Why is Premiere so dum?

Ok, maybe its me, and there is a magic, quick method to resolving this that I'm oblivious to (if so, I put this down to poor, unintuative software!!), anyway (for my sins - it seemed like a good idea at the time!!) all my video projects are on external USB drives. I also have external DVD drives etc. Also I recently added a blu-ray drive to my PC.
If I then try and open an existing Premiere project it asks me to locate all my project files!!! (because the drive letter has been changed or re-assigned)
What kills me is that you can't just point to a root folder and Premiere will then find all necessary files and sub folders (aren't computers suppost to be good at this sort of stuff?), no, you have to point the dum software to every single differnt file location (hey, I thought I was being organised and put all audio in an "audio" folder etc. etc.) With a BIG project this can be very tedious task. To cap it all when you've done all this timewasting hoop jumping Premiere will then re-conform and index ALL the files AGAIN!!!!!! (can take hours).
Wow, is this to inspire all those artistic thoughts that you may have had before you started??!!
Go on, tell me I'm stupid and there's a super simple way of dealing with this major pain . . . . ;-))
PS: Using CS3 (had CS4 and gave up!!)

Jeff,
Your example, post 23, is a good one, and should be worth noting. I inherited a Project that had been partially done on another platform. There were sub-folders with many of the same file names, but the files were different, often VERY different. I had to re-Link 1400+ still image files (plus 100+ AV files) by hand, and also verify that I was getting the exact file (remember that the file naming was the same, except for the exact location) for each one. PP was good at figuring out many of the files, when they were in the same sub-Folder (I still had to check each one via a "test" set of DVD's though). Had PP just gone for the file names, I would have been SOL. Once the Links were reestablished, the drive letter assigned in all machine OS's, these Links have held, though the external has been swapped about for about 6 mos.
Yes, it would be nice if PP could
i somehow
know which version of Image_001.JPG (out of more than a dozen in various sub-folders) was required for Sequence X, but heck, I didn't know until I studied the DVD, and used Bridge to look at all of the Image_001.JPG's. At least the JPG's were easy. There were over a hundred .MOV files in the Project, and the original external had up to 12 files with the same file names, but totally different files. In addition, all of the .MOV's had a fade from black, so Bridge displayed a black frame for all of them, and I had to play each one to see what the heck was in it, then re-Link to the correct one.
Much of the blame can be placed on the initial editor for really poor housekeeping and file naming. PP did its best, as did I. Still, if it had just gone to the disk and had chosen one version, based on file name, I would have had 10x the work to do.
I believe that this could be one of those "be careful what you ask for... " situations. A can of worms could well become a barrel of vipers!
Just like doing a flowchart,
b BEFORE
one starts an Encore Project, planning the layout for a Project,
b BEFORE
one Imports the first Asset, and taking into account all possibilities, like moving the Project to another machine, can really pay dividends later. File naming conventions, and folder layout are very, very important.
Hunt

Similar Messages

  • Why does Premiere Pro CS5 eat up space on my C drive when it conforms video files?

    Hey everyone. I have Premiere Pro CS5 with the latest update installed. I am running Windows 7 64-bit on a 120GB Corsair SSD drive. I have set my scratch disk video and audio previews to a different hard drive (F: drive). I have three questions:
    1. Why does Premiere eat up space on my C drive whenever it conforms the video files I import into my project?
    2. Where on my C drive can I find the folder that holds all these conformed video files that are taking up space on my C drive?
    3. How do I prevent Premiere from eating up space on my hard drive when it conforms the video files I import into my project? Is there some way to move whatever folder is eating up space on my hard drive when Premiere conforms the video files and tell Premiere to conform the video files on another hard disk so I don't lose precious space on my C drive?
    Okay, that's four questions but, can some please help me on this? Thanks.
    Okay, that's five questions.

    hello,
    i think you need to relocate you media  cache files to a separate drive other than your c: drive.
    in the hardware forum, Harm has done a wonderful job at advising on HDD setup, i think it mentions relocation
    of swap file, media cache, etc.  all which are defaulted to your c: in your user profile
    after relocating to different physical drives (all without partitions) performance usually increases
    Generic Guideline for Disk Setup  by harm
    hope this helps til someone else answers more
    good luck...
    j

  • Why Does Premiere Pro CS4 Import Only 10 Seconds Of Layered Photoshop CS4 .psd??

