3D Editing von Panasonic-Consumer-Cam

Hallo,
ich habe eine Panasonic HDC SD 909 und die Adobe CS5.5 zur Verfügung.
Die Cam nimmt mit einem VW CLT1 3D Objektiv 2 Hälften auf.
Mir steht also ein MTS zur Verfügung, dass auf normalen Abspielgeräten und nach dem Import in Premiere oder After Effects in einem Stream zwei etwas länglich verzerrte Bilder liefert.
Was ich brauche ist einfach ein Konverter, der aus diesen *.MTS ein Anaglyph_View Video abspeichert (ist ja doch am verbreitetsten).
Eigentlich hatte ich gehofft, dass Premiere oder Aftereffects Das importierte Video einfach erkennt und im Mediaencoder Optionen zum abspeichern bereit stehen.
Nun habe ich viel gelesen und gesehen ... es gibt immerhin Cineform. (Freeware)
1. Cineform nimmt nur mov und mp4.
2. aus Premiere kann man mov speichern (da steht jetzt sogar Cineform-mov als mögliches Format)
3. Cineform nimmt dieses solch ein exportiertes mov aber nur als "converted clip" an - d.h. Cineform geht davon aus, dass es schon konvertiert ist. Ich sehe also wieder zwei Halbbilder. Im ersten Fenster nimmt er das mov nicht an., ich kann also auch nichts konvertieren.
4. Mir gefällt auch nicht, dass aus meinem *.MTS mit sagen wir 500 MB nach dem Abspeichern als *.mov ein 1,5GB File geworden ist...
Muß man das wirklich so kompliziert machen oder gibt es einen einfachen Weg innerhalb der Adobe Suite?
Wenn nicht, warum nimmt Cineform das mov nicht zur Konvertierung an?
vielen lieben Dank, wenn jemand helfen kann!

So ... weiter gemacht...
Zur Kamera gab es de sogenannten HD Writer AE3.0 - Dieser begrüßte mich nach Installation mit einer Fehlermeldung, Speedfan ist außer Gefecht, und anschließend die Medlung, das Programm kann nicht gestartet werden, da MSVCR71.l fehlt. Wenn man dieses Fenster 24 mal weggeclickt hat, öffnet sich das Programm dann aber doch.
In dessen Bedienungsanleitung fand ich nämlich etwas über 3D Konvertierung und dass dort 2D Streams gespeichert werden können.
Das habe ich allerdings anscheinend falsch verstanden, denn es entstehen nur einfache (einmalige) mpg2 Files.
Nun weiß ich wirklich nicht mehr weiter :-(

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HT3481 Panasonic TZ40 camera, single video import problem

Connecting my new Panasonic TZ40 camera by cable to my iMac (lion OS- iMovie 11) uploads stills OK but video is a problem, the camera format is AVCHD. A single video uploads 9 separate files - see below - and without the audio sound track.
.MTS .CPI .CPI .MPL .TDT .TID .BDM .BDM .DAT
The .MTS has a big memory (the others are very small) and will play in VLC player I have on my Mac, but without sound. I tried running it through a video convertor software which converts it successfully to AVI without audio, as you would expect because the original has no sound in the .MTS file.
I was aware that Mac did not readily support AVCHD in the past but was assured by the Camera shop that it was now OK - which it plainly is not. Is there an easy workaround without losing the HD quality, or would I be wise to take it back to the camera shop and choose another camera manufacturer that is more compatible with a Mac, if so what make would other members recommend.
My previous camera was a Samsung which recorded AVI files which I uploaded and was able to import into iMovie without any problems.

I have sorted the sound issue, it was an unrelated problem to the Panasonic TZ40 recording.
However, I think there may be a misunderstanding of the importing of the video/movie from the camera. I import the camera stills and video/movies directly into a computer folder through the Adobe Bridge 'Get images from camera' icon. I do not want to import video/movies directly into iMovie as I do not always need to edit them imediatly (if at all sometimes) and I prefer the originals to be in a folder. I have tried settings of 50 and 50i but still get the same results.
I have converted the .MTS file to a .AVI (and other formats) which iMovie successfully opens, but the .MTS file at 100MB is reduced to 50MB in .AVI and others. My concern is that one of the reasons I bought this camera was for its HD1920 video/movie, if the pre edited conversion is going to reduce the quality then the camera does not do what I asked of the seller.
Basically if I cannot make use of the HD1920 facility in this camera then I need another make which will import an HD1920 video/movie in a format that Mac can hold in a folder and iMovie can import at that quality. If anyone has any recommendations I would be glad to hear them.

