SD capture http://windv.mourek.cz/ or http://www.exsate.com/products/dvcapture/
http://helpx.adobe.com/premiere-pro/kb/cant-capture-dv-hdv-video.html -and http://forums.adobe.com/message/4708997
I have NOT used it, but many say to try this for HDV capture http://strony.aster.pl/paviko/hdvsplit.htm -
Can't import XML from Premiere CS6 to Final Cut Pro X?
Hi,
I've been using Premier CS6 but I have downloaded the trail of FCPX and wan't to give that a try on my mac. I have edited the video in Premiere CS6 and exported it with the "Final cut pro xml" feature in AP CS6. I've exported the map containing the videofiles, the XML actually everything!
But the FCPX won't let me select the XML when I try to use the import "XML". What am I doing wrong? Don't get any error messages since I can't even select the XML file.
Thank you very much in advance, looking forward to try the FCPX!Nothing the XML export from Premiere is for legacy versions of FCP not for FCPX.
-
Moving project from premiere cs6 into final cut
hi, i have a project running in premiere cs6 for a tv series and i work in pc. My supervisor, want to see my project in his mac, working with final cut. My problem is, that he needs all the project itself. with the sequences, the nests, the cuts and the effects that i 've used so he can make changes if needed.. Is there any way to export this project somehow so i can transfer it and work in final cut?
ThanksMy problem is, that he needs all the project itself. with the sequences, the nests, the cuts and the effects that i 've used so he can make changes if needed..
Your boss is an arse and should know better than make you jump thru' these hoops. My guess is he is not an editor and probably a control freak.
Give him an XML and an EDL plus a drive full of source material... then ask him what else he needs.
Good time for him and you to define job responsibilties. -
Why Does Premiere CS6 Render AVCHD?
CS6 Production Premium Suite
Win7x64
Canon XA10
I shoot a continuous one hour talk.
Using Windows Explorer, I copy the BDMV folder from the XA10 to my project folder.
Using the Media Browser, I import the clip (which consists of multiple MTS files).
On the imported clip, I use "New Sequence From Clip".
I do not edit the sequence.
I then "Render Entire Work Area".
The rendering takes awhile. Why?
I thought Premiere edits AVCHD as native so it should not have to render if no edits occur.
Thanks in advance.From Fuzzy_Barsik's earlier link...
Mercury Playback Engine GPU Acceleration:
yellow: The source media’s codec is computationally difficult (such as AVCHD). As mentioned above, only very few simple codecs don’t get a yellow bar; these include DV and DVCPRO.
yellow: The settings of the clip (e.g., pixel aspect ratio, frame rate, field settings) don’t match the settings for the sequence.
yellow: A CUDA-accelerated video effect or transition has been applied to the clip. (A CUDA-accelerated video transition only causes a yellow bar over the duration of the transition.)
red: A non-CUDA-accelerated video effect or transition has been applied to the clip. (A non-CUDA-accelerated video transition only causes a red bar over the duration of the transition.)
Mercury Playback Engine Software Only:
yellow: The source media’s codec is computationally difficult (such as AVCHD). As mentioned above, only very few simple codecs don’t get a yellow bar; these include DV and DVCPRO.
red: The settings of the clip (e.g., pixel aspect ratio, frame rate, field settings) don’t match the settings for the sequence.
red: Any video effect or transition has been applied to the clip. (A video transition only causes a red bar over the duration of the transition.) -
Why Does Premiere CS6 Output 29.97fps when Encoding to 23.976 fps?
My project is XDCam EX, 23.976 fps. I exported to DVD MPEG and both VLC and Windows Explorer details report 29.97fps file format.
I downloaded the latest updates two days ago. Just wondering why the encoder refuses to leave 23.976fps footage and project alone and convert it to 29.97? Render settings are clearly 23.976fps. Bug?i didn't read the forum i linked, so yes, i was wrong in the way adobe converts it to 29.97, pulldown vs added frame. the output file will be reported as 29.97, but mediainfo can see the flags and reports it as 23.976 with 2:3 pulldown. when i look at the .m2v file from premiere, frame by frame i can see the two interlaced frames from pulldown. so are those true interlaced frames or does the media player program generate those interlaced frames as a result of the flag telling it to?
