Anamorphic match frame issue

Hi,
I am editing in a sequence set to 720 x 480 NTSC DV (3:2) Anamorphic with the Compressor set to DVCPRO50 - NTSC. When I match frame a shot in the timeline it comes up in the Viewer as non-Anamorphic and stays that way when placed in the timeline. I've tried to reset the item properties for the clip in the timeline to Anamorphic, but that doesn't change anything. Any suggestions how to rectify this? Thanks.
Jonathan

I read your thread, and it seems we have similar projects. I just finished logging 5 hours of footage shoot as: field footage was from a Panasonic 900 / 50bits rate / 30 frames / 16x9. I logged this as: anamorphic DVCPRO50. I have not really started editing yet, but it does seem to behave as you described. I don't know if this is normal or not, but if there is some one out there that has some info, this would be great.
Just a thought, are you editing in (White mode)? I have read that its better to use this mode in place of super-white. Not sure of the reasons.
reply back

Similar Messages

CS6 Match Frame Problem, Sequence Clip vs Source Clip issue

Hey folks.
So, I'm on Windows 7, Premiere Pro CS6.
I've found an issue with Match Frame (Control F), it seems to be acting inconsistently. Sometimes when I double click on a clip in my sequence and hit F it brings up the sequence clip, other times it brings up the source clip (in the Source Monitor)
The problem here is that I'm placing markers on my sequence clips to line them up based on visual cues in the scene. This work fine for a while, but then, seemingly randomly, I'll double click a sequence clip and when I hit F it brings up the source clip, not the sequence clip. Now when I place markers they do not show up in the sequence because I'm marking the source clip not the sequence clip.
Anyone else encounter this? If needed I can try to capture video of this happening.
Thanks all,
~ James

Does this mean that it isn't possible to "Reviel in project", or otherwise locate a merged clip in the project window?
So far "Reveal in project", and "match frame", point to the same subfile of a merged clip... not very useful. What other options are there?
... A sad workaround is to type in the name of the merged file in the search frame at the top of the Project pain.
I guess this one for the feature request list.

Match Frame for Subclips

So after I make a sub-clip from a piece of media, and having it in the source monitor try to match frame to it's parent clip, I don't know and can't find a command to do this. Help, and thanks in advance.

Hey Kevin (and other community users)
I feel that this feature is extremely important to fix. I had conversations with Adobe representatives over two years ago about this problem and I think it is astonishing that it is not yet sorted.
In tandem with my career as a film & TV editor, I teach Avid MC and Premiere Pro for Soho Editors in London, and when conversations start amongst professional editors about how seriously we can take Adobe Premiere Pro in high-end work, this issue causes stunned reactions from other editors. The idea that there currently is no way to return the source monitor to showing the master clip (original source file) from a sub-clip on the timeline, is shocking. It is a stand out example of a single area in which PPro does not function in a manner befitting of a professional edit suite.
The only work-around that I currently teach, is to use the Metadata tab to show the file properties of the clip in the source monitor. Using this technique, at least an editor can find the audio and video components that made a sub-clip, prior to a merge operation or simple sub-clip creation.
It is simply an essential operation of a software edit suite, that one can return to the exact location and timecode of an original clip, no matter how many layers of sub-clipping have occurred. From the timeline, a match frame operation should return you to the subclip in the source monitor, then when the operation is repeated, it should return you to the master clip.
I urge everyone involved with the development of Premiere to fix this as the highest priority.
Thank you.

"Reveal in project" greyed out and match frame problems (Premiere Pro CC 7.0)

I'm trying to reveal a clip in project window by right clicking a clip in timeline and choosing "Reveal in project", but the function is greyed out. Is it because the clips are merged? The clips have one track of video and 1-3 audio tracks depending on clip. When option+right click either only video or audio, i get the "Reveal in project" available, but when clicked, nothing happens.
I also have problems with match frame. When i put a new (merged) clip on the timeline, it works, until i try the match frame again on different time. So it kind of works only on the clip that was previously edited to the timeline, and only once. Works fine with regular clips.
Clips were merged using in or out point as the sync point, and "Remove audio from AV clip" checked. Audio and video sources don't have matching timecodes.
I'm using CC 7.0 on Mac OS 10.7.5.

Is it because the clips are merged?
Yes. Match Frame does seem to have issues with Merged Clips as well.

Match frame using multiclips - 2Qs

Sorry if this has been asked before. My lame attempt at a search didn't uncover an answer.
I'm working on a project shot anamorphic with multiple cameras. When I match back to a multiclip it reverts each clip to 4:3 and when I edit into the anamorphic sequence it cuts it in as 4:3 and then I have to remove attributes (distort) and then it is fine. Also, if I cut to a differnt angle of the same mulitclip the new angle is 4:3. The assists are telling me this is a bug of FCP 6.
Is there a way to fix the multiclips?
Am I doing something wrong?
This never seemed to happen before.
Thanks.

