Workflow with Premiere?

Hi folks
I may be becoming a "reverse switcher", from Mac to Windows in the not too distant future [we don't buy "Made in China" products, and Macs are now "Made in China", so replacement is going to have to be to a PC :(]
In Mac I edit in Final Cut Pro, Export as QTM, Compress in Compressor with my own custom presets, Build in DVD Studio Pro and Burn in Toast Titanium 8!
Would someone please tell me what the equivalent workflow is in Adobe?
Thanks, and regards
Roy

Thanks, Jim
Taiwan is not a problem!
In Encore, can I set my own presets? For example, I compress at 2-Pass VBR with Max Bitrate of 6.0 and Average Bitrate of 4.0, etc...etc., and burn at the slowest possible speed (4X on my TSST SH-S182, seeing as there ain't no such animal anymore as a 1X writer))
Thanks again, and regards
Roy

Similar Messages

  • Plural eyes 3.0 xml workflow not compatible with Premiere CC multicam

    Anybody using PluralEyes with Premirecc. they are no longer compatible in workflow as explained in Richard Harringtons red giant tutorial on red giant. anyone found work arounds to this. A call to Red Giant says its adobes issue. end of story.
    plural eyes 3.0 xml workflow not compatible with Premiere CC xml multicam.

    It might be worth watching this tutorial from Jason Levine....  this is the third episode of three about working with DSLR. Seems appropriate to what you're trying to do:
    http://tv.adobe.com/watch/creative-cloud-for-video/dslr-editing-workflow-in-adobe-premiere -pro-cc-part-3-multicamera-dslr-workflow-with-automatic-audio-sync/

  • Workflow with DNG/Proxies at Premiere to AE

    Hi guys
    Sorry for my English. What's the problem -  How to organize available workflow with dng?
    I work with DNG sequences, I do a proxy in AE. I edit of these proxies in Premiere. Then import of the project to AE for color grading, vfx and others. But for this purpose I need to replace a proxy with DNG originals. I am able to do it through Replace Footage - and it isn't so difficult, but there is an opportunity somehow to automate process?

    Ok thanks, that helps me quite a bit. The footage is all numbered sequentially so Im not mixing it up (9x1 hour blocks), but the framerates could be causing the problem. If the imported footage is HD 1440x1080 @ 25fps in Premiere, I have created a new project also set at HDV1080i 25 (50i) and imported the timeline. I then save this and import to AE, but am still getting the same problem. I know that Ive done the process backwards (premiere then AE), but out of curiosity, can you yourself get premiere transitions to work in AE? Cause I might ask adobe for new install discs if you can.
    Cheers
    David

  • Adobe Audition CS5.5 with Premiere Pro CS5

    Hello everybody.
    I am considering downgrading from Master Collection CS5 to Adobe Production Premium CS5.5
    But quite frankly it's just because of one application.
    Though, i am in doubt if i'll actually going to make the downgrade.
    And as you could and might have guessed it is the Adobe Audition CS5.5 Application.
    Though really the whole pack has a GREAT improvement overall, I just actaully want to mix SEAMLESSLY with Premiere Pro and sound editing application (Audition).
    Which leads me to my next question.
    Now with Adobe Soundbooth CS5 closed off (by April 24th), and an UPGRADE for Soundbooth CS5 users to Audition CS5. Does this mean that Audition CS5.5 works SEAMLESSLY with Premiere Pro CS5?
    Is there a dynamic link between the two applications? (Audition CS5.5 and Premiere Pro CS5)
    AM i able to send mixes between the two? I really don't want to loose any Audio data, such as 5.1 channel mapping, volume mixing, denoising, general mixing etc.
    All i really need is some good quality sound editing which works seamless, as After Effects and Premiere Pro has proved to me can be done.
    Just want to know if it is possible. Or if I REALLY have to upgrade in order to get the sweet apples.
    Best
    Lucas