Telecine - Wikipedia, the free encyclopedia
Wiki:
Reverse telecine (a.k.a. inverse telecine (IVTC), reverse pulldown)
Some DVD players, line doublers, and personal video recorders are designed to detect and remove 2:3 pulldown from telecined video sources, thereby reconstructing the original 24 frame/s film frames. This technique is known as “reverse” or “inverse” telecine. Benefits of reverse telecine include high-quality non-interlaced display on compatible display devices and the elimination of redundant data for compression purposes.
my understanding is the interlaced frames are real. it is 29.97fps, with 2 of 5 as interlaced. the reverse pulldown reconstructs a single frame from the two interlaced, dropping the fps to the original 24p. is this not the case with adobe's pulldown?
media player:
Video: MPEG2 Video 720x480 29.97fps 7000kbps [Video]
Audio: PCM 48000Hz stereo 1536kbps [A: pcm_s16le, 48000 Hz, 2 channels, s16, 1536 kb/s]
mediainfo:
Frame rate
: 23.976 fps
Standard
: NTSC
Color space
: YUV
Chroma subsampling
: 4:2:0
Bit depth
: 8 bits
Scan type
: Progressive
Scan order
: 2:3 Pulldown -
Why I cannot export Video from my Premiere CS6 to my DVC PRO AJ-D455?
I am trying to export video from my Premiere CS6 to my DVC PRO AJ-D455 I can only capture the video but not export, why?
1st, go to that forum http://forums.adobe.com/community/premiere?view=discussions
2nd, provide LOTS more information when you get there... PPro Information FAQ http://forums.adobe.com/message/4200840
3rd, read these previous discussions
Export to Tape http://forums.adobe.com/message/4699448
Hardware MPE must be OFF to be able to export via Firewire
http://forums.adobe.com/thread/902499
http://forums.adobe.com/thread/880824
Last, The PPro/Encore tutorial list in message #3 http://forums.adobe.com/message/2276578 may also help, with more help in message #5 -
Just what the subject line says, Premiere CS6 won't load up past the splash screen and "Loading ExporterQuickTimeHost" after I updated to QT 7.7.3 (Win7). No other updates done, my CS6 is up to date. I reverted back to 7.6 and problem went away. Just an little word of warning to those who see the update pop up.
If you run into the problem, here's the link to download 7.6. You will have to uninstall 7.7.3 then instal 7.6.
http://support.apple.com/downloads/#quicktimeI ran into a similar issue on Premiere Elements 11: On program launch, the system hung on "Quicktimehost.pm". After some troubleshooting with no success, I:
1) Uninstalled Quicktime version 7.7.5
2) Installed Quickitme version 7.6
3) rebooted my machine
4) SUCCESS-> launched Premiere Elements 11 without issue
Hope this helps a few others! -
Final Cut Pro X to Premiere CS6 workflow destroys FCP X events
Hello,
I just got a call by a customer who tried to convert and FCP X project via XML to Premiere CS6 for a further AfterEffects workflow. He experienced the following problem, which I can rebuild completely. These are the steps:
1 - Export an FCP X project which relinks to transcoded optimized media to XML
2 - Convert the XML (.fcpxml) with Xto7 app to legacy XML (.xml) format
3 - Open Premiere CS6 and import the XML (.xml)
4 - Close Premiere CS6 and open FCP X and the exported project
FCP X warns immediately that something has been modiefied. This is just an information which I can only accept. All the clips that were optimized are reded out and marked "Modified File". Now do the follwing:
5 - Try to relink the modified media and chose the optimized media file in the transcoded media folder
As soon as you accept the relink FCP X deletes the file in the event library and ALSO in the Original Media folder AND in the Transcoded Media folder and moves both files to the trash. This could be destructiv, if you are working on a SAN storage, like an EditShare system.
But even if you are able to restore the files and move them back in place, there seems to be no chance to relink the files in FCP X to make your project working again. As soon the relink comand is executed the files will be moved to the trash again. If I do not try to relink, the files keep marked red and as Modified Media. If you have a look in the metadata, you will see, that they have been modified by Premiere, which seems to cause the trouble.
Does anyone has a workaround or working handover to AfterEffects? Or does anyone else encounter similar problems with XML or third party apps destroying metadata within FCP X files?
Appreciate all solutions!
Btw: This only affects transcoded media. Every time I worked with original media only, the handover to Premiere works undestructive, but the media was pending in Premiere until the app crashs.Finally I solved the problem by myself, doing a deeper web research.
Actually it's Premiere CS6 or AfterEffects which adds some metadata to the clips, that causes FCP X to ignore those files and shows them as "Modified media". But - and that's the good thing - you can turn off this behaviour in AfterEffects or Premiere. Here is how:
In AfterEffects
go to Preferences > Media & Disk Cache and uncheck the boxes refering to the XMP metadata
In Premiere
go to Preferences > Media and uncheck the box "Write XMP ID to Files on Import"
Those XMP metadata help CS6 to share media cache files and previews and may improve stability and performance but if you are in a more FCP X based workflow, deactivating this option may prevent from loosing media.
