AVCHD/MTS Editing Issues in Premiere 2014

Greetings, folks. I am a newbie to this forum and to Premiere in general.
Background
I have a ton of .MTS files I have pulled off my Sony HDR-CX700 over the years and are now stored on hard drives, without any of the other associated files. In searching through this forum, as well as others, it seems that these files are supposed to stay together, as Premiere and other programs look for additional files as part of the AVCHD "wrapper." These files do play in VLC with sound and I do seem to be able to import them into Premiere. However, they don't seem to be able to be played or edited in any fashion.
I have attempted to convert them via Media Encoder (using various presets for YouTube, H.264, DNxHD), but that has merely yielded files that show the same behavior in Premiere. Specifically, I can see the file and it looks valid, but doesn't appear editable. I have heard some folks mention ClipWrap as a fix-all for this type of situation, but it seems crazy that there's not some solution already included as part of the CC suite. I am using CC 2014 version of both products.
Question
How can I get my .MTS files into a format that I can edit or what I am doing wrong in Premiere that is limiting my ability to edit them? Again, I don't have the option of copying the file folders over again, since, for the vast majority of them are gone forever. I just have .MTS files that play perfectly in VLC.
Any help or insight would be appreciated. Thank you!

Hi,
Please try this small step for one of the files. Change the extension of the file from '.MTS' to '.M2TS' and then import in Premiere.
I hope that works for you. Let me know the outcome.
Regards
Sarthak

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I have read several discussions already, about importing AVCHD MTS file in Adobe Elements (version 8), but I'm also confused a littlebit, so I would like to confirm if I'm correct.
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Hi could any one Help me !!! I have No SOund .MTS file in CC Premiere 2014

Hi could any one Help me !!! I have No SOund .MTS file in CC Premiere 2014

Rename the top folder your footage is in and import again.

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cheers
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Hey all! Happy 2011!
So this is my first post here and hopefully when this thread concludes with all your help we should be able to help a lot of people and save them the heartache that I have recently had to endure by stating these things in plain English. I have some questions at the end which I think could be answered very easily! Please, no gobbledygook!
It would be great if people in the know can confirm/deny or comment on my points so those that are in a similar position to me can save their time and just get on with it.
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After a lot of research on the internet I have come up with the following solutions and in brackets my thoughts on them. If anyone has any experience with them please please let me and other people know so I can get on with my life and editing these files.
a) Harass the people that make FCP 7.0 and make sure that the next update solves this stupid/idiotic/ridiculous oversight. (This could take a while but i think we should do it for the sake of future generations)
b) Someone could let us know about a workaround to this that may be the folder structure that FCP needs to be able to do L&T (needs to be simple so that everyone can do it. This would be the best short term solution until part a is completed)
c) Buy one of the converter programs such as ClipWrap, Toast Titanium or Aunsoft mts converter. If so which is the most/ least recommended and why? (Least desirable option due to requirement for extra program so extra faffing and extra cost).
Thanks y’all and keep up the awesome work!!
K*

2) FCP 7 can deal with AVCHD files via the Log and Transfer feature if you do it straight from the camera or memory card and can convert to ProRes 422 (LT)?
Yes.
3) Log and Transfer DOES NOT WORK if you move the AVCHD/.mts to an external drive without maintaining the folder structure?
This is true of ANY tapeless format.
4) What is required from the folder structure that makes FCP act this way?
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5) Basically I have f*ed it by doing the part 3 above which I think is the most natural thing in the world to do!
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a) Harass the people that make FCP 7.0 and make sure that the next update solves this stupid/idiotic/ridiculous oversight.
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b) Someone could let us know about a workaround to this that may be the folder structure that FCP needs to be able to do L&T (needs to be simple so that everyone can do it. This would be the best short term solution until part a is completed)
Easy. Shoot a small bit on another card. Look at the folder structure. Recreate that structure in your backed up footage. Often this will mean making folders with exact names, even if they are empty. But if they have files in them, even small ones, then the first backup you did might not work....because those might be some of the small files FCP needs in order to do the L&T process properly. Always worth trying though.
c) Buy one of the converter programs such as ClipWrap, Toast Titanium or Aunsoft mts converter. If so which is the most/ least recommended and why?
I highly recommend Clipwrap. Mainly because I haven't tried the others. But also because the author is always following the latest formats, and works hard to make sure his software works with them. It solved an importing issue I had with the Sony NXCam camera...within a week of me moaning about the issue.
Want a tutorial to walk you through the tapeless workflow in FCP? I have one. Tapeless Workflow for FCP 7 Tutorial You might know most of this, but watch it for other tips.
Shane

