Adjustment layers playback issue

With Fast Color Corrector on an adjustment layer above an image track there is blotchy playback. Part of the frames have the effect applied and others don't. I've tried other effects and similar results are evident.
Suggestions?

Hi Alex,
Thanks for contacting adobe forums,
need few information about the system ..
What is the OS and version ?
What is the Graphics Card installed on the system ?
How much Ram do you have ?
Do you use any external Hard Drive ?
one more thing, if you are using mercury playback engine, try to use this on the software mode only
Please let us if it works or not.
Happy Editing,
Sandeep

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Adjustment layers turning everything below black

Hi there,
Found I am having an issue with adjustment layers in Premiere CC.
I have created an Adjustment Layer and pull it on top of a clip on my timeline. As soon as I try to apply Lumetri to the adjustment layer, it turns black and ceases to operate as an adjustment layer and more like a black colour matte. It also behaves this way in that, when I decrease the opacity of the adjustment layer, the clip below begins to show through, but clearly not affected by Lumetri.
Any ideas?

Hi Kevin
Have tried trashing preferences and reinstalling to no avail. Read that a few users have fixed the issue by deleting any opacity keyframes on the AL but I have deactivated key frames altogether on my ALs with no change - the AL just becomes a black solid.
I am also beginning to have chronic kernel panics where my MBP goes white screen and restarts. Nothing in particular seems to be triggering this, it's entirely random.
Adobe Premiere CC 2014
MacBook Pro 13"
Mid-2014
OSX 10.9.4 (Mavericks)
Intel Core i7 2.2GHz
16GB 1600 MHz DDR3
Intel Iris Pro Graphics
I do have Mercury Playback Engine GPU Acceleration (OpenCL) enabled and I am aware that this can be a common problem but on a brand new MBP with a supposedly supported GPU, I wouldn't expect it.
Any more ideas?
Thanks,
Josh

Stuttering flv playback issue- need help asap

We need help asap. Have a project is due to deliver today (5/14).
We have a video to go on a dvd-rom, live action with Motion Graphics behind.
When output is done thru Projector the Motion Graphics stutter as they scroll.
Here is more technical info:
Stuttering flv playback issue:
Prores 422 timeline 29.97fps 1280x720 output from fcp using current settings.
Mov file is approx 7gb, plays relatively smooth on a mac pro with no raid.
Frame by frame analysis shows all frames are present with no jumps tears or skips.
Tried several output paths, programs and settings to create a smooth flv file to no avail.
We adjusted data rates from 2k, 3.5k, 4k and 8k, no luck
We adjusted keyframe rates from low to all frames, no luck.
We tried cs3 flash encoder, cs5 media encoder, squeeze ect, same results.
Playback in the flash projector seems to choke slightly no matter what we do.
Have also posted in the Director Forum.
Any help much appreciated!

Here are a few ideas off the top of my head:
Try playing the file using a different xtra, sometimes different ones will work better. If you have Director 11.5, there is a native flv playback xtra.
You can build a player easily in Flash using the flvPlayback component, then bring that into Director as a swf.
Once you have the video in Director, try making the member Direct To Stage (DTS). If it is already DTS, try making it not DTS.
Make sure the video is not transparent, and nothing in Director overlaps the video... in fact, when the video is playing, nothing should be moving at all, and try to keep the amount of code that is running to a minimum.
Try lowering your video's data rate further or try using a different codec.
Using VBR (Variable Bit Rate) compression often makes the video appear to play smoother.
Try compressing the flv with different software. FFMpeg, for example, is free and does a very good job, often better than the Flash Video Encoder that comes with Flash/Creative Suite.

Muse doesn't seem to see Photoshop Adjustment Layers

I like to place Photoshop files in Muse, so I can quickly edit a non-destructive format, instead of a JPEG. I recently noticed that some placed Photoshop files were markedly more dull in Muse than they appear in Photoshop.
Opening the Muse-created web page and comparing it with an open Photoshop file, it appears that Muse is not honoring my top layers, which are Photoshop Adjustment Layers.

As much as I believe that Muse is not really fit for purpose yet, I do not have the issues you are encountering with Opera.