    Hi _durin_
    Thanks for your quick response.
    But I didn't quite understand your answer.
    I have seen Jason Levine's video earlier, as CS5.5 was announced and it looks natively good. I understand the mixdown attributes etc.
    Please correct me if im wrong HOWEVER this workflow and settings applies still to ONLY the new CS5.5 Version?
    Im currently using Master Collection CS5.
    Instead of getting either the Production Premium, or Master Collection I am strongly considering updating Soundbooth CS5 to Audition CS5.5 (the option is there as i can tell by SoundBooth's website, though i get a weird error message when I click the update link...)
    However I need to know, IF Audition CS5.5 works well with the PREVIOUS version (that'll be CS5 not 5.5), of Premiere Pro.
    Are there an option to render the reference video, and generate a interchange session from WITHIN Premiere Pro CS5 to Audition CS5.5?
    Im sorry if I either sound harsh or "willingly" misunderstanding. But I have only documentation on how the integration works between the current versions (meaning 5.5).
    Im as you can guess VERY confused over the move from Adobe to make a .5 version instead of a full-fledged CS6 solution. It causes a stir, cause I then don't know much of the integration between the previous applications.
    I have seen as an example that Photoshop CS5 have gotten the update to receive paintings/files made with their new touch API. So I wonder whether integrational features will be a part of the CS5 pack since, as i've mentioned, an application like Soundbooth gets replaced with Audition, with an upgrade option for the Soundbooth owners.
    Im confused and hope you can help me clear my mind up, whether to upgrade or not. I will download the trial eventually, but not onto my current CS5 system since I already use this in my daily video work and want to AVOID confusion.
    Best
    Lucas

  • Offline to online workflow in premiere pro

    Can anyone tell me how to do an offline to online workflow in premiere pro similar to final cut pro 7? See this video https://www.youtube.com/watch?v=4xzOqmQq7bo

    Let me know if this makes sense.
    Not at all, I'm afraid.  By that I mean I understand the process you describe, but not your desire to do it.
    You can never get better than the original footage, so transcoding to ProRes after editing makes no sense at all.  One might do that before editing if their computer couldn't handle the native media, but...you've already done the editing.
    Using Direct Link to SpeedGrade, you can easily work with the original media.  This is the faster, easier work flow, and will produce identical end results.

  • Workflow Questions - Premiere on Mac - for FLV file

    Hi.
    I want to add subtitles to an FLV file using Premiere Pro. I'm working on a Mac.
    I know that I can't use the FLV so I would have to convert the FLV to an intermediate format first. Then Import that into Premiere, add the subtitles, render and convert back to FLV.
    So my question isn't directly associated with Premiere, but I would like to know what you guys would recommend as far as the workflow I've described. What intermediate file format would be best so as lose minimal quality? Which software to use for the conversion from the FLV and back into the subtitled FLV?
    Thanks!

    Hi.
    I want to add subtitles to an FLV file using Premiere Pro. I'm working on a Mac.
    I know that I can't use the FLV so I would have to convert the FLV to an intermediate format first. Then Import that into Premiere, add the subtitles, render and convert back to FLV.
    So my question isn't directly associated with Premiere, but I would like to know what you guys would recommend as far as the workflow I've described. What intermediate file format would be best so as lose minimal quality? Which software to use for the conversion from the FLV and back into the subtitled FLV?
    Thanks!

  • XF100 audio with Premiere Pro CC

    With Premiere Pro CS 5.5 and 6, my 2 stereo audio channels from my XF100 where imported as 2 differents stereo tracks on my timeline. Now with CC, I only have one stereo track, chanel 1 mono on the left and channel 2 mono on the right in my timeline. I use the Canon XF mpeg2 preset for my timeline as usual.
    Can I have my two distinct stereo channels?

    Yes I can do it with "modify" > "audio channels" in the contextual menu, but it won't help in the preference because the files are not a stereo media, they are just two seperate audio streams. So anyway, I can have it the way I want. I just don't like the new workflow because stereophony and channels shoud not be seen as the same thing. Thanks for your help!

  • Merging two projects with Premiere elements 12.

    Hello,
    On my computer (windows 7) i have different directories with movie-fragments. From each directory i made a movieproject. It took a long time to trim everything. Now i have one project from 1,5 hours and another from 20 minutes. I would like to put the two projects together and then cut it into two projects. I was suprised that i could not do that. I could not copy the movie with titles in one project and copy it to the other project. Also i could not find any way to import one movie into the other. Very strange. I would think that this is a basic function the program should have.
    I found out that i can work of course with the Project Asset and import the moviefragments again, but then i have to trim everything again.
    I could also export one movie as for example AVI and then insert it with the Project Asset into the other project. But then i have no possibility to change the titles and transitions.
    Does anyone know a way to merge two projects?????
    Many thanks, Stephan