A fast check with the same procedure discribed above went well and everything stays untouched and online in FCP X. -
Why does Adobe Premiere CS6 slow playback after importing some audio?
Adobe Premiere CS6.0 v6.0.2
Mac Pro:
1, 4 core - 3.2ghz CPU
16gb ram (4 sticks of 4gb @ 1066 MHz)
1 Tb dive with OS/Apps on
2Tb 7200 RPM media drive
ATI Radeon HD 5770
Sequence:
30Fps
1920x1080
Media:
mostly .MFX files from a Canon XF100 however these clips commonly play nice with Premiere.
Issue:
After importing some audio clips (.wav/.mp3, possibly other extensions) to the timeline on occasion the video playback will become choppy and the audio will slow down 3% creating any voices in the video to become deeper and slows down. Choppy video playback as well. The problem is very annoying but it can be temporarily fixed with a computer restart but it will come back.
Things to note:
Creating a rendered ID (Exporting the movie out to a .mov) the slowed choppy video does not appear in the final movie.
Temp. Solution:
The only way I can fix this problem is by restarting the computer. Simply restarting Adobe Premiere and closing any non-essential applications does not fix the problem.
Any ideas on how to fix this are much apperciated.Try converting your MP3 to AIFF ,QT or something else Macs like. See if that helps.
-
Premiere CS6 Still Has a Long Way To Go
I'm in commercial editing and work as offline editor, assistant editor and compositor. I've been using Premiere Pro ever since FCPX came out, but not in the workplace as an offline tool because of certain major missing features:
- a good EDL exporter (absolutely essential in a commercial pipeline where we're bouncing sequences to grading suites and Flame all the time)
- dupe detection (essential for prepping sequences for grading)
- timecode overlays in the monitors
- colored markers
- marker overlays (to quickly see what the content of a marker is when scrubbing in the timeline)
- searchable markers (great when needing to find one line you know you had marked)
- a visual keyboard settings editor (FCP and Avid got it right, Premiere is a mess, although improved from CS5 which didn't have the ability to search for commands)
- the ability to rename clips to match file names (can't tell you how many times I use this in FCP)
- use of CMD X, C and V for cutting, copying and pasting marked selections in the timeline without adding in/out points
- match frame edit indicators
- heal match frame edit function
- timeline to timeline editing. Not expecting what Avid offers, which is enhanced by the ability to toggle your timeline between source and record, but to be able to do what FCP7 does by letting you edit with clip data, i.e. edit your track layout and edit points from a sequence in the viewer into the timeline.
I'm super disappointed that not a single one of the above features has been addressed in Premiere Pro CS6. I think the dupe detection, timecode overlays, and EDL export are the biggest disappointments.
For a little clarity on the EDL issue, every editor and assistant I know renames clips after they're imported into the project. They don't use the "Scene" and "Take" metadata tags, because they want the clip name on the far left of the project window. This isn't so much of an issue in Avid, but that software is on a different level. Anyways, in Premiere, once you rename a clip, that's the way the clip name is going to come out out in the EDL. This is a massive problem for Alexa and RED jobs, which is most of what I work with, because timecode isn't going to be unique to a clip on a multi-day, multi-cam shoot. In FCP7, you have the option to export your EDL with either clip or file names. Alternatively, you can select all the clips from your edit and choose "Rename Clip to Match File Name." Premiere has none of these options. The only workaround is to go through every clip in your edit, reveal in project, bring up the properties, copy the file name that's there, then paste into the clip name. This is not a workable solution for a 60 second commercial with an edit every 12-48 frames.
While Speedgrade is lovely, no one is going to convince Company 3, The Mill, MPC, Light Iron, or New Hat to switch from Resolve, Scratch, Baselight or Pablo. And to get stuff into those systems, EDLs are still the preferred method when you talk to the assistants who are loading the projects.
On the good side, it's great to see improved playback stability and scrubbing, the new audio meters are great, adjustment layers are a big help, the marker tab in the project pane has a lot of potential (why not make it searchable?), and the new trim tool is GREAT and right on par with Avid.
With the exception of the playback control, though, I would trade all of the above improvements to have the hit list above taken care of. Adobe seems to have added some very good big picture, high profile improvements. It's the little things that you encounter every day in a long edit that really need some attention now. PLEASE give a look to this stuff.