Playback issues - squishing in Premiere CC

Hey All,
So I've run into this problem a couple of times. In the past, it has just sort of fixed itself, but now I'm having it again and want to know how I can fix it. I have a sequence that's been edited and rendered, however, during playback, the image gets squished in the playback window. If I stop playback, the image returns to normal (1920x1080 in this case). I found in past sequences that if I turn off my transparent layer that includes timecode, usually the playback is fixed. That is not the case with my current sequence though. Below is a screenshot of the playback issue along with my sequence settings:
I've noticed that if I take away any effects, like color correction or cross dissolves, and return the footage to it's "raw" form, playback will work fine. Obviously, that can't be done though...since I have dissolves and slides and whatnot involved with the cut. In the screenshot above, the cafe picture is composed of 3 layers (via Photoshop) on top of the video clip. I have also tried deleting all of my render files and restarting Premiere.
I'm working on a Mac (10.7.5) out of Premiere CC
Any help would be GREATLY appreciated.
Thanks guys!
Hugo

Exactly what version of PPro CC are you on? If you're on CC7.1, then you're probably hitting the issue discussed in this thread: http://forums.adobe.com/message/5828335?tstart=30#5828335. That issue (which was specific to playback resolution being set to 1/4) was fixed in 7.2.

Effects on adjustment layers not working in PPro CC 2014

I am trying to use an adjustment layer to add an effect to my entire project (about 3 minutes). When I add the adjustment layer and the effect, nothing happens. I can apply the effect directly to a clip and it works fine.
Am I missing something or is this a bug?
Thanks for the help,
Catherine

Mmmm.. maybe there is indeed an issue with the adjustment layer, I have a project that I opened up and wherever I have adjustment layers, they all show as black image...if I check off the effect, then i see my footage underneath.. but as soon as I add an effect (in this case, brightness and contrast + Tint), then it goes to black... changing the blend mode doesn't do anything either...

How to Apply adjustment layers to multiple layers that have different blending modes ...

How to Apply adjustment layers to multiple layers that have different blending modes and keep the colours the same as the adjusment done?
I work in Animation painting Backgrounds. My files are sometimes upwards to 200+ layers.
I will use adjustment layers to quickly balance colours and constrast on top of those many many layers.
The only way that I know of how to apply adjustment layers it to every single layer ( by applying I mean I need to get rid of the adjustment layers because we cant use them in production but i need the new colours be applied to all layers underneath ) in a psd is to manually do it By duplicating the adjusment layer 200+ times and then merging each layer to one of those adjustment layers so that that layer can take the adjustment layers effect permanently.
The issue is that Within Those 200 layers I have some layers set to Multiply or OVERLAY.    IT obviously wont apply the adjustment layer properly to those layers because those layer blend mode affect the layers under them. The colour wont be the same anymore in the spots that had the multiply blended mode.
HEres an example of a simple File. to show what i mean.
https://dl.dropboxusercontent.com/u/3408266/ball%20layers.jpg
https://dl.dropboxusercontent.com/u/3408266/ball.psd
I have 2 adjustment layers up top. I need to get rid of them by applying them to each layer! I cannot merge any of the layers. We need all those layers for production.
I can apply the adjustment layers manually and this works GREAT for all Layers set to normal. THey take on the colour change just FINE.
However, The issue is that layer 6 and layer 4 are both set to mutiply and this screws up the colour once i apply the adjustment layers to each layer manually...
How can i apply my adjustment layers to a file like this with some layers being set to multiply while keeping the layers exactly the same configuration and The new colour taking efffect exactly how i looks before i apply the adjustment layers?
Now the simple solution is to merge the multiply layers to the layer that it affects HOWEVER I NEED those multiply layers to be seperate!
I'm assuming what I want to do is impossible? Hope this isnt confusing. As far as i know its impossible to do what I want it to do. but just wanted to ask and see.
I would REALLY REALLY love to talk to a adobe programmer/ technician/pro working at adobe about this. Theres just no way to get in touch with anyone... =(
any thoughts ?

