Importing "Hi 8" footage

I have a Sony Digital 8 camcorder that I've been using with FCE 2.0.3 for a long time now. Not the highest-end product in the world but it works great for my projects.
Today for the first time I tried to use the Digital 8 camcorder to import into FCE footage that was recorded on Hi-8 tapes with a non-digital camcorder. Obviously it didn't work or I wouldn't be here crying about it.
The footage plays fine on the camcorder, and I can even import into iMovie this way, but I can't figure out how to do it with FCE. I can control the camera from FCE's import window, but I can't mark in and out points (presumably because there is no timecode on the tape). I have tried to start the tape playing and then click the Now button, but all I get is a black window that says "waiting for time code".
I have tried using the camcorder's DV pass-through feature, but that didn't make any difference either.
Can anyone provide suggestions?

This may be a silly question...but if you convert analog "Hi 8" footage using a Digital 8 camera, will this easy setup method (non-controllable DV converter), allow you to use the DV start/stop detect feature?
The help menu describes this DV Start/Stop detect feature. I've never used it, but I have tons of Hi8 footage to transfer and would like to be able to automatically have chapter markers inserted.
Is this possible when converting old tapes using a Digital 8 camera for transferring? Or does it only work with true DV footage.
Thanks,
Jenny

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ascreenwriter wrote:
Hello,
I've just finished shooting what I am considering to be my directorial masterpiece. Shot it on the Canon 5D (1080p, 24fps), and the footage looks amazing. Now I am ready to start editing and have been using premiere lately, but I have yet to figure out the proper pipeline. I want to know the best way to retain resolution before I delve into this project.
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1) What is the best way to start a new project and import the footage without having to render whilst editing, so as to retain all resolution and originality of the source footage?
2) What is the best way/ codec/ format to export this same footage once editing is complete so as to retain that crisp 1080p for which the 5D is so recognized?
3) What is the best way/ codec/ format to import and export/ render between premiere and after effects? I am speaking mostly of vfx and color correction. I also have some 30fps footage that I intend to slow down in AE and then import into premiere.
I know this is pretty broad, but as a solo filmmaker I really need someone's guidance. I rarely ever finish my films with the same, crisp look as the footage. I need pipeline help, and really appreciate it!
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