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You really aren't reading what we write.
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Video editing & playback issues: Adobe Premiere Elements 8

Hello all,
I have made several attempts at transfering HD video files from my camcorder to my PC and then editing.
When I try to play the transferred file, it is a little choppy and then gets worse as I edit it.
Here are my specs/config:
System:
HP Pavilion a6720y
Windows Vista 64 bit
NVIDIA GeForce GT 440
AMD Phenon 9550 Quad Core 2.2Ghz
6GB RAM
640GB SATA drive, 7200 rpm
Camera:
Sony HDR-XR150
Editing Software:
Adobe Premiere Elements 8
I copy the video files from the camcorder to the computer via USB 2.0.
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D

6GB RAM
PE version 8 is 32bit, so is not using all of your ram
640GB SATA drive, 7200 rpm
I edit AVCHD (with PPro) with THREE hard drives
My 3 hard drives are configured as...
1 - 320Gig Boot for Win7 64bit Pro and all program installs
2 - 320Gig data for Win7 swap file and video project files
When I create a project on #2 drive, the various work files follow,
so my boot drive is not used for the media cache folder and files
3 - 1Terabyte data for all video files... input & output files (*)
(*) for 4 drives, drive 3 all source files & drive 4 all output files
Search Microsoft to find out how to redirect your Windows swap file
http://search.microsoft.com/search.aspx?mkt=en-US&setlang=en-US
Trying to use only ONE Hard Drive for Video Editing
You are a music conductor, with a baton that you use to point to various parts of the orchestra... this is like Windows pointing to various parts of the hard drive to do Windows housekeeping or to load program segments for various functions
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You as a person cannot do both at the same time with the same hand
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I find that the three drives I use work very well for me, for editing AVCHD video... some people use a 4th drive, so video INPUT files are on drive three and all OUTPUT files are on drive four... I only bought a mid-tower case instead of a full tower case (my bad... but had to fit in the space available on my office desk!) so I use the three drives that will fit
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http://www.amazon.com/Thermaltake-BlacX-eSATA-Docking-Station/dp/B001A4HAFS/ref=cm_cmu_pg_ t

Sony AVCHD (MTS) shimmering lines issue (moire? aliasing?)

I have just started working with AVCHD / MTS source files (29.997 fps, 1080p) and have been experiencing a problem with shimmering straight horizontal or diagonal lines. The source files look fine, but upon exporting / converting to a common format for veiwing (e.g. H.264, MPEG2, FLV, etc), any detail in frame consisting of high contrast straight lines or sharp edges exhibit shimmering. High contrast horizontal lines and diagonal lines are the most problematic, though even the sharp, high contrast edges of lettering on placecards (panel discussion) have the same shimmering issue. Also, the shimmering appears as a change in brightness, i.e. light to dark, at a frequency of about 2 Hertz, though the frequency can vary slightly. I have tried converting from AVCHD / MTS to nearly every available export format available, tried all of the different frame rates available, and have tried using other available attribute variations, e.g. Profile, Level, Bitrate Encoding, Target Bitrate, Max Bitrate, Render at Max Depth, Max Render Quality, Frame Blending, etc.
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Schuyler Hupp
Austin, Texas
[email protected]

What are your Sequence settings?
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...common format for viewing (e.g. H.264, MPEG2, FLV, etc),
These are all compressed export formats... it might help to
elaborate on exactly what settings you have used in these cases.
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You might post 'before' and 'after' images to illustrate your issue.

Lightroom 5 file edited in photoshop cc 2014 does not appear back next to original after save. Is anyone else having this issue? If so what is the fix. The edited image appears back in lightroom in a new folder.

Lightroom 5 file edited in photoshop cc 2014 does not appear back next to original after save. Is anyone else having this issue? If so what is the fix. The edited image appears back in lightroom in a new folder.

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Just for fun... I attempted to move the edited file back into the original folder. I received a prompt that said the file already existed in the original folder, however I can't see it except the new folder that LR created. I tried several different sort orders, etc without any success.
*** Follow up: Was unable to resolve the issue using Photoshop CC 2014. Uninstalled PS CC 2014 and went back to using Photoshop CS6. Return trips from LR 5.7 to Photoshop is now performing as it should: returning edited photo back to the original folder in LR 5 and placing next to the original image.
Should anyone have a suggestion on getting Photoshop CC 2014 to do the same, I would love to be educated.
Thanks for the help, dj_paige.