Sure... if you want to put it that way. Either way its not the desirable outcome.
its just frustrating that theres no way to apply adjustment layers to hundreds of layers while keeping them in the same configuration ( blendmodes, layer order , without merging) while keeping the same end result.
works great if all your layers are set to normal though..    But I really need to keep shadow layers seperately and be able to adjust on the fly aswell as apply those adjusment to all my layers.
I suppose that just isnt possible.   I understand the math required for this would be tremendous/ complicated if something like this would ever be implemented. Would be nice if adobe could come up with some solution to this. Its really a huge issue in my work flow and theres no alternatives.    How else can I adjust colours to 100+ layers with a few clicks that lets me play around the the adjustment until im happy with the outcome.    Really wish i could adjust and the quickly apply that adjustment to all my layers regardless of blend mode.   LIke If the Layers with blendmode could somehow take the properties of the adjustment layer and keep adjusting those layers undereathe on top of that blended mode that its doing...

Adjustment layers not working in CMYK MODE?

Hi Guys
I have a photoshop issue and was wondering if you could shed any light on the matter?
When ever i set my document to CMYK mode, some of my adjustment layers become 'un-selectable' such as the Black & White, vibrance and the exposure adjustment layers?
They work fine in RGB mode but was curious if this was common place?
Any information woould be greatful

but surely the black and white one does? or am i wrong there?
It would seem you are.
You can still use Hue/Saturation as a work-around.
how do i go about finding that particular thread?
That’s no thread but a headline in the Help; personally I prefer to download the pdf:
http://help.adobe.com/en_US/photoshop/cs/using/index.html
I am working in cmyk as the poster i am producing is for print, so the document is put into that mode for that purpose.
If you are using/combining photographic images this approach may not be ideal and incurs the risk of overshooting the TAC.
On the other hand if you have lots of text, fine lines or other elements that are supposed to, for example, print in pure black working in CMYK would be called for.

Replicated DVD Title Playback Issues (~ 1 out of 20 disks)

Replicated Disc Playback Issues
I recently authored 4x DVD titles using DVD SP 4 in conjunction w/ Compressor 3.0.5. Media was compressed using Compressor “DVD: Best Quality 120 minutes” setting, imported and then built/formatted in DVD SP. The project masters were formatted to Verbatim 4.7 GB DVD-R out of DVD SP without any issue in the log window. I then watched all titles from start to finish on a home set-top player without any playback issues.
The DVD-R disk masters were then shipped to a glass master company, w/o error and verified with an Eclipse system…then back to the Replication house where 1000 copies for each title where made. I watched all Replicated titles upon return, on the 2 different set top DVD players and w/o error.
We have however, been receiving error call-backs on ~ 1 out of 20 DVDs, where people have been reporting video freezes, jittery video in places, etc. I’m new to the authoring world, but believe I was in full technical compliance within DVD SP when building the projects (used APTS tutorial as guide).
Again, the glass mastering company said there were no Eclipse report errors, and the Replication house said the DVDs passed their QT tests as well (Detarius Machine?).
I really need to pinpoint what is causing such a high failure rate in the replicated disks. Is this on my end or the replication process? Did I miss some tech specs in SP that may not pose an issue on some players, but do on others? Shouldn't the QC systems used in the mastering / replication process detect issues with the disks? Any suggestions / guidance would be greatly appreciated.
Many thanks in advance.