My advice would be to open the manual and put "match frame" into the search box or look in the index.
FCP is not Avid, whatever that is, and you're going to want to unlearn a bunch of your previous system's shortcuts and workflow routines. Wait till you try media management in FCP! Oy.
Welcome to the family. You're going to love FCP, you're going to hate FCP.
bogeisan

Dropped frames issue on a G5 2.7DP w/DV footage

Let me first tell you my setup:
G5 2.7 DP
8 GB RAM
WiebeTech TrayDock eSATA 4-bay drive enclosure w/Sonnet 4+4 eSATA PCI Card
(2) 400 GB Seagate Barracudas in the enclosure RAIDed in a striped config using Apple's Disk Utility
10.4
FCP 5
At seemingly random times, playback from the timeline will stutter and stop, thus throwing up the dropped frames dialog box. If I re-play from the same point, it will normally play. This has happened on several current projects in which I'm working in DV. I've also worked on a project in 8bit uncompressed using my Kona LS card with the same drives, and had the same error.
I've had this issue ever since I setup this system--from the first install of FCP5 to the most recent update of 5.0.3, as well as from 10.4.2 to 10.4.3. I've tried turning off the internal Airport card in the G5, and quitting all other programs.
There is a little utility that came with the Kona card to test data rate of your drives. I'm getting well over 100 MB/s Read, and slightly less write rates, so it seems like drive speed isn't an issue.
What is the weak link here? WiebeTech was nice enough to send me a replacement eSATA PCI card, and the issue hasn't gone away, so it wasn't a bad card, although I guess there could be some flaw inherent in all of the cards.
What other steps should I take to try and isolate/solve this problem? This is kind of embarrasing that I can't play DV footage on the timeline without the possibility of dropping frames--even when working with only one layer of video.
I'm capturing video to the eSATA RAID, and my project files/graphics reside on an internal SATA drive in G5 (not the boot drive--I added another seagate 250 gb). Seems like there should be enough throughput in this thing to handle basic edits, but I'm beginning to have my doubts....
Your ideas?????

Clay,
Regarding your statement "My thinking initially about my workflow was to not keep them on the same drive as the footage because my feeling is that the RAID isn't as "safe" as the single 250 GB drive I have inside the G5".
I store all of my media, GFX and project files on whatever FW drive I happen to be using for a project. I NEVER have media for a specific project on two or more drives. For safety's sake, I ALWAYS have my Autosave Vault set to my internal drive, with a relatively high save rate (every 10 min). That way if the FW drive ever failed completely, I'd at least have a recent copy of the project file to work with (even if I have to redigitize the footage or redo the GFX). All I can say is keep all of your media (per project) on one drive - it's been kind of the Bible in this industry for years, and as far as I know it hasn't changed.
As far as RAID's go, I'm no expert. But if I remember correctly, back in my old Avid days we also used to avoid having the media on different striped partitions - something else you may want to try if you're media is spread across a few stripes.
It seems like I've run across more than a few posts here regarding the same problem happening on Dual 2.7's. You may want to do a more thorough search here to see what you come up with. All I can say is I'm running FCP 5.0.3 on a G5 Dual 2.0 with only 2.5 meg of RAM and have had no dropped frame issues.
Try Matt's suggestion of playing some footage off of your boot drive (NOT recommended for everyday use!). If it works then it's got to be a problem with your RAID and not FCP.
Good Luck!
jeff

How to overcome "dropped frame" issues on my project

Hey reader,
I have a MacBook Pro 2.4GHz with 250GB hd (85GB free just now) running 10.4.11, FCE HD 3.5 (and QT 7.5.5) and using a Sony Handycam DCR-HC96 (which is works BEAUTIFULLY with iMovie 08 and 6 and is always used with Sony tapes) and I am not able to "capture" the tape content to my MacBook Pro because of the "dropped frame" issue.
The camera is connected to the external hard drive chain via Firewire cable to the MacBook Pro and I was trying to capture to the internal hard drive. I am in the UK and am still struggling to get my head around the different frame rates but initially I got the dreaded "dropped frames were encountered during the last capture attempt" and it just wouldn't work, so I unselected the report dropped frames tab and abort capture in User Preferences as was suggested on here.
Now I get "Capture encountered a problem reading data on your source tape. This could be due to a problem with the tape. Capture has been aborted and your clip has been saved" but the tape is fine (heads are also clean) as I had to (under time pressure, me) use iMovieHD 6 instead and it worked like a CHARM.
What can I do to use this software?
I KNOW I can import the iMovie footage but the disadvantage is the eternal rendering, I guess. I only ever used it once (because of its difficulties) and that was for pre-existing footage from iMovie and it was OK if not perfect. Just had to have a few hours extra for the constant rendering in preview...
Should I try to capture to one of the external hard drives? I read that the internal might be a problem as it is busy with the operating system jobs.
Please and thank you.