I had really hoped I'd be able to use PP CS6 as an offline tool in my pipeline, but that's not going to happen. Nor do I know any editors or assistants in commercial post in LA who will want to work without the above features.
If anyone has some insights into the above features and maybe making these things work in CS6 as currently released, I'm open to hearing them and hopeful that there are workarounds.
Thanks and have a blessed day!The command copy, cut paste don't work unless you add edits to create a
discreet clip. You can't simply copy from an in to an out point. The
workaround is to add your markers, use lift or extract, undo to clear the
damage you just did to your sequence, then paste the clipboard contents
that you still have from the lift or extract operation.
Regarding Speedgrade, it appears to be in its infancy and has a promising
future, but what you get for free from Davinci Resolve Lite is wildly
awesome. It does everything the $1000 version of DaVinci does except
stereoscopic color, network rendering, shared projects, and shared memories
between projects (i.e. power mastering). So, for free, you have a blazing
fast color grade suite with the identical toolset actively in use by
Company 3 and The Mill. Add a panel or two and you're really rockin and
rolling. We use it at the shop I'm freelancing at now and it can burn
through dailies transcodes (still essential for Red and Alexa), at about
40fps. Awesome.
I think choosing between Avid MC and Premiere is strictly a "what do you
need it for" question. The main problem with Avid is now and always has
been the hard import aspect. AMA works kinda ok, but I know no one who
starts and finishes a project strictly with AMA. Plus it doesn't work on
an average laptop without a lot of herky jerky playback, even at 10:1, and
at some point on a long edit, you're likely going to be working off a
laptop.
The ability of Premiere to ingest ANYTHING immediately, including DPX
sequences, is phenomenal. If you don't want to wait for AJA, Blackmagic
has some excellent and more affordable video I/O solutions that work with
CS6 right now. The playback is so much better than CS5.5. I think the
reason why it was a problem before was because it's trying to play nice
with anything as it is. FCP needed everything to be a quicktime. Avid
needs everything to be MXF. Premiere says "come one come all!" and that's
a tall, tall order. Now it's working great and the Adobe folks should be
lauded for whatever engineering magic they used to make this happen. Huge
timesaver, especially in finishing when I need to bounce more complex comp
work to Nuke and back.
The second thing that Premiere kills at is effects work, even though it's
not so much Premiere as it is After Effects. Avid has nothing there close
to this. Animatte? Spectramatte? Give me After Effects any day. So, you
can offline AND online a project with the Premiere and After Effects combo.
Awesome!
The biggest shortcoming Premiere has, I think, is it's audio filter suite.
It's a huge liability and something I hope they devote a lot of attention
to. The way Avid can't match the Premiere/After Effects duo,
Premiere/Soundbooth cannot match what Avid has built in. The Audiosuite
effects seemed to be designed to give you a bit of ProTools within your
NLE.
I think the best solution, at least until Smoke 2013 comes out this fall,
seems to be to choose the app that is best suited for your project. I
don't think the conversation should be about one program wiping out another
one, which it seemed to often be the tone of Avid vs. FCP debates.
The more I play with Premiere CS6, the more I like it. I used 5 and 5.5 on
commercials a few times and felt like the software was getting in the way,
particularly toward the end when I needed to generate EDLs and OMFs (I
haven't tried the OMF export out of Premiere CS6 yet, but it can't be worse
than 5.5 - my guess is it's no better though, based on what did and did not
get improved). It was fine for finishing, but you'd have to work around
playback issues all the time, which got a bit embarrassing with clients in
the room.
I think CS6, for it's numerous shortcomings - none of which are
catastrophic or deal-breakers - provides an excellent foundation on which
to build something that could definitely one day pick where FCP7 left off.
Smoke 2013 is the storm on the horizon, though, if you ask me. But
competition is GREAT and I actually hope Blackmagic joins the game as well.
The more the merrier! -
Considering dumping my iMac for a PC used for DSLR video editing on Premiere CS6. Help!