The best Mac MTS Splitter-Editing/splitting AVCHD MTS/M2TS videos successfully on Mac

I have recorded a long video with Sony HDR-CX700 Camcorder, but there are some parts I would like to cut off. I once thought a video converter is a must for cutting videos.But I search for a long time , found may spliter and converter just for windows, no MAC. Yesterday, my friend recommended me try Aunsoft Final Mate for Mac. Not only can help me frame by frame cutting/splitting AVCHD without re-encoding, but also can help me convert mts to Apple ProRes and AIC codec for Final Cut Pro/ iMovie.
I think should have many users need a program that allows for (frame by frame) cut AVCHD MTS/M2TS videos files.If you are looking for any frame accuracy solution to do with the AVCHD videos encoded in MTS format on Mac, Aunsoft Final Mate for Mac is the best choice for you. This is the first Mac software which can help HD camcorders users to realize frame by frame editing/splitting AVCHD MTS/M2TS videos successfully on Mac.
Here I would like to demonstrate the simple steps to cut AVCHD MTS/M2TS videos files without re-encoding on Mac.
Step 1. Load AVCHD MTS videos to Aunsoft Final Mate for Mac.
- To load AVCHD videos from camcorder
Connect camcorder to computer with USB cable, and run Aunsoft Final Mate for Mac, you will be asked to follow the wizard. Otherwise, click the Camcorder button to load camcorder videos.
You can choose to backup the videos to computer or just import videos. Here we just select Import to add videos from camcorder to the program.
Step 2. Add MTS files for split with no recompression.
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Step 3. Split/Cut AVCHD video.
From the timeline, you may notice the vernier, which is used as time pointer. Click on the Vernier, and move to the timeline you want to cut, and click the "Split" button to cut the video. You may also click the Split button when the video plays to the point you want to cut.
Then click on segment you want to cut off from the timeline, and then click the Delete button next to the Split button to remove the unwanted part.
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read more
mxf products comparison
Ultimate Software Solution for MXF, P2 MXF
TransMXF Pro for Mac
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Final Mate for Mac
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I hear good things about ClipWrap. The other good one is Voltaic HD from Shedworx.
I suggest that you read their websites and choose the best one for you.
I think they have demo versions.
If you import directly from your camera, you don't need these.
Also, for future reference, you can use the Create Camera Archive feature on the Import screen. This will save your AVCHD files exactly as they are on your camera, but it will also preserve the metadata from your camera so that iMovie can import it later. It is a good way to save the contents of your camera at its original size and full quality.
When you import AVCHD into iMovie it is converted into Apple Intermediate Codec for better performance, but it will be a larger file size because it is less compressed.
With ClipWrap, you have the option to keep the file at its original size, but I would not recommend this for performance reasons. (But you can try it if you have a powerful Mac).

A series of video files (0001.MTS to 0005.MTS) were imported into premiere, when moved to timeline premiere combined them and made them look like one long clip nmed 0001.MTS. Multiple motion edits and opacity edits were made. When project manager moved th

A series of video files (0001.MTS to 0005.MTS) were imported into premiere, when moved to timeline premiere combined them and made them look like one long clip named 0001.MTS. Multiple motion edits and opacity edits were made. When project manager moved the project, the actual video content of 0002.MTS to 0005.MTS was missing(source clips are still there but they were playing and working as part of that 0001.MTS timeline clip before). Those parts of the 0001.MTS clip in the timeline were Danger Striped and can be relinked but now have no edits anymore. The edits are apparently only linked with the original 0001.MTS source clip but extend beyond the actual range of the actual source clip. At the time I thought it was weird that premiere displayed the whole string of clips as one (with one name and no breaks) but it all works in the original project file but cannot be transferred to another location without multiple clips showing Danger Stripes.I need to move it and preserve the dozens of motion and opacity edits linked to the apparently oversized timeline clip. HELP!! any ideas?
I did not nest any clips or sequences, premiere just seemed to combine the clips under one name when I moved them to timeline.
I am using CS5.