Just a 'Toast-it note' guys,
Toast cannot choose your break point except by slim chance, nor properly flag the cell it chooses as the layer break.
A Disc Image does not contain layer break information. There's just information in the Image's UDF/ISO data declaring the full 'extent' of the sectors of data in the Image. Even If you set the layer break point in DVD SP's Format Window when you formatted the Disc Image to hard drive, it will have no effect - Toast, nor any other third party formatting software will have a clue as to your intentions on which cell you'd like designated as the layer break (only the control data in a DDP file set and the control data on a replicated DVD contains layer break info from the DVD project - Control data is not allowed to be written to a DVD Recordable, that area is glossed-over during manufacturing).
Toast only scans the cell address table for the appropriate VOB and chooses a cell closest to the middle of the valid layer break range to split the data stream in two (and uses other algorithms under certain circumstances). But it doesn't flag the cell it chooses as non seamless, or set other layer break cell parameters properly.
Submitting DL Images written by Toast, you will get nailed most of the time by the replicator's Eclipse software for a seamless cell at the layer break - if you're lucky; as more than a few replicators will let that 'warning' message sail right by, and they'll replicate anyway; or they're running a version of Eclipse prior to 4.0, which many are, that doesn't even check for the layer break cell's existence. You could be even luckier, and have a cell command (Marker end jump setting) for the cell prior to the layer break cell Toast chose for the Layer break - that will cause DVD SP to set the following cell as non-seamless. Skinny chance.
If you're unlucky, Toast will choose a proper non seamless LB location in the DVD SP generated files that should never be the layer break location for an abstraction-layer based authoring system generated Image.
Hint: if third party disc formatting software doesn't present you a somewhat cool screen at double-layer writing time, showing you all the available LB cells to choose choose from, complete with the ability to click and preview all of the possible layer break cell canditate's start video, so you can be sure - and properly flag your chosen layer break cell; then it shouldn't be used to write playable DVD+R DL discs. Now, Toast is great for writing DVD+R DL pure data discs, as the requirements for switching layers during the read of ROM data is much less stringent (best to break between files, though).
While there might not seem to be a clear-cut right way to pre-mastering for DVD-Video, for sure, none of the few best/professional workflows allow Toast in the process.
Take care,
Trai
TFDVD Research Labs

Adjustment Layers causing clips to stutter Premiere Pro CC

I'm working on a music video and I have a 2:35 letterbox preset that I added to an adjustment layer. I added this to the adjustment layer and placed it over all the clips so I don't need to apply it to every single clip. Of course that's the way adjustment layers work. But on some parts of my timeline when the play head reaches certain clips it stutters or when it reaches a clip with a simple dip to black transition the clip stutters again. I know its the preset that I have applied to the adjustment layer because when I disable it or remove the adjustment layer or remove the effect from the adjustment layer the clips play fine without any issues. Can some one tell me why this is happening. My computer has more than enough power to handle this. I'm running a 8 core MacPro, SSD drive, 22gigs Ram and a ATI Radeon 5770 graphics card.

Hi AzzieScott,
Thanks for the link. Please mention, the types of footage you have in your project. If possible, please mention the make and model of the camera if you have captured the footage.
Regards,
Vinay

Editing Adjustment Layers Not Working

Using Photoshop Elements 10. I am unable to edit an Adjustment Layer. When I doubleclick the layer thumbnail or click layer content options, nothing happens. This is the case with new files as well as files that had adjustment layers created with Photoshop Elements 6. Fill layers work ok, but adjustment layers such as Levels and Hue/Saturation won't work....need help desperately.
Thanks

Good evening. I am using PSE 11 Mac version and I am having the same issue as the original post. I am unable to edit adjustment layers. No problem with fill layers.
I have tried your solution, which worked on deleting the file, but PSE 11 is still not letting me do anything with the adjustment layers.
As an FYI, I am also unable to select any of the "Window" menu selections, such as "Actions", "Histogram", etc. I am attaching a quick screen capture to show the menue that I am talking about.
Any help with this is greatly appreciated. Thank you all.
Message was edited by: kabestudios

Remove CS5 Adjustment Layers as Palettes?

I know when CS5 first came out even the standard modal windows for Levels, Curves etc. were housed in a Palette and that blew my mind with hatred. It seems they've fixed that but are still limiting Adjustment Layers to the same Palette fate.
Is there any way on earth to switch back to the standard modal type window for Adjustment Layers? Forcing us to use them in a Palette window makes me want to go get a root canal.
Any help would be imensively appriciated. I've had CS5 for over a year and simply cannot use it due to this and some other issues.

Your first couple of sentences are incorrect. Nothing's been "fixed" since Photoshop CS5 first came out. Image - Adjust - Curves, for example, has always been a modal dialog.
Regarding the panel-based adjustments... Have you tried to pan the image while in a modal dialog by pressing the space bar? Oops. Sure, the panel is a little different than the dialog, but we've all had to get used to it. The ADJUSTMENTS panel was introduced not in CS5, but way back in CS4, by the way.
What is it that's bothering you about the panel?
You're always welcome to submit your ideas for enhancing Photoshops's features here:
http://feedback.photoshop.com/photoshop_family
-Noel

