Zsh PS1 tty console color issues with newline

So in a tty I get only white in my PS1 when I use 2 lines:
PS1="%{%F{white}%}%~ %{%F{green}%}%{%f%}%(10l.
.)>> "
My old PS1 works fine though:
PS1="%{%F{white}%}%~ %{%F{green}%}>> %{%f%}"
Anyone have any ideas / workarounds?

copy the rxvt-unicode-256color terminfo to ~/.terminfo/r/ on the remote and make sure your $TERM is set to it. If you get a error about it being too long either fix ssh on the remote, or just rename it and chante TERM acordingy.
Last edited by Mr.Elendig (2011-05-28 08:03:05)

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Cintiq 21ux Color Issue with Snow Leopard

I just recently upgraded to Snow Leopard from Tiger. I have a Cintiq 21ux tablet that is noticeably "faint" now on the new SL. It appears hazy and the colors just don't pop like they did on Tiger. I didn't have this issue with Tiger. Does anyone have any ideas on how to correct the issue? I'm a graphic designer so color is EXTREMELY critical in my day to day operations.
I adjusted the gamma and that showed some improvement but there is still a dramatic difference between my Apple monitor and the Cintiq.
I noticed this was posted earlier but no resolution provided and it was archived.
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Something just occurred to me that has happened in the past that when I've upgraded the OS that the ColorSync profile that was previously selected for the Cintiq and/or my main display for whatever reason gets unselected. You may want to look in the System Preferences/Display/Color Tab to make sure that the color profile you previously had selected is in fact still there and selected. Make sure that "Show profiles for this display only" is unchecked so that all profiles are visible. More than likely it should be named something like Cintiq 21UX or Cintiq 12WX which was installed when you set up the tablet.

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Hi everyone,
I have a very serious issue with the HTMLEditor I'm developping. This editor is a little bit special since it is intended to edit blocks of HTML content that are loaded when the editor is initialized.
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=============
This is more or less my technique :
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hi, friend!
try this:
void setAttributeToText(JTextPane pane, int start, int end, Color color) {
MutableAttributeSet new_att = new SimpleAttributeSet();
StyleConstants.setForeground(new_att,color);
HTMLDocument doc=(HTMLDocument)pane.getDocument();
doc.setCharacterAttributes(start,end,new_att,false);
It works fine in my Application, hope will work in yours, too.
good luck.