I got some dropped frames last night and posted this before noticing your post:
There can be a number of reasons for getting dropped frames during capture.
Yesterday I videoed a relative's wedding (in HDV) and on getting home late I captured the footage into FCP 6.0.3 only to find in a couple of places I got an abort on dropped frames.
This morning I decided to recapture and did so without a single dropped frame.
Why ? ......... there are several possibilities.
It could be that there was some physical problem with the tape or camera heads but I believe it was most likely caused by my camera's power supply.
Last night I used the battery whilst this morning I plugged in the power connector.
I feel that this provided a more constant supply of full power and helped prevent frames from being dropped. (The fact I was using FCP is immaterial as the dropped frames would almost certainly have also occurred in FCE).
From now on I will always use the power connector during transfer to and from the camera.

Match Frame

New feature: "double-clicking a track item in a sequence will automatically perform a match frame to the playhead position when it is parked on a frame within that item", what this mean?
Hi, i just got the new version CC 2014 in my work and was just wondering whats that feature means, since when i double click a clip in the timeline it won't perform a match frame, will just open the clip in the source monitor.
So what this feature means?
Thanks
[Please choose only a short description for the thread title.]
Message was edited by: Jim Simon

since when i double click a clip in the timeline it won't perform a match frame, will just open the clip in the source monitor.
That is what it means. Notice that when you double-click on the clip in the timeline, when it opens in the Source Monitor, it opens on the same frame that is showing under the playhead.

Match Frame in Avid equal to ... in FCP

Hi, All,
When I was using Avid, there was a button called Match Frame. Once I highlighted a clip on the timeline and right-clicked Match Frame in Avid, it would show the clip on Viewer and Browser.
I wonder if FCP has the similar function. The situation is that when I have a clip on timeline and suddenly want to trace back and review the original clip on Viewer, for now, I have to find it from Browser manually. I wonder if there is another faster way in FCP.
Thanks.
King

My advice would be to open the manual and put "match frame" into the search box or look in the index.
FCP is not Avid, whatever that is, and you're going to want to unlearn a bunch of your previous system's shortcuts and workflow routines. Wait till you try media management in FCP! Oy.
Welcome to the family. You're going to love FCP, you're going to hate FCP.
bogeisan

Speed dow, slow motion, match frame

Firts thanks for read my question. So here is my problem I want to slow down a clip but I don't want the clip to move all the other clips, so I read a tutorial about match frame (Final Cut Pro - Speed Changes with Match Frame) so that's what I want but the probelm is that when I do the match frame and replace the clip plays short don't play entirely to my out point. So I would explain my self more cleary supposedly I have a shot of a garage door opening so my in point is the door closed and the out is the door open what happend is if I enter f (match frame) clic on the viewer window comand-j speed change 50% then canvas replace the clip plays at 50% the other clips stay in the same position but the clip only plays until the garage door is half way open.
so is posible to do a speed match frame that play all the clip?
Thanks

I know what you mean, I end up with an extra frame if I set an in and out point then insert/overwrite replace or superimpose.
I find the quickest work flow is to
0. mark the in point at start of clip
1. copy the clip, command c
2. go to the end of the sequence, end
3. paste clip
4. change speed, look at duration of clip, change speed %, command j
5. change duration back to original duration,
6. cut clip from end of time line,
7. return to in point and paste clip.
I find this does give me control over the clip, does not affect the timeline and is frame accurate.
I agree you should be able to change the clip speed without affecting the duration.
The alternative is as Andy described, fit to fill, here is an alternitive way of doing/describing this process;
adjust the out point of the clip to the new point you want,
move the clip out of the space on the timeline where you want the clip with the speed change to go,
place the CTI in the space where you want the new clip to go,
double click on the clip you want to adjust, opening it in the viewer,
drag the clip from the viewer to the canvas and the fit to fill option will appear along with all of the other options,
this will also do what you want, I believe there is no one click solution.
Someone please prove me wrong! I would love to be able to "command j" in to the speed dialog box, click on a check box that says keep duration or in/out points and simply change the duration.
Tony

Match frame and sequences

Hi Guys,
Another question from the avid to fcp transistion.
I made selects sequences and then edited from them into my cut, when I try to match frame back to the master clip I can't get past the select sequence.
Help, I can't figure it out, I know it's probably something simple.
Thanks

PW3 - don't cut from a sequence like that - you end up with nested sequences that way - this isn't an Avid. Instead hold down the cmd-key when you press F10 to overwrite, cmd-F9 to insert, in the contents of the sequence in your viewer, instead of cutting in a nested sequence. Then the match back will work as expected.