Multiple adjustment layers vs. multiple effects on a single adj. layer

I posted this earlier on the Creative Cow forums, and came back with inconclusive answers...
If I have the exact same clip in 2 separate comps...In Comp 1 I have 5 color correction effects on a single adjustment layer, and in Comp 2 I have 5 adjustment layers with the same effects, 1 effect each spread over the 5 adjustment layers (in the same order). Should I theoretically expect to get the exact same image in both comps?
Here's the reason I'm asking. I'm doing some color correction that occasionally involves a lot of keying, which I'm doing in Colorista II. It's not green/blue screen keying, it's keying the shot footage for adjustment, e.g. skin tones, backgrounds, blown-out highlights, etc. I'm finding that in order for the Colorista II keyer to work based on previous instances of effects calculations (i.e. Levels, Hue/Sat, or other Colorista instances, all of which occur *before* the key) I'm having to put it on another Adjustment Layer for the keyer to take the earlier effects into account. Otherwise, if it's on the same adjustment layer, the Colorista keyer disregards the previous effects & uses the un-effected clip as the source for the key.
I don't know if this is just the way the Colorista II keyer works, or if this is a global After Effects-wide order-of-operations thing that I don't fully have a handle on. I understand order of operations, and that Adjustment Layers affect all layers below it, and all that stuff. My question is, what (if anything) is the difference in behavior between multiple effects on a single adjustment layer vs the same effects spread out over multiple adjustment layers? Is it predictable & consistent? Or is it just common knowledge (to everyone else but me) that sometimes you have to use multiple adjustment layers based on the specific effect combinations that you're using?

I don't know if this is just the way the Colorista II keyer works, or if this is a global After Effects-wide order-of-operations thing that I don't fully have a handle on.
As far as I understand the SDK, it is not considered practical, since it would require a plug-in to establish its own comp buffer outside the main rendering pipeline, which could lead to issues with color consistency and things like premultiplied vs. straight Alpha. I also seem to remember that as of CS5 it is actually no longer technically possible. Hence effects that use specific source footage API calls will bypass any previous effects and directly operate on the source.
My question is, what (if anything) is the difference in behavior between multiple effects on a single adjustment layer vs the same effects spread out over multiple adjustment layers? Is it predictable & consistent?
The result should be the same under all circumstances, assuming all adjustment layers have the same opacity and no masks and their stacking order is equal. Only when you apply masks or adjust the opacity to fade specific adjustments you will see differences. It is also to note that having all effects might be a bit faster and more efficient, since less data is passed from buffer to buffer...
Mylenium

Premiere Pro CC playback issue

I'm running premiere pro CC on a brand new mac pro, and am experiencing playback issues after rendering video. There doesn't seem to be any rhyme or reason as to why this happens, but I do notice it when layering multiple video tracks. When the rendered video is playedback, it seems to drop frames in the program monitor. Essentially, it looks like a flicker effect has been applied, and the video will cut out rapidly, and a black screen with apear every other frame. This stops randomly, and normal playback resumes.
I've had this issue working with Red footage, Canon DSLR footage and GoPro footage... Footage type doesn't seem to affect it. It doesn't necessairly happen when a transition or edit has been applied... I can't figure out any sort of cause.
Any insight would be much appreciated.

You need to ask in http://forums.adobe.com/community/premiere?view=discussions

Adjustment Layers Not Transferring Properly into PR Pro CS4

Hi all,
Was hoping to get some help with a AE -> PR issue. I'm working in After Effects and Premiere Pro CS4. I have an AE project that has some footage with adjustment layers and some solids that I go ahead and save as a Premiere project. When I open up the saved PR project in Premiere and load the sequence, my adjustment layers and solids have all turned into a block of pure white and no longer retain any of the effects applied to them in AE.
Any ideas what may be casuing this and how it might be fixed? Thanks very much.

> I have forgotten exactly what will transfer from AE to PrPro, but that info is probably around this forum.
The code to import a project from After Effects into Premiere Pro (or vice versa) is the exact same code as that used to copy and paste between the two programs. Here's a page that describes exactly what comes across:
"Copy between After Effects and Premiere Pro"
Here's the important sentence:
"You cannot copy shape, text, camera, light, or adjustment layers to Adobe Premiere Pro."

Adjustment layers playback issue

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