Workflow question - SWWWIHEAD TABLE

Hello Workflow Gurus,
Is there anyway I can get the current work item ID given the fact that I have the top work item ID. Right now I am using table SWWWIHEAD but I am facing runtime issues. I was using the function module SAP_WAPI_WORKITEMS_TO_OBJECT which is horrible runtime wise. Please advise if there is a way to get the current work item ID.
Thanks in advance

Hello Rachana,
there's a nice place to leave workflow topics:
SAP Business Workflow
* Prerequesites: There are no sub-workflows
   DATA: wi_id          TYPE swwwihead-wi_id.
   wi_id = <your workitem id here>.
   DATA: items_in_work TYPE STANDARD TABLE
                             OF swwwihead
                             INITIAL SIZE 10.
   SELECT * FROM swwwihead
            INTO TABLE items_in_work
            WHERE WI_CHCKWI = wi_id
              AND ( wi_type = 'D' OR
                    wi_type = 'B' )
              AND ( wi_stat = 'READY'   OR
                    wi_stat = 'STARTED' OR
                    wi_stat = 'ERROR' ).
* finished
There is a database index on the field wi_chkwi, so do not worry about performance here.
Best regards,
Florin

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Hello all,
I’ve been searching many forums for the better part of a day trying to get some workflow questions sorted. I’m experiencing (very) slow export times, and mediocre playback for a machine that should be screaming fast.
Here is what I’m working with:
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Do these seem like the right sequence/export settings for mastering at 1080p? If not, what would you suggest?
Would using offline editing help at all?
Do you place your effects on adjustment layers?
Is there anyway to improve export settings when using an array of filters?
Have you stopped using third party plugins for their inefficiency in unreliability and switched to more integrated applications like SpeedGrade?
Is there any other tweaks that you would suggest for RED workflow with PrPro?
Should I consider switching to FCPX or (besides the iMovie-likeness) does it carry problems of its own?

Hi This Is Ironclad,
thisisironclad wrote:
Hello all,
I’ve been searching many forums for the better part of a day trying to get some workflow questions sorted. I’m experiencing (very) slow export times, and mediocre playback for a machine that should be screaming fast.
The biggest issue is that most people have is that updating OS X causes certain folders to be set to Read Only. See this blog post: Premiere Pro CC, CC 2014, or 2014.1 freezing on startup or crashing while working (Mac OS X 10.9, and later).
thisisironclad wrote:
Hello all,
I’ve been searching many forums for the better part of a day trying to get some workflow questions sorted. I’m experiencing (very) slow export times, and mediocre playback for a machine that should be screaming fast.
Here is what I’m working with:
2014 Mac Pro
-2.7 GHz 12-core intel xeon E5
-64GB Ram
-Dual AMD FirePro D700 6GB
-1TB Flash Storage
It's a nice base system. How about an additional speedy disk for media cache files. You also did not mention which version of OS X you are running.
thisisironclad wrote:
Software:
-Magic Bullet Looks 2.5.2
The Red Giant website does not indicate that this software is yet updated to work with Premiere Pro CC 2014.1 (8.1). Proceed with caution here.
thisisironclad wrote:
Issues I have:
-Playback is fine at 1/2 or even full, but once effects (especially magic bullet looks) start to go on the clips, it’s very choppy and has difficult playback at 1/4
I would not use this plug-in until you get the OK from the manufacturer.
thisisironclad wrote:
-Export times (especially with magic bullet looks) will take the better part of 1-4 hours for a video that is 3-6 minutes long. This doesn’t seem like it should be the case for a maxed out MacPro
Again, I suspect your plug-in.
Keep in mind that exports are largely CPU based but you can make sure that GPU acceleration is enabled for AME at the bottom of the Queue panel.
thisisironclad wrote:
So my questions are:
Do these seem like the right sequence/export settings for mastering at 1080p? If not, what would you suggest?
It's OK.
thisisironclad wrote:
Would using offline editing help at all?
No need when you should be able to edit natively. Relinking might also be an issue.
thisisironclad wrote:
Do you place your effects on adjustment layers?
That's one way you can do it with the benefit of being more organized.
thisisironclad wrote:
Have you stopped using third party plugins for their inefficiency in unreliability and switched to more integrated applications like SpeedGrade?
I do. Of course, that's a preference.
thisisironclad wrote:
Is there any other tweaks that you would suggest for RED workflow with PrPro?
Try the following:
Sign out from Creative Cloud, restart Premiere Pro, then sign in
Update any GPU drivers
Trash preferences
Ensure Adobe preference files are set to read/write(Hopefully you checked this out already)
Delete media cache
Remove plug-ins
If you have AMD GPUs, make sure CUDA is not installed
Repair permissions
Disconnect any third party hardware
If you have a CUDA GPU, ensure that the Mercury Playback Engine is set to CUDA, not OpenCLYou have AMD GPUs.
Disable App Nap
Reboot
thisisironclad wrote:
Should I consider switching to FCPX or (besides the iMovie-likeness) does it carry problems of its own?
I really shouldn't answer that question.
Hope this helps.
Thanks,
Kevin

