Advice on IMPORTING wedding footage (DV TAPE) 5~6 hours.

Borrowed a friends camera and shot some wedding stuff, (ours) and wanted opinion on how to do this.
Is it best to import as one full TAPE (1 hour) and let it run and then have 5, 6 large files?
What is the best way? If I import to iMovie instead of FCP, would I lose quality?
I will be cutting up all 6 hours down to 1 version that will be somewhat reality, voice overs, FX (tips on where to create some great FX, (ADOBE, Motion) and it should be 1~2 hours total, and like a reality show.
The other will be the extended, with extra footage for close family so we won't lose anything.
Last SET of DVD's might be the RAW video, all 5-6 tapes.
Questions are, how large will these files be? One would think dual layer or single layer are normally 2 hours at 4GIGS, so wondering how to do this or do I want RAW footage and what is the best way to import for use in other programs such as:
• iMovie
• Final Cut Pro
• Motion
• Color
• Premiere
• After Effects
Thanks

Hi I'm A Mac wrote:
Borrowed a friends camera and shot some wedding stuff, (ours) and wanted opinion on how to do this.
Congrats on the wedding
Is it best to import as one full TAPE (1 hour) and let it run and then have 5, 6 large files?
What is the best way? If I import to iMovie instead of FCP, would I lose quality?
If you have Final Cut and are making all the things you are doing I would go with capturing into Finall Cut. If you use iMovie it needs to be rendered in Final Cut for audio, extra steps.
I will be cutting up all 6 hours down to 1 version that will be somewhat reality, voice overs, FX (tips on where to create some great FX, (ADOBE, Motion) and it should be 1~2 hours total, and like a reality show.
The other will be the extended, with extra footage for close family so we won't lose anything.
Last SET of DVD's might be the RAW video, all 5-6 tapes.
Questions are, how large will these files be?
As others mentioned capturing DV would be about 12-13 Gigs per hour
One would think dual layer or single layer are normally 2 hours at 4GIGS, so wondering how to do this or do I want RAW footage and what is the best way to import for use in other programs such as:
On a DVD the running time (amount on DVD) is tied to the compression used to make the m2vs. Depending on the type of footage (quality, movement etc.) you can tweak things in the encoder.
Take a look here
http://dvdstepbystep.com/faqs_7.php
Also here about some caveats
http://dvdstepbystep.com/faqs_3.php
So with AC3 audio at 160 and a video rate of 4.9 (or so) you can get 2 hours on each layer. The chances are you can drop the rate of the video encode and still get good results. For instance if you have sections where people are just speaking into the camera wishing you congrats it probably can look fine
• iMovie
• Final Cut Pro
• Motion
• Color
• Premiere
• After Effects
I would go for Final Cut import then use the other things as needed. There are some other things to keep in mind/get used to in terms of retaining quality (such as making text or other things) but you may be best off tackling those as they comee up. In general the DV Codec will compress some things and make them look bad (think text in Final Cut) so there are workarounds, tweaks and export settings to use if those come up.

Similar Messages

  • Advice on importing old mini dv tapes with timecode breaks

    I've dug out mini DV tapes from storage which contain priceless (at least to me) family footage. Some of these tapes are close to 11 years old.
    Before these tapes degrade and rot further, I'm trying to generate tape archive files on my hard drive using Final Cut Pro 10.1 from these old tapes.
    The issue I'm having is with timecode breaks on some of the tapes. After a few minutes of an import, sometimes the video will go a little wonky and I'll get a timecode break and the import process aborts itself. When this happens, I'm forced to start the archive all over again from the beginning, as far as I can tell. If I get lucky, sometimes I'll get through the import after another try but other times the tape is so badly damaged that I can't get through the entire tape.
    I believe there used to be a setting to tell Final Cut Pro to ignore these breaks. It now appears this setting is gone. Or am I missing something? If it's gone, is there some kind of workaround I can employ?
    Otherwise, if Final Cut Pro isn't up to the task, can someone please recommend software that will help me convert my tapes to archives on my hard drive?
    PS. I've used a head cleaning tape on my camera to limit the problem but it still happens with some of the tapes.