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Hi,
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I think, that your examples shows the same problem as my observations.
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Summary: purle sky in LR and in color managed FF is ok, but purple sky in image printed to file is not ok. :-)
And my hint: do not try to calibrate this display... :-)
You can try to make some measurements of your UNCALIBRATED NB display using this freeware: http://www.homecinema-fr.com/colorimetre/index_en.php You will probably see a very uneven color temperature across grayscale and much smaller gamut than sRGB.
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Make sure you install the 10.9.1 update.
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Well, yes. I was more after links to information about why they wait.
There is a legal side and a technical side. The legal side revolves around antitrust issues, apparently. The technical side revolves around the same issues as in the past.
Through cross-licencing, Adobe Systems controls the composition model and the configuration of composition products at any point in time.
At the Seybold Conference on Computer Publishing in September 1989, John Warnock stated that the proposed protective separation of character processing from glyph processing was "garbage" - according to the New York Times.
In December 1990, the PostScript Language Reference Manual, Second Edition, Appendix E, published how drawing ligatures, small capitals etc would be done by overruling the character set.
This is the road to destructive drawing: it sacrifices content-based spelling, searching and sorting for the sake of appearance-based composition.
The Apple developer discussion stated in 1992 that a composition model that can draw a glyph design if and only if the glyph codes is directly depicted onto a character code is disastrous.
By the time QuickDraw GX was available in q3 1994 there were at least 15,000 Adobe Type 1 products and at least 100 million licences (there were 22 million licences in September 1989).
By promoting the Adobe Type 1 library, and in particular the Adobe Type 1 Expert library, Adobe destroyed the text services of Apple Mac OS, simply.
Microsoft TrueImage was discontinued partly because PostScript Level 2 does not support the screen in its colour management model and partly because Adobe Type 1 and the PostScript use of a completely configurable name space instead of a coded character set allows Adobe to overrule the OS text services at any time.
When Adobe in April 2002 made the the Adobe OpenType library available on the Adobe Font Folio, in place of the Adobe Type 1 library, Adobe applied the same tactic. As John Hudson points out, all alternate glyphs were available for drawing with Private Use Area characters which is analoguous to what Adobe Type 1 Expert did before.
Because Adobe bases PDF on PS and because PS ignores intact SFNT indices as well as intact ICC indices, Adobe based PDF on the completely configurable name space model of PS. For this to work in synthesising source character specifications it is necessary that the name space be configured with ISO-IEC 10036/AFII glyph identifiers or with ISO-IEC 10036 character identifiers.
It is also necessary that the glyph stream be passed into PS in reading order and not in geometric order, that there be a linear relationship of characters to glyphs in the processing (problems with bidirectional ordering and with functions like insertion in AAT e.g. for Khmer), and of course that font-indenpendent identifiers in fact by implemented by all concerned - which they are not.
XPS revolves around keeping the source character string intact, PDF does not revolve around keeping the source character string intact (not for lowend office typesetting of the Latin script, at any rate). At the Linotype Typotechnica in April 2007, Adobe announced that configuring CMAPs with PUA would not be discontinued - it would be continued.
In other words, technically Adobe is using the completely configurable name space of PostScript as a weapon against Microsoft just as it used it as a weapon against Apple. But the problem is that Adobe publishes no documentation with its type products informing the customer in the EU of how the type product is in fact configured, and that may or may not be illegal.
Personally, I don't have a problem with PUA drawing provided it is documented in order that the everyday enduser understands that the ISO-IEC 10646 standard character set is being overruled and that a synthesis has to take place from a private name space model, but if this is not documented then the everyday enduser is made hostage.
This is where Adobe's tactical use of type as a strategic pawn in its struggle for the digital document market becomes politically problematic. How are we ever going to rid the Mac of Adobe Type 1 'Expert'? Adobe and Linotype spent a fortune marketing the idea that correct type was done by changing the correct text. Utterly braindead from day one.
/hh

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Hi,
I recently bought the latest version of photoshop CS5, but when I open my pictures in CS5, the colors doesn't look as good as when I was using CS2. They look more flat, with less contrast and it's driving me crazy because if I add more contrast and save it, when I preview it in other software, like windows viewer, than they look too contrasty.
Also, when I open my raw files in Adobe Camera Raw and set (camera calibration) to lanscape since my original picture from my camera was taken as lanscape (I just prefer that setting!), they look good. If I save it as a JPG and then open it in photoshop CS5, the JPEG image doesn't look as good, it looks flat. When I open the JPG in windows picture viewer, the image appears good, the same as in ACR.
I've checked the proof mode under View>proof setup and both CS5 and CS2 were: Working CMYK. I've tried to play with these setting in CS5 to see if it would help, but I can't get the same image as I had with CS2. Also, when I go under edit>color setting, it's the same setting in both software (sRGB EIC61966). In ACR, my image is also in set to sRGG.
Why are my picture looking so flat in CS5. I can't work on them because I'm affraid I will add to much contrast. Also, I edit them in ACR, contrast looks good and than when I open it in CS5 I have to restart again because there is not enough constrat :S This is so frustrating!!!! I would love some help on this.
Mary