    Why Does Premiere Pro CS4 Import Only 10 Seconds Of Layered Photoshop CS4 .psd??
    I have a 24 second clip I layered in Ps and when I import the psd into Pr THE SEQUENCE IS ALWAYS ONLY 10 SECONDS!
    How can I change this?  Why does this happen?  I really need to know as soon as possible.  I have a video project due this Wednesday (granted it's for an AV class where I'm just learning Pr.  But I can learn VERY FAST!)
    Thanks for your help.
    --OSXniCKels

    Just in case I wasn't clear in my last line "just Click-drag on the Tail of your .PSD to set the desired Duration," once you have Imported your .PSD (as Footage), just drag it to the Timeline, Click-drag on the right-hand margin (the Tail) and stretch out its Duration, as is required.
    Now, if you Imported as a Sequence, open that Sequence's Timeline, and do the same.
    I normally will set my Edit>Preferences>Still Duration to about what I think will be applicable, do my Import, and then with the Info Panel handy, just alter the Duration to suit.
    Good luck,
    Hunt
    PS - Welcome to the forum.

  • Why is Premiere outputting whole clip..?!?

    Hi - fairly new so I apologise if this is a stupid question, though I have searched hard online before posting here.
    I am reading a clip from a DVD of which I only want to export a short segment. I have created 'in points' and 'out points' in the program console, but despite this it's rendering *the entire clip* on export. It's driving me to drink (which admittedly is a short journey).
    Any ideas?
    Thanks
    don

    Christian... many thanks for taking the time to reply. Much appreciated. I'll let you know how I get on.
    Rgds
    don
    Date: Thu, 7 Jul 2011 07:36:44 -0600
    From: [email protected]
    To: [email protected]
    Subject: why is Premiere outputting whole clip..?!?
    Definitely use the work area. There are shortcuts (ALT+ for the end)
    Also use the work area to limit your render area when previewing clips on the timeline. You can render just the RED sections of the timeline, or render RED and YELLOW all within the range of the work area bar.
    Setting in and out points in the sequence/timeline/program designates a spot for laying in footage from the program or source panels. Very useful for that, but not useful for setting your export or render sections.
    Also, in the export dialog box, you have the option of using the work area or the entire sequence. It's set to work area by default, but just be aware that when/if you want to export the entire sequence, you'll either need to expand the work area on your timeline or select the entire sequence option from the dropdown box in the export dialog.
    >

  • Why does premiere elements 8 say I need the right 'codec' when trying to open hdd video?

    Why does premiere elements 8 say I need the right 'codec' when trying to open hdd video?  where can I find this codec?

    hey, I'm not sure if I've set it up for hard drive video.  When I
    try to import it says it's the wrong codec.  I had a similar problem with windows moviemaker.
    except the error message there (moviemaker) said 'too many methods firing from events'
      hmmm.  I don't know what it all means.  I have an hdd sony digital handycam.
    dcr-sr45 is the model.  any suggestions?

  • Why my premiere cs6 doesnt have AVCHD on the page of Sequence Presets?

    Why my premiere cs6 doesnt have AVCHD on the page of Sequence Presets?
    There are only DV-24P, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD and Moblie & Devices.
    I wanna choose AVCHD>1080p>AVCHD 1080p25.
    Can you help me?

    http://helpx.adobe.com/premiere-pro/kb/features-presets-missing-premiere-pro.html

  • Why does Premiere 7.0 crash when capturing LIVE video and audio?

    Why does Premiere 7.x Creative Cloud Crash when capturing live Video in about 10 minutes.

    More information needed for someone to help... please click below and provide the requested information
    -Premiere Pro Video Editing Information FAQ http://forums.adobe.com/message/4200840

  • Why is Premiere Pro telling me it will take over 24 hours to export a 55-second clip with no audio or effects?