    You need a DV device to be attached and recognized by your Mac.
    Open QTime X.
    File>New Movie Recording.
    In the control bar click the small triangle.
    A list of devices appears to record from.
    Make the DV/camera selection and start capturing.
    It's all manual start stop and very basic but does capture.
    Al

  • Splitting events when capturing footage from tape

    Using Final Cut Pro x, I want to capture footage from tape which is of a more then one event. what is the best way of doing this so as to avoid all of the footage captured as one event.

    One way of doing this is to simply go into the Import from Camera window and select the clips that belong to one event then hit the Import Selection button.  A window will come up asking you which event you want to import to and also give you the option to create a new event.  After the little clocks fill up on each of the selected clips, that import is done.  Now you can select the other clips and import them in the same way specifying a new event when you are asked where they are to go.  Best wishes.
    stpehen

  • Importing HDV footage - seems you don't want to use Premiere (?)

    Hi everyone, and good morning.
    Well, after many great posts, and lots of help here, I think I realize something....
    If you own a camcorder that does HDV footage ( like my Canon H20 ), you must use something other than Premiere to import your original footage from the camcorder, if you wish to do any type of editing in Premiere later on.
    If I understand what you have all told me that is.
    For clarfication, last week, I imported my first HDV tape using Premiere, and the resulting file was a very high quality .mpeg file, however, it was not editable in Premiere at all. The audio and video were totally out of sync.
    So, I then re-captured the original video from the camera into Pinnacle Studio 11, and this resulted in 2 files, a video and audio file. ( .wav and a .m2v file ). These files import into Premiere very well, and the audio and video is perfectly in sync from beginning to end.
    With all this said, is there any point at all in keeping the original .mpeg file that I originally captured from the camcorder into Premiere ???
    At this point, I don't see any advantage to this, but thought I would ask. I've read numerous posts that .mpeg is just not great for editing, etc,etc, so perhaps I should just delete this file, and keep going the route I'm now using ( capturing the original camcorder footage with Pinnacle Studio 11 ) (?? )
    I also wonder, if one only owns Premiere, then what on earth do you do, if you have an HDV camcorder ? ( perhaps all of you that own one of these camcorders, capture the video footage from the camcorder, in a program other than Premiere ? )
    Thanks for any info you may wish to give,
    Dave.

    I am not so sure the problem is always restricted to CS3 captured footage. I convert from AVCHD to HDV (usually using Elecard, or Procoder etc) and find that if I stitch the output into a longish single HDV file then although that hdv file plays ok in a player, and is in sync - it loses sync when imported into PP CS3 - but is OK in other NLEs (well Vegas) Seems to me that CS3 cannot hold sync if (some) hdv clips are simply longish. Bad bug!- although seems it's being worked on according to similar threads

  • How to import 1080i60 footage in FCE?

    This is the continuation of a former question where I was wondering about the crappy results of exporting a sequence from FCE. Turns out that the problem occurs much earlier, during import.
    So here it goes: I have a Sony CV550V camcorder recording in 1080i60 AVCHD. I use FCE Log and Transfer to import the footage. At this early stage ALREADY, I can see the fields offset with respect to one another in the Log and Transfer preview window. If I look at the footage by connecting my camcorder to my HD TV, I see no such artifact.
    I looked at the FCE manual, tried all options of the Log and Transfer window (ZERO as far as I can see), but it does not seem that I have any choice on how FCE imports 1080i60 AVCHD footage. Am I doomed? I have heard from users of Sony Vegas software for instance, and they do not have such artifacts...
    Thanks for your advice.

    "Completely wrong" is a bit harsh, but indeed the whole issue is addressed in threadID=2497894 "How to export/convert FCE movies into AVCHD format?"