A series of video files (0001.MTS to 0005.MTS) were imported into premiere, when moved to timeline premiere combined them and made them look like one long clip named 0001.MTS. Multiple motion edits and opacity edits were made. When project manager moved the project, the actual video content of 0002.MTS to 0005.MTS was missing(source clips are still there but they were playing and working as part of that 0001.MTS timeline clip before). Those parts of the 0001.MTS clip in the timeline were Danger Striped and can be relinked but now have no edits anymore. The edits are apparently only linked with the original 0001.MTS source clip but extend beyond the actual range of the actual source clip. At the time I thought it was weird that premiere displayed the whole string of clips as one (with one name and no breaks) but it all works in the original project file but cannot be transferred to another location without multiple clips showing Danger Stripes.I need to move it and preserve the dozens of motion and opacity edits linked to the apparently oversized timeline clip. HELP!! any ideas?
I did not nest any clips or sequences, premiere just seemed to combine the clips under one name when I moved them to timeline.
I am using CS5.

HT5409 Can you turn this function off? I am having issues linking offline media(MTS files) in Adobe Premiere CS6

New imac with 10.8.4. With the new avchd coverter, I am not able to link offline MTS files in Adobe Premiere CS6. Any help would be greatly appreciated.

Adobe hasn't updated it's products to look inside the avchd packages.
You'll have to do it for them.
Right-Click on the avchd package (or whatever it is called). Choose Show Package Contents.
Keep digging into the internal packages in a similar way until you get to the folder with the mts files.
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Multi-camera AVCHD editing workflow in Premiere CS4

I have a client project that has me wondering what workflow to use and I someone on this forum probably has the expertise to know the right solution. My requirements...
1. Client is recording a scene using 4 cameras at once, like a live TV show is shot, all AVCHD footage, 1920x1080px 17mbs, square pixels.
2. I must playback in Premiere the 4 video streams in real time and choose one camera to output, like a director would switch a live TV show. So, all 4 streams are playing in Premiere's multiple-camera editing windows. Each show I'm editing is about 1 hour long. The advantage of multi-camera editing of course is I can play all 4 cameras at once and live switch between them in Premiere to arrive at a 1 hour show in 1 hour of editing time.
3. Until I can upgrade my hardware that can possibly handle 4 streams of AVCHD, I'm stuck needing a workflow to convert the original AVCHD to some lowres format, edit those offline low res copies to get my edit decision list, and then reconnect the online HDV AVCHD clips to export through Media Encoder for a final production. My output format is Flash F4V 640x360 px square pixels for Internet playback.
4. Hardware: I'm running Windows 7 RC using CS4 Premiere 4.1, 4gb RAM, 2.4ghz dual-core processor with 64mb Intel turbo boost on a notebook PC. I do have 4 hard drives to hold each camera's footage on its own drive, and a fifth drive to ouput the edited version to, in addition to a drive to hold my OS and Premiere. The external drives are connected via eSATA to the notebook.
Question 1: what do you suggest as the lowres format I should convert my AVCHD footage to for multi-camera playback/editing in Premiere?
Question 2: do you think it's even possible to buy a desktop PC that can handle playback of 4 multicam AVCHD native format files in Premiere in real time? I'm concerned this may be too much for even the most powerful systems, and I would need to resort to editing lowres footage even with the most powerful desktop. As you know, decompressing one or two AVCHD streams is taxing to a PC so 4 at once is a challenge.
Question 3: an alternative workflow would be to feed live video out of the HDMI connectors on the cameras into four HDMI capture cards (Intensity Blackmagic) and capture uncompressed HDV bypassing AVCHD compression altogether, but the disk space required would be substantial. Does this make sense? I've even considered feeding those 4 HDMI feeds into a video switcher between the cameras and PCs but the cheapest solution I can find that can provide genlock (frame sync) between the 4 cameras for clean glitch-free switching is quite expensive, thousands of dollars invested.

I must playback in Premiere the 4 video streams in real time
Good luck with that. Many folks have trouble with even one stream.
edit those offline low res copies to get my edit decision list
I'm not sure offline editing with AVCHD will be possible because of the folder structure. You may not be able to 'replace' the lower res copies with AVCHD.
My output format is Flash F4V 640x360 px square pixels for Internet playback.
Oh, man. Shooting HD of any flavor is just overkill that adds unnecessary work to the process. Have your client shoot in DV.

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I'm sorry for a MOST obvious couple of questions, but we need to get them out of the way...
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