    Why is Premiere Pro telling me it will take over 24 hours to export a 55-second clip with no audio or effects? It's never done this before, but this is driving me nuts. I'm almost finished with this project, I can't have this kind of stuff happening now.

    Forgive me. I'm just stressing hardcore at the moment.
    Specs:
    OS X 10.9.4
    2.8 GHz intel
    Premiere 5.5
    exporting cell phone video which has been treated with effects and layered with other clips from cell phone video, then nested as one single video clip, now trying to export as H.264 (DV 24fps)
    Full disclosure: I am an amateur so if you need more info just tell me and I'll produce it if I can. I should note though, I've done this before with no problem. However the settings may have been different (still getting the hang of the whole 'settings' thing, to be honest). It's very possible that the problem in this case is the operator, in other words.

  • Why does Premiere CS6 drop frames in capture?

    Why does premiere CS6 drop frames when I capture from my Canon Visia HV40 via Firewire 400
    Bob Lamb     [email protected]

    1st, more computer information might help... such as the Information FAQ http://forums.adobe.com/message/4200840 questions
    2nd, some other software to try... to see if the problem is with your computer, or CS6
    I have NOT used either, but many say to try these for SD capture http://windv.mourek.cz/ or http://www.exsate.com/products/dvcapture/
    http://helpx.adobe.com/premiere-pro/kb/cant-capture-dv-hdv-video.html -and http://forums.adobe.com/message/4708997
    I have NOT used it, but many say to try this for HDV capture http://strony.aster.pl/paviko/hdvsplit.htm

  • CAMERA SHAKE!!!! Why not Premiere? FCP has it!

    So the one thing that has been bothering me to no end is the fact that Premiere has not included a camera shake preset into their library when the product ships. There isnt even a preset you can buy(that i found) for premiere pro. I dont want to use AE for one simple effect that should be included in the release.
    Fcp has it in its effects tabs and its great, why not Premiere?
    If anyone has knowledge of a good preset for camera shake, please let me know.
    I do not wish to mickey mouse it in AE and or even in Premiere .. as i've tested them all before and nothing appeals to me.
    thanks guys

    I dont have fcp in front of me.. i do belive it is the earthquake effect.
    Yes i know that premiere and fcp dont have the same effects, but it would be nice for premiere to include this "earthquake" "shake" effect as a preset.
    I actually almost switched to fcp for this one effect(i'm not kidding), i've been premiere editor for over 15 years. I like to edit with ease and that effect is what i've been needing for a long time. If you guys look @ spike TV's UFC adverts, when the guys hit one another they do this "shake" effect and it looks amazing.
    I have sent in a request for this feature, i hope everyone who reads this thread, sends one. It would be a great addition to the software.
    to BDRUMMER67, i'm not sure i understand your post,  you say u used a digieffects plug in to make your camera shake, which plug in did you use? Displace? I have used that one and its still not the same, doesnt have that same look.

  • Why doesnt Premiere start up at once?

    Why doesnt Premiere start up at once? I have to open it 3, 4, 5 times and then in the end it opens but why doenst it start up normally in one time?  And now it doens't open totally anymore, just like that, I didn't chance anything, but suddenly de video codecs are not okey anymore!
    It opened an hour ago but suddenly anymore, help please!

    Missing Presets/Activation http://forums.adobe.com/thread/1050730?tstart=0
    and
    More information needed for someone to help... please click below and provide the requested information
    -Premiere Pro Video Editing Information FAQ http://forums.adobe.com/message/4200840

  • Why wont premiere CS6 export .mp4's?

    why wont premiere CS6 export .mp4's?  Everytime i try to export h264 mp4's the final export is an unrecognizable .m4v file.
    I read about this 'bug' in a thread started over 8 months ago,  and read that the 'work around' is to export with audio on. (my videos have no audio channels, so why would i want to save them and make them larger, by encoding them with audio?)
    I am preparing to switch from Final Cut 7, to Premiere Pro, but i'm concerned to do so as this bug apparnetly was never fixed by adobe, almost a year later.  There seems to be no way to encode an .mp4 without audio using Premiere Pro CS6 or Media Encoder CS6.  Is there any kind of patch or another way to export .mp4's?
    thanks.