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Hi,
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Ok I too, like many others here, am new to the Mac (thanks to Apple's I'm a Mac, I'm a PC ads that my wife couldn't get enough of). I have done some searching around and I see that there are quite a few iMovie workflow questions out there. I have not quite found what I am looking for however, so I thought I would make my first post tonight. So here it goes...
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Welcome Ron to the  iMovie boards..
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the by Apple intended workflow/concept for iApps is:
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storage..
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I have a sharpening workflow question. Say I have pictures from a portrait session I just finished. I have to send 10 pictures the client ordered to a print lab and I also will make some small facebook sized pictures and upload them to my business facebook page. The level of sharpening needed for large prints (I upload to print lab as RGB JPEGS) and sharpening needed for the very small sRGB facebook-sized pictures is different. In Lightroom I have the option to set the sharpening on export and have a bunch of presets that alter the export size, color space, sharpening, etc(WHCC print lab, facebook, Client CD, etc). I don't see how to do that in Aperture. I see they have the option if you have a printer, but not on normal export.
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Frank Scallo Jr wrote:
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Sharpening adjustments not being applied on export is a separate issue and should be reported via the feedback form ASAP by everyone who is experiencing the bug.
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How can I create a matrix question? Specifically, I need a question in table format that allows each respondent to list a number of events and then data for each event (date, location, number of participants, topics covered, etc.

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I have a complete book in basic text (txt). What is the desired (or best in your experience) way to start work. In my mind I want to import the text as a whole, populate all pages, then I want to come back and format chapters and add images.
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i every
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- Go through your text
i again,
this time adding all pictures, tables, etc. You can do the previous steps in any order you like, but this one must be done from front to back. If you have right hand chapters and the one before it has no text, make that one completely blank (i.e., remove header & page numbering).
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Use Case:
We are implementing UCM document management with Webcenter Spaces. There is an extensive use of UCM workflows and during a demonstration we were asked these questions:
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Currently, customer is not using any document management and are used to using MS word's Track Changes feature. For them, UCM Workflow's Reject screen doesn't seem to be the best to describe a change in particular paragraph of document.
2. When a step has multiple approvers, is there a way to prevent one approver blocking the document when he is making changes (adding review comments in MS word doc) to it. There could be other approvers who wish to put in their comments at the same time. Is there a way to have multiple approvers work on document simultaneously without having to wait for each other to undo checkout or wait for them to checkin.
3. If multiple approvers are able to provide their comments in document and reject the document, is there an option to merge the comments (within the document) made by different approvers.
We are not talking about making different versions of the document.
Would like to know different options to go about it. Client is interested in user friendliness (which is a key feature in one of the competing products :) ). Has anyone implemented similar solutions before?
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I've read the color management posts and the Adobe help file regarding the Pantone + libraries and the new differences between CS5 & 6. However I'm still a bit confused as to just what my settings should be, and a few posts offer different pieces of advice, so I'm looking for clarification. I don't need to work with legacy CS files, so I don't want to swap out the old Pantone libraries for the Plus ones. However I still have my old Pantone Solid, Coated and Uncoated swatchbooks and until I can afford the new Plus swatchbooks, I'll depend on those. I'm hoping the difference between Pantone 321U and Pantone+ 321 is not great.
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1. In the Swatch settings pallette, should I set the Spot Color option to use the first choice—use LAB values specified by the book manufacturer, or use CMYK values from the manufacturer process books.
2. In the View menu, should I select Overprint Preview to get a (more or less-I know the drill) closer monitor color to what will be printed.
I don't want to fool around with trying to set the CMYK values as listed in Pantone Color Bridge CMYK EC (found on Scribed here: http://www.scribd.com/doc/33104/Pantoner-Color-BridgeTm-Cmyk-Ec ), and I'm not even sure of the point in doing so or what it would do for me.
What I want is to depend on a swatch book, select the named swatch from the Pantone library, have all my settings set properly, then place it in InDesign, then send the file to a digital printer and get as close an approximation to the swatch book selection as possible. I need monitor color settings to reflect the swatches as best possible.
When I can afford it, should I opt for the Pantone+ Coated and Uncoated swatchbooks, or the Color Bridge? I'm usure of the difference, and if there are any Illustrator or InDesign settings that would need to be changed depending.
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I'm not sure what needs to be set in InDesign to make sure colors are consistent between what is set in Illustrator and then what InDesign does.