Trouble importing from P2 card from Panasonic HPX300 camera

I shot footage on a Panasonic HPX300 camera and when I choose Log and Transfer to get the footage from my P2 card, the warning message: "AVC-Intra codec not found" comes up. The tech support people told me over the phone that FCP isn't recognizing the camera that I shot on. However, there is already footage that has been shot, imported, and edited using the same camera and method as I am trying to do. Can anyone tell me if I am missing an important setting or step when trying to log and transfer the info?

You have to download and install Panasonic's AVC-Intra Software Decoder for Mac from here:
https://eww.pavc.panasonic.co.jp/pro-av/support/desk/e/download.htm
Be sure to check out some of the other downloads available there too. You might have to confirm that Final Cut, when importing using Log and Transfer, is converting the AVC-Intra into Apple Pro-Res, as Final Cut is not AVC-Intra native-- at least, not in Final Cut Pro 6. Supposedly in Final Cut 7, it supposed to edit AVC-Intra natively.

Import movie files made with (pro)consumer camera

As expected there is no way to import and manage those little movies (.mov or .avi) made with a (pro)consumer camera.
For example when you are on holiday and shoot a little movie between making your photos.
Now I use Foto Album Pro to manage 15.000 pics AND movies AND panorama's (bigger then 10.000 pixels) and they support movies and I can see a (selected) thumbnail of the movie so I see that thumbnail (with data and keywords) between all my photos. Perfect!!!
But.....
Now I am going to switch to LR (because of the editing capabilities and other modules) and beside that I CAN'T import my +/- 300 panoramas and also CAN'T import (just for managing not anything else) my avi's and mov's. Uffffffff.
But I keep smiling:-)

LR is perfect for me:-).. I mean in 2007 and later:-)..but in the early days I made photos with Powershot G5 and took movies as well..since 2005 I have a Canon EOS350D and good (L) glass.
I just want all my "image based media files" to be managed in one library, in one program. Not more...shouldn't be so difficult?
FotoAlbum Pro is better in managing then LR at this moment and I use it in combination with PSE 3.0. I switch to LR because of the "batch/actions" possibilities in LR wich I dont have in PSE. So i wished LR is the only thing I will need to manage and edit my image based files.

Trouble connecting to remote Panasonic IP cams w/ iPhone- port issues

Cannot connect remotely to camera DVR with the iPhone due to Java Applet issues not supported by Apple. I also cannot connect to the home panasonic IP cameras because the error "Not allowed to use restricted network port" appears. In order to connect to the cameras remotely I must enter the port number after the local IP address, and is not allowing me to do that. Any expert out there? Example of a connecting address: http;// 95.242.228.177:80 (80 being the port).
Message was edited by: CDTX

Are you using a specific application to connect or trying to go through Safari?
You may need to use an app that connects to IP cameras.
You can search the app store and search "video camera" or "webcam"

Hi please can you help me. I have photoshop CS5 extended, I bought a new camera Nikon D610 I want to edit my photos adobe camera raw , but when I try to open photoshop CS5 it will not open. Please can you tell me how to download and install the camera raw

HI bought a new camera Nikon D610 , I am using adobe photoshop CS5 extended, I want to edit my photos in camera raw but it is not possible to do so . I need to download camera raw plugin for CS5 can some tell me how to do so or if there is a link for the camera plugin.
Many thanks Pitt.

For that Nikon model you need ACR 8.3 that means CS6 or CC. Or you can download the DNG converter convert your Nikon RAW files to Adobe RAW files. And then process the Adobe RAW files with CS5 ACR version 6.7
Camera Raw plug-in | Supported cameras

Panasonic network cameras no longer work with new versions of Firefox.

I have been viewing my Panasonic Network camera, model BB-HCM381A using Firefox for several years.
Starting with Firefox version 15.0.1 and again with 16.0.1, 16.0.2 and 17.0.1 the browser begins to display the streaming video, but then drops the signal after maybe 20 seconds. Refreshing the page brings back the image for another 20 seconds, and then drops it again.
All previous versions of Firefox before version 15.0.1 worked great. Now I have to use Internet Explorer exclusively. It would be great if you could fix the problem.
Example of viewing the streaming video can be found at www.bandon.tv, which may require installing a plug-in from Panasonic.