  • Importing edited images from tape

    Is it possible to import already edited images (which are on tape) without having Final Cut filing every shot of the movie in a different file? In fact, it's the master of a video I did a few years ago that I have on a Mini DV video tape. When I try to import it, Final Cut recognize every cuts and files them separately and thus scatters the whole importation in many segments. There must be a way to import edited images as a whole. Please help me. Thank you anyone.

    Thank's Russ for your suggestion but I've tried it and the same problem occures. There must be a way to set Final Cut in order to import edited footage in a whole.

  • Issues importing HDV footage

    I have a canon HV20 and it seems like FCP6 has been super picky on HDV imports.
    The footage I am trying to import was on new tapes and there were no stops in the tape.
    Everytime I go to import them there is always a part or two that gets splitup and drops a few seconds.
    So to fix this I have to go back and try in reimport the lost area. I am using Firewire basic and standard HDV import settings. This is getting very frustrating I never had so many issues with importing.
    Thanks in advance!

    I've confirmed that the hang does not happen with Canon HV20 footage, only Sony HVR-V1U footage. Any footage shot by that camera will hang not only Premiere, but the entire OS. I have to power down the machine to regain control.
    What's so different about Sony's implementation of HDV that it is incompatible with Premiere?

  • Importing in high definition tape in 1080i / 480i/widescreen dv

    Using Imovie 6HD importing a high definition tape - when i imported in dv - letterboxing (don't want that) came on - what is the difference of importing in the other settings??
    1080i
    480i
    widescreen dv
    please advice need to import a few tapes and not sure how to set imovie.
    thanks,

    if you arer importing and HD is not on in IM then you have DV lock set to "on" in your videocam thus you're not importing in HD. LtrBx happens to me only when I import into DV widescreen, which is not HD. Don't do 480i . . . Just experiment with each to see how it goes. Testing yourself is the best way to learn.

  • Imovie won't import my footage

    I am working on a project for my job and they already have footage edited and place on a dvd. However, when I try to import the footage into imovie it comes up as a videoTSBUP and videoTSIFO format and of course imovie does not recognize it. Could someone tell me what I must do to get it to upload. Thanks

    Just to add to Frank's good advice, you will need both of these:
    MPEG StreamClip (free):
    http://www.apple.com/downloads/macosx/video/mpegstreamclip.html
    Apple MPEG2 PlayBack ($20):
    http://www.apple.com/quicktime/mpeg2/

  • What cable do I need to import video footage from my Nikon D5100 DSLR?

    Currently I am just inserting my SD card into my Mac and copying over all video clips then importing those directly into FCPX.
    I'd prefer to use a cable, and since these DSLR's don't use the same Firewire my Sony Handycam did (seemingly), I'm at a loss about what to use.
    I am also interested in importing my footage as I record, directly into FCPX. So the cable must be capable of that as well.
    Thanks

    Ok I'll be sincere, video editing is not my thing, but I do own a Nikon D5000, and this one as far as I know is not able to "stream" recordings right into FCP. I maybe wrong though, and in that case, your USB cable should suit your needs.

  • Can't import P2 Footage after 5.1.2 update

    This one has me stumped. After updating to 5.1.2 I can not import P2 footage.
    When I click on the import Panasonic P2 tab under the import menu, nothing happens. Then, I click on it one more time and the import window loads but there is nothing there (I see the dividing lines but there is no text or buttons to click...just a solid grey background).
    Tried the usual...trashed prefs, rebuilt permissions, downloaded the full FCP update off of the apple website and re-installed.
    Also pulled all my plug-ins out just in case it was somehow related to that issue.
    Still nothing.
    Also, searched this form, creative cow and HVXUSER...no one else seems to have this issue.
    Any thing I am missing?
    - Chad
    Dual 2 Gig G5   Mac OS X (10.4.8)  

    Same problem here on two different G5 machines after installing 5.1.2. Love the new import tool - but 10-20% of our clips just won't import anymore. Done all the recommended clean-ups and like many others on this forum and CreativeCow...it just won't work on some 24PN clips.
    Getting desperate as we have daily shows that go out and need to get the rest of those clips in so I'm looking for any workarounds at this point and hoping Apple has a fix soon. This is clearly related to 5.1.2 as the same clips were previously imported in 5.1.1 and are readable in the P2 viewer and even playable in the 5.1.2 P2 import window.