    Stephan
    You wrote
    I used it a lot when i worked with the program i used before Premiere Elements.
    Important: What version of Premiere Elements are you referring to in the above? Or, are you referring to another program that is not Premiere Elements?
    No version of Premiere Elements allows the user to open one project file (project.prel file) in another.
    You can copy/paste insert between two project files (project.prel) using ClipMate in conjunction with Premiere Elements. You cannot do a copy/paste insert between projects without ClipMate in use with Premiere Elements. The How To for this Windows Only feature is found
    http://www.atr935.blogspot.com/2013/05/pe-clipmate-copypaste-between-pe.html
    The alternative is to export your project 1 Timeline "trim" selectively to a file saved to the computer hard drive and then import that export into project 2.
    In this workflow considerations need to include project 1 export format consistent with project 2 import settings.
    So, we need details to explain the why not for
    Also i could not find any way to import one movie into the other. Very strange. I would think that this is a basic function the program should have.
    and
    I was suprised that i could not do that. I could not copy the movie with titles in one project and copy it to the other project.
    In the first part, what were your export settings from project 1 and your project preset for project 2.
    In the second part, did you use ClipMate with Premiere Elements or something else?
    What you want to do sounds very doable so we need to discover the whys to get to the solution.
    Thank you.
    ATR

  • A better workflow with h.264 files?

    Hello!
    Sorry for asking a total newbie question.
    I am just starting to deal with video editing.
    Ma camera is Sanyo Xacti.
    My video is H.264, 1920X1080,
    My first question is:
    When working with Final Cut Pro where i had first to convert my footage to Apple Prores 422 codec to edit. It was fine but all this rendering business in FCP every time you want to try a new effect on a videofile or transition or something else really pisses me out. I come from the world of Professional Audio where the process is real-time and rather fast. Is the workflow in Premiere similar and after every operation you have to suffer from rendering? Can i preview the effects without rendering? These things are crucial to me, because with all this time-consuming rendering the creative fun goes away.
    My second queston is:
    From what i read about Premiere Pro CS5, i undestand that now i dont need to convert H.264 files and can work in this program without any additional conversion of these files. But i also read that this codec can be demanding on the computer. I use Mac Pro 8-core with 4 GB RAM. Will it be enough to edit my files in Premiere Pro CS5 as they are or it would be better to convert them first to some friendlier format (without quality loss, if possible)?
    Thank you!

    While I agree with Harm that things would go even more smoothly with more RAM, I'll add that you should be just fine with the H.264 footage from your XACTI.  Premiere Pro handles AVCHD and H.264 quite well.  If you set up your sequence right (the easiest way is just to drag the file icon and drop it onto the new sequence button), you will be able to playback without render.  Once you start adding complicated effects, that may slow down playback a bit but you won't need to stop and re-render every few minutes.  I moved to Premiere Pro from Final Cut Express for exactly the reason you describe and I've been very happy with it.  I'm on a Macbook Pro with 8GB of Ram, but I just upgraded to 8 and when I had only 4GB I could still go through my footage and apply basic effects just fine without the need to render. 

  • Much faster SpeedGrade workflow with new 7.1 update

    Thanks Adobe team, with this new upgrade, it is much easier to open Premiere Pro timelines in SpeedGrade and get started.
    Ever since SpeedGrade came out, I always considered it as a great tool for the future, but never felt it was "ready" until this new 7.1 upgrade.  It has always been a very powerful colour grading tool, but you had to convert your video files which would take forever on my computer.  I tried converting a 2 minute video in the beginning, and it gave me an 8 hour estimate, so I just clicked cancelled.
    Thankfully Adobe fixed that, and you can now natively open Adobe Premiere Pro timelines right into Adobe SpeedGrade, and skip the conversion.  It now takes a few seconds to open a timeline in SpeedGrade, and about 2 seconds to save the results once you're done.  After that, you're all set to open Adobe Premiere and compose the output of your video.
    This gives you quick and easy access to a very powerful color correction tool, and is included in the Adobe Creative Cloud membership.
    In this video, I show the new and improved workflow for Adobe SpeedGrade which now allows you to very quickly color grade your projects to improve the colours.
    http://www.studiojpic.com/adobe-speedgrade-cc-7-1-new-and-improved-workflow-with-october-2 013-update/

    Yeah, I'm just going to go ahead and agree with you guys on this.
    Super easy workflow.  No workarounds or anything.  And you don't have to have a ridiculously spec'd system to playback your footage!  It almost feels like I'm cheating. 
    Don't get me wrong, there are still a ton of things I have on the wishlist (curves, interface options, better scopes, better tracking for masks), but this was the HUGE number one item.  I'm sure everything else will improve in time.  It's just great to see that Patrick and his team are working hard to make these improvements for all of us.