Let me try to help you further:
1. In Illustrator's Swatch settings pallette, should the Spot Color Mode option be set to use:
a. CMYK
b. LAB
c. Book Color (not sure if this refers to the pantone swatchbook)
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2. In the View menu should Overprint Preview be checked, and why, and would it differ based on the settings for #1.
- Only if the color was transparent ( which it isn't ) would overprint preview be of any use or you use a tint value of the Spot color and a black, but even then you may not be able to detect any change in the screen view. I typically do not use any overprint preview and I do not rely on the monitor for any color deisions. You could be different and that is OK. Let me know if you are able to detect any deviates using overprint preview.
I'm sorry for being a little short. There is a lot of confusion about these issues and Adobe and Pantone are not making things any easier.
The key is your Canon will not be able to print accurate Spot color without a RIP for the necessary color tables and conversions for that particular printer. In your case, it will be necessary to build a CMYK file to print a somewhat approximate representation of that specific Spot color. Another frustrating part of this matrix is CMYK cannot match all Pantone Spot Colors.

Issue in workflow binding of Table in send mail step

Hi All,
I am working on a Travel Management workflow where mail needs to be sent to the manager along with the trip details.
We are displaying data in tables (html format). Now i need to add another such table with details into this already existing workflow but i am facing issues in binding.
Issue: For already existing tables, the binding is like this,
Export to task,
&TRIP& --> &T_SUMMARY##&
Import to w/f,
&T_SUMMARY##& <--- &T_SUMMARY##&.
But when i am trying to add my table in binding as, &TRIP& --> &T_MILEAGE##&,
I am getting a binding error, &T_MILEAGE##& is not available in the container.
I checked the container both in workflow and in task, both contain multiple declarations of the variable &TRIP& which is of type the BO.
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Hi Anjan,
The status of note 1658491 is also cannot not be implemented.
I checked the correction given in this note. All changes exists into system.
Following is code of method SEND ( (CL_SWF_UTL_MAIL_FACADE)
*- check if document has recipients at all
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*-       Send document
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The exception is thrown, because lt_recipients table is blank.
With same parameter the workflow is running successfully if 'Long mail title' is not set in SWPA.
When is field is active, workflow returns message Document <> could not be sent
The method "SELFITEM->SendTaskDescription" does not send mail if Long Mail Title" indicator is set .
Thanks & Regards,
Mounj K

OWB workflow question

I'm an OWB-newbie (using PARIS) and have a question about OWB workflows.
I want to create several mapping workflows.
All the mapping workflows should send a mail with the outcome of the workflows (success, error, warning) to an administrator.
I don't want to always code the same mail activity with the same parameter values.
So my idea is to write one subprocess which handles the mail-routine with some input parameters (calling workflow-name, process state (success, warning, error)).
In the subprocess I want to test the input parameter "process-state". If the value is 0 (success) then a mail with the workflow name as subject should be generated incuding an static text e.g. "mapping successful". If the value is 1 then "mapping warning" and so on.
What OWB activity has to be choosen for testing the input parameter "process-state" like an if-then-else construct or a case-construct?
How can the value of the input parameter "workflow-name" be included in the mail-body?
Regards
Martin

To my experience, using the OWF for these things is not very practical. I would suggest that you would make your own PL/SQL procedude that does this, and then call that procedure from within the actual mapping (post-mapping), using the values you have there.
This might not be what you want, however. I simply find the email capabilities of OWF too limited for actual work.

Workflow Questions - How to execute the steps in a workflow automatically?

I am using MDM 5.5 SP6.
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Hi,
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Workflow question - SWWWIHEAD TABLE

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