    That is exactly my point!  Why should I have to export an audio channel and increase the file size to work around a known bug of the software...
    We export about 100 videos a day and it will add up.  These are files that will be online, and size is an issue.
    I'm just not sure that we'll want to invest in software with a known bug that hasn't been addressed after months. 
    I was hoping that maybe there was a patch or update that I haven't found yet.  Thanks all.

  • (CS4) Why is Premiere CS4 modifying TIFF files in a sequence?

    Hello,
    decided to post here, because I didn't find any old postings of this subject anywhere.
    I'm composing 2-d drawn animation on AE and editing in Premiere, then importing to
    Avid media composer for exporting to Sony Digital Beta tape via SDI. When working in
    CS3 and earlier, everything was nice, AE made about 1730 kB TIFF files and Premiere
    kept them the same size, you just needed to select export -> movie... Tiff sequence,
    deselect recompress, select best quality and optimize stills. File sizes were the same,
    and I could rest assured that the original AE image quality was still there.
    Now in CS4, something fundamental has changed. AE CS4 still makes perfect TIFF
    animation frames (at 1024x576 same as CS3, about 1730kB and at 1050x576 about
    1770kB).
    So far, so good.
    In Premiere 2.0 and 3.0, you could select a preselection 720*576 pal widescreen
    composition and when exporting the edited animation would get the same pixel-level
    IQ as from a custom Desktop: 1024*576 square pixel composition, when using the
    Export movie described above. This to me looks like Premiere uses the original
    TIFF material.
    But in Premiere 4.0, something weird happens. If I use a 720*576 pal widescreen
    preset (with AE CS4 1050*576 animation sequences) and export 1050*576 pal
    widescreen square pixel image sequences, Adobe Media Encoder chops off 330
    square pixels and stretches the image horizontally for blurred, sad results.
    EXPORT MOVIE never did this!
    Having found that out, I use only custom-> desktop: 1024 or 1050 projects now,
    but here again something weird happens: Adobe Media encoder adds about 600kB
    to every TIFF frame, and I'm almost unable to notice the difference, but I would say
    that the images certainly don't look any better than the ones that were imported to
    Premiere, more on the opposite. So, in every option but when exporting one TIFF at
    a time Media Encoder alters the superb AE TIFFs.
    Why on earth does Adobe want to add a huge amount of useless bits, in animation
    the disk space required increases very significantly. What was wrong with the
    EXPORT MOVIE option?
    I'm asking should I just edit in Premiere 3 if I want unchanged, superb AE quality
    TIFF sequences? Premiere gives it when I export only 1 frame, but as soon as I tick
    "Export as sequence" it starts Adobe Media encoder which affects all frames, even
    those with no Premiere effects on them. Premiere 3 preserved original IQ even in
    PAL editing mode (export movie uncompressed) but Encoder in CS4 either
    loses 30% of the pixels or adds about 600kB more air!?!?!
    1050*576 is not a must for me because I want web movies to be 16:9 sqpix and
    the Avid where I work in prefers 1024*576 over 1050*576 in Digital Betacam tape
    exporting for uncompromised broadcasting results.
    This issue is affecting many animatiors here in Finland, in CS3 and earlier there
    were no problems because Premiere respected AE quality work, but now this Media
    Encoder has messed things up, not selecting Custom-desktop-1024/1050 will ruin any
    animation movie image sequence and selecting it makes files A LOT bigger without any
    improvement in IQ.
    I hope someone from Adobe could explain what on earth is going on in Premiere
    development? Many animation professionals in Finland are awaiting your kind reply.
    Anyone with a clue what's going on in the altering can give a hand!
    Olli Laamanen, Finland