  • Best workflow between Premiere and Encore for subtitling...

    Hello All,
    I switched from FCP and DVDS Pro to Premiere and Encore but having trouble to get the same workflow for the type of work we do here,
    We deal with lots of foreign films that will be distributed on DVDs and streamed via places like Xbox, PSN and such.
    We tried by starting by laying the final edit of the film in Premiere and placing subs.  We found out that there was no easy way to export the video track as an stl or compatible format so we outputted the film and used subrip to create an srt which worked ok when we brought it over to DVDSP but subrip always generates lots of bad text which has to be manually fixed.  I than decided lets try Encore cause it must be more compatible with Premiere for transferring info between the two but have not found a good way to do this yet. 
    What would be the best work flow between the two programs so you can create a DVD with subs and also have movie with a sub track that can be outputted for VOD besides having to do the work twice?  I am sure many production houses have this need.
    Thank you all for reading and look forward to some ideas.  We are using CS6.
    -john

    To the best of my knowledge, you will have to use a non-Adobe app for creating the subtitle file.  Once created, you'd bring that into Encore for disk creation.  I'm not sure you can create a file for VOD with subtitles using Adobe tools.  Encore can create Flash output, but that's probably not the best choice here.

  • P2 Workflow in Premiere

    Newbie to Premiere after 12+ years with Final Cut Pro, still trying to figure out the workflow with P2.  Looking for some advise on making this work as we are moving from Final Cut.  Don't get me wrong, I really like what I have been experiencing with Premiere but I am struggling with the P2 workflow.
    I like viewing content with the media browser and being able to edit right away but there seems to be some caveats for doing this.  I really don't like moving the entire content of the P2 card over to my drive after every shoot.  If I am copying all the content from the card anyway why can't I be able to move the content I want for this project?  There are times I have gone out and shot for multiple projects and had to put it all one one card, I want to keep those content folders separate so I can better keep track of where my raw video is.  With Premiere now I am doubling the transfer because I have to move the entire content from the card twice because I need it for two projects.  Absolutely hate importing and having to go and rename after it's been the project, now the original file is still called some random name from the camera.  What if I want to keep a file for archival purposes or to be used in another project or to share with a co-worker?  Looks like I would have to export from premiere and create another file? 
    Really wish I could simply copy what I want to my project with the audio tracks that I need and have the file named what I need it to be named for future projects.  Most times don't need all four tracks, why bring them in if they are not needed?  Just makes a mess when editing with deleting blank tracks.
    This is the way I am reading how to get my P2 content into Premiere, am I missing something here?  Is there a separate program to copy the files I need off the cards then bring it into Premiere?  Either way files have to come off the cards so there is very little time saving by using the media browser.  Sorry if I sound like I am venting but really liked the way FCP did all this and worked extremely well for us.   Any suggestions for making this work more like I want it too?
    Tim

    OK, So to be more specific it's hanging when I send it to Media Encoder Queue. I was just able to just do a direct export.
    I found the article on permissions and that was not the issue.
    I've made no changes to hardware and have done three projects with the same codecs, type footage, duration (1 hour range) with no problems.

  • Unable to batch capture with Premiere Pro CC via Kona LHi

    AJA's web site claims Premiere Pro CC is compatible with the Kona LHi card, but I can't get the two to work together properly. After repeated tries, I uninstalled and reinstalled everything AJA, but still no luck.
    I need to batch capture DV clips from some mini-DV tapes on my Sony MVR035U tape deck.  But I also need to upconvert them from 480i to 720p60 using my Kona Lhi card. I should be able to do this with Premiere Pro CC. But the PPCC Capture window won't give me any audio feedback when I select "AJA Movie Capture" in the Capture Settings pull down menu. I only get audio feedback when I enable "DV capture" but then I'm no longer able to upconvert.
    Looking forward to any feedback on this issue. Been tying all day to trouble shoot this problem.
    [Text formatting removed.  Please type your posts here, rather than pasting.]
    Message was edited by: Jim Simon

    And now with CC June 2014 you can't even capture from HDV, I need to go back to Premiere CC 2013 for that....Adobe might think tape capture is over... but it isn't totally yet...