So I edit mostly 1080p DSLR footage taken from my canon T3i camera. I purchased a 2011 (the latest model) iMac a little over a year ago, upgraded the RAM to 12GB and it has worked reasonably well. I purchased the base model for $1200 which has a quad core i5 processor, 512mb of video ram, and a measly 500gb hard drive. The past couple of days I have come to the realization that I only use Adobe Programs for graphically intensive work (premiere, after effects, etc). I originally bought my iMac for final cut, but FCPX SUCKS and I switched to Premiere CS6 which works like a dream. Anyways, I'm a senior in high school and do lots of video editing (going to major in video production in college). I'm likely going to differ college for a year and continue my video production business (pretty informal) as well as video production internships at a couple companies (so don't suggest that I get a laptop for portability, not an issue). I just shot an entire wedding with 2 DSLR's and the footage takes up over 20% of my hard drive which is unacceptable. This is very troublesome for me and has been clogging up my computer considerably. I have realized it would make a lot of sense to sell my iMac and purchase a PC that's not only faster, but has much more space. I was ideally looking to sell my iMac for $1000, and from that get a better and faster PC setup for my video editing. $200 would be allocated for a 24" 1080p LED 5ms Asus monitor (from newegg) which would leave $800 remaining for the PC. Ideally it'd be nice to have a little cash left over. Some things that sound appealing to me are: an intel i7 quad core proccessor at least 3.0+ Ghz, 16 GB of ram (maybe 8 to start), 1 GB of video RAM (here is where I'm stuck, my Imac had a Radeon 512mb video card in it, but I've heard premiere runs especially well with nVidia CUDA cards? Don't really know too much about this stuff.) I have no idea what type of card to get, and if I would even see a performance upgrade from my iMac. For storage I'd like at least 2TB of space, should I get two seperate 1 TB drives? One for boot and software and another for video files? Anyways, I assume I can benefit from selling my 2011 i5 iMac to get a faster PC equivalent at a lower price since I mainly edit videos (which is pretty graphically intense) from an HD DSLR camera. I've noticed premiere rendering times on my mac are starting to get pretty slow these days. Ideally it'd be nice to buy a desktop (already assembled) maybe from HP for around $600 (not including the monitor). I'm not completely against building a PC from parts (since I know a friend who can do it for me) I just need help figuring out WHAT exactly it is that I need and would benefit from.
Buy a Desktop Video Editing PC
http://www.adkvideoediting.com/
-ADK Kudos http://forums.adobe.com/thread/877201
Build a Desktop Video Editing PC
-http://ppbm7.com/index.php/intro-part-1
-http://forums.adobe.com/thread/1098759
-http://forums.adobe.com/thread/878520?tstart=0
-http://forums.adobe.com/thread/815798
-http://www.shawnlam.ca/2012/premiere-pro-cs6-video-editing-computer-build/
-http://www.videoguys.com/Guide/E/Videoguys+DIY9+Its+Time+for+Sandy+Bridge+E/0xe9b142f408a2 b03ab88144a434e88de7.aspx -
Can't export 720p .AVI in Premiere CS6
I have a bunch of 720p videos that I'd like to export as .avi, but none of the codecs or presets availible allow for this. Am I doing something wrong? I'm using Premiere CS6 on a Windows 7 64-bit PC
Let's take a closer look at this.
When you say "AVI" do you mean the old NTSC or PAL AVI that was used with the original DV cameras? If so, that codec can't handle the larger 1280X720 frame as Ann pointed out.
Why do you want to export to AVI? Because you always did in the past? Or is there another reason that would help us help you?
Is it just that you want an archive? Something you can edit again? There are ways to do that. Lagarith creates a fairly large file. Is hard drive space an issue? If not, then Lagarith is fine. There are other, more compressed codecs that you may or may not find acceptable.
My camera, for example, records an all I-Frame file at 72Mb/s and if I want to back it up, I merely export to the same all I-Frame format at the same data rate.
What does your camera record?
Once you tell us what the whole story is, we might be able to point you down the correct path.
Maybe you are looking for
-
I downloaded and upgraded to Version 4 today. However, after installing the new version, I can't eject the Firefox disk, even using the Disk Utility. The Firefox disk keeps reopening. I rebooted too. NEVER MIND! I DID SOME MORE TWEAKING AND GOT IT FI
-
so i imported a few clips, i think i dragged them into imovie? i have forgotten by now because i did this a couple of weeks ago. these clips got into the "last import" in the event library. so without knowing that it would get lost somehow, i didn't
-
How to get shared photo streams in alphabetical order
presentation is now in orde of sharing.
-
When I connect my MacBook to my Sanyo 42" HDTV "Please use PC Audio Input for DVI connection" comes on the screen. What do I do?
-
How to load number of infosources to one infocube
hi gurus can anybody give clear example how to add no of infosources to one infocube in the flat file & in r/3 i tried in flat file i am getting error when loading second infosource please try to provide with example ,i am verymuch confused about thi