    I did additional testing by comparing exported frames from Premiere
    to the AE frames. Only when I delete all render files before export, do I get
    the same image pixel-wise. But then there's the extra ~600kB of data.
    Does anyone know what that is, a colleague suggested it might be the color
    profile or some metadata added by adobe media encoder. I'd really like
    to know what it is! Someone who knows something about this Adobe
    Media Encoder might have the answer.
    So if you are using AE and Premiere to make animation and want to
    keep your master footage unchanged, the equivalent for CS3 export ->
    movie -> TIFF uncompressed is to
    -work only in desktop mode
    -delete all render files before exporting media through the encoder
    otherwise CS4 will change your images.
    Like this it doesn't change the images but adds over 30% additional
    data (somekind of tags/metadata)?
    Anyone with a guess what it is, please help!

  • Why does Premiere Pro CS5 process audio source before exporting clip in AME CS5?

    Hello everyone, my first post here. I am currently trying out the trial CS5 Master Collection on my MacBook Pro. I've been using Premiere Pro CS5 to put together family videos. I select a certain portion of a sequence and queue it for export in Media Encoder CS5 in the format H.264 for iPod with video and audio.
    Now in AME I have a queue list of about 5 clips from the sequence. But when I hit the Start Queue button, the bottom left of the progress bar states "Adobe Premiere Pro processing audio source from [then file name]"  for all 5 clips from the sequence then creates the first output file.
    Then it moves to encode the second and again states "Adobe Premiere Pro processing audio source from [then file name]"  for all 5 clips of mt sequence then spits out only the second output file.
    This continues for the remaining 3 output files. The total sequence length is ~32 minutes with transitions and it takes about 35 minutes to export which is all consumed by the process audio source of the 5 clips in my sequence for 5 separate times.
    Is there a certain reason why Media Encoder or Premiere Pro does this process of audio source? Is this process necessary or needed? I experimented with choosing different output formats but the results are the same. Any help would be appreciated, thanks.

    Now that's pretty good follow-up to your first post, and quickly too! Nice detective work.
    As you have found, there is basically a Render/Replace operation going on in PrPro, to get the material in the correct form for AME.
    Thank you for reporting, as it saved me, and others, from basically saying what you said.
    Good luck, and sorry that you beat us to the punch.
    Hunt

  • Why does Premiere render the same sequence sometimes fast and sometimes really slow?

    I use Premiere Pro CC 2014.
    I have a Nvidia GTX 590
    Intel Core i7 X990 @ 3.47GHz
    24GB RAM
    Windows 7 (64)
    200GB free space on an SSD drive and 2 more drives with each 1TB free.
    I'm having trouble with performance when rendering sequences.
    The sequences themselves are pretty simple. They contain MOV files from my Canon EOS 5D Mark III and transparent PNG files as overlays for titles and additional graphics.
    I also use lumetri looks and have turned on Cuda rendering. As a codec for exporting I use H264 (fullhd, 25fps, 20mbits, 2pass, max render quality, max depth)
    Whether or not I export in Premiere or via AME doesn't matter, the problem stays the same.
    Now, when I start exporting, at one point, which is seemingly random (sometimes at 35%, sometimes at 60%, sometimes at 2% - I'm talking about the same sequence!) rendering becomes really really slow (~1 hour for a 3min video), and I don't understand why. I keeps slow until the whole sequence is finished. But before that, rendering was fast!
    But sometimes, I'm lucky, and - after restarting my computer and Premiere, the same sequences render in whole, in under 2 minutes!
    So obviously my computer is able to render fast. But it does not always do that. Sometimes - even after a fresh reboot, I'm out of luck and the same sequence renders in an hour - but only after a random point in the sequence.
    It's as if Premiere stumbles and can't get up again. The only thing that CAN help (though does not alway), is rebooting the system and hoping for the best.
    Where does this strange behaviour come from? I use ordinary footage, ordinary filters and an ordinary export codec. I have lots of RAM and lots of disk space
    I have not found a topic in this forum with a similar problem

    Similar problem here but on a Mac.   AME is always much slower than directly exporting from Premiere, but if I start to get slow renders a reboot always sorts the issue out.

Maybe you are looking for