Match Frame Audio clip to find Video?

Hi
I have an audio clip in the timeline. Is there an easy way to find the original video that corresponds to it?
If I Match Frame to source it just brings up the audio clip to edit in the viewer. Doesnt give me the matching video.

In the Viewer, click on the VIDEO tab up on top.
Shane

Match frame from subclip to original full clip?

Can anybody tell me if it is possible to match frame from a subclip to the original full clip? When I match frame from a clip in my timeline that came from a subclip, the subclip loads into the source monitor. I can't find how to then match frame from that back to the original. I am relatively new to Premiere Pro, and this is a very very useful feature over in Avid land.
Thanks.

Thanks for elaborating.
You can achieve at least part of what you describe by making your subclips "soft." To do so at creation-time, in the Make Subclip dialog, uncheck the option "Restrict Trims to Subclip Boundaries." To convert an existing "hard" subclip, access the Edit Subclip dialog (Clip>Edit Subclip, or right-click>Edit Subclip, or define a keyboard shortcut and use that) and uncheck the option.
Soft and hard subclips behave differently in two notable ways:
when you doubleclick a soft subclip in the Timeline, the Source Monitor loads the whole clip. The zoom/scrub bar is zoomed in to the In/Out range of what's used in the sequence, but you can zoom out to view the whole thing. Note that Match Frame does not load the clip in the same way--you're not able to zoom out. However, double-clicking a clip automatic matches frame (if the playhead is over the clip you clicked).
You can trim out beyond the defined Subclip Boundaries, either in the Timeline or Source Monitor.
Now, if you want to create a completely new subclip for a different segment, there's no direct command for that, but it's achievable through a series of steps that you may find easier than restarting from the original master clip. (Almost all of the following commands can be executed via keyboard shortcuts.)
Reveal in Project (from Timeline or Source Mon)
Duplicate
Load the dupe in the Source Monitor
Edit Subclip
Select the option "Convert to Master Clip" checkbox and click OK.
At this point, the whole clip will be loaded in the Source Monitor, zoomed to the subclip's In/Out range but without In/Out points set. You can set new In/Out points, then save a new subclip.
As to why PPro does not maintain a master/sub relationship, I'm afraid I have no clue. I'd say it merits a feature request--both to maintain the link and, naturally, to provide a way to jump from the subclip to the master. You can submit such a request here: http://www.adobe.com/go/wish

Match Frame in Multicam

Hello,
i am a proffessional video editor. I use Avid Media Composer for about 12 years.
Two weeks ago i began to try Premiere Pro CS6 and i have a question about the multicam feature.
I can say that you `ve done good work!
Although i need your help.
I needed to use match frame on the sequence so i could find the sourse footage and didnt work...
It always gave me the multicam source frame, but i wanted the original source frame.
Is there any such feature?
Thanks in advance!
Stavros

Interesting... I thought I had a work-around but I just tested it and it doesn't work! Hopefully someone else can expand on this.
I know that the "match frame" will always show the multicam source (not the original clip source) because a multicam sequence is looked at as a nest. What I **thought** (and was wrong) was that by opening the multicam nest in the timeline and performing a "match frame" on that, the original source frame would be found. But it wasn't. In fact, it didn't do anything. Now I'm thinking it was "confused" because thre were (in my test) three video tracks open and enabled. But even if I disabled everything but one track, the "match frame" still didn't work.
One thing that will work (though it's more trouble than it's worth), is to use match frame to locate the timecode in the multiclip and then type that into timecode indicator of the multiclip nest in the Timeline.

Official comment from Apple about the drop frame issue?

Is Apple going to firmware fix the skipping drop frame issue on the Apple tv?
Or is it hardware related?
Too many of us seem to have experienced this issue for it not to be addressed.
It shouldn't be difficult to fix.
My 1st gen atv was fine.
I should have kept it.

Hopefully it can be fixed. Seeing as Apple has not even acknowledged it I returned mine yesterday since I was coming up on my 30 day return deadline. At least this way I'm not stuck with a device that has a hardware issue.
As of yesterday I have seen this issue on 10 different New Apple TV units, all on different HD sets, different network setups etc. Half of the owners had never noticed it. Two of those were adamant they did not have the problem and one of those still insisted they didn't after I spotted it multiple times. So while the issue has been present on 100% of the units I have seen, its not necessarily noticeable to everyone. I have noticed its much easier to spot on larger displays and when the display quality itself is higher, for example easier to spot on a higher quality 61" 1080p set than a lower quality 720p 26".
If you have the option I would return the unit. Worse case is your don't have the unit, which is not functioning 1005 anyway, for a short period and then grab it again if the issues get addressed.

Anamorphic match frame issue

Similar Messages

Maybe you are looking for