  • Need help importing HD footage from external hard drive

    I have an external hard drive with some footage from a friend. I cannot view the footage either in QT or through importing to FCP. I have version 4.5 of FCP HD. The audio works on the clips, but the video does not. Im guessing it might be a format issue, as the footage is HD footage shot at 24P. I've tried opening a separate timeline and changing the settings there, but that didnt seem to work. Any help would be greatly appreciated.

    I'm guessing that the footage is HDV, and FCP 4.5 cannot work with HDV. That format came out over a year after FCP 4.5 was released. FCP 4.5 was dubbed FCP HD because it worked with DVCPRO HD footage natively. HDV support didn't hit FCP until 5.0.
    You have options. Because HDV came out when FCP 4.5 was in use and didn't work with it, a couple companies made solutions to import this footage. www.lumierehd.com and www.hdvxdv.com.
    BUT...that will get you the HDV footage at 29.97...60i. HDV 24p support didn't arrive until FCP 5.1.2. So you can try those solutions and see what happens, but most likely you'll have to upgrade to the latest version of FCP...6.0.2
    Shane

  • After Effects CC import "Sequence Footage" frame rate settings in "Import" preferences

    Just started using the new AE CC (v12 as Adobe will not refer to it as) I noticed one thing that seems to work differently from CS6 and that is in the preferences for import Sequence footage settings.  It doesn't seem to work normally, at least for me.  I don't know if this is an issue related to how AE CC works with the cloud but the dfault frame rate for sequence footage importing is 30fps.  I am trying to import footage that is natively 23.97 at 24 fps.  So like in CS6 I go to Preferences - Import - Sequence Footage - frame per second and change it from 30 to 24 frames per second.  Closed the software, opened it back up, checked the settings and saw that they took, it still says 24 frames per second like I told it.  But when I import a piece of 23.976 footage, it comes in at 23.976 as opposed to the 24 fps I set it as.  Same goes for 30 fps footage, it comes in at 30 fps and not 24.  User error is always my first assumption, I'm not proud i just want it to work, am I doing something wrong or just confused?  Thanks for any help.  p.s.  help is not someone responding with, "I don't know" or "I don't have AECC yet".  I know somebody is going to!

    Hi Tim,
    WOW!  Thanks for the super-fast reply!  As soon as I posted this I realised I should have mentioned that I am importing DPX files.  I do import quicktimes as well but know that the footage import does not apply to a single file, only a sequence of files.  But I still wonder if I may be either doing something wrong or am just a little confused.  I have been using After Effects since CS3 doing compositing for film and I always use DPX sequences.  I did a bunch of comparing and back and forth with AE CS6 and AECC while trying to figure this out.  I always set my preferences up when I upgrade before I start working and I always set them up the same.  I have been using CS6 since last July and it still works the same.  What I did is imported five or six different DPX sequences, some were rendered out as 24 fps, some at 30 and some at 23.976.  Assuming AE looks at the metadata to decide how to auto interpret, AE CC opened them all at their native frame rates of the just mentioned 24, 30 and 23.976 respectively, even though I told it to import at 24fps in the preferences.  I also imported the same files in AE CS6 and they all opened at 24 fps like always.  I know I can change the frame rate in the "Interpret footage" option, that is what I have been doing today so that I can work with footage in 24fps but since I have it set in the preferences to import image sequences at 24fps, I am perplexed as to why it does not do so, so I do not have to interpret the footage to my preferred frame rate, as is the case in AE CS6 as well as it was in CS 5.5 and CS 3.  Since I was lucky enough to have an Adobe employee chime in Tim, I would be curious to see what you may find if you recreated this scenario.  Would it be possible for you or someone at Adobe to set the sequence footage import frame rate to 24 fps in the preferences then try to open a piece of footage that is natively 23.976 fps in both AE CS6 and AE CC?  Like I said, I certainly beleive I may be doing something wrong but I would be very curious to see what you find on your side.  I would not be suprised if it imported at 24 fps in AE CS6 and 23.976 fps in AE CC.