I see the same happen, but it takes longer. It is possible that the server gets too many visitors and drops some of them. A right click and "This Frame > Reload This Frame" also works. I also notice that frames get blocked (it skips seconds), so you may need a faster server.

How to open raw files from panasonic gx7 camera in lightroom 4

just purchase panasonic gx7 camera unable to open raw files in elements 9,elements 11,lightroom 4 but will open in trial version of lightroom 5.have downloaded dng 8.2,still no joy.has anybody any suggestion

Actually, you could get by with DNG converter 8.2 or newer. But you will either have to convert your files to DNG or upgrade your Lightroom.

I shoot .nef with a D800e and am learning to edit these in Photoshop Camera Raw. How to save edits?

I shoot .nef with a D800e and am learning to edit these in Photoshop Camera Raw. What is the best way to save for viewing and printing and sending to friends on a DVD? (TV viewing) If I save edits as a tiff or jpeg does Photoshop remember the edits if I open the .nef picture again? Do i really need three versions of each picture? jpg, nef and photoshop raw, or what?? I have several thousand .nef and to convert to a photoshop raw format would take much disk space and yes I have three external drives of 1 - 3 TB.
What is my best practice?

For that Nikon model you need ACR 8.3 that means CS6 or CC. Or you can download the DNG converter convert your Nikon RAW files to Adobe RAW files. And then process the Adobe RAW files with CS5 ACR version 6.7
Camera Raw plug-in | Supported cameras

Does Photoshop Elements support raw files from the Panasonic GH3 camera?

Does Photoshop Elements support raw files from the Panasonic GH3 camera?

Yes, if you have PSE 11 (not the mac app store version). You will need to go to Help>Updates in the editor to update ACR to 7.3.

Does LR edit dng files in camera raw?

does LR edit dng files in camera raw?

You will probably get a better answer in the forum for that product
If you go to the Forums Index http://forums.adobe.com/index.jspa
You will be able to select a forum for the Adobe product(s) you use

How to edit with a second camera?

We are using one camera to record our church services. It was suggested we could get a second camera and then edit the video from the two cameras into one sequence. Since I just started to use PP CS5 to do the editing from the one camera, I am not sure how that would work. I have seen the final product that others have done, but would like a quick overview of what needs to be done in PP.
By the way, we have a AVCHD camera that saves the video to an SDHC card, so will assume we will get a similar camera for the second one. Also, we take the audio from our sound board and it goes into the camera, so is part of the recording. Should I also assume that the audio should only be recorded onto only one camera? Sorry, lots of questions - any help to get me started?

Premiere PRO can easily handle the editing of two cameras or many more and really your question as to whether to get a second camera depends on creatively what you want to do. If you are shooting someone speaking or playing a piano, having two cameras gives the ability to have one possibly shooting the person from the front, and then the second may be being farther way from the side going simultaneously. That way when you are editing you can switch between the shots from each camera angle to give some style.
To edit it is simple. Import your footage from each camera and then drop the footage from one camera into one timeline and then drag and drop the footage of the second camera into the other timeline. Whatever is in the top layer or timeline is going to be what you see, so if you want something in the lower timeline to show you will have to make sure nothing is above it. This is a very simple approach to get you going.
I'm assuming that you do not have much equipment from your question and you are just starting out. So the next step you will need to do is to synch up the sound on your clips from one camera with the other as best you can. But if you are going to be doing a lot of this, you want to do some homework and study up as you will want to have your cameras synched up with timecode and you will want to be shooting with this in mind and investing a few bucks is well worth the cost.
Good luck.

Any Tips for editing Live Event 2 camera shoot?

I need to quickly edit a 2 DV camera recording of a live multi-scene performance (duration of 90 minutes), with audio additionally recorded on a good quality remote mic.
I have used FCE for some time, but not for several months. I have managed to forget many of the lessons learnt through trial and error, as well as by reading Tom wolsky's FCE Editing Workshop! So shortcut tips would be very helpful.
I am also using FCE 3.5 for the first time after my upgrade.
1
I want to make a safety copy of the synced rushes, as well as keeping the original camera sound recording as a back-up guide track.
2
I am worried about making sure I am working with Master clips, so that when I edit I don't mess up any of the source material. I am a little confused.
3
I would appreciate anyone with any suggestions or tips for the best edit process, and any warnings or other guidance. Speed is of essence. (ie there is no budget).
4
I am considering making separate sequences for each scene (14 scenes in all of varying length and complexity). Is this advisable rather than creating one programme length sequence?
5
I am considering making the audio into one mono track for simplicity, as the auditorium acoustics have "mixed up" the sound, with little stereo separation. Should I then duplicate the track to build the sound quality at the end?
Any other general Tips always welcome.
Thank you in advance. I appreciate all the unsung contributors to this group.
Freesh