  • Adobe Story Script integration with Premiere Pro Doesnt allow me to embed the script

    Goal:  Embed an Adobe Story Script into Premiere Pro. (mac)
    Method:  I have a video with a verbatim transcript.
    I inport the transcript into Adobe Story and save it in the proper Adobe Story File extension (.astx)
    I save it to the Adobe cloud and I have also exported it to my desktop.
    I launch Premiere Pro and import the video that I have transcribed.
    The I try one of 3 ways to get the script to the video in PP.
    The first steps are the same as below:
    I go to Adobe Story and log in from within PP.
    I locate the file.
    I add a Scene.
    I make sure the scene is the same as it is within PP
    then...
    1.
    I drag and drop it onto the Movie file.
    Nothing appears within the Embed Adobe Story Script Meta Data field.
    2.
    I click on Analyze and the Embed Adobe Story Script script checkbox remains greyed out (Unable to select it)
    If I click Analyze then PP will analyze the script (does a decent job) but this is NOT what I want.  I want to attach the verbatim script to the video which is why I have it transcribed.
    3.
    Right click on the movie file within PP and the contextual menu allows me to attach a script.
    I locate my downloaded .astx file on my Mac and select it.
    Still nothing appears within the Embed Adobe Story Metadata field.
    I have worked with Anand from support who suggested I post this question here.
    I dont know if there are only certain Adobe templates for which this will work (ie TV script, Film etc)
    He suggested that this would most likely work only for the .mov file formats, but then discovered that it should work even for .mp4 files.
    In any case - if anyone has any thoughts, ideas, or has experience with this It would be greatly appreciated.
    Jon
    17 Views Tags: premiere proContent tagged with premiere pro, adobe story scriptContent tagged with adobe story script, embed adobe story script into premiere proContent tagged with embed adobe story script into premiere pro
    Translate

    You need to ask in Adobe Story and/or http://forums.adobe.com/community/premiere/content
    The Cloud forum is not about using individual programs
    The Cloud forum is about the Cloud as a delivery & install process
    If you will start at the Forums Index https://forums.adobe.com/welcome
    You will be able to select a forum for the specific Adobe product(s) you use
    Click the "down arrow" symbol on the right (where it says All communities) to open the drop down list and scroll

  • I need to reinstall my computer, how do I deal with Premiere pro and After effects?

    Hello,
    As my question states I need to reinstall my computer (laptop) and I'm not quite sure on how to deal with Premiere pro and After effects.
    I am thinking that I need to do some sort of backup and save my projects and footage on a sepparate drive.
    If I reinstall my computer, install my creative suit production premium, and move back all of my projects and footage, won't I have to re-link every single clip?
    I am currently workning on several different projects and having to re-link everything is something I don't even want to think about, that would take me days if not weeks.
    Another option on my mind would be to use Creative cloud. I do have the free version but I have never used it even once before and I'm not quite sure what the purpose of the cloud is and if this is a way to use it.
    I have no idea how to go about this computer reinstalation without either loosing tons of work or having to re-link every single clip used.
    I am videoediting only as a hobby so I have no experience working with other people and sharing projects or the like, wich is my understanding of what the cloud is for.
    Any and all help would be grealty appreciated, I know this is probably really easy but ever since i got my Suit I haven't reinstalled, upgraded och changed my computer so I am just clueless as to how to go about this.
    I have Creative suit production premium, I also have the free Creative cloud.
    It is only Premiere pro and After effects that I am using and am worried about.
    Thank you for any help.
    -Lisa Kajupank
    (and oh, I just notice my name - umustbejoking - I think I just wrote that cause they wouldn't let me use anything else, saying it was already taken. So nevermind that haha.)
    Message was edited by: umustbejoking

    If the computer's running Mac OS X, move the cursor to the very top of the computer's screen, click on Store, and choose Authorize this Computer.
    If the computer's running Windows, press the Alt and S keys and choose Authorize this Computer, or click here, follow the instructions, click on Store in the menu bar, and choose Authorize this Computer.
    (84620)

Maybe you are looking for