  • Need help importing Hi8 footage into FCE4

    Hi all,
    I have a Sony Digital 8 TRV310 camcorder. I'd like to be able to import the Sony footage directly into FCE 4 but am having trouble.
    I've successfully imported Hi8 footage from the TRV310 into FCE 4 in the past (it's been a couple years) but for the life of me I cannot remember how I did it (it had something to do with Easy Setup and choosing 'device control = none' or something like that. I can't seem to find that option anymore and the only 'device control none' is 'DV-NTSC DV Converter' and that selection doesn't work for the import).
    Here is the process that I am going through:
    1. I hook my Sony TRV310 up to my Mac Pro via a firewire 400 cable, turn the camera on and switch it to VTR (play) mode. I manually cue to the beginning of the footage I want to capture.
    2. Before attempting to import Sony footage into FCE 4 I go to 'easy setup' and dial in format=NTSC and use=DV-NTSC then click the setup button. I then go to file-->capture and a small window pops up indicating that capture is being initialized.
    3. The the 'capture window' pops up with preview screen indicating that 'preview has been disabled'
    4. I then hit the 'play' button in the capture window and then hit the 'capture now' button.
    A black window with 'Final Cut Express and Apple logo' pops up for a few seconds, then a warning window pops up which states 'this operation could not be completed as there is no video'.
    Any help with this will be greatly appreciated.
    Thanks.
    Dennis

    Sounds pretty close to me.
    Try starting a NEW Project the the DV Converter option selected , you may not have initiated the DV Converter option.
    Also there is no device control, so the Capture Now will not work, Start the camera manually and use the Escape key to stop capture.
    Al

  • Problems importing HD footage

    I'm having problems importing HD footage from my Canon XHA1 into imovie.
    I select 1080i HD and but the program defaults into DV.
    Why??

    Hi, and welcome to Apple Discussions.
    I think maybe you took a wrong turn somewhere. You have posted in the iBook G3 (Dual USB) Forum. You may want to try posting in the iMovie Forum.

Maybe you are looking for

  • Exchange 2010: Remove high available mailbox database error

    Hello everyone, I have a two node DAG exchange 2010 and recently split one mailbox database into two databases.  Now when removing the original database I get the following error: Please provide specific details. The following was done thus far: Dele

  • SOAP (Axis) Adapter

    Hello XI SDNers, I want to use SOAP (Axis) Adapter for my Webservice Scenario. According to the SAP Note 1028961, I deployed the "aii_af_axisprovider.sda" file with corresponding ".jar" files from Apache AXIS 1.4 and the deployement was successful. B

  • WEBI Prompt [Report Filter] Vs Query Filter

    Universe : OLAP Universe on BW Query BI 7.0 SP 15 Bobj xi-3.0 We have a BW variable for Plant on a webi report and if I use it the webi report runs in 10 seconds like BW query We have a webi prompt for plant [used to drill down from another report] a

  • Local laptop seller installed Windows which is not genuine.

    Hi! I claimed my hard disk warranty but my local laptop seller installed Windows which is not genuine. Do hard disk warranty also comes with original windows warranty?

  • Monitor all the events created by the server

    Hi Team, I need to create a mail alert when any new events generated (application and System) and any service started or stopped ( both manual or automatic)