I am a pretty good source for basic sound info - you can email me if you like
[email protected]
you are right about the link - I am sorry - i checked the website before I typed the link in too! A blond moment
A low shelf filter - as included in FCE and soundtrack cuts the bottom off a soundmix. 20hz is a low frequency - not many speaker systems can reproduce this frequency, and most speaker systems can't even get to 40hz - even you high fi system or speakers which say they may be able too present sound for 20hz to 20khz - well unless you have spent an aweful lot of money and have a sub bass speaker the size of a car probably may only go down to 40hz, and the production of any 20hz sounds is more likely a feeling - a psychoacousticc effect. The thing about cutting off the bass is that practically it can make the recording sound less muddy, and you can make the recording sound louder. Most recordings for CD play have the bass started to roll of pretty heavily at 40hz and nothing present at 20hz... theirs this thing called narquist theory which talks about frequency responce - but it is this math heavy thing - so basically cut out a good amount of the sub bass. A low shelf filter does this and If you want to be conservative cut below 20hz, and if you want to be real give it a good cut below 35hz.
Now I was sure that their was a mac version of that monofilter that I saw on the web page - I have a PC and do most of my audio work on a PC as that is what I have used the most. If you can get the mono filter work it will make the bottom end sound much better - more natural - less clicky and perhaps abnoxious.... those of us who like trip hop are always striving to get a nice warm bass that represents itself well on a range of speakers. something smooth - it is a bit of a trick - monofilter is one of those tricks.
If you put the bass in mono (below 250hz ish) and keep the phase right speakers find it easier to work with the signal. Also stereo bass is not something that translates well on speakers... Bass tends to just flood the room where as the more mid and trebbly sounds give the audio a feeling of distance and space and left and right. The monofilter has a bass compression/limiting and phase correction built itno it, and implimented on a slider called 'trim'. Listen to your recording on good speakers and probably just bring the trim down a touch (my guess)... as complex as it sounds the monofilter is very easy to use, and is super clever. Now I thought that nugen had a mac audio unit plugin - that is a pity if they don't and kind of makes my advice seem irelevant unless you are prepared to download an application that can use VST's.
Amy
be careful using an eq as most eq's disrupt the phase of the signal and can reek havok on live recordings. but do give it a low shelf filter at least below -20 but probably below -40 to -80 for practicalitys sake
This is a bit over my head, I am afraid. Do you know a source of basic info for sound recording to help explain such things? It could be a book or an online resource?
lol, what i meant was 20hz or 40 too 80hz - their is a low shelf filter in soundtrack that works well - I am talking about cutting off the low frequency bits of the recording here. Nugen audio has a little pdf that comes out with the monofilter talking about bass signals... I know it is geared towards music and perhaps music that you want to have a nice bass feel - however it translates to the real world too - You will be suprised at how great your audio will sound if you cut off a chunk of the sub bass, and put the low bass in mono.
then you could look at exciting the signal - but that is another story....

Can a Panasonic HD Camera be used with Adobe Flash Media Live Encoder 3.2

Can a Panasonic HD Camera be used with Adobe Flash Media Live Encoder 3.2 instead of my Laptop webcam.

yes it can but you need an in/out device to "link" the HDMI output from your HD camera to your computer via, USB or firewire
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Panasonic C210 camera new smtp server problem

I am getting email notification from verizon about switching from old outgoing.verizon.net to new smtp.verizon.net. But my Panasonic C210 camera stopped sending motion detection emails after I switched to the new smtp setting at port 465 as suggested.
I originally used outgoing.verizon.net at port 587 and it worked great.
Does anyone have similar problem?
Thank you.

Thank you for the reply.
The setting on my camera for old server outgoing.version.net works just fine. But I am getting email notices 3 times alresady, asking to switch to new server. So I guess verizon is closing down the old server soon.
I've switched to new server smtp.verizon.net on all my other devices with no problem at all, including 3 macs, two iPads and 2 iPhones. The camera is the only device that won't take new recommanded setting.

3D Editing von Panasonic-Consumer-Cam

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