Hi!
Thank you so much for trying to help!!!! Unfortunately, I'm afraid that it doesn't solve my problem . I still don't understand why I never had this problem with CS2 (image were looking much better) and the color setting are the same. Also, I don't understand why the image in CS5 doesn't look the same as in ACR. ACR seems to give me a much better image and this is the image I want to open in CS5. Even when I open my Jpegs that I processed months ago in CS2, they look much better in ACR than CS5. The image in ACR is the same as CS2. How can we explain that!! Could it be a display setting in CS5 that I need to change???
Wolf, see below some of my comments on your tips. Thank you so much for taking the time to explain everything It's very appreciated!
Mary, welcome to the world of colour management. Thanks!
Tip #1: if you are having colour issues you can be virtually certain that the problem does not lie with Photoshop or ACR. They are fully colour managed applications and understand colour far better than most users. You are right, I wish I could understand it like them!!! hehe!
Tip #2: comparing colours between Photoshop and any other non-colour managed application is futile. Yes I agree, I shouldn't compare with Windows Viewer, however, I think that my image in photoshop and ACR should look the same but they are not
Tip #3: turn off the Highlight indicator in ACR (click the right triangle in ACR's histogram). Done but it doesn't solve my problem..
Tip #4: sRGB is a colour space with a very limited gamut and explains your "flat" look in Photoshop. sRGB cannot capture the vibrant reds captured in the (cute) child's sweater. In CS2, even when using sRGB, the colors were vribrant and very nice!
Try the following experiment:
In ACR save the file as an 8 bit sRGB (as you have already done). Then save as a 16 bit ProPhoto RGB tif file. Open both in Photoshop and compare. The sRGB image likely looks more muted especially in the red tones. (Ensure that you have your Photoshop colour preferences set to Preserve Embedded Profiles.)
Now take the ProPhoto RGB image and choose Edit -> Convert to Profile. In the Convert to Profile dialog click the Preview box and set the destination profile to sRGB. See the difference? I did the experiment, but unfortunately it doesn't solve my problem But I was able to see the difference between Prophoto RGB and sRGB!
What you were seeing in ACR was the ProPhoto RGB version and in Photoshop the sRGB version.
Another example with histogram and more details...
Many THANKS,
Mary

Color issues with video

Hi All,
Thanks for looking in.
I have a little web series I am doing and when it is exported it looks good. (Color) When uploaded to Youtube looks good. When previewing it through my channel looks good. When going to full screen view, the color gets wacky... Oranges are really orange, almost an overbleed, some of the graphics become pixilated.
I am exporting this file as a 720 h264.mov Mixed down from 1080 29.fps shot in 60p All looks good as mentioned, but even some of the P.S Graphics are getting blown out. Which are created in 1080 and then shrunk down to a 320 size. All done in P.S such as Text, Gradient. Other videos I watch on the same computer do not have the issues mine does..Leads me to believe my HD monitor on my Toshiba Laptop is not doing the change, it has to do with my video.
The screen that it is being full-screened on is my laptop 20 or 21" monitor. Toshiba Sattelite HD BTW
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Thanks again,
NC

320 to fit into a virtual monitor in my fake news studio. A quality 1080 file then shrunk down in PP when installing it on a virtual monitor within a virtual set. Leaving with a size of about 320 down from the original of 1080.
To elaborate on the set. The whole set is getting blow out in Full Screen. Yet looks great at regular view. Looked good on my Dell monitor during editing. Looked good on my Dell monitor when previewing .mov file after export. Previewing in FullScreen. BTW. Only gets blown out via Youtube after upload and then using the FullScreen mode from there.

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@Lieve: You're on the French version of Captivate 5 aren't you?
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It doesn't appear to be a transparency issue, because the same problem occurs with both.
Does this problem occur for anyone else? Is it an issue of the Personal Java version or does it happen in both Personal Java 1.1.3 and 1.2? Is it an issue specific to Sun's Beta Personal Java VM? Does it happen in the Jeode JVM?

Could you please tell me where to find pjavawince-1_1-beta-arm? I can't find it on the personal java page.. just the ones for mips and sh3.. Thanks

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Hello,
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Do you have the correct HDMI input selected in the TVs menu...?
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Hello,
This is my 1st post on the forums and hopefully someone can help. I am using a Dell 2407 24 inch LCD for photo processing. I have calibrated my monitor with Heey Pro 1.5. The custom profle loads at windows startup (I see the colors snap to the correct settings). I use Lightroom 2.6 and am running a Vista 64 bit PC. Everything is running great. However I have noticed that my files coming out of Lightroom look much more saturated color wise.
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Can someone please help me figure this out? Thank you!

It's your monitor. It is a wide gamut one (it probably has HC in the full name?), which means it has a response closer to adobeRGB than to the standard sRGB. When you use non color managed apps (such as internet explorer) on such a monitor and use sRGB, the image will appear oversaturated. You need to only judge color in color managed apps on such a monitor. Some browsers are color managed such as Firefox and Safari. Unfortunately Firefox does not know how to deal with profiles generated from the Huey Pro, so it will not color manage when you use that calibrator. Safari will always color manage. Other apps that color manage are Photoshop, Windows picture viewer (for Vista and later), Irfanview (latest versions), etc. On the Mac almost every program color manages.

Color issues with opening PDFS in PS5

Hi Everyone,
I was given a pdf by a customer. It's not quite layed out well for print so I need to move around some items. Unfortunitly not all the items are moveable in Arobat X pro. So I figured I would make the edits in PS5. Everything works well except the color after I have edited the page in PS is darker and muddier. I have no access to the orignal raw file so I have to edit the PDF. Is there a way to make sure the edited pdf matches the original? I tried opening the selected page of the pdf in both RGB and CMYK mode. Any ideas? I am using acrobat x pro and Photoshop Cs5 on mac oc 10.6.8.

first you probably realize if your PDF has vector type or vector objects -- Photoshop will raster (destroy) them at the ppi you use
opening the PDF Illustrator may be a better program to try and crack this nut (to preserve any vector)...
the color after I have edited the page in PS is darker and muddier
(if you mean in Photoshop) that is most likely a profile issue -- you need to Photoshop Edit> Assign Profile (the correct profile)
in Acrobat, use Object Inspector to verify the object's source profile:
tip: if your Acrobat displays the PDF "Device" untagged colors proper (on a calibrated monitor), Photoshop Edit> Assign Profile: Acrobat's Working Working Space profile...
(if you mean in Acrobat) that is most likely a profile issue you need to sort out... if your PDF object is Tagged, it should display (and Convert) properly

Color issue with PS CC 2014

Hello,
I work on Mac 10.7.5 with XRite i1 Profiler. I work my pictures with Capture One Pro 7.2.3. Since I've upgraded to Photoshop CC 2014 my colors are wrong. My photos retouched with Iridient Raw Developer or Capture One Pro appear well calibrated, but when opened in Photoshop become greenish black. Someone could help me?

The translated error:
Unable to save preferences, because the file is locked, you do not have the necessary permissions or the file is in use by another program. Use the 'Get Info' from the Finder to make sure that the file is unlocked and you have the file permissions. If the problem persists, save the document in another file or duplicate it in the Finder.
That is kind of self explanatory: your preferences cannot be altered because the file is locked or the permissions are messed up on the directory. That's also probably why the migration of previous settings failed.
As the message says: you need to fix the permissions on the preferences file and folders.

Remote Access Management Console - configuration issue with Network Location Server

2012 Std R2
The remote Access management console operation status shows all green except for network location server .
Error: There is no response from the network location server URL. DirectAccess connectivity might not work as expected, and DirectAccess clients located inside the corporate network might not be able to reach internal resources.
Resolution listed as:
1. Configure the network location server on a server that is highly available to clients on the internal network.
2. If the network location server is running on the Remote Access server, ensure that IIS is running, and that the URL is available.
The remote access server is located on this server. IIS is running. What URL: show I be looking at?
Any other thoughts so I can get remote access working.
l also am getting a remote access error for IPV6, could this be a cause:
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John Lenz

Hi John,
please follow the steps to reinstall TCP/IP stack.
1.Restart your PC into Safe Mode with Networking.
2.
Edit your registry. Delete the following keys:
HKEY_LOCAL_MACHINE/SYSTEM/CurrentControlSet/Services/Winsock
HKEY_LOCAL_MACHINE/SYSTEM/CurrentControlSet/Services/Winsock2
3.
Open the nettcpip.inf file in your %winroot%/inf folder
(%winroot% is usually c:/windows).
Find the [MS_TCPIP.PrimaryInstall] section. Change the Characteristics value from 0xA0 to 0x80.
Open the properties of the network connection you want to fix. In the General tab, click on the Install button. Click on the Have Disk button, and point the location to %winroot%/inf. After that select TCP/IP (not version 6).
4.
Now you would notice that you can uninstall TCP/IP!
Do that, then restart the PC.
Go back to your network connection, and install TCP/IP again as per the above. After another reboot, you should be up and running.
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5.
This along with a TCP/IP reset using the netsh command:
netsh int ip reset resetlog.txt
wish you have a nice thanksgiving too
Regards,
Mike
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Zsh PS1 tty